Hands On A Hardbody

Hands on a Hardbody

Hands On A Hardbody Rating

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5

It’s always a pleasure when theatre companies step away from big-name shows to bring local audiences more unique (and often fantastic) shows. Limelight Theatre is the latest in this endeavour – giving Hands On A Hardbody an exceptional Australian debut with excellent production values.

Based on the 1997 documentary of the same name, Hands On A Hardbody is the unexpectedly heartwarming story of competitors vying to win a pick-up truck by being the last person to keep their hands on the vehicle.

Spanning over nearly four days, we meet a pool of characters and learn why they’ve come to take part in the competition and how the win would change their lives. The hardbody in question is a thoughtfully designed piece that anchors the show, offering actors versatility in their abilities to interact with it and each other.

Designed by Mal Anderson, the rest of the set is equally impressive. It helps to bring the ageing car dealership to life, with a lack of side stage curtains creating an outdoor feel to the auditorium. Effective lighting and sound design add to the ambience while assisting in showing the passing of time.

A strong ensemble cast—Breeahn Carter is simply captivating as Heather Stovall, with great spunk and confidence, while Lukas Perez brings an infectious energy to Norma Valverde. Phil Bedworth gives great depth to previous champion Benny Perkins, and Rodrigo Goncalves de Azevado is compelling as Jesus Pena.

Helen Carey and Brad Beckett are utterly endearing, as are Janis and Don Curtis, and are well-balanced in the tense relationship of J.D. Drew and his wife Virginia (Chris McCafferty and Gillian Binks).

Amber Wilson leads the competition as Cindy Barnes, who is the perfect balance of sweet and stern against Ben Mullings’ slimy Mike Ferris. Jacob Anderson is a ball of energy as radio host Frank Nugent. The cast is rounded out by a small ensemble and brief appearances from the competition’s early bow-outs, including a crowd-pleasing Christian Dichiera.

Vocally, audiences are treated to a suite of talent, with slick ensemble singing and harmony work under Sean Davis’s leadership. However, occasional imbalances in sound mixing left soloists momentarily overpowered by the chorus.

Individual stand-outs include Brittany Isaia and Joshua Hollander’s ‘I’m Gone’ – showing off the pair’s palpable chemistry and lovely vocal tone. Riley Merigan also displays his powerful vocal chops in ‘Stronger.’

With performers limited in their movements to stay in the competition, Jane Anderson’s choreography is to be commended – thinking outside the box to create engaging numbers with ‘Joy of the Lord’ a particular high point.

Co-directors David Nelson and Jane Anderson have put together a fun-filled, cohesive production deserving of full-house crowds. It’s a definite recommendation to anyone into a ‘human drama kind of thing.’

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Hay Fever: 100 Years Of Fun

Hay Fever

Hay Fever Rating

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It’s been 100 years since Noel Coward wrote his absurd comedy Hay Fever, and it’s played in theatres worldwide. Told in three acts, it follows a weekend in the Bliss family home, each of which has invited a guest over for the weekend without informing the others. When the guests arrive, the eccentric family’s theatrics and bickering cause plenty of absurdity and laughs.

Jason Darlington makes his directorial debut at the Genesian Theatre on Kent Street in Sydney, keeping the play set in the 1920s as originally written. Even in a modernised contemporary setting, this story would still make a testament to the timelessness of Coward’s writing, but it was fitting to go back to the decadence, style, and vocalisation of the 1920s when it was originally written.

The set design and associated props were spot-on and drew me into the Bliss household. The little details, such as the bookcase, staircase, picture frames, and period-correct china and tea set, really help draw the audience into the world. The 1920s costumes provide a strong sense of time and place, and my favourites were Sorel’s evening dress and Myra’s Flapper outfits.

The play has a large cast, including four members of the Bliss family, their housekeeper, and four guests. The performances from the cast were thoroughly enjoyable, as were the haughty and snobbish upper-class British accents. Maintaining the humour and timing of the dialogue is challenging, especially on opening nights, but the ensemble accomplished an excellent job.

