About The Show – Blue by Thomas Weatherall

Blue by Thomas Weatherall

Today, we’re diving into the world of Blue, directed by Ian Wilkes and brought to life by Owen Hasluck. This powerful production navigates the intricacies of growing up, mental health, and resilience. Join us as we explore the inspirations and aspirations behind this powerful performance, which is making its West Australian premiere at Black Swan State Theatre.

About Blue by Thomas Weatherall

What is this Production about?

An unforgettable monologue brought to life by proud Whadjuk Noongar actor Owen Hasluck and celebrated Noongar director Ian Wilkes.

Black Swan State Theatre Company of WA is proud to present the West Australian premiere of Blue – a tender, poetic and emotionally powerful monologue by Kamilaroi writer and Heartbreak High star Thomas Weatherall, playing at the State Theatre Centre’s Studio Underground from 23 May to 8 June 2025.

Weatherall’s “very personal fiction” explores what it means to grow up – and keep going – when life throws you off course. Told through a lyrical, introspective lens, this one-man show dives deep into grief, mental health, and the strength it takes to keep moving forward.

Making his Black Swan debut in the role of Mark is Owen Hasluck, a proud Whadjuk Noongar man and rising star of Australian theatre. A 2023 NIDA graduate, Owen also completed WAAPA’s Diploma of Acting and Aboriginal Performance Course. In 2024, he made his mainstage debut in Songbird with Yirra Yaakin, and later that year performed in Operation Boomerang, also directed by Ian Wilkes.

Ian Wilkes is a Noongar man with connection to the Wadjuk and Ballardong people. A theatre-maker, director, performer, writer and dancer, Ian is a graduate of WAAPA’s Aboriginal Theatre course and a recipient of the Perth NAIDOC Award for Artist of the Year. His directing work includes York for Black Swan and Boodjar Kaatijin and Hobo for Yirra Yaakin. He co-directed and performed in Galup and Galup VR for Perth Festival, and in 2023 directed the Festival’s spectacular opening event, Djoondal. As a performer, he has appeared in Hecate, Honey Spot, The Tempest and Black Swan’s Barracking for the Umpire which toured throughout WA in 2024.

We’re thrilled to welcome Owen to Black Swan. Blue is a play full of heart, honesty, and hope – and with Ian at the helm, we know this WA premiere will be something truly special.

Winner of the 2024 Matilda Award for Best New Australian Work, Blue has been praised around the country for its emotional resonance, poetic writing, and honesty.

Whether you’re a regular theatre lover, or discovering Black Swan for the first time, Blue promises a moving and unforgettable experience – rich with cultural connection and raw humanity.

What sort of person is going to love this show?

If you love theatre that’s real, heartfelt and beautifully acted, this one’s for you. Blue will speak to anyone who’s ever juggled family expectations, wrestled with identity, or just wanted to be seen for who they really are. It’s powerful, honest, and surprisingly relatable — whether you’re a parent, a son, or someone who loves great storytelling.

What will the audience be thinking about in the car as they drive home after this show?

They’ll be thinking about their own families — the things they’ve said, and maybe the things they haven’t. They’ll be replaying those powerful moments of connection on stage, and probably having some honest conversations of their own. Blue leaves you feeling moved, a little raw, but ultimately hopeful. It opens up space to talk, reflect, and maybe even pick up the phone to someone you haven’t called in a while.

What’s going to surprise people about this show?

How quietly it sneaks up on you. You think it’s going one way, and then — bam — it hits you right in the heart. People might be expecting a heavy drama, but they’ll be surprised by how warm, intimate and human it is. There’s humour, tenderness, and a depth that really stays with you.

Call someone out by name: who must come see this production?

Dads. Sons. Mates who never talk about their feelings. Blue is the show you didn’t know you needed. And if you’re someone who’s ever said, “I’m fine” when you weren’t — this one’s for you. Come for the brilliant writing, stay for the gut-punch moments that’ll stick with you long after the final scene.

Where can patrons purchase tickets to this production?

This production runs from 23 May to 8 June 2025. To book tickets to Blue by Thomas Weatherall, please visit https://blackswantheatre.com.au/season-2025/blue.

Thank you to our interviewee for sharing their insights and passion. I wish you all the best with “Blue” – may it touch hearts and leave your audience profoundly moved. Break a leg!

Other production interviews can be viewed in our About The Production Series.

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About The Production – Cosa Vedranno: What Will They See?

Joining us today is Director Zippie Tiffenright, the creative force behind a wild, post-apocalyptic dive into Renaissance rebirth. Their upcoming show is an original work that blends chaos, beauty and raw imagination. Let’s pull back the curtain and meet the mind behind the madness.

