Goofy, Gay and Gorgeous! A Fun-Filled Hour!

Purple Is The Gayest Colour

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The Substation is HARD to find initially! It’s a little bunker in the ground, opposite Qtopia and next to The Oxford Hotel. Rainbows surround the road and path. You’re here, and it’s delightfully queer.

We headed down into the intimate space, where Alayne welcomed everyone in a pastel purple beret, cute purple cardigan with daisies, purple shorts and purple socks. Everyone in this tiny space was put at ease when she greeted us with “Don’t worry, I don’t do crowd work!”. Nevertheless, my plus one made for the last row.

It’s a cool venue with concrete walls covered in artful graffiti. It was also literally very cool due to the vents, so be aware of that! Give yourself time to run over to the Oxford for a toilet stop prior too!

Purple Is The Gayest Colour is a one-woman stand-up act performed by Alayne Dick, yes it’s her real surname, yes she uses it to her advantage! Alayne had already set a comfortable tone with the initial welcome, then commenced with a flamboyant stadium star entry. It was fun, quirky and cutesy, which sums up Alayne quite well.

 

 

Stand-up takes an epic amount of guts. I love to consume it, I would be terrified to do it myself. Alayne leans into the awkwardness of it. This was mostly funny and endearing, but occasionally it felt like she would make up for not being sure if the joke would land, by quickly getting to the next one and that didn’t work every time.

I do watch a lot of stand-up and I am a neuro-divergent queer person, as is Alayne, so most of her work was relatable on that level. Some of it was a bit too silly, even for me, but I was laughing most of the time. She has developed comedic physical characterisation, stage presence and movement very well and she executed great use of the “call-back”, those got big laughs every time. The audience was definitely engaged and along for the ride.

I loved her authenticity, vulnerability and heart, and I found it to be a really great set, with only a few issues of confidence. Another one of these being ending with a “…and that’s the show!” which felt a little bit too sedate and broke the magic too quickly. A classic “You’ve been a great crowd!” or similar would have worked better.

As I said, I love stand up comedy, and I am aware it takes courage and vulnerability, and it can be incredibly hard to meet that challenge, especially repeatedly. I admire her work and I believe that as her confidence grows and she continues to back herself, the sky’s the limit. I look forward to seeing her again.

To book tickets to Purple Is The Gayest Colour, please visit https://events.humanitix.com/purple-is-the-gayest-colour-kfd8u4jl.

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A Darkly Hilarious Piece About A Pervasive Reality

What Of It

What Of It Rating

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The bass is pumping on “Bitch Better Have My Money” as we enter The Old Fitz Theatre. Courtney Cavallaro, Emma Wright and Rebecca Sgouros are lounging around dressed like “bruvs”, just doing their thing, as the audience gets seated. The set is a basic youth hangout with a dated fridge and a futon, a six-pack of beer atop the fridge and a poster about COVID and some sanitiser on the bench. These items suggest the era to be somewhere around 2020, backed up by the mention of the “end of the world in three days” that comes soon after the show commences.

Rebecca Sgouros opens with a powerful and poetic monologue, hitting beats with poignant pauses. At times, she seems to be staring directly at you as she presents a moralistic challenge or subversive view. It’s unsettling and awe-inspiring at once. When she finishes, the lights and sound perfectly match her integration with the rest of her crew, as they start their wolf-pack bonding ritual before breaking into a dance that is aptly performed to a song with repeated lyric “Bonkers”.

I hate spoilers, so I wasn’t aware in advance that this was a gender-flip piece, but it became clear very quickly. Rebecca’s character, Cory, is the leader of the “pack”. The self-referred “dogs” are always on the hunt, always looking to get their “clit wet”. They engage in “locker room talk” while pushing and shoving and one-upping each other. They launch into discussing the news that the world is possibly ending in three days and discover that seventeen-year-old “Luck” is still a virgin. Of course, this won’t do.

 

 

Cory is the ringleader, getting the new blood to do her dirty work. Daks (Emma Wright) is the beating heart of the crew, who is torn between being a “real woman” and her clear conflict in the face of these societal norms, as well as a protective urge towards the newcomer, Luck. After more of their barking, growling dirty talk they get their “Big Clit Energy” on and venture out to cause a ruckus cos girls be girls, right?

The dog-pack motif paired with the gender-flip highlights the preposterous nature of the patriarchy and the norms we accept and allow as a society. The banter between them echoes that we’ve heard too many times when it comes to males, and underscores the impact on young boys as they develop a sense of self and what it means to be a man. Rebecca’s narrative, told through the shifting power dynamics of the triad and the exceptional transitions between scenes, is punctuated by the lights, sound and ensemble work between the players. It’s pure genius that leaves no stone unturned.