Each character gets plenty of stage time, with the second act broken down into several sequences where a successive pair of actors dominate the stage. The jokes, the timing, and the energy all work well, with Zoe Wilson as Sorel Bliss and Elizabeth MacGregor as the matriarch Judith Bliss being especially noteworthy. Judith is a retired actress, and her subsequent theatrics were a lot of fun.

The story itself is quite soft and situational, and it’s not trying to be anything more than an absurd little romp. Much of it seems outlandish, like how quickly the characters seem to fall in love with each other, but given the theatrical and creative background of the Bliss family, it suits the characters and makes enough sense to be fun. The audience enjoyed many laughs, especially towards the end of the second act.

Despite some opening night quirks, Hay Fever is an energetic, fun, and worthwhile experience at the Genesian Theatre. Its lively performances make it a production worth your time.

Hay Fever runs from 22nd June to 27th July, with sessions running on Friday and Saturday nights at 7.30 pm and a Sunday matinee at 4.30 pm.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Good Food and Wine at the Sydney Good Food & Wine Show

Sydney Good Food and Wine Show

Sydney Good Food and Wine Show Rating

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2

I have three recommendations for attending the Good Food and Wine Show. One is to bring a trolley. Not a shopping cart trolley, but a stand-up two-wheeled trolley will do just fine. There is a general conception that only the older generation shops with trolleys.

However, when you go around the Good Food & Wine Show (GFWS) buying bottle/s of wine, cheese, gourmet drinks, such as jars of Honey Yuzu Tea (The Han Kitchen), a 750ml bottle of Elixir of Ceylon Tea (Dilmah), and other such foodie items, your arms will get a good workout with many shopping bags hanging off! (The GFW Show have trolleys for sale, for this very reason.)

The second recommendation is to come hungry. Don’t eat breakfast beforehand if you plan to arrive at the 10 am opening. There are 350 exhibitors, and most exhibitors will offer you a sample of their goods. As you are wandering the aisles, there are many temptations to try! For those with a penchant for savoury items, you can taste salami, and not just the usual pork salami; there was also some duck salami on offer.

Wander through the Cheese Corner, with not one but nineteen dairy and cheese exhibitors – I was in cheese heaven! For a cheese lover, this would have to be one of the show’s highlights. If you don’t eat dairy cheeses or are vegan, Noshing dairy-free cheese has a variety of tasty vegan cheese flavours. (Just be aware that they are made with almond milk, so they are unsuitable for people with nut allergies). Other savoury tastes offered were delicious kimchi, chilli oils, olives, gourmet macadamias, miso pastes and ready-made recipe bases.

One of the most interesting exhibitors I came across was Circle Harvest, founded in Western Sydney, which has Australia’s largest insect protein farm and food manufacturing facility. They specialise in using cricket protein in their food products, looking forward to a sustainable future. I tried their cricket corn chips, and they were slightly salty and crunchy, with no ‘crickety’ taste!

For people with a sweet tooth, there were certainly many exhibitors offering their desserts and cookies. (I tried the THICC cookies, which were lovely!) There were chocolatiers with gorgeous-looking handcrafted chocolates (Studio Cocoa), cannoli, and decorated donuts to purchase, all looking quite tempting.

With just under one hundred Australian vineyards offering wine tastings, as well as many flavoured gins from Australian distillers, premium liqueurs to sample, alcoholic ciders and such, my third recommendation would be to catch public transport to the Sydney Good Food and Wine Show. It would be wise to limit your tastings to a sip!

The overall layout of the show inside the International Convention Centre (ICC) was structured well. Most of the dairy and cheese sections were together, and there was a concentration of boutique wine makers (although some were still scattered around). There were maps we could download to navigate around the show.

If you were still peckish between the tastings, there was more substantial food to buy. Pop-up restaurants served pies, fried chicken, empanadas, burek, pasta, bakery items, and Vietnamese pho.

There were free-to-watch demonstration areas and various masterclasses with wine, cheese, spirit, and tea experiences that incurred a fee and were recommended to be pre-booked (I could see that most classes were already booked out for the day).

