The Mountain – Fjallið (Scandinavian Film Festival)

The Mountain (Scandinavian Film Festival) Rating

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Director and Screenwriter Ásthildur Kjartansdóttir’s third full length feature is about grief, dealing with loss, guilt and growth. Filmed in the sparse beauty of an Icelandic autumn, it is a cosmic journey that handles these themes with sombre grace in this excellent film well worth the audience’s engagement.

Set in the port town of Hafnarfjörður, a town outside Reykjavík, Maria (Sólveig Guðmundsdóttir) an Astronomer, has planned a family trip to the highlands of Iceland to photograph what she hopes is a comet. When the weekend arrives however her husband Atli (Björn Hlynur Haraldsson), a one-time guitarist but now an Electrician stuck on a job with a client he despises, informs her that he has to work all weekend. Their nineteen-year-old daughter Anna (Ísadóra Bjarkardóttir Barney), an aspiring Musician, also informs her mother that she can’t go because her band will be performing on the weekend. Maria travels by herself but has an unfortunate accident and dies, which triggers a path of grief and guilt for both Atli and Anna. It also starts them on other paths as they deal with her loss.

Björn Hlynur Haraldsson, probably best known in Australia for his role as Pétur in the outstanding Lamb (2021) and as Dries in Northern Comfort (2023) shines in the role of Atli. Haraldsson’s portrayal of the grieving husband on a personal journey deftly depicts the wide range of emotion that Atli transverses in a very skilful manner.

 

 

The role of the daughter, Anna, is correspondingly exceptionally portrayed by Ísadóra Bjarkardóttir Barney. The Mountain – Fjallið marking her debut in a major film role, having previously played the minor role of Melkorka in The Northman (2022) (which also featured her actual mother, Musician/Actor, Björk, as Seeress, the blind sorceress). The scenes with Björn Hlynur Haraldsson outstandingly highlight the father and daughter relationship in crises.

The other roles of the mother, Maria, played by Sólveig Guðmundsdóttir, and Anna’s boyfriend Kári played by Vilberg Andri Pálsson are also portrayed very well as are the other roles by all the cast. Cinematographer, Bergsteinn Björgúlfsson, takes full advantage of the light and shades of the Icelandic landscape. For the indoor scenes he impressively utilises outside natural light as a focus for the action of the scenes.

The Mountain – Fjallið is the first officially vetted sustainable production in Iceland noted for “marking a significant milestone and contributing to the establishment of a standard for sustainability in the Icelandic film industry”, and has been awarded the prestigious Green Film Sustainability certification.

Although only her third full length feature film, Ásthildur Kjartansdóttir is a veteran Director of Photography, Producer, Sound, Editor, Script Supervisor, Writer, and Producer, The Mountain – Fjallið sees her at her peak power in this first-rate film. If the rest of the films in the Scandinavian Film Festival are of this standard, then it will be an outstanding Festival.

Reviewed by Rob McKinnon

Rating; 8 out of 10
Genre: Drama
YouTube trailer: https://scandinavianfilmfestival.com/films/sca25-the-mountain

To book tickets to this, or any films in the Scandinavian Film Festival, please visit https://scandinavianfilmfestival.com.

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Querencia Calling

Querencia Calling

Querencia Calling Rating

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For the first time PitchWhite Productions’ latest play is not written by PitchWhite’s founder Lochie Daniel but instead the company has embarked in a new direction of performing the works of other writers as well as Daniel’s plays and Querencia Calling is the launch of this change.

Querencia Calling is Writer Sharyn Henderson’s first full-length play. Her passion for theater began in 2023 writing and performing monologues and short plays in a “rehearsed reading” format with the Scratch Night writing program in Sale, Gippsland. During the writing Henderson collaborated with dramaturg Brooke Fairly through Melbourne Writers Theatre’s Page to Stage program and this partnership has produced this first-rate debut. With this splendid material local directorial stalwart Geoff Brittain (fresh from productions with the Therry Theatre, St Jude’s Players, The Adelaide Repertory Theatre and others) does a very good job in coordinating it with the outstanding cast in the space allowed at the Star Theatre.

 

 

The play draws forty-something long term friends Clare (Alicia Zorkovic), Belinda (Georgia Stockham), Meredith (Perrin Abbas) and Simon (L. A. Foale) back together in a bar after being separated for a period of time. Clare has just returned from nursing in England, Meredith has been promoting her latest novel, Belinda has been juggling the needs of four children and her husband and Simon is fresh from a relationship breakup. In their reunion the friends are missing Emma (Cheryl Douglas), who has been the glue of the group, helping each of them in many ways throughout the length of their friendships. They look to Emma’s closest friend in the group, Belinda, for an explanation for Emma’s absence but, with annoyance of Emma missing Belinda’s son’s eighteenth birthday party, she doesn’t know what has happened. Emma invites the friends to her family-owned cabin for the weekend which they accept to find out what has happened to their friend.

The limited space of the Star Theatre doesn’t hinder the flow of Querencia Calling, instead it brings the audience closer to the actors in a more intimate fashion. Sometimes productions of this nature can clank around the empty spaces of larger halls. Similarly, due to the confines of the space, the set is kept to a minimum however limits of the staging are overcome by the skills of the actors. Georgia Stockman is outstanding in her loud and bold portrayal of Belinda. L. A. Foale is also very good as Simon and the rest of the cast handles all of their roles well.

The songs used in addition adds to the reunion feel of the production incorporating REM’s Losing My Religion, Spice Girls, Shania Twain, Chumbawamba, Los del Rio’s Macarena and others.

Sharyn Henderson says her “play is about human connection. It urges us to listen – both with curiosity and kindness – to what is said and left unsaid.” Geoff Brittain says the play reminds “us of the power of connection to lighten even the heaviest of loads.” Querencia Calling is excellent and is definitely worth seeing before the end of its limited season.

Reviewed by Rob McKinnon

Rating; 8 out of 10

Querencia Calling runs to 28 June 2025; remaining session dates and times are as follows:-

– Thursday 26 June 2025 7:00 PM – 9:00 PM
– Friday 27 June 2025 7:00 PM – 9:00 PM
– Saturday 28 June 2025 1:00 PM – 3:00 PM
– Saturday 28 June 2025 7:00 PM – 9:00 PM

To book tickets to Querencia Calling, please visit https://www.trybooking.com/events/landing/1385333.

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