Every line has a beat, with clever use of prose and layering. These three execute this seamlessly, which can only be attributed to a strong connection, workshopping and partnership in the background. Each of these incredible actors has their own individual moments of wrenching our hearts, among all the nuance of their keeping up appearances and delivering comedic lines to a full house of raucous laughter… all without breaking character.

It’s a darkly hilarious piece about a pervasive reality, and it tells a tragic tale in a truly remarkable way.

It’s powerful and entertaining, and not to be missed.

To book tickets to What Of It, please visit https://www.oldfitztheatre.com.au/what-of-it.

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Peter Rowsthorn – Keen

Peter Rowsthorn - Keen

Peter Rowsthorn – Keen Rating

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If you’re like most Australians and Kath & Kim has been part of your regular viewing over the years, then Peter Rowsthorn is undoubtedly a household name. He’s the kind of person you instantly want to be friends with. Warm, familiar, and effortlessly charming, even if you’ve never met him.

From the moment he stepped on stage at the beautifully refurbished Rechabite Hall (updated in 2019), Peter put the audience completely at ease. Endearing, relatable, and unpretentious, he’s as lovable and bubbly as you’d expect. The way he casually throws around the f-bomb just adds to that feeling that he’s your best mate from way back.

This was the first time Peter had performed as part of The Perth Comedy Festival since the ’80s, and it was an absolute treat. I wasn’t surprised to hear he was one of the few acts at the Perth Comedy Festival open to being reviewed. A reflection of his humility and openness to feedback.

He kicked things off with a relaxed ‘chat’ to the first few rows (yes, I was in the splash zone), which was a great way to break the ice and set the tone. These casual interactions cleverly led into off-the-cuff stories, ranging from accidentally running over his dog to his father choosing euthanasia. That he can make an audience laugh through such heavy material is a true mark of a comedy master.

Peter’s physical comedy was a real standout. It’s not a technique all stand-ups use, but he executed it with a flair that had the audience in stitches. His dance routines were hilarious throwbacks to his iconic Kath & Kim character, Brett, and his behind-the-scenes stories about working with stars like Kylie Minogue and Shane Warne were crowd-pleasers. I loved the insider scoop!

If there was one area that could use refinement, it would be the structure of the show. At times, the transitions felt a bit loose, and a comedic director might have helped shape the flow for a more cohesive experience. While the energy and content were strong, a bit more structure would have made the journey feel more grounded for both Peter and the audience.

That said, Peter is so incredibly likeable and naturally funny that, honestly, he could have done anything and the crowd would have loved it. He had Perth eating out of the palm of his hand, and I have no doubt any future shows would sell out in a flash.

I’d tell you to run and grab a ticket, but sadly, it was a one-night-only event!

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Perth Comedy Festival: Daniel Muggleton – You May Be White, I May Be Crazy

Daniel Muggleton - You May Be White, I May Be Crazy

Daniel Muggleton – You May Be White, I May Be Crazy Rating

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Daniel Muggleton is no stranger to comedy. Having been in the business for more than 10 years, his observational comedic style was a hit with the audience at the Goodwill Club of The Rechabite for the 2025 Perth Comedy Festival.

His show You May be White, I May Be Crazy covered an array of topics from the controversial Welcome to Country acknowledgements to living in London, disputes with his wife and fatherhood. Which given the title of his show, it was not what I was expecting.

One of my favourite parts of the show were his footnote disclaimers. He would say something that may be a little contentious, for example, he said he would raise his newborn son to be gay because society has become too woke and now it’s too difficult to teach him how a ‘real man’ is ought to behave. After having said that he would sit at the edge of stage stating his newborn son is not actually gay. Then he would standup again and continue with the show.

His crack at politicians was also gold. I think it’s fair to say that most Australians are quite familiar with our Prime Minister mentioning his ‘special friendship’ with the President of the United States yet Muggleton likened the friendship to knowing a girl you like but she doesn’t even know you exist.

As Australians, we love to poke fun of ourselves so when he mentioned about the difficulty some immigrants have in trying fit in with the Australian culture and wanting to make an effort, the crowd roared with laughter when he said that’s the whole problem. Making an effort, when as Australians, we prefer not to. That is what he did best, his critique of Australian culture.

There was so much Muggleton covered in his show which a lot of the material resonated with the audience last night. He doesn’t stick with one thing too long. You can also tell he does his research in the town he’s performing in because he was quite knowledgeable about Perth traffic in comparison to his hometown of Sydney.

If he’s ever in town and you need a good laugh, Muggleton will not disappoint.

For information on upcoming Daniel Muggleton tour dates, please visit https://danielmuggleton.com.au/.

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