Chalkface: Melville Theatre

Chalkface

Chalkface Rating

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Chalkface is a glimpse into the lives of six staff members from the fictional West Vale Public Primary School.

The two protagonists in the play, Pat Novitsky and Anna Park are polar opposites. Pat is a weary, cynical 56-year-old teacher and Anna is a 22-year-old perky graduate teacher, full of enthusiasm.

Pat has been teaching at West Vale for many years and has given up trying to make a difference in teaching and in the lives of the students. Her weariness is evident from the moment she steps into the staff room on the first day of Term One, dragging her feet with shoulders hunched. Years of bureaucratic red-tape, the constant lack of funding and having to deal with difficult parents appears to have taken a toll on her and that bright light within her she once had is now dim.

Anna on the other hand has full of ideas on how to improve the school for the teachers and for the students. On her very first day she is already suggesting new teaching methods that land her on the wrong side of Pat. The two clash throughout the play but as they get to know each other on a more personal level they develop a common ground.

The other characters are Denise Hart, the somewhat ditzy pre-primary teacher; Cheryl Filch, the former bank worker now school office manager who guards the office supplies with an iron fist; Steve Budge, who is convinced a parent of one of his students is stalking him; and lycra Principal Douglas Housten.

Rather than acts in the play they have terms which I thought was quite a clever way of delivering the performance. With each term more layers of the characters unravel.

Set in the staff room of West Vale, the set designer has done a brilliant job in presenting a run-down and outdated staff room with cracks in the walls and basic office furniture. This was a dead give-away that West Vale is a public school and the lack of school funding is a major theme throughout the play.

Natalie Burbage is phenomenal as the grouchy Pat Novitsky and Sophie Harvey-Lissienko is equally as good as the bright Anna Park. The other cast members Louise Fishwick, Cameron Leese, Maree Stedul and Christopher Hill all deliver strong performances and the camaraderie amongst the cast shines through in their performances.

There is a strong message conveyed in the play which many of us are perhaps already aware of and that is teaching is a hard profession. Teachers are underappreciated and underpaid. But as the director Vanessa Jensen mentions in her Director’s Notes, playwright Angela Betzien describes Chalkface as a “love letter to teachers” with relatable teacher issues presented in a humorous manner.

To book tickets to Chalkface, please visit https://melvilletheatrecompany.au/current-production.

Photographer: Curtain Call Creatives

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Rhys Darby: The Legend Returns

Rhys Darby - The Legend Returns

Rhys Darby – The Legend Returns Rating

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The first time I knew about Kiwi comedian Rhys Darby was when I happened to stumble upon a tv show in which he travels to Japan, “Rhys Darby: Big in Japan”, and I instantly became a fan so I was super excited when I found out that he would be performing a show in Perth for the Perth Comedy Festival and his show did not disappoint.

Although Rhys delves into a range of topics, which he manages to squeeze into his hour-long show, it centred predominantly on technology and its impact on society.

His take on Artificial Intelligence (AI) within society was especially cleverly portrayed using an analogy of a horse and carriage. The horses are the AI, the tech billionaires Mark Zuckerburg, Elon Musk and Sam Altman are the horsemen with the whips directing the horses where to go, the general population are the passengers inside the carriages not knowing where the horses are taking them, and the Baby Boomer generation are being dragged behind the carriages in this crazy ride. The whole image was brought to life energetically with Rhys impersonating the horses, the tech billionaires, the general population and the Baby Boomers.

With Perth known as being behind the rest of the world in everything, he jokes that Perth wouldn’t be aware of this, as AI hasn’t yet hit Perth.

Throughout the show, Rhys tells separate stories like Rumba the robot vacuum that escapes from home or the flying machine he invents to take his kids to school. In the end, he manages to weave all the stories into one cleverly crafted final story.

Rhys is also a man of hidden talents, or perhaps a talent of his that isn’t so well known. I was impressed with his voice, sound effects, and his beatboxing and DJ skills. During the performance, he manages to put together a live track of him beatboxing.

Rhys was full of energy throughout his entire show. He is not one to stand still. He is animated in the stories that he tells, and his passion for comedy and storytelling shines through in his performances. There are some comedians who are more popular with male audience and others with female audience. Rhys appeals to a wide range of audience members regardless of age, gender or ethnicity.

Unlike other comedians, he also delivered quite a poignant message about not getting too consumed with technology, to appreciate each other’s company whilst we can, as life is short and not to be so afraid of what the future holds in these uncertain times.

The Perth Comedy Festival runs from 21 Apr to 18 May. To book tickets to a show, please visit https://www.perthcomedyfestival.com/.

