The Wizard of Oz – A Traditional Christmas Pantomime

The Wizard of Oz - A Traditional Christmas Pantomime

The Wizard of Oz – A Traditional Christmas Pantomime Rating

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6

Zealous Productions yearly pantomime must be Perth’s best kept secret and this year’s The Wizard of Oz is no exception. Housed at Subiaco’s Regal Theatre and in their fifth year – I’m surprised that this show is not getting more press!

I can’t sing high enough praises for this team who are all West Australians; seeing a show like this makes my job easy as a theatre reviewer. It made me proud to be a West Australian and see the home grown, grass roots creativity they are bringing to our stages. What I also loved while reading the 16 strong casts biographies was that many themselves are also creating their own work, which I believe is a must as a performer. They are not merely pawns who are part of an industry but passionate performers who are creating with their heart and soul.

As the curtains raised, I knew that the show was going to be good when I heard the claps and shouts from their loyal and yearly returning audience. It was clear that the audience knew what was coming and they were just as excited as the performers to be part of this year’s pantomime. We were encouraged to cheer for goodies and boo for the baddies and oh was it fun!

Audience involvement in a pantomime is such a necessity and Zealous Productions nailed this. There was a point in the production that they had literally everyone (yes everyone!) in the audience on their feet dancing to the Time Warp. It felt like I was at a family party yet I was really in a theatre with over 500 other strangers. There is nothing like the energy and connectivity cultivated by artisan performers and it leaves you so invigorated and buzzing.

Their cast was truly a strong cohesive team not to mentioned incredibly professional and talented. With most graduates of NIDA, WAAPA, VCA or with substantial experience, it was unsurprising how perfect this production was. Director Brendan Hanson had a talented team to work with but there was no doubt he is just as talented with a spectacular final product.

 

 

Special mentions go to Maree Cole as the awful Wicked Witch. I know Maree’s work and as someone who has been around for years – she is like a fine wine – she keeps getting better with age!

In her professional theatre debut Jayda D’Agostino was impeccable as Dorothy. Vocally beautiful to listen to, she was equally mesmerising to watch with her bright and sunny characterisation.

My seven year old daughter’s favourite character was the Scarecrow played by Noah Connelly. I can see why – with his amazing physicality; cartwheeling, jumping and flopping across the stage he was a spectacle to be watched.

Of course a favourite of all pantomimes is when we have a cross dressing character. Aunty Em/Glinda played by Chris Gerrish did not let us down. Incredibly quick witted and sharp with his jokes, I loved his hilarious vocalisation and overall big stage presence.

Another highlight was the tap dancing ensemble – how wonderful to see this on stage. Something you rarely see these days – especially not in Perth! It made me want to take up tap lessons again and maybe I just will!

Overall this production exceeded my expectation again and again. They really were at such a high and professional level with everything from the sets (the use of projection was really clever and visually very pleasing), use of a live band (this always tops a production for me) and the bright and fun costuming.

Zealous’ pantomime really should be apart of your yearly Christmas tradition, because if it’s not your missing out!

The Wizard of Oz runs from December 12 – 24th 2025 at the Regal Theatre in Subiaco.

To book tickets to The Wizard of Oz – A Traditional Christmas Pantomime, please visit https://premier.ticketek.com.au/shows/show.aspx?sh=OZXMAS25.

Photographer: Stephen Heath Photography

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Tooth Fairy Godmothers, Insta-Fame & Laughter: A New Cinderella

Cinderella With A Twist

Cinderella With A Twist Rating

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6

Nothing says Christmas quite like a panto! For some people, Christmas is about certain smells or images; for me, it’s Pantos. And judging by the English accents in the audience, I’m not alone. My daughter and I had been practising all week—by which I mean I would shout “he’s behind you!” or “oh no you didn’t!” at random intervals throughout the day. These were mostly met with side-eye, but let it never be said I arrive unprepared.

Jane Sherwood has done a magnificent job directing Yvette Wall’s pantomime. I’ll admit I wasn’t sure how Cinderella would fare in 2025. How do you keep the tradition of male performers playing the ugly stepsisters while still supporting the LGBTQIA+ community? I’m relieved to say they handled it beautifully, and Kevin Winder (Monsterosa) and Clayton van Dijk (Groteska) were fabulous.