About Cosa Vedranno: What Will They See?

What is this Production about?

‘A post-apocalyptic Renaissance, where young artists rediscover the human condition. The maladjusted reincarnations of Leonardo da Vinci, Michelangelo and those theoried to have been The Mona Lisa, are forced to teach themselves reality, language and creation, with beautiful and terrible results.’

What character are you playing, and what can you share with us about them?

Being a director always feels like playing a role in the show; sewing together the pieces and smoothing it out- guiding the movements and words. It’s a truly beautiful experience; you get to see everything. Making sure the best and worse colours of all the characters get showcased feels so important, in order to achieve that sense of nuance necessary for this play to capture the mind and soul.

What’s challenging about bringing this script to life?

Having written the script also, choosing which parts of the writing process to remember and forget feels vital, and is challenging- what sections of the world must carry through to the stage? What can fall away? How can we still ensure the artistry comes through? We’re thinking of it like an exercise in immersion- submerging ourselves in this world and only coming up for air when it’s absolutely necessary. The venue is an art gallery, the stage feels like an arena that the audience is a part of; the nine circles of hell, hanging on the walls, are the watchers. It’s been about creating an environment for the show, through Renaissance music and sound, cloth textures, air, breath, and voices.

Why did you want to be involved in this production?

The cast have said the strong draw-point for them auditioning for the production is the artfulness of it all. The profound impact such a concept can have just in a sentence, of rediscovery, reversion, and the spark of imagination.

What sort of person is going to love this show?

Any art, drama or language nerds. It started as my Extension 2 English Major Work in high-school, so it’s infused with that desperation and motivation I had to produce something that will last beyond my HSC, and that I could continue developing. I’ve grown up in such an artsy house, revisiting the Renaissance, Vasari’s ‘Lives of The Artists’, Dante’s ‘The Divine Comedy’, artworks, paint and books everywhere; I’m so fortunate that this love for creation has been cultivated within me my whole life. Really anyone who loves creation, freshness, rebirth will love this show. And big thanks to my Italian teacher at school for helping with translations haha.

What will the audience be thinking about in the car as they drive home after this show?

Probably ‘I have to think about this for a bit’. I hope it stays with people, and that they’re able to rediscover new parts each time they recall something from the show. For me, the world of this new Florence (“Floorants” haha) becomes more complex with each passing thought, unravelling and reweaving, like it’s alive itself. I hope audiences can take away the values of the show and overall experience of learning these characters.

What’s going to surprise people about this show?

How young the cast are- they’re so raw and real, it’s like looking through glass at a painting of humanity. The characters they play are barely developed people and they make so many mistakes. Watching these young people leading themselves astray is just such an interesting observative experience, that I hope adolescents can see parts of themselves reflected in, and that adults can be provided with an insight into the developing mind.

How is this production bringing something new to this story?

Being an original work, the play is still undefined, which is thrilling! Bringing a fresh insight to the Renaissance, however, has been fascinating; modernising and mixing, through incorporations of local artist’s work on the set, and face art of natural, beautiful things, along with singing in Italian and English, really brings together the vision of reimagining the Renaissance in a destructive and uncertain world.

Call someone out by name: who must come see this production?

The Medici family: be like them, support the arts haha.

Who has the best costume?

Probably Piper- theirs has turned out really specific to Lisa. She’s embroidered patterns on Lisa’s vest like the character would, and matches the way Lisa’s so uniquely herself, uninfluenced by anyone. We’ve had a really good time making sure each costume reflects the character’s style, and merges old and new world elements.

Who in the show is most like their character?

Alex probably haha, he’s such a sweetheart in real life and we all think it comes through in the show too. Allira is also such a breath of fresh air when she’s onstage; we joke about Isla being the whimsical forest girl that brings a fresh bit of spice to the play.

Who’s the least?

Mackenzie (we hope haha), and additonally, having a woman play the teenage boy version of Leonardo da Vinci is wonderful- the insight she brings to him, while embodying his energy and undeterrable drive is wonderful to see.

Is there anything else you’d like to add?

Thank you for reading! We’re so excited to share this show and can’t wait for opening night (Wed 30th April, 7:30pm).

Where can patrons purchase tickets to this production?

To book tickets to ‘Cosa Vedranno: What Will They See?’, please visit https://www.trybooking.com/events/landing/1357578.

Show Sessions run from Wednesday 30 April 2025 to Saturday 3 May 2025 at The Show Room – Owens Collective, 101 Maitland Road, Newcastle.