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Booze & The Bard: Macbeth! The Scotch Play

Booze & the Bard: Macbeth! The Scotch Play

Booze & the Bard: Macbeth! The Scotch Play Rating

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With the show’s title named Booze & The Bard: Macbeth, I had a feeling this wouldn’t be your typical Macbeth play. As part of Perth’s annual Fringe Festival, five young actors bring a loose adaptation of Shakespeare’s infamous Macbeth to the stage.

Held at Four5Nine Bar at the Rosemount Hotel, a cosy little venue, the audience and the actors had no idea how the play would pan out. The concept reminded me a little bit of those “choose your own adventure books” where the reader’s choices determine the main character’s actions.

The play started off smoothly; all the standard lines are acted out with an injection of modern language sprinkled throughout (I loved this because, as someone who myself am not a big follower of Shakespeare’s plays, it made the play easier to follow and understand). When the play continued too smoothly, that’s when the actors shook things up a bit. There were drinking games (audience members could also participate if they wished), but either way, the actors are drinking throughout the play.

The major shakeup of the show was the spinning wheel. The spinning wheel had a variety of rules that the chosen actor had to follow when the tab landed on any of these rules, and this could happen at any moment throughout the entire show. The narrator would usually bring the spinning wheel to an audience member to spin.

 

For example, when it landed on ‘accent’ the chosen actor had to say his lines in an Irish accent for remainder of the play. I especially though it was funny when it landed on ‘western’ and the actor playing Macbeth, Ethan Milne, had to act out the rest of the play as though he was in a western movie, topping it off by wearing a poncho.

There were moments when the actors would be calling out ‘noooo’ when the spinning wheel was pulled out. I could feel their pain. It would not be easy to recite a Shakespeare play and then force put a spin on it at the last minute.

It’s ironic that Macbeth is actually a tragedy, but this show was far from tragic. The Booze & the Bard’s Macbeth, the Scotch Play was a fun, chaotic, silly, comedic retelling of a Shakespeare classic with many twists.

You certainly do not have to be a Shakespeare fan or understand Shakespeare to enjoy this show. It’s clear the actors were all having a lot of fun, and this naturally pulled the audience in.

If you are looking for a light-hearted show with plenty of laughs and, of course, drinking, then this is the show for you.

To book tickets to Booze & the Bard: Macbeth! The Scotch Play, please visit https://fringeworld.com.au/whats_on/booze-the-bard-macbeth-the-scotch-play-fw2025

This year’s Fringeworld Festival Perth runs from 17 January to 16 February. For more information, please visit https://fringeworld.com.au.

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I Watched Someone Die On TikTok

I Watched Someone Die on Tik Tok

I Watched Someone Die on TikTok Rating

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With the show’s title, ‘I Watched Someone Die on TikTok,’ I had no idea what to expect from this show. All I knew was that it would be a one-person show. Sometimes these can be the best sorts of shows without any preconceived ideas.

As part of the Perth Fringe Festival, WAAPA alumnus Charlotte Otton delivers a quirky, commentary-style and partial biographical performance involving her relationship with the internet and social media.

Although the performance is delivered in a humorous manner, it touches on serious topical issues such as social media addiction, minors on social media, cyber-bullying and the multitude of disturbing content found on the internet.

Charlotte takes the audience on a journey from the early stages of the internet in the early 90s to the colossal digital platform it now is.

She makes a point of how the internet is filled with so much dark content and how easily accessible this content is to any person of any age. This content she refers to includes people dying in hospitals, beheadings and people being beaten to death. In the early internet days, it may have been a bit tricky, but certainly not impossible, to access such content, but nowadays, videos, regardless of whether they are age-appropriate or not, so easily pop up in social media feeds.

The strong grip social media has on people’s lives is real, and Charlotte brings this to focus. In one segment, the absurdity of some of the TikTok challenges is brought to life as she playfully takes up the challenge that the audience selects for her.

Any person who is guilty of doom-scrolling will relate to Charlotte’s commentary.

I found this show immensely entertaining and Charlotte to be an outstanding solo performer. I never knew which way the show would go or what Charlotte would do next. Mirroring much of how Tik Tok operates, she performs multiple segments in the show at a fast pace—keeping the attention of the audience glued to the stage.

To book tickets to I Watched Someone Die on TikTok, please visit https://fringeworld.com.au/whats_on/i-watched-someone-die-on-tiktok-fw2025

This year’s Fringeworld Festival Perth runs from 17 January to 16 February. For more information, please visit https://fringeworld.com.au.

Photographer: Sophie Minissale

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