The whole cast was outstanding. I have to give a special mention to Siobhan Fowler (Stella Starlet), whose performance as the Russian ballet mistress was perhaps a little too convincing—I had some unexpected ballet-school trauma flashbacks. As I flicked through the program after the show, I kept thinking, “Oh, they were great!” “She was fantastic!” “He was awesome!” and “How did I not realise she played the Fairy Godmother and Kimmy K?” The Evil Stepmother (Candice Preston) nailed the role, and Savage the Cat (Sarah Christiner) prompted a running commentary from my daughter: “Yeah, that’s not creepy…’ ‘Yeah, that’s not creepy at all.” I shouldn’t have started listing cast members, because truly, they were all amazing—and I’m already over my review word count.

 

 

This version of the classic story gives Cinderella a playful modern twist. She’s still bullied by her stepmother and stepsisters, still hidden away doing chores—but instead of a ball, the kingdom hosts a talent show riffing off a certain international competition. The laughter was plentiful, and the “talent” was… well, enthusiastic. What the stepsisters lacked in pitch, they made up for in volume and enthusiasm.

The set design was clever, allowing for quick, effective scene changes—and for anyone still confused, a screen announced exactly where we were, which gave us a giggle.

I’m both glad and slightly devastated that I didn’t receive the program until after the show. The cast look so different out of costume (credit to the costume designer!), and seeing those photos felt like discovering a magician’s secrets. But I do wish I’d read the “feel free to sing along” note beforehand. The songs were so catchy, and I’m sure my daughter and I weren’t the only ones sitting politely when we would’ve happily joined in. So if you’re reading this before seeing the show: you have permission to sing.

If you’ve never been to a panto, here are a few essentials. Audience participation is mandatory. Be ready to boo, hiss, meow (ok, that one is specific to this panto), shout “oh no you didn’t!” and “he’s behind you!”, and generally let loose. You’ll need to know Three Blind Mice and you will need to get up and do the Twist. When the invitation came, my daughter whispered, “Do we have to get up?” and apparently my “Yes—if a child asks you to dance, you dance!” was loud enough that six nearby adults stood up immediately. I stand by it.

Roxy Lane Theatre was filled with wonderful people. From the warm welcome from Chairperson, Kristen, at the door, to the man at the bar hyping everyone up and explaining panto traditions, to the volunteer rushing around stacking extra chairs so kids could see – this was community theatre at its finest. Everyone worked together to make it magical.

Well done to everyone involved. I normally don’t start Christmas activities until the 1st of December, but you helped us kick off our advent adventures a little early this year. Thanks for reminding us of the joy.

To book tickets to Cinderella With A Twist, please visit https://www.taztix.com.au/roxylanetheatre/.

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The Twelve Days of Christmas: Irish Theatre Players

The Twelve Days of Christmas

The Twelve Days of Christmas Rating

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5

While pantomimes aren’t a well-known concept to some, they are a Christmas tradition for many families in the UK. It’s also the one-time audience participation in the theatre that is not only expected but encouraged. Oh no, it’s not, I hear you say. Well, oh yes, it is!

The Irish Theatre Players’ production of The Twelve Days of Christmas takes us to the enchanting village of Old Dimpley Bottom, where the Royal family are planning a grand Festive Ball to bring joy to all the villagers. To mark this splendid occasion, a giant advent calendar with 12 doors is constructed on the Village Green, with one door to be opened each day until Christmas.

However, the festive spirit is threatened when Wizbad, the wicked wizard (Adrian Mills), steals the keys to the advent calendar and scatters them across the globe. Aided by the good Fairy (Anna Sirotkina), the characters embark on an exhilarating race against time, travelling to the world, from South America to Ireland, in their quest to retrieve the missing keys.’

The set got everyone in the Christmas spirit and saw clever use of a single flat interchanged as the residents of Old Dimpley Bottom travelled far and wide in search of the keys to save Christmas. The stage lights would go down, and when they were lit again, we had been transported to a new exotic destination with singing, dancing (yes, of course, some of it Irish) and a range of well-considered props to confirm where we were.

The Twelve Days of Christmas is fun for the whole family. It has the right amount of innuendo to keep the adults laughing, but the kids especially will love it. The audience was clearly well versed in their role, with the expected booing, hissing, and ‘he’s behind you’ happening from the very start.

