This production of Chicago by Tall and Short Theatre Co delivers the show’s signature sharp cynicism with an especially bold edge, amplified by a small, versatile cast playing multiple roles as well as minimal costumes and set. These choices not only showcases the actors’ range but also deepens the show’s inherent themes of duplicity and moral ambiguity, underscoring the story’s cynical view of fame, justice, and human nature.
Michael Astill’s portrayal of Billy Flynn is a highlight, delightfully sleazy and utterly captivating. His numbers sparkle, particularly the brilliantly coordinated and high-energy “We Both Reached for the Gun” with Katie Wallis as Roxie. Astill’s commanding presence during the trial scene truly owns the stage, driving the drama with a magnetic intensity that resonated strongly with the audience.
Katie Vials shines with her singing, especially in “Roxie” and “Funny Honey,” bringing depth and nuance to her roles. Amelia Smith’s quiet tragedy as Hunyak adds a poignant contrast, while Willow Twine’s bold and wild energy as Velma injects thrilling dynamism into the dance sequences.
Elizabeth Ellis gives a memorable performance as Matron Mama Morton, skillfully capturing the character’s dual nature. On one hand, Morton is as calculating and transactional as Billy Flynn. But Ellis also brings genuine warmth to her interactions with Velma and, most touchingly, with Hunyak—moments that suggest real affection and loyalty beneath the surface. It’s the duet Class with Velma that truly reveals the character’s vulnerability.
Nathaniel Lawson brings a gentle sincerity to the role of Amos Hart, providing a much-needed emotional anchor amidst the show’s swirling satire. Apparently playing against type, Lawson’s portrayal is refreshingly understated, allowing Amos’s quiet dignity and hurt to shine through. His rendition of Mister Cellophane is performed with real heart — not played for laughs, but as a sincere, aching moment of loneliness and invisibility.
The choreography is exceptional — not only skillful and vibrant but notably inclusive, featuring Liam Liff performing in a wheelchair, marking a powerful and inspiring first for this production. The ensemble’s tight coordination and spirited movement bring the show’s biting satire to life.
Overall, Tall and Short Theatre Co’s Chicago is a compelling, razor-sharp musical experience that balances cynicism and spectacle, buoyed by standout performances and inventive staging.
To book tickets to Chicago, please visit https://www.tstheatreco.com/productions/.
