Trick or Treat

Trick or Treat

Trick or Treat Rating

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7

It may have been a Thursday but according to MC Andrew Silverwood, every night is Friday the 13th at Kaleido Companies ‘Trick or Treat’. It was hard to know what to expect from in the way of ‘horror’ from the creators of ‘80’s Mix tape’ which, in all 3 iterations I have seen, has been light-hearted and filled with comedy both from Silverwood and the circus/aerialist performers (and riggers). It was hard to imagine them doing dark and creepy.

The show promised an ‘immersive circus horror show, interwoven with seductive delights that will leave you gasping in both fear and delight. Is it a trick or a treat?’ I can tell you they did not exaggerate with that promise. At one point, not even 10 minutes in, I actually said out loud ‘oh my god, I feel sick!’ as the anticipation grew as Kaleido Company director and aerialist, Sarah, prepared for an aerial skill that did not feel safe (my stomach just turned thinking about it to write this) but seconds later the whole audience was whooping and cheering with delight.

As apparatus were being changed, we were entertained by Silverwood who took it upon himself to educate us about fears, rational and irrational. If you are reading this Mr Silverwood, I didn’t know that ‘wearing an aerialist as a hat’ was a very rational fear until last night! The audience certainly couldn’t complain that the performers were too far away, they came from every which way! With wolves abseiling, mental hospital patients and clinicians prowling through the crowd, creepy clowns seeming to appear before your eyes when you attention is elsewhere, not to mention aerialists performing literally above the audience. It was a delight, or should I say a treat, for the senses.

The performance included the stomach-turning trapeze doubles act, a creepy contortion/acro performance and I have to say if Sarah was a Barbie her leg would have popped off! How strong were the people basing!!! I really don’t think human bodies are designed to do the things that these performers did! There was a duo cube performance with animal heads. Aerialist Mya played the psych ward patient a little too well in the lead up to being tossed by the psych nurses and as she was being swung and her body folded on itself the noise from the audience member behind me as her stomach flipped only added to the effect!

 

When the performers let go of a hand and foot and Mya flew over the audience, the squeals that came were far from voluntary. There was lyra and silks and balancing. Things you would expect from a circus show but done in a way that set the bar exceptionally high (literally and figuratively!)

Honestly, the trust that the performers have in each other as they perform these dangerous acts with out a safety net, knowing that if they fall, they are relying only on each other to catch them. There was also an act with aerial body loops but instead of using straps they used loops of chain, because aerials isn’t painful enough, lets do it on chains while holding the body weight of an, all be it petite, additional aerialist. Ohhhh and there was fire! Fire bubbles, fire eating and fire poi. Who doesn’t love fire?

The strength and skill of the performers was beyond belief. The strength to perform on the apparatus and the strength to base and toss and rig (I love watching the riggers as they work to lift and lower the apparatus during the performance and oh my goodness, they were working extra hard during the chains performance! Gents, you work did not go unnoticed).
The costumes were great, the make up was more than effective and the performers who, during 80s Mix tape, previously did happy, bubbly, over the top excited so well did creepy, eerie, sinister WAY too well.

It was summed up perfectly by an audience member who said matter of factly ‘well that was one of the BEST shows I’ve seen in a LONG time!’ I whole heartedly agree!

Sadly, this was only a two night run at Rechabite but Kaleido Company hope to have a run of Trick of Treat at the 2025 Perth FRINGE WORLD Festival. Keep an eye on https://www.facebook.com/kaleidocompany for more information and updates.

Or take a look at the Kaleido Company website @ https://www.kaleidocompany.com.au/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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MARVELous The Show

MARVELous

MARVELous Rating

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0

If you’re a Marvel fan, you’ll want to get to the National Theatre in St Kilda this week. MARVELous has hit Melbourne for one week only.

But you don’t just have to be a Marvel fan to enjoy the evening of dancing, singing, acrobatics, stunts, and a variety of hilarious parodies that draw reference to a range of pop culture songs and movies outside of the Marvel franchise.

The audience were a-buzz on opening night, and lapped up the high energy, risqué performances (there is nudity, so keep the kids at home!).

Deadpool and his interaction with the audience kept everyone engaged throughout the show. And each of the individual parody skits were captivating and entertaining to watch.

The show definitely entertained the audience; a wonderful way to escape the real world for a couple of hours and have a good laugh and enjoy the spectacle on stage. There is a great mix of both Marvel-specifc and -non-specific pop culture references along the way to cater for a wide range of tastes.

There is some serious talent in the cast, with amazing dancing, vocals, and acrobatics on show.

 

The show was let down at times with some very slow, silent set changes, which disrupted the flow of the show and could have easily been filled with something as simple as some music, or even just some more character interaction time with the audience, which was in itself a great feature of the show in general.

Several technical issues with sound, lighting, and wardrobe unfortunately drew the attention away from the performances at times too, and it seemed that seating location played a big part in the sound issues too, with those seated towards the back of the audience having the most issues with hearing the cast members at all in the first half. Along with the technical issues, a bit more tightening up of the show in terms of transitions between sets and even the movements of cast within scenes would push the show into presenting as a much more professional category of shows that it deserves to be seen as.

MARVELous the show, really is quite a unique, entertaining, high-energy, and very clever concept. Hopefully, the technical glitches were just some opening-night cobwebs (ah the joys of live theatre!) in what was otherwise an incredibly fun, and extremely funny and enjoyable night out.

