A Playful Parody – Potted Potter Returns to The Seymour Centre

A Playful Parody – Potted Potter Returns to The Seymour Centre

Potted Potter Rating

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What began as a skit in 2005 to entertain people lining up to buy Harry Potter and the Half-Blood Prince in a London bookstore has become Potted Potter, a smash hit sell-out show all around the world. This modest five-minute skit grew to incorporate the first six books in a one-hour show in 2006. Creators Daniel Clarkson and Jefferson Turner expanded their show in 2007 to include JK Rowling’s seventh book, which is where the magic lies in this current form.

It’s easy to see how Potted Potter has outlasted other parodies over the last 17 years. The formula is simple – make your audience laugh! And laugh we did for almost all of the 70-minute performance. There were audience members of all ages, from kids dressed up in their favourite Hogwarts house uniform as others donned witch’s pointy black hats to parents and the older generation attendees. At times, it was similar to a kid-friendly ‘clean’ stand-up comedy set, complete with a lot of audience participation and laughs. One part I shan’t spoil had the audience involved in a group game.

The script was deceptively clever, delivered in a rapid conversation between the two characters, Brendan and Scott. Despite the fast narration, there were no fumbles or tripping over the quick-witted lines. Paired with comedic physicality and perfect timing, the character’s expressions sometimes gave away their surprise when interacting, hinting at some smart stage improvisation. This appeared to keep the script fresh and was delivered so well that it was hard to tell whether it was improv or really good acting. Either way, it worked. They cleverly wove in lines that were particularly Australian too, at one time referring to the ‘bin chicken’, which made everyone laugh.

The set design by Simon Scullion was purposely basic, which didn’t place them at Hogwarts; rather, it added to the charm of a parody. The same was true for the costumes and props used. It was like Turner and Clarkson raided their dress-up and toy box at home and used what they had, such as a stuffed snake and various wigs. Rather than detract from the performance, they added a comfortable charm and a good spice of fun to the Potted Potter experience.

Composer Phil Innes created an air of Harry Potter expectation as the audience was being seated. The music as each book tale begins is cute in the repetition.

The performance also featured some magic, as expected from a book about this topic, as well as a hilarious musical duet complete with a dance break between the two characters to close the show. One of my favourite lines delivered by a ridiculously dressed character was, ” Look it up in the book of cool.”

This quirky performance of Potted Potter will appeal to people of all ages if you expect a lighthearted and quick tour through the seven books’ plot points.

Do you need to have read all seven books to enjoy this performance? No, not at all. It certainly referred to certain things that people who love the Harry Potter series would quickly understand; however, those who hadn’t read all the books gained an understanding of what was going on easily. The characters were all there, in fine form, represented by the two actors.

Potter Potter An Unauthorised Harry Experience is playing at The Seymour Centre, Sydney, from 12 – 21 April and will tour Melbourne, Adelaide, and Perth throughout May.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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French Film Festival – The Book Of Solutions

French Film Festival - The Book Of Solutions

The Book of Solutions is a quirky, sometimes funny, sometimes confusing comedy-drama from writer-director Michel Gondry, who is best known outside of France for directing Eternal Sunshine of the Spotless Mind.

The story centres on Marc, a paranoid filmmaker with a narcissistic personality and an incredibly creative but highly distractible mind, which borders on the pathological. To prevent the studio from shutting his film down, he and his crew steal the footage and retreat to Marc’s aunt’s house in the country to finish it.

Marc spends most of his time there, avoiding watching his film whilst restlessly pursuing whatever idea takes hold of his mind at the moment. These pursuits range from being elected mayor of the rural town to filming an ant for three days to creating a soundtrack for his film by gracelessly conducting the orchestra himself with a series of bizarre body and hand gestures. The orchestra scene was a particular favourite, and I enjoyed the idea that someone clueless could make something special happen through their unwavering belief in themselves.

Marc’s pompous narration throughout is also very funny, with a favourite line coming after his triumphant booking of Sting (who works on his soundtrack): ‘Some victories are so spectacular they don’t need a voiceover’.

Over the course of the movie, his increasingly erratic mood and behaviour begin to alienate his crew, worry his elderly aunt, and lead to him being unable to tell facts from fiction in real life. His strangely obsessive thoughts result in him writing ‘The Book of Solutions’, which is supposed to provide the answers to any conflict from the local to the global. All of the ideas in the book are based on his own highly skewed (and often contradictory) perception of the world as he tries to finish his film while his mind simultaneously unravels.

Although Marc’s childlike ability to lose himself in whatever captures his attention at the moment is a beautiful illustration of the power of being totally present, I personally found the film lacked a satisfying story. Like Marc, the film jumps from one thing to the next without any real connectivity or explanation, although it’s an enjoyable journey nonetheless.

Perhaps this lack of a traditional storyline can be chalked up to the fact that it is, after all, a French film and the French have a far more existential relationship with story and filmmaking than Hollywood does. Or perhaps it’s because the film represents a confusing window into the internal struggle of an unsound but sometimes brilliant mind.

Regardless, it’s as darkly humorous and provocative as one might expect a French film to be and is certainly worth watching, even if you’re new to French cinema.

This review also appears on It’s On The House, and check out more reviews at Dark Stories Theatre to see what else is on in your town.