I attended the Fizz and Fromage masterclass at the Wine Selectors Wine and Food Tasting Rooms. This was a fun, small 14-person class, during which we were served a tasting of 4 Australian wines and matching cheeses. Thanks to Nicole, who led our 30-minute session, I picked up some interesting facts about pairing wine and cheese.

During the cheese tastings, I delighted in discovering the joy of the triple brie from the Cole River Farm, an award-winning artisan cheese manufacturer in Tasmania, the Tarago Cheese Farmhouse’s creamy and tasty Shadows of Blue from Victoria, and the bold, earthy Tasmanian cheddar from Pyengana Dairy.

At the entrance was a cloakroom and the welcome station for the GFWS patrons, where they could buy a show bag or a single wine-tasting glass.

The aisles were packed with people, and sometimes, it was difficult to move around. If you are not comfortable in a crowd or with constant loud noise, this may not be an event you’d enjoy. Perhaps a timed entrance to the show could ease the people traffic during the first few hours.

This is a vibrant event where foodies and wine and spirits lovers can sample the best Australia has to offer in one place.

The Sydney Good Food and Wine Show was held at the ICC from Friday, 21 June, to Sunday, 23 June. Tickets started at $39 for a day pass or $59 for a multi-day pass, plus an extra charge for any masterclass experience.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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The Exotic Lives of Lola Montez at Chapel Off Chapel

FINUCANE & SMITH’S THE EXOTIC LIVES OF LOLA MONTEZ

The Exotic Lives of Lola Montez Rating

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2

Attending the latest production of “The Exotic Lives of Lola Montez” at Chapel Off Chapel was an exhilarating and unforgettable experience. This show is a kaleidoscopic journey through the life of one of history’s most controversial and audacious women, brought to life by an all-female presenting cast.

The performance is a brilliant blend of fantastic singing, ranging from Broadway show tunes to opera and everything in between. It also includes burlesque dancers performing classic fan dances to full-frontal nudity, showcasing a spectrum of artistry and boldness.

The show is a highly feminist work, written and directed by women, and it tackles numerous significant questions relevant during Lola Montez’s time and today. Lola’s assertion that her body was her own and belonged to no one else remains a powerful statement in the current context.

Caroline Lee, a triple Best Actress winner and a direct descendant of Lola Montez herself, delivers a stellar performance. She expertly portrays a woman living life on her own terms in a time when women had limited choices. The narrative delves deep into what it means to live a life defined by one’s own desires and terms, questioning the value of a life lived outside societal norms.

The storyline beautifully intertwines Lola’s life with the historical context of Victoria and Melbourne, referencing artifacts that can still be seen in the National Gallery of Victoria. One notable episode from Lola’s life that is vividly depicted is her infamous horsewhipping incident involving the editor of the Ballarat Star. This event, among many others, is recounted with both humour and drama, creating a captivating narrative.

FINUCANE & SMITH’S THE EXOTIC LIVES OF LOLA MONTEZ

The show also features burlesque performances that range from historical references to modern interpretations, including a male performer stripping down to a single piece of tape, leaving the audience in suspense. This daring and unapologetic approach is a recurring theme throughout the show, making it both provocative and thought-provoking.

Despite a few minor hiccups, such as occasional line drops by the performers, the overall experience was incredibly enjoyable. The production’s raw honesty, combined with its mix of storytelling and sensual performances, makes it a must-see.

Don’t miss out on this incredible performance that celebrates the life and legacy of Lola Montez in the most spectacular and unapologetic fashion.

**Performance Details:**

**Dates:** 21 – 30 June

**Times:**

  • Friday 21 June, 8pm
  • Saturday 22 June, 8pm
  • Sunday 23 June, 6pm
  • Wednesday 26 June, 8pm
  • Friday 28 June, 8pm
  • Saturday 29 June, 8pm
  • Sunday 30 June, 6pm

– **Tickets:**

  • $88 Table Seat*
  • $48 Standard
  • $38 Concession
  • $38 Groups 6+

**Duration:** 80 minutes (no interval)

**Contains:** Theatrical haze, coarse language, nudity, and lots of dancing. Suitable for ages 15+.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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