Potted Potter – The Unauthorised Harry Experience

Potted Potter

Potted Potter Rating

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1

Every now and again a show comes along that is simply just good fun. Potted Potter is one of these shows. It is child-like (in the best possible way), hysterical and does not depend on a deep knowledge of the seven Harry Potter books.

The Playhouse, normally home to the State Theatre Company of SA, was packed with eager children of all ages, some dressed as their heroes, accompanied by apprehensive parents. The atmosphere was palpable.

The stage is shrouded with mysterious objects covered with sheets, a study corner with a desk standing on a pile of books, ominous shadows and eerie music. A perfect setting for horror story, but this production is everything but that!

Written by Daniel Clarkson and Jefferson Turner, with direction by Richard Hurst, set by Simon Scullion, lighting by Tim Mascall, video by Tom Hillenbrand and music by Phil Innes, Potted Potter was ‘born’ in 2005 as a 5-minute street show, and has evolved since then, travelling around the world, into the current 70-minute spectacle.

Featuring the comedic talents of Scott Hoatson and Jacob Jackson, the production rockets along and includes, puppets, quidditch, fast costume changes, quidditch, audience participation, quidditch, topical references and yes, of course, quidditch!

At roughly 10 minutes per book, this is no mean feat for Scott and Jacob, however, they handle the task with ease and never allow the pace or the humour to drop, complete with numerous ad libs and in jokes.

Hoatson plays the wizard himself, complete with the trademark glasses and more than a passing resemblance. Jackson plays all the other characters (except the golden snitch). Individually and together, they are masters of their art with enough material to interest children and adults alike. The rapport between them is amazing, particularly when using physical humour.

If you are a Harry Potter purist, be prepared to suspend your devotion to perfection for 70 minutes and embrace your inner child. There are references to Lord of the Rings, Jurassic Park, Australian political figures and more!

At times it is hard to determine where the script ends and the ad libs begin as the performers work at rocket pace daring us to keep up. The direction (Richard Hurst) is flawless and we could be forgiven for believing the boys are ‘making it up as they go along as the banter is completely natural.

Highlights for me include – Voldemort wearing bright red horns (a parody of Maleficent?), the final battle between Harry and the dark lord staged as a sing off to ‘I Will Survive’ and the terrifying (or is it?) Norwegian Ridgeback dragon battle with Harry.

As wonderful as these highlights are, the climax of the evening is the game of Quidditch with two lucky members of the audience as ‘keepers’. Blow up globes of the Earth bounce through the audience in search of the lifebuoy goals in the auditorium and the golden snitch is spotted and captured to win the game. Hoatson, as the snitch, in an amazing golden costume that defies my description, was lucky to survive the keepers in this performance.

Potted Potter – The unauthorised Harry experience – a Parody by Dan and Jeff is a joyous 70 minutes packed with hilarity, audience participation and downright good fun. It is sure to cast a spell on those who are young, and those us who wish we still were! A must see!

Dunstan Playhouse – Adelaide Festival Centre. May 10-12

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Mr Bailey’s Minder

Mr Baileys Minder

Mr Bailey’s Minder Rating

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7

Debra Oswald’s dramedy, Mr Bailey’s Minder, is a funny, life-enhancing, and deeply moving play about the ugly side of artistic temperament, friendship, family, and the longing for a better life.

Through her characters, playwright Debra Oswald paints a poignant portrait of what we need for forgiveness. Bristling in the beginning with what some might call caustic humour, the play builds through complexities that fiendishly remind us that underneath our veneers, there are rich layers of human experience, revealing a luminous inner beauty found in folks who’ve been scarred for life by life.

Leo Bailey, reputedly one of Australia’s greatest living artists, battles the ravages of alcohol abuse and indulgent misbehaviour, leading to self-loathing and cynicism, culminating in him needing round-the-clock care. His daughter Margo, the only one of his many children prepared to help, does so by staying aloof. She has been through a string of minders for her father.

Therese, fresh out of jail, desperate for a home and job, down to her last option, accepts the challenge to be Leo’s live-in minder. Determined to succeed, even if it means going head-to-head with her cantankerous charge, she battles bravely, seeking some sort of redemption.

Karl, an obliging handyman tasked with the removal of a valuable mural, sees the good in Leo and is a little keen on Therese. He returns repeatedly, offering practical friendship.

The production contains strong language and adult themes. Ironically, it is staged inside a beautifully appointed church hall at 52 Merthyr Road, New Farm, by Nash Theatre. Director Phil Carney does a marvellous job with his cast, keeping the energy high without hurry, exploiting the comedy of awkward moments, and allowing the shift into pathos. The final moments mix excruciating irony with a glimpse of forgiveness.

John Stibbard, as Leo, enters down the stairs of his dilapidated house, oozing poison and malignancy. Despite all he says, does, and has done, we empathise. Stibbard brings warmth to the role, first through humour and then deep pathos when he sees for the first time in decades his favourite of the many pictures he’s painted.

Leo bathed his subjects in luminosity and himself in fame. However, he wasn’t so good as a husband and father. The role of Margo, his daughter, is tricky. But Linda Morgan blends the requisite primness with resentment. Therese, played by Susan O’Toole Cridland, is down to Earth, forthright, and courageous in sharing a strong bond with Leo: shame about their pasts. The play demands a burgeoning chemistry between Therese and Leo, and they achieve that as their characters let down their guards.

Gary Farmer-Trickett plays two roles: Gavin, a despicable minor character for a few moments, and Karl, whose burgeoning interest in Therese is well-understated.

The production should succeed by virtue of word of mouth alone. Here’s my two cents worth. See it for yourselves. You’ll find the experience valuable. Performances are on Friday and Saturday nights: 17, 18, 24, 25, 31 May, and 1 June. Matinee 18 May.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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