Breaking The Code

Breaking The Code

Breaking The Code Rating

Click if you liked this article

8

“Rules are only important in cricket, and the scholarly editing of ancient texts.”

St. Jude’s players present “Breaking the Code”, a performance with excitable monologues, an engaging Alan Turing, and mathematical equations and theories. Add in a sprinkling of the still unanswered question of the use of artificial intelligence having human emotions, and you have a performance that spans decades. The focus of the story is not on solving the enigma for the World War II effort, but on Turing’s life before and after, offering glimpses of his home life, his love interests, and his struggles.

Brant Eustice shines as Alan Turing, with an expressive face, presence and passion on stage that brought Turing to life in the most positive, and almost reverent way. Jamie Black and Peter Davies are imposing in their roles of law enforcement, driven by the law and encouraging Turing to do what is right by it. David Lockwood is amusing and engaging as Dillwyn Knox – his humour and delivery both well-timed and enjoyable. Rhonda Grill and Tianna Cooper are both elegant and loving as Mrs Turing and Pat Green, respectively, bringing the women in Turing’s inner circle to life in a considered and respectful manner. Sebastian Hollingsworth and Nicholas Koulioubus bring their own variations of explosive passion to both the stage and Turing’s life – along with fun, impeccable wardrobes. Together, this cast is a perfectly balanced equation.

 

The stage is simple, but every inch has been meticulously set up, blocked out, and lit up in the most flattering and effective way to tell each chapter of the story … because each scene in “Breaking the Code” is a change of year and location, playing out like chapters. If you are not intimately familiar with the story of Alan Turing, I highly recommend picking up a program so you can follow along with the time jumps with more ease. You will have no problems knowing which location the scene is set at, with the visual aids on the back wall paired with the well-thought-out set layouts. Together with the simple lighting and minimalistic music which work seamlessly to set the tone, St. Jude’s players present a vibrant retelling of Alan Turing’s story.

For anyone worried they wouldn’t be able to follow along with the mathematics, there is nothing to worry about, because Turing does all the equations, and explains anything that is story-related on stage.

“Breaking the Code” is interesting, funny, and thought-provoking, even if you have already found yourself questioning artificial intelligence and human relations. You may even find yourself asking the same question as Turing did: Was God a mathematician?

To book tickets to Breaking The Code, please visit https://stjudesplayers.asn.au/.

Photographer: Tim Stoeckel

Spread the word on your favourite platform!

St Judes Players Presents: A Hard God

A Hard God

A Hard God Rating

Click if you liked this article

2

The St Judes Players give a very honest and touching performance of Peter Kenna’s ‘A Hard God’. Set in the 1940s, the play meanders through the lives of three brothers: Dan, Paddy, and Martin. They hail from an Irish Australian Catholic family. It follows their struggles to reconcile their Catholic faith with the challenges of life.

Harry Dewar’s direction of his stellar cast takes the audience on a journey through social challenges for the Catholic family, from domestic violence and gambling to homosexuality. With an injection of comedy and passive aggression from Aggie (Dan’s wife) played by April Stuart the inspection of these heavier topics are tackled with lightness. Lindsay Dunn’s portrayal of Dan Cassidy was authentic as the solid character which his brothers, look for stability.

The three portray a very convincing sibling dynamic. Jamie Black portrays the shadows from Martin’s past with a sensitivity and depth. Chris Dewar plays the younger desperate brother Paddy as he avoids and runs from his aggressive gambling wife Sophie.

Monica the wife of Martin is played by Rebecca Gardner. Rebecca Gardner is on point as Monica, a woman staunch in her religious ideals imposing her views upon Aggie and the remaining brothers. A solid synergy between the family members had the audience giggling as the dynamic played out on stage with a fantastic set design.

 

There is a very sensitive and tender portrayal of Joe and Jack as they face the dilemma of their feelings for one another with the confusion of puberty and the backdrop of their Catholic faith. The pair draw in the audience to feel their agony as they stumble poorly through difficult conversations about their feelings for each other and the demise of their friendship. The contrast between the parallel stories was executed well with the contrasting lighting and sound.

This is an important, thought-provoking play about religion and family. The St Judes Player, under the direction of Harry Dewar, has done a fabulous job of bringing this play to life.

With closing weekend already upon us, so do not waste time…be sure to grab your tickets to one of the last few remaining sessions whilst you still can @ https://stjudesplayers.asn.au/bookings/

Remaining Sessions

  • Thursday, 14th November @ 7:30pm
  • Friday, 15th November @ 7:30pm
  • Saturday, 16th November @ 2pm
Spread the word on your favourite platform!

Spread the word on your favourite platform!

St Jude’s Players Presents Silent Sky

Silent Sky

Silent Sky Rating

Click if you liked this article

1

Silent Sky is a historical dramatisation of the life of Astronomer Henrietta Leavitt written by American playwright Lauren Gunderson. It is an important story about the unique challenges surrounding the pursuit of achievement, particularly for women.

It explores the difficult decisions Leavitt faced in pursuing knowledge and fulfilling expected societal roles. Set during a time of social change in the early 1900s, the themes are still relevant today in many ways.

Henrietta Leavitt, born in 1868, discovered a relationship between the luminosity of pulsating stars known as Cepheids and distances. Her work is intrinsic to understanding the magnitude of the universe and is relied upon by Edwin Hubble, amongst others.

A sparkling cast of four women gave strong performances. Brittany Daw, as Henrietta, the protagonist of the play, was very endearing. Brittany balanced Henrietta’s strength with her humanity in the challenges she faced. Tianna Cooper, as Margaret, juxtaposed Henrietta so beautifully as a woman with a different sense of purpose.

Joanne St Clair’s performance as Williamina Fleming was excellent. Her Scottish accent was fantastic, and her delivery of Williamina’s flawless punchlines was spot on. Deborah Walsh’s performance as Annie Jump Cannon, a strong supporting female role, delivered comedy, strength, and warmth—a difficult combination executed perfectly.

Josh Van’t Padje, as Peter Shaw complimented these twinkling stars with his own stage luminosity, jumping well from a harsh Harvard supervisor to a coy suitor and eventually a somewhat confused and heartbroken man.

The set design, music, and lighting were particularly well executed, particularly with the abstract nature of the scene transitions and locations. I must confess I was particularly impressed by the majestically sized telescope centre stage! The costumes reflected the period well. The performance was well received by the audience.

Overall a stellar performance of Silent Sky by the St Judes players and Director Lesley Reed. St Judes Players community theatre group in Brighton has its 75th Diamond Anniversary this year. Silent Sky’s production is a twinkling diamond achievement for all involved.

I would recommend it to everyone. It is an inspiring, witty, and warm depiction of the challenges women face in following their dreams.

Don’t miss out – there are only two shows remaining, the 16th & 17th of August!

For Bookings:-

Telephone: 0436 262 628
Email: bookings@stjudesplayers.asn.au
www.stjudesplayers.asn.au

Spread the word on your favourite platform!

Spread the word on your favourite platform!

Subscribe to What's The Show

Reviews, show news and what is on, straight to your inbox.