A Twist Of Fate Christmas Special

A Twist Of Fate

A Twist Of Fate Rating

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T’was the night of Scary Goats Theatre’s A Twist Of Fate Christmas special. All through the Motley Bauhaus cellar, such a merry and full audience was stirring that you wouldn’t have guessed that the company only kicked into gear roughly a year ago. Having seen a past Twist Of Fate season in May, I understood the format and was keen to see more: a series of four short plays inspired by The Twilight Zone and centred around a devastating twist. After only half a year, I was delighted to see that the company has further honed a unique brand of camp, engrossing indie horror with a pool of talented writers and actors.

The night opened with Emily Morey’s play ‘Naughty Nicholas’, in which a little boy is threatened with ‘no Christmas’ after setting fire to the family Christmas tree. He decides to build his own robotic Santa to wreak vengeance on those written on his personal naughty list. The physical acting from all cast members, from the ‘children’ to the janky mechanical Santa, was delightful. While some of the fighting between the main character and his sister felt a bit rushed, it wasn’t enough to detract from the story. I found myself wondering if the boy’s character was too unsympathetic, but luckily, it turned out his abominable Santa had similar concerns…

The second play, ‘Prisoners of the Season’ (written by Lore Burns) opens on four soldiers tied up by the wrists and neck with no memory of who or where they are. It was easy to guess the twist, but the fun came from watching the characters slowly figure it out. Once again, the physical acting was a highlight, and the ensemble’s sense of comedic timing was immaculate. Some of the actors had false moustaches that came loose, but the way the performers leant into and improvised around that gaffe was downright impressive and had the audience on their side in a heartbeat.

‘Office Party’ by Richard Mealey takes place at a Christmas celebration in an office that just so happens to be run by the offspring of the Christmas demon Krampus. As a holiday treat, he tempts Dylan, the office dogsbody, to punish a coworker who almost definitely killed someone for fun. This play was my favourite in terms of its writing and direction. It signalled a darker turn as we saw commentary on toxic masculinity and what is deemed as acceptable in corporate environments. The context and stakes were revealed in a gradual and satisfying way, there’s some fun puppeteering when ‘Krampus’ appears in the story, and the set and sound design were used very effectively to create a creepy build to an eerie ending that left me wanting more.

 

 

The final play, ‘Nineteen Eighty Clause’, was directed and written by Chloe Towan, who also emcees the Twist Of Fate series. A bunch of Christmas elves work tirelessly yet happily in Santa’s factory until one worker, Jangles, becomes so sleep-deprived that she starts hallucinating. This leads her to discover – with the help of a rogue elf named Sparky – that everyone in the workshop has been brainwashed into working for Santa, who turns out to be a cartoonishly cruel gangster. The corporate satire here is much more pointed and turned on the audience as we are made to question our own consumption habits around the holiday season. The romantic chemistry between Sparky and Jangles felt a bit contrived, but as the play itself points out with a fakeout ending: it’s Christmas, and a bit of positivity is sometimes needed to get us through the dark times. Overall, the social commentary is sharp while still having an optimistic message.

After five seasons of A Twist Of Fate and two Melbourne Fringe shows this year, this Christmas edition of Scary Goats’ most popular series felt like a well-deserved victory lap. Chloe Towan and her collaborators showed how they have earned their stripes by consistently creating tongue-in-cheek horror that pushes the constraints of indie theatre spaces without bursting the envelope. I cannot wait to see what they do next year, and I’ll certainly be looking forward to more than a few twists in their shows.

To book tickets to A Twist Of Fate, please visit https://www.eventfinda.com.au/2025/a-twist-of-fate-christmas-special/melbourne/carlton.

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A Twist of Fate

A Twist of Fate

A Twist of Fate Rating

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As someone who has a love for the unusual (think Black Mirror, Supernatural, The X-Files), when this show landed in my inbox, I immediately jumped at the chance to see it. A Twist of Fate was advertised as ‘4 short plays, 4 devastating twists’ and I ouldn’t help but wonder if this series of plays lives up to the shows I so loved? Shows that provided such comfort to my younger self?

So, entering the Motley Bauhaus, surrounded by bricks and nestled in an old theatre seat far comfier than those of today, I waited. And in succession I watched Bestow, Mr Moore Wants Less, Mr Id and Possession.

Each of these plays made me either cackle in delight, widen my eyes or, pleasantly, a mixture of both!

Bestow had an infectious sense of comedy, of power, of understanding how to mix both the unusual and the highly relatable into one. I saw myself in all the characters and was totally hooked through each scare and each comedic beat.

Mr Id had more energy than a toddler after 3 lolly bags and I must give a commendation to Liliana Braumberger who played the title character for solidly keeping this energy. This was a play of moral dilemmas, sponsorships (that became increasingly more silly) and heart.

 

 

Possession was both innocent and curious, in a way that makes you almost feel pity for the title character. This is, of course, until the end twist. I swear I heard jaws drop to the floor and I really commend Kate Weston on holding the stage presence of the most delightful (and perhaps most twisted) little girl I have ever seen.

However, my favourite of the plays was Mr Moore Wants Less. Each scene, each character, each ridiculous scenario knew how wild it was and revelled in it. It also caused me to think, in the best way possible and genuinely felt both heartwarming and completely bonkers. This is one of my favourite combinations and was beautifully presented on stage.

As the Producer of Scary Goats Theatre, Chloe Towan played host to this tremendous piece of stage work. Towan was invested, intrigued and played the perfect disturbing narrator. It’s also a delight to see a company that works with many people in many roles. No-one really wears one hat. Each person played a significant role (if not multiple roles) in putting on a show that was unsettling, thought provoking and giggle-inducing in writing, acting, directing and more.

This show created not only a sense of community, but also a sense of beauty. And if this is the future of Melbourne Independent Theatre, then I cannot wait to see more. This show knew what it was, how to deliver and how to make the most fun out of it all. So, did it meet my expectations? No, it fully exceeded them. And maybe, just maybe that’s my own Twist of Fate….

To book tickets to A Twist of Fate, please visit https://linktr.ee/scarygoatstheatre.

Photographer: Kieran McNamara

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