Thank you so much for sharing your incredible journey with us. We can’t wait to see the magic you and your talented cast have woven together in ‘Cosa Vedranno: What Will They See?’ Break a leg, and may your show captivate every heart and mind in the audience!

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About The Production – Popera: Sex, Death & Politics

Uma Dobia

We caught up with the whirlwind behind Popera: Sex, Death & Politics to dive into a world where opera meets glitter, pop sass, and a hefty dose of feminist fire. With high notes, high drama, this cabaret gameshow turns tradition on its head.

About Popera: Sex Death and Politics

What is this Production about?

Popera: Sex, Death & Politics is an interactive cabaret gameshow that blends original pop and opera parody, all while tackling agesim and sexism in the performing arts — in silver sparkly boots and a red jumpsuit! It’s basically opera with Kath and Kim energy.

What character are you playing, and what can you share with us about them?

I play the gameshow host, a trained operatic soprano who hosts a gameshow that mixes pop and opera. But on the day of the show, her boyfriend/assistant Trevor doesn’t show up to work, and since the show must go on, she’s determined not to think about him…

What sort of person is going to love this show?

Anyone who loves pop, opera, divas — or honestly, anyone who loves a laugh! Popera has many…

What will the audience be thinking about in the car as they drive home after this show?

They’ll probably be singing “sex, death & politics! Popera! Popera!”… if you know, you know 😉

Call someone out by name: who must come see this production?

Opera singers! Opera students! Opera lovers! They’ll get every reference — or if they don’t, they’ll learn something new about the operas they love.

Who has the best costume?

Definitely me — knee-high silver, diamanted, stiletto boots, a tight red jumpsuit, a black tails jacket, a magnificent red robe, and a jaunty red circus hat?! Who could resist?

Is there anything else you’d like to add?

We’re doing an Auslan-interpreted and audio-described show (please bring your own device and headphones) on Sunday, April 13th!

Where can patrons purchase tickets to this production?

To book tickets to Popera: Sex Death and Politics, please visit https://www.comedyfestival.com.au/browse-shows/popera-sex-death-politics/.

Show Sessions run Sat 12 Apr & Sun 13 Apr: 4 pm and Sat 19 Apr & Sun 20 Apr: 4 pm at The Motley Bauhaus – Theatrette, 118 Elgin Street, Carlton.

Thank you for sharing your journey into the world of Popera with us! We can’t wait to see you dazzle in those knee-high silver boots and red jumpsuit. Best of luck with the show – it’s sure to be a night of laughter, glamour, and unforgettable tunes!

Other production interviews can be viewed here in our About The Production Series.

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About The Production – The Other Place

The Other Place

The Adelaide Repertory Theatre is getting ready to dive into the enigmatic world of “The Other Place!” and invites you to join in on the journey.

This emotionally charged theatre production tells a tale of loss amidst human complexity. During an About The Production discussion with The Rep, we discussed what to expect.

About The Other Place

What is this Production about?

“The Other Place” is a gripping and emotionally charged play that explores themes of memory, loss, and the complexities of the human mind. The narrative follows Dr Juliana Smithton, a brilliant neurologist whose life begins to unravel in unexpected ways, taking the audience on an enigmatic journey.

What’s challenging about bringing this script to life?

It is a very emotionally charged story, which makes for a very challenging production from many different perspectives involving cast and crew.

What will the audience think about in the car as they drive home after this show?

The play has many deep themes that are all relatable to the human condition in all of us.

Is there anything else you’d like to add?

SPECIAL EVENT: Following each matinee performance, we are hosting an exclusive Q&A session featuring the Director, cast, and advocates from Dementia Australia. These advocates specialise in providing services and support for those living with Dementia and other cognitive health challenges.

This event offers a unique opportunity for families, friends, and colleagues of individuals with Dementia to engage, learn, and connect with experts in the field. Don’t miss this insightful and meaningful discussion.

Where can patrons purchase tickets to this production?

The Other Place runs from 24th Apr – 27th Apr and 30th Apr – 3rd May. To book tickets to The Other Place, please visit https://artstheatresa.sales.ticketsearch.com/sales/salesevent/142694.

Thu 24 Apr at 7:30pm (opening night)
Fri 25 Apr at 7:30pm
Sat 26 Apr at 7:30pm
Sun 27 Apr at 3:00pm (Sunday matinee)
Wed 30 Apr at 7:30pm
Thu 1 May at 7:30pm
Fri 2 May at 7:30pm
Sat 3 May at 3:00pm (Saturday matinee)

Thank you so much for sharing insight into “The Other Place.” Your dedication to exploring such poignant themes is inspiring, and we wish you all the best for the performances. Break a leg!

Other production interviews can be viewed here in our About The Production Series.

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