Perth Comedy Festival Gala

Perth Comedy Festival Gala

Perth Comedy Festival Gala Rating

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As the Perth Comedy Festival is currently in full swing, the biggest night of comedy for the festival was the Perth Comedy Festival Gala at the Regal Theatre with a line-up of international and Australian comedians. It was a showcase of 11 comedians giving the audience a taste of each of their shows.

Sean Woodland did a fantastic job as the MC getting the audience warmed up and it was a full house.

The first comedian was Ivan Aristeguieta all the way from the US. Ivan is Venezuelan married to an American woman. His perception of what he finds sexy was hilarious and it involves her having a Medicare card, not her salsa dancing.

Young Australian female comedian Sez had the audience chuckling at the funny side to her dyslexia and bisexuality.

LA resident John Wynn who grew up in Waco Texas but is of Vietnamese heritage was quite clever on his reasoning as to why couples are often referred to as “partners” which has to do with couples acting as detectives to find out why the wife is unhappy.

For those who enjoy a dry sense of humour, Australian Luke Heggie delivered that in spades. It’s common for comedians to talk about their family in their comedy acts and Luke was no different, especially regarding his wife and step-children. I think a lot of men in his situation would relate to his content.

Perhaps the quirkiest comedy act I have ever seen was Elf Lyons. The British comedian leapt onto the stage as though she was a character from a Hitchcock film in a monologue style, so she didn’t engage directly with the audience like the other comedians. Her performance was very theatrical and melodramatic, but I didn’t really understand most of what she was saying. However, I loved her gorgeous cocktail dress.

Another Californian, Ian Bagg absolutely roasted the front row. Joking that the older audience members most likely didn’t even pay full price for their tickets.

In the second half of the show, there were two Scottish comedians, Grant Mushet and Connor Burns, Englishman Kieran Hodgson and Aussies Chris Ryan and Sammy J. Grant Mushet tapped into Scottish culture for his take on parenting with a wonderfully wicked dry humour. Sammy J is quite well known within the Australian comedy scene using his piano-playing skills and song to relay his comedic talent.

Chris Ryan was hilarious in her impersonation of stall vendors. I always love a good impersonation. Another impersonator was Kieran Hodgson of Donald Trump who hit the mark with the mannerisms and the accent, and donning a red tie to top it off.

The final funny person of the night was another fellow Scotsman, Connor Burns, who got into Aussie slang.

Just as entertaining as the comedians was the Auslan interpreter, Diane. Normally, I don’t pay any attention to these interpreters, but I found myself constantly turning to her for her interpretation of what was being said.

All the comedians did their best in showcasing their talent. Their individual shows are worth checking out at this year’s comedy festival.

The Perth Comedy Festival runs from 21 Apr to 18 May. To book tickets to a show, please visit https://www.perthcomedyfestival.com/.

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Perth Comedy Festival: Tomas Clifford Got Stood Up

Tomas Clifford Got Stood Up

Tomas Clifford Got Stood Up Rating

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Heart, flair and talent to boot. That’s how to best summarise Tomas Clifford, who recently dazzled crowds at the understandable encore season of his cabaret Tomas Clifford Got Stood Up.

Having not been able to attend the initial run of the show during Perth Fringe, I was itching to see it, following nothing but praise from others who had snagged a ticket. Presented as part of the Perth Comedy Festival, and showing at the Rechabite – it was the perfect venue for this production, providing a sense of intimacy while also just enough grandeur to allow Clifford to milk his moment in the spotlight.

Though based on his own experience of a date gone wrong, whirlwind hour grapples with themes everyone can strongly resonate with – feeling alienated, the desire to be accepted and most importantly self love. Mostly sung through; the music and vocals – both written by Clifford – are outstanding, featuring an eclectic mix of genres that keeps audiences on their toes. His clever lyricism was both witty and thought-provoking, but it was ultimately his overall candidness that truly drove home the messaging. I really enjoyed the way the tunes were both performative yet conversational, helping to build rapport with the crowd.

Having previously seen Clifford on stage in acting roles, it was great to see his personality shine through here. The authenticity added a whole extra layer to the performance and it was very evident, as is told within the show, that he is so confident in who he is and was proud to celebrate that with the world.

Props must also go to the small but mighty band helping bring the story to life – drums, keys, bass and guitar, rounded out by the welcome brassy tones of a saxophone and trumpet – along with three backing vocals, all phenomenal in their own right. Clifford’s relationship with both his band and BVs was refreshing, ensuring they were just as much a part of the performance as he was – with the vocalists in particular helping to serve as other ‘characters’ in his life.

All in all, this was an excellently executed cabaret that audiences evidently had a lot of fun at – helped largely in part by that fact that Clifford was too. I cannot wait to see what he does next.

The Perth Comedy Festival runs from 21 Apr to 18 May. To book tickets to a show, please visit https://www.perthcomedyfestival.com/.

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Rhys Darby: The Legend Returns

Rhys Darby - The Legend Returns

Rhys Darby – The Legend Returns Rating

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The first time I knew about Kiwi comedian Rhys Darby was when I happened to stumble upon a tv show in which he travels to Japan, “Rhys Darby: Big in Japan”, and I instantly became a fan so I was super excited when I found out that he would be performing a show in Perth for the Perth Comedy Festival and his show did not disappoint.

