I’ll Be Frank – Memories of Opa

I'll Be Frank

The JFF is upon us for 2023, and depending on where you are located in Australia, it will run sometime in the date range of 23 Oct to 29 Nov, so be sure to check dates for your local area. With many varieties of film genres available, let’s delve into Aaron Lucus’ short documentary film I’ll Be Frank which is a respectful nod to his grandfather, Frank.

The film opens with the information that former German citizens between 1933 and 1945 and their descendants who were deprived of their citizenship shall have their citizenship restored upon application. Thus begins an exploration into Aaron’s own family roots beginning in Berlin, Germany, where Frank was born.

Aaron brings out a large red book titled Some Memories of My Life by Frank Lucus, with the inscription, ‘lots of love from Opa and Oma’.

Frank wrote it with the meaning of leaving his family with some facts and memories of his life, and Aaron’s aim is to travel the path of his Opa. “I wanted to know how it felt to be in Berlin,” he says. Aaron opens his Opa’s book, and as he reads, the film seamlessly transitions into Frank’s voice, narrated by John Gadem.

The scenes in Berlin where his Opa lived were full of sunshine and portrayed how Aaron said he felt, a sense of beauty. In one shot, golden brown Autumn leaves fluttered to the ground. Stephen Korytko’s cinematography captured my attention throughout the short documentary film.

I’ll Be Frank is a unique documentary where the flashback memories of Frank and his family are represented by black and white animation, in stark contrast to the colour of the present.

This was an effective filmmaking strategy particularly in displaying some difficult and emotional scenes in the documentary. I’ll be Frank flits between Aaron telling the story and Frank in animation.

Aaron visits many places to learn more about his Opa’s life, such as the New Synagogue Berlin and the hospital where he once worked before the Nazis stripped him of the title of ‘doctor’ and called him a ‘Jewish handler of the sick’. He visited Soest in Germany and Sobibor in Lubelskie, Poland, a Nazi extermination camp where Aaron and the viewer learn about the atrocities committed there.

I’ll Be Frank is directed and edited by Aaron Lucus and won first prize at the Flickers Rhode Island International Film Festival for the Hearts, Minds, Souls. The original score is by Tarek Soltani, whose music created an emotive feel throughout the documentary.

I’ll Be Frank was successful in capturing my interest and would be suitable for teenage viewers and anyone wanting to hear a personal story of someone who has lived through and survived WW2. The story has heart, and Aaron has captured this in a respectful way.

Look for a film session in your town.

2023 JFF Festival Dates:

MELBOURNE
Classic Cinemas: 23 October – 29 November
Lido Cinemas: 24 October – 28 November

SYDNEY
Ritz Cinemas: 24 October – 28 November
Roseville Cinemas: 2 November – 19 November

HOBART
State Cinema: 2 November – 12 November

PERTH
Luna Palace Cinemas: 16 November – 6 December

BRISBANE
New Farm Cinemas: 16 November – 26 November

CANBERRA
Dendy Cinemas: 15 November – 22 November

GOLD COAST
Dendy Cinemas Southport: 16 November – 22 November

This review also appears on It’s On The House.

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Clue On Stage

Clue On Stage

At the Phoenix Ensemble Theatre located in the Beenleigh Showgrounds, Footlight Theatrical has performed a hilarious rendition of Clue On Stage this weekend. The theatre itself is cozy and compact, the audio is flawless, and there’s plenty of parking. For a murder mystery fan, this was a perfect whodunnit.

Six Washington-located personalities have been invited to dinner with the mysterious Mr Boddy. Instead of their host, they’re introduced to the butler, the snarky and evasive Mr Wadsworth.

Clue On Stage

All the guests have been given pseudonyms to hide their real identities, and the dinner takes a torrid turn as their newly arrived host winds up dead. Boddy has hidden evidence linking all the guests to their indiscretions, so they must find his killer and his stash of secrets before the police arrive.

Clue On Stage had people in stitches on Friday night, from the incredible acting to the set design. The set had comedic Easter eggs throughout, from the “Eat, Prey, Love” sign in the kitchen to the murder weapon-stained glass door. I wonder how Mr Boddy explained those to the decorator. 

Liam McDonell was definitely the star, running the show as Mr Wadsworth. McDonell showed his range as he ran through a summary of the show’s first half, himself playing every character. Genevieve Tree gave a hilarious performance as Mrs Peacock, a senator’s wife with her share of vices, from having a bump to booze to bribery. The audience watches her spiral out with stress while unravelling her mysterious link to the chef (Maegan Micola von Furstenrecht).

Alas, Clue On Stage was playing for only one weekend so for those who enjoy a night out at the theatre, stay tuned for any upcoming Footlights Theatrical Inc productions in the future. This was an entertaining show and a lovely night out in Beenleigh, thanks to Footlight Theatrical, and I cannot wait to see what shows they put on next.

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Meet The Actor – Confessions of a Serial Killer

Confessions of a Serial Killer

Confessions of a Serial Killer is coming to Brisbane on the 6th of October, and here we take the time to chat with Actor/Director Garth Remington in our Meet The Actor Series.

