Delicious Aerialicious

Delicious by Aerialiscious Entertainment

Delicious by Aerialiscious Entertainment Rating

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Delicious is a scrumptious hybrid show mixing your favourite Burlesque and Circus acts, all themed around food and drink. The show as a whole imbues the audience with ecstatic energy, and satiates our hunger for entertainment.

It seamlessly blends comedy, acrobatics and eroticism in an extravaganza for any appetite. Our fantastic hosts, Chocolate Boxx and Clara Cupcakes bounce off each other brilliantly with quick witted remarks to introduce us to the world of ‘Delicious’ and its’ acts.

Initially we are met with Aline Chapet who performs a quirky routine with ‘Champagne’ bubbles. Her act brings the awe of a magician and the skill of a bartender to the stage, creating bubble art and playing with trapping and releasing smoke. Her act creates suspense and wonder as we wait for bubbles to pop, or not, as she skillfully crafts them. We were then rewarded with other unique acts such as Indie Berlin who performed a hilariously creative ‘Bread-lesque’ routine.

This combined the glitz and glam of burlesque with the comedic premise of feeding pigeons lots of bread; which was executed with elements of mime as well as expert choreography. Another creative act was Cello Bordello and her ‘hot-dog’ routine. This showcased a spunky burlesque number and a twist on sword swallowing except with a balloon. We were also delighted by some women’s Jelly Wrestling (Grace Law and Rachael Gibson); where you were still in the splash zone multiple rows back, causing eruptive laughter from the audience.

Our final unique act was Johnny Gash presenting a sweet ‘Candyman’ styled Drag King performance. Johnny Gash gave us the only vocal performance of the night, which was absolutely phenomenal and all but identical to Christina Augileira herself.

The circus acts included were incredible, with Andrea James Lui skillfully showcasing her amazing floorwork and Aerial Pole skills. With a quirky mad-hatter style, but incredible strength and fluidity she dazzled from the air. Elena Khaw graced us with an incredible show of contortion and flexibility, all whilst glazing herself in honey, keeping to the sweet theming.

Ambrose and Latonya brought some classic circus action with trapeze and Hula Hoop acts. Their Flow Art was smooth and polished, taking much coordination and strength. Finally, Tami Dawson presented hair suspension to close us out, which takes incredible, hair-raising skill.

With such a smorgasbord of talent, the audience was engaged and cheering from the start and this did not lull for the entire performance. The lighting and use of haze made all the performers look spectacular whether they be on the ground or in the air. The song choices were recognisable and energizing, bringing much enjoyment.

This show exudes confidence and really comes together beautifully, a perfect collection of talent, theming and taste. The cast and crew should be applauded for a delightful addition to the Melt Festival line-up.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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MARVELous The Show

MARVELous

MARVELous Rating

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If you’re a Marvel fan, you’ll want to get to the National Theatre in St Kilda this week. MARVELous has hit Melbourne for one week only.

But you don’t just have to be a Marvel fan to enjoy the evening of dancing, singing, acrobatics, stunts, and a variety of hilarious parodies that draw reference to a range of pop culture songs and movies outside of the Marvel franchise.

The audience were a-buzz on opening night, and lapped up the high energy, risqué performances (there is nudity, so keep the kids at home!).

Deadpool and his interaction with the audience kept everyone engaged throughout the show. And each of the individual parody skits were captivating and entertaining to watch.

The show definitely entertained the audience; a wonderful way to escape the real world for a couple of hours and have a good laugh and enjoy the spectacle on stage. There is a great mix of both Marvel-specifc and -non-specific pop culture references along the way to cater for a wide range of tastes.

There is some serious talent in the cast, with amazing dancing, vocals, and acrobatics on show.

 

The show was let down at times with some very slow, silent set changes, which disrupted the flow of the show and could have easily been filled with something as simple as some music, or even just some more character interaction time with the audience, which was in itself a great feature of the show in general.

Several technical issues with sound, lighting, and wardrobe unfortunately drew the attention away from the performances at times too, and it seemed that seating location played a big part in the sound issues too, with those seated towards the back of the audience having the most issues with hearing the cast members at all in the first half. Along with the technical issues, a bit more tightening up of the show in terms of transitions between sets and even the movements of cast within scenes would push the show into presenting as a much more professional category of shows that it deserves to be seen as.

MARVELous the show, really is quite a unique, entertaining, high-energy, and very clever concept. Hopefully, the technical glitches were just some opening-night cobwebs (ah the joys of live theatre!) in what was otherwise an incredibly fun, and extremely funny and enjoyable night out.

Make sure to keep the kids at home for this one, as it’s adults only (well, 15 plus) with lots of partial nudity and plenty of risqué moments.