 

The cast embraced their roles and hammed it up. The traditional pantomime dame, Gertie Gusset (Peter O’Connor), was a crowd favourite, and relatable local council workers Stampit and Clampit (Nathan Holland and Amanda Walker) were appropriately annoying as they provided fines for inappropriate parking of a wheelbarrow and an announcement after the interval that given its Christmas, instead of wheel clamping audience members’ cars, they’d been nice and had them towed.

Having a reasonably large cast, often on stage at the one time, and with children making up half of the ensemble, things could become a bit of a mess but the action was well choreographed and made great use of the space available, sometimes extending out into the crowd.

The costumes were fabulous and plentiful, keeping some of the main characters’ outfits simple but adding accessories such as Queen Cupcake’s headband…you guessed it, a cupcake. Every different country travelled to in search of keys featured costumes to suit, from French berets to leprechaun outfits.

With Christmas less than three weeks away, what are you waiting for? Head down to The Irish Club of WA in Subiaco to get yourself in the Christmas spirit. There’s even a bar should you need some spirit of a different kind.

Performance Dates: December 7, 8, 12, 13, 14, 15
Thursday, Friday & Saturday’s at 7.30pm
Saturday & Sunday matinees at 1.30pm.
Book your tickets quickly here:- TAZ Tix.

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Puss In Boots

Puss In Boots

Puss In Boots Rating

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2

With Christmas just around the corner, there is nothing like seeing a pantomime at this time of year, and the Limelight theatre production of Puss in Boots will definitely hit the spot for some Christmas cheer. With an enormous 30-strong cast, this show is a dazzle of song, dance and melodramatic acting that is as impressive as it is entertaining. You will laugh, cheer, boo and get to sing along to the many well-known songs and feel like you are just as much part of the show as the actors.

The pantomime twist of the traditional story of Puss in Boots tells of Jack (Zavier Wileman), a poor miller son who is left just a cat (Beau Poole) after his father dies. Zavier Wileman as Jack gave a strong performance and was well loved by the audience. At times his vocalisation could have been louder and clearer and this was also amplified by some minor technical difficulties.

Beau Poole as Puss in Boots was a bundle of energy and clearly very talented. I absolutely loved his physicality as Puss but would comment that he could have connected with other actors clearer. My six year old daughter pinned Beau as her favourite actor!

The two go through various mishaps over the story, often at the hands of Jack’s two dimwit brothers, Jasper (Isaac McAuley) and Jethro (Jason Pearce). Both played the role with suitable comic timing and made a great pair. Isaac McAuley, as Jasper, would blossom with more confidence.

 

The two brothers fall in love with Babs (Sarah McDonald) and Betty (Eleanor Mulder). Both actors held a tune well and added to the professionalism of this production. Jack then falls in love with Princess Esmerelda (Zoe Anderson), whose extensive training was evident in her performance. She is a very proficient dancer and singer, bringing charm to the stage.

Jack and Esmerelda’s love is interfered with by the Orge (Andrew Govey), who was an absolute hit with the audience. With a very powerful resonance and performance, he gave me a few belly laughs over the night. The Orge was helped by the Bad Fairy (Gwen Browning), who was incredibly articulate and clear as an actor. I enjoyed her performance, even if I didn’t like her character and joined in on booing her!

To counter this, we had the Good Fairy (Christine Smith), who helped put things right. Smith’s warm energy suited the character perfectly, and she held herself as the character equally as well as Browning.

The standout performance, though, was from the Queen (Chris McCafferty). McCafferty, who nailed the art of Pantomime, had me in bundles of laughter. He is clear and articulate, and his comedic timing was spot on. His ability to interact with the audience and his rifting was hilarious. Cher and Sonny’s song ‘I’ve Got You Babe’ that he preformed with his King (RJ Smolders) was particularly funny. Smolders was so well fit for the role of the submissive King and his dottering characterisation was on point.

 

Last but not least, the young Luis Proctor as The Page stepped confidently into the big task of opening the show with a song. This boy has a bright future ahead of him.

I won’t give away the end of the story but all in all this was a wonderful production from a very cohesive and professional cast. The standard was very high for amateur theatre and the ensemble as well at the dancer significantly added to this.

This show was a full house on opening night, so if you want to see this splendid production, I suggest booking your tickets right now! This is definitely one not to be missed.

To book tickets to Puss In Boots, please visit TAZTix or phone 9255 3336.

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