So let’s put the spotlight on Garth and learn more about him and the Confessions of a Serial Killer Production.

Meet The Actor - Garth Remington

About Garth

Why do you want to be an actor?

I love performing in live shows, seeing the audience’s instant reactions or viewing the finished product after filming projects.

What do you enjoy most about acting?

Seeing all the little ways you can help improve a project. It’s incredibly gratifying when you find a way to add something that takes the whole production to another level.

What productions have you acted in before?

I’ve been involved in Dark Stories since its first show in Brisbane, including The Haunting, Female of the Species, and To Hunt a Killer. I am also a standup comedian, improviser, sketch writer/performer, voice-over, and I’ve had a few film and commercial roles.

Do you want to work in film, live theatre or both?

I have been involved in both, and each has pros and cons. With film, you get to create complicated and perfected work, but in live theatre, you make something new every night, tailored to the audience’s needs on any given night.

How do you maintain your physical and emotional health while working on demanding projects?

You must include a decompression after a show run. Celebrate your achievements and take a stress break before taking on the next project.

Are there any particular genres or types of roles that you prefer or feel most comfortable in?

I’ve enjoyed all kinds of roles including thriller, dramatic and even romantic but my favourite is comedy hands down.

Have you ever had to improvise during a performance? If so, can you share an example?

All the time. Anything can happen in immersive theatre, and you have to be flexible. I’ve had a co-star forget their lines on stage, so I dived on the grenade (so to speak) and improvised as my character to give them and the rest of the cast a chance to regroup. It’s a good feeling to know you have everyone’s back.

Are you comfortable with performing stunts or action scenes? If so, what kind of training have you had?

I am; I’ve done a lot of martial arts and feel comfortable with breakfalls and fight choreography.

About Confessions of a Serial Killer

What sort of person is going to love this show?

Any fans of crime thrillers, murder mysteries or spooky things in general.

Why did you want to be involved in this production?

Immersive theatre is a unique format that can’t be experienced anywhere else. Every single session is different as the audience will get involved under actor direction. As an actor you never know what to expect.

Who should not come see this show?

People who are not up for a scare. 

What will the audience be thinking about in the car as they drive home after this show?

After the show, I’d expect the audience to go home with lots of food for thought. I’m sure they will question their own morals and consider the nature of good and evil.

How is this production bringing something new to this story?

We have thought through the relationships between characters and found some fun. There will be a few laughs between the thrills.

What’s going to surprise people about this show?

The audience interactions: this show is not on a stage; we will be amongst the crowd, and unexpected things will happen.

Is there something else you’d really like to say?

Every Dark Stories production is unlike anything you will ever experience. There are so many reasons people will like this show, but you will never find another show like this.

Garth can be seen in Confessions of a Serial Killer, which only runs for three nights, from the 6th to the 8th of October, in the secluded sections of creepy Minnippi Parklands.

Assassins – The Revusical

Assassins

In the lovely Beenleigh Crete Street Theatre, Assassins is a dark comedic revusical (part revue, part musical) telling the stories of the nine men and women who have successfully or unsuccessfully tried to kill a president of the United States. It skips down through the ages from Lincoln to Reagan. It reimagines a world where history brought these people together, meeting throughout time. If you’re a history buff or just a lover of fun musicals, this one is to die for.

Assassins

Cult members, stalker fans, bottle makers, and a man with a stomach ache all shared the same dream: to kill the president of the United States of America. Some things unite all sorts of people. Nine people wanted to be remembered throughout history, to shoot their shot at infamy.

The audience laughed throughout the play, especially at Lynette Fromme (Amelia Burton) and Sara Jane Moore (Alison Pattinson). Their chemistry together was phenomenal, but the performance that really killed the audience was the deranged ramblings of Samuel Byck that Dan Konstantinos brought to life. He must have been gunning to stand out.

Adam Goodall sang throughout, talking to each of the assassins through the ages before his reveal at the end that I won’t spoil. Michael Ware assures us the trick to curing any ailment is to assassinate a president, or at least it can’t hurt to try.

I give only the highest praise to the live orchestra, directed by Ben Richards, who set the scenes perfectly. The live band added so much to the show’s feel, and they are all so talented. Issac Brown directed the actors, doing a fantastic job. The show ran for 100 minutes without an intermission and just left people wanting more.

If you’d like to take a shot at having a lovely evening, pull the trigger and get tickets to Assassins, the opportunity won’t last long. It will leave you laughing and with some more serious questions about what the American dream truly is.

With just two weekends remaining, grab your tickets for Assassins for any one of the following sessions:-

  • Fri 6th Oct, Evening 8:00 PM
  • Sat 7th Oct, Matinee, 2:00 PM
  • Sat 7th Oct, Evening, 8:00 PM
  • Fri 13th Oct, Evening 8:00 PM
  • Sat 14th Oct, Matinee, 2:00 PM
  • Sat 14th Oct, Evening, 8:00 PM
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