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French Film Festival: The Edge Of The Blade

The Edge of the Blade

Ooh la la—it’s time for the 35th Annual French Film Festival. This year’s festival runs from 5 March to early to mid-April, depending on where you live. So, stock up on your favourite French treats, French Fries, Croissants, Baguettes and Escargot, and get into the spirit of this film festival. I was lucky to start the festival with a French Musketeer-flavoured film, “The Edge of the Blade.”

Set in Paris in 1887, The Edge of the Blade (French: Une affaire d’honneur) explores a world where duels have been officially outlawed but continue to be a regular practice as the only possible way to defend one’s honour.

Clement Lacaze, a fencing expert, desperately tries to prevent his nephew from engaging in an uneven duel with more experienced Colonel Berchere. Meanwhile, Marie-Rose Astie de Valsayre, a feminist fighting for women’s equality, challenges the notion that honour is solely a male affair. The movie effectively portrays various forms of duels, making it a highly conceivable experience.

The Edge of the Blade is Vincent Perez’s fourth feature, and he acts as both director and actor in his latest flick. Perez plays the film’s antagonist, Colonel Berchere, who defends his honour by duelling the main antagonist, Clement Lacaze (played by Roschdy Zem), and his nephew, Adrien Lacaze (played by Noham Edje). Doria Tiller appears as real-life feminist Marie-Rose Astie de Valsayre. Although interesting, seeing her life story depicted in her own movie would be additionally pleasing.

The Edge of the Blade

The Edge of the Blade is a fascinating look into a part of history that is uncommon today. It delves into the craze of duels and themes of honour and justice. The film also displays a backdrop of impending war and societal changes. Fight scenes are skillfully choreographed, and the production design adds to the film’s historical authenticity.

The Edge of the Blade captures the tension of a bygone era, where honour, pride, and equality intersect. Vincent Perez’s direction and acting contribute to a film that balances action, drama, and historical context. If you appreciate period pieces and enjoy a touch of swashbuckling adventure, this film is worth exploring.

Don’t go at a snail’s pace—check out The Edge of the Blade at this year’s Alliance Francaise French Film Festival before time runs out in April. Films and film session details are on the official French Film Festival website.

This review also appears on It’s On The House, and check out more reviews at Dark Stories Theatre to see what else is on in your town.

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Ricordi Di Sanremo – Memories of Sanremo

Ricordi Di Sanremo

Last night the Astor Theatre hosted a collage of Italian stars in Ricordi Di Sanremo, a concert covering three generations of memories from Italy’s most popular music festival, for one night only.

The annual Sanremo Music Festival, which has been running in the coastal city of Sanremo since 1951, was originally established as a pathway to revitalizing its economy and survives to this day. Accordingly, The Sanremo Music Festival also holds the distinction of being the longest-running annual TV music competition in the world and served as the inspiration for the creation of the Eurovision Song Contest. What sets the Sanremo Music Festival apart is its unique focus on new songs only.

Ricordi di Sanremo showcases songs representing the most cherished memories from three generations of the music festival and a few fan favourites recognised across the globe. All these are performed by an ensemble of international and Italian-Australian artists such as Pupo, The Esteriore Brothers, Silvia Colloca, Luca Sala, Corinta, and many others.

Ricordi Di Sanremo

Our host for the evening, the Italian star Pupo, released his first album in 1976 and was a former winner of the 1980 Sanremo Music Festival with the gold record-winning song “Su di noi (Above us).” To date, Pupo has earned 11 gold records.

Much of the evening’s content was delivered in Italian. Given that most of the audience consisted of expat Italians, I felt like I might have been the only person needing to fully grasp the content of the presentations. Yet, despite language barriers, the ensemble’s energy shone through all night.

Touches of nostalgia were evident, with a cinema screen backdrop often displaying videos of the performers from generations ago as they sang live on stage. Pupo proved an adept host, expertly MC’ing the event to the audience’s evident delight. Family connections also graced the stage as stars from Italian music’s past performed duets with their vocally gifted daughters. Among the standout moments of the evening was the opening act, performed by Pupo, which warmed up the audience with its vibrant energy and exceptional guitar play.

Another standout was Pupo’s performance of his pop hit “Gelato al cioccolato,” accompanied by the showing of his 1980 music video against the cinema screen backdrop. A song mentioning gelato is bound to be sweet, and it delighted the crowd. Pupo doesn’t appear to have slowed down over the past 40+ years and remains an excellent performer.

The Esteriore Brothers, resembling a quintessential boy band, were crowd-pleasers, especially among the ladies. Their mere presence seemed enough to warrant applause! True to Italian flair, the entire ensemble appeared impeccably dressed and presented themselves in style.

Ricordi Di Sanremo

Other fan favourites incorporated into the night’s entertainment and familiar to international audiences included That’s Amore, Quando Quando Quando, Mamma Maria, and Volare, among others.

The night was a delightful mix of great music, vintage tunes, family connections, nostalgia, and a vibrant ensemble that joyfully engaged with a receptive audience, making it a night to remember.

After first touring Australia in 2022, this festival is set to become an annual event. Ricordi Di Sanremo’s 2023 Australian tour will move on next to Adelaide, Sydney, and Melbourne, but all for one-night-only performances. So be sure to be prompt about securing your spot this year, but also keep your eyes out for them next year. Ciao!

This review also appears on It’s On The House, or click here to read more Dark Stories Theatre Reviews.

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