Make sure to keep the kids at home for this one, as it’s adults only (well, 15 plus) with lots of partial nudity and plenty of risqué moments.

Get in quick to see MARVELous at the National Theatre in St Kilda 6th – 10th November 2024. Book your tickets now before this marvellous show ends @ https://marveloustheshow.com.au/

Photographer: Ben DIngley

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Aerialicious UP LATE

Aerialicious Up Late

Aerialicious UP LATE Rating

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Aerialicious UP LATE is a delicious adults-only sexy circus with a madcap minx as the mistress of ceremonies who won’t mince words, combining comic catchphrases with caustic wit as she introduces each of the artists to bump and grind in a glorious collection of exhibitionism.

Burlesque brought back as bold as brass, with all its tatas, posteriors, and an awesome array of acrobatic acts.

The all-female and non-binary troop was a wonder to behold. Their agility, strength, and flexibility combined to create an endearing effect on their enthusiastic audience—wild whoops and cheers, to be precise.

The aerial ring (lyra), hula hoops, aerial straps, pole dancing, hand balancing, contortionism, and even an old-fashioned fan dance were all staged inside a pole dancing gym at 2/42 Burnett Lane in Brisbane’s CBD. The audience was inches away from having a sequined bra land in their lap.

Aerialicious bills itself as innovative, and from what I saw, that’s about as accurate an assessment as you can get.

The show is part of Brisbane’s Anywhere Festival, running from 19th July to 4th August.

Find out more by going to this link: https://anywhere.is/artist/aerialicious/.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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It’s simply MARVELous: A Risque Parody

Marvel

MARVEL: A Risque Parody Rating

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6

The big energy opening number to MARVELous: A Risque Parody gave the audience a taste of what was to come. There were showgirls dressed in sexy red, white and blue outfits, high kicking, singing and dancing around a muscular square jawed Captain America, played by Luka Lea-Vestic holding up his big round shield.

It was reminiscent to a scene from Captain America named “The Star Spangled Man with a Plan” except director, creator and composer Samwise Holmes cleverly wrote a parody called “The Man with America’s Ass” with lyrics such as “Who’s got a glorious gluteus maximus? The vote for the world’s greatest bum is unanimous. A posterior that’s all class. The man with America’s Ass”!

From here I guessed that this was going to be a mix between a satirical musical, a flamboyant gathering of colourful costumes and cheeky burlesque dancing. What I didn’t foresee was another layer – one which involved not only raunchy strip dancing, but dancing in many different styles, including a ballet act, dancing using a whirlpole and a modern puppet master dance led by Scarlet Witch, played by Brea Holland. Added into the mix was a good dose of aerial and stage acrobatics, with risqué humour woven in. Listening to the audience’s reaction to the performances around the theatre, it was clear that MARVELous was hitting all the right notes!

Each performance involved a seperate Marvel character act, unique to them and was unrelated to others. There was not a storyline from start to finish, rather a series of acts where the Marvel characters embodied their character traits and special powers. They performed a particular dance, sometimes singing along to parodies of a well known scene from a movie. When they were not performing as their main Marvel character, the cast of 12 supported each other by playing other roles onstage.

One stand out performance was by Megan Wonfor, who played Black Widow. Her fight scene with two ninjas dressed head to toe in black was phenomenal. The three of them did a “dance fight” full of acrobatic tumbles and sharp acrobatic leaps, all in time to music. It was visually one of the most beautiful fight scenes I’ve ever seen!

Another performance I really enjoyed was from Fat Thor, played by Thomas Remaili, who used the pole in his routine and made climbing up it and hanging off at zig zag angles look easy, despite wearing croc slip on shoes and having his legs and arms covered, which left me wondering how he was able to grip the pole. His huge prosthetic belly didn’t hinder Fat Thor as he performed his routine, and his humour had the audience laughing and cheering him on.

Deadpool, played by Justin Wise, was the show’s sassy narrator. When he was onstage, his role as the storyteller appeared to be more of a stand up comedian and involved him bantering with the audience to bring the show to a more personal level.

The choreography of all the dance acts was so varied, and executed with precision by the actors. If all the dance routines were too similar, it would have been a lacklustre show. Choreographer Luka Lea-Vestic ensured that audiences would be treated to a mix of styles that captured our attention.

James Wallis’ lighting, in combination with the creative three-story cityscapes scaffolding set design by Dan Potra, was effective throughout the show to both elevate the vibrancy of the mood and to build the suspense in darkened scenes. In one performance Iron Woman, played by Lulani Rawson, led a multi woman lineup of Marvel characters in a dance, with each performer using her lights on her hands to create exciting paths of lights into the audience as the male performers lit them up from behind. This was a mesmerising scene.

Action Reaction Entertainment have brought a dynamic show to the Chatswood Concourse theatre for fans of the Marvel Cinematic Universe. There were cheers and laughter as they understood and appreciated the jokes and references throughout the performance. Even if you weren’t familiar with all the characters, there were acts which brought in parodies of some very well known musicals as well. Despite some opening night hiccups with the sound, the soundtrack paired with the casts’ high energy performances ensured the audience had plenty of laughs and a MARVELous night out.

MARVELous: A Risque Parody is playing at the Chatswood Concourse.
Be aware that it is an 18 + event.

Show Run: Friday 26 July – 10 August 2024
Tickets: from $59 – $125

www.marveloustheshow.com.au

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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