Although Rhys delves into a range of topics, which he manages to squeeze into his hour-long show, it centred predominantly on technology and its impact on society.

His take on Artificial Intelligence (AI) within society was especially cleverly portrayed using an analogy of a horse and carriage. The horses are the AI, the tech billionaires Mark Zuckerburg, Elon Musk and Sam Altman are the horsemen with the whips directing the horses where to go, the general population are the passengers inside the carriages not knowing where the horses are taking them, and the Baby Boomer generation are being dragged behind the carriages in this crazy ride. The whole image was brought to life energetically with Rhys impersonating the horses, the tech billionaires, the general population and the Baby Boomers.

With Perth known as being behind the rest of the world in everything, he jokes that Perth wouldn’t be aware of this, as AI hasn’t yet hit Perth.

Throughout the show, Rhys tells separate stories like Rumba the robot vacuum that escapes from home or the flying machine he invents to take his kids to school. In the end, he manages to weave all the stories into one cleverly crafted final story.

Rhys is also a man of hidden talents, or perhaps a talent of his that isn’t so well known. I was impressed with his voice, sound effects, and his beatboxing and DJ skills. During the performance, he manages to put together a live track of him beatboxing.

Rhys was full of energy throughout his entire show. He is not one to stand still. He is animated in the stories that he tells, and his passion for comedy and storytelling shines through in his performances. There are some comedians who are more popular with male audience and others with female audience. Rhys appeals to a wide range of audience members regardless of age, gender or ethnicity.

Unlike other comedians, he also delivered quite a poignant message about not getting too consumed with technology, to appreciate each other’s company whilst we can, as life is short and not to be so afraid of what the future holds in these uncertain times.

The Perth Comedy Festival runs from 21 Apr to 18 May. To book tickets to a show, please visit https://www.perthcomedyfestival.com/.

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Brown Women Comedy Performance: A Light Look at Being a Brown Woman

Brown Women Comedy

Brown Women Comedy Rating

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3

Deciding to be a comedian professionally is probably one of the bravest steps someone can take.

Some people are naturally funny, others are talented writers who have the skill to take a situation and focus in, give it a tweak and make it sound hilarious. From the many comedy acts I have been to, almost all comedians poke fun at their occupation in their set, and point out how poor they will be all their life. Brown Women Comedy, featuring four bold Indian and South Asian Australian comedians, did indeed broach this.

The first comedian, Niv Prakasam, extended this line of thinking and talked about her job as being someone who was simply carrying forward a family tradition, that of Generational Debt! I have heard other comedians talk about how disappointed their parents are, that they’re not a lawyer or a doctor earning the big bucks, but Niv swung this joke around with her Generational Debt take, and it was refreshing.

Niv spoke with the easy-going flow of a seasoned performer and was a wonderful opening act. I really enjoyed her stories about coming from a conservative country and how different Australia is from her home. She took this topic and brought a whole lot of different and amusing tales, some involving arranged marriages, what it means to hug, or hold eye contact with someone (that’s it, you’re now betrothed) and the audience reacted very well. Niv was able to incorporate the audience into her act, making them feel comfortable whilst talking to them.

Ramya Ranapriya followed and continued to make the audience laugh. In her set, she told stories about situations in her country. She talked about family (of course, the in-laws got a mention, but not even Grandma was spared!) and her dynamic views of the ever-changing world of becoming a mum reached the audience’s heart. Her stories from when she had a newborn and was bombarded by requests from everyone to meet her little one was relatable to many people – such as the endless stream of visitors (the quick look of the men visitors versus the delight of women visitors inhaling the scent of her baby) and was very funny. As was her take on how visitors brought money as gifts when they came – but I won’t spoil Ramya’s jokes by relating them.

Founder of Brown Women Comedy, Daizy Maan, followed Ramya. Her impressions of her friend’s friend made people laugh, and she cleverly circled back to this particular joke to close her set. Daizy told tales about her family, sharing some funny experiences ranging from her mum’s roti to awkward moments, which had the audience cringing in sympathy. One of the funny moments for me was something her mum said to one of Daizy’s friends, about her thighs! It is still quite an Asian thing for the older generation to comment about one’s weight, and this made the audience laugh.

To close the performance, Guneet Kaur came on, and brought another dimension to the show. She delivered her comedy set with a deadpan coolness, and this worked to bring out the joke’s meanings even more. Her stories about dating and being a racial chameleon were hilarious, as were some stories about dating, bisexuality and how lies can go wrong when making up a false family!

The four womens’ comedy acts were all different, with each comedian bringing another side of being a woman into the show. It was an all-rounded show, incorporating sexism, feminism and racism into 2025 and the modern Aussie world. If you feel like a break from the real world, a comedy show should whisk you away. Brown Women Comedy does just this – these ladies will whisk and stir up your funny bone and imagination, at least for an hour!

Brown Women Comedy was hosted at the Lennox Theatre inside Riverside Theatres in Parramatta and is part of the Sydney Comedy Festival.

Performances: 23 – 25 April 2025
Riverside Theatres. Corner Market and 353 Church St, Parramatta
Tickets: $44
www.riversideparramatta.com.au

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