Get in quick to see MARVELous at the National Theatre in St Kilda 6th – 10th November 2024. Book your tickets now before this marvellous show ends @ https://marveloustheshow.com.au/

Photographer: Ben DIngley

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Maybe He’s Born With It Maybe It’s ADHD

Maybe He's Born With It Maybe It's ADHD

Maybe He’s Born With It Maybe It’s ADHD Rating

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Do you need an emotional rollercoaster of a show that will make you laugh and cry and then, upon further thought, inevitably question all of your actions as possibly neurodivergent?

Yeah, neither did I, and yet I find myself wanting to go back for more!

Upon entering the theatre (and having no previous knowledge of Colin Ebsworth, my assumptions were a comedy show with probable laughs and maybe some relatable content. Little did I know that I would be crying both from laughter and sadness by the end.

Ebsworth is (in short) an insanely talented comedian and wordsmith who managed to convey so many different emotions of relatability, anguish, confusion, satire, wittiness and much more as we are walked through his experience as a neurodivergent child. As someone who has Autism (of which there is a lot of cross-over with ADHD), I found it refreshing to find someone who had some of the same issues as me growing up and was able to articulate it accurately.

All whilst sitting on a stool on a stage in a spotlight with a remote and a few lagers.

 

I also genuinely enjoyed the creative use of both vocal effects and music to enhance the story. And so did the audience! I took my best friend (who is ADHD incarnate) with me and her reactions were vivid and similar to mine. As were the rest of the attendees. We all gasped together, laughed together and felt deeply together. It is no mean feat to be able to create an atmosphere where everyone is invested both individually and as a collective audience.

This show is so important not just for those that are neurodivergent, but also for those that have neurodivergent individuals in their life. It’s content of this show will only continue to become more and more valuable as time goes on.

So, even though this show for Melbourne Fringe is sold out, I would unquestionably recommend that you keep an eye out for Colin Ebsworth and any of his future shows. I cannot wait to see what he comes up with next and will be attending prepared to feel the full range of emotions next time!

For further information about Colin Ebsworth, please follow: https://linktr.ee/colinebsworth

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Colin Ebsworth – Me, My Cult & I: Bold Storytelling

Colin Ebsworth - Me My Cult & I

Colin Ebsworth – Me, My Cult & I Rating

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Colin Ebsworth’s show at the Melbourne Fringe Festival was held at the Trades Hall, the festival’s bustling hub. The show, titled Colin Ebsworth – Me, My Cult & I, takes the audience on an intense, multi-layered journey through Ebsworth’s life, family, and the cult that brought them together.

Ebsworth was raised in a South Korean-led religious movement, the Unification Church, commonly called the Moonies. In the 1980s, Reverand Moonie, a man who claimed to be the reincarnation of Jesus Christ, married Ebsworth’s parents at a mass wedding in Madison Square Garden. From this extraordinary beginning, Colin unfolds a complex and deeply personal story.

With a mix of rapid-fire storytelling, music, and a PowerPoint presentation, Ebsworth passionately recounts growing up in a cult and grappling with undiagnosed ADHD. There’s a lot to unpack here, and while the show was sometimes overwhelming with its myriad storylines, it was also packed with poignant moments and humour.

Ebsworth’s narrative darts between his parents’ arranged marriage, their move from the US to Australia, and the emotional isolation they experienced due to the cult’s restrictive nature. The disconnection from his father’s family in Perth because they weren’t part of the church added layers of complexity to the story.

 

The show isn’t just about the cult, though. It’s about belief systems, family dynamics, and the ongoing search for identity and hope.

Ebsworth’s delivery is fast-paced and almost breathless, and as an audience member, you need to be fully attentive or risk missing important details. It’s a challenging ride that feels meaningful, as different sections of the story will resonate with different people. The overarching theme does emerge: while we can’t undo the past, we can still move forward.

There’s no doubt that Colin is a gifted storyteller. Still, his choice to cover so many intricate layers made it hard to resolve everything cleanly. That said, his passion and energy kept the audience engaged throughout. It’s the kind of show that leaves you with much to think about and will spark conversation afterwards. I’d like to see how this performance evolves in the future as Colin continues to live and tell his story.

Overall, it’s an insightful and enjoyable show full of witty observations and heartfelt reflections. It’s definitely worth checking out if you enjoy performances that make you think and challenge your perceptions.

For tickets, book @ https://melbournefringe.com.au/event/colin-ebsworth-me-my-cult-i/

Dates 09 – 13 Oct – Time 7:00pm, 6:00pm (60 minutes)

For further information about Colin Ebsworth, please follow: https://linktr.ee/colinebsworth

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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