Ricordi Di Sanremo – Memories of Sanremo

Ricordi Di Sanremo

Last night the Astor Theatre hosted a collage of Italian stars in Ricordi Di Sanremo, a concert covering three generations of memories from Italy’s most popular music festival, for one night only.

The annual Sanremo Music Festival, which has been running in the coastal city of Sanremo since 1951, was originally established as a pathway to revitalizing its economy and survives to this day. Accordingly, The Sanremo Music Festival also holds the distinction of being the longest-running annual TV music competition in the world and served as the inspiration for the creation of the Eurovision Song Contest. What sets the Sanremo Music Festival apart is its unique focus on new songs only.

Ricordi di Sanremo showcases songs representing the most cherished memories from three generations of the music festival and a few fan favourites recognised across the globe. All these are performed by an ensemble of international and Italian-Australian artists such as Pupo, The Esteriore Brothers, Silvia Colloca, Luca Sala, Corinta, and many others.

Ricordi Di Sanremo

Our host for the evening, the Italian star Pupo, released his first album in 1976 and was a former winner of the 1980 Sanremo Music Festival with the gold record-winning song “Su di noi (Above us).” To date, Pupo has earned 11 gold records.

Much of the evening’s content was delivered in Italian. Given that most of the audience consisted of expat Italians, I felt like I might have been the only person needing to fully grasp the content of the presentations. Yet, despite language barriers, the ensemble’s energy shone through all night.

Touches of nostalgia were evident, with a cinema screen backdrop often displaying videos of the performers from generations ago as they sang live on stage. Pupo proved an adept host, expertly MC’ing the event to the audience’s evident delight. Family connections also graced the stage as stars from Italian music’s past performed duets with their vocally gifted daughters. Among the standout moments of the evening was the opening act, performed by Pupo, which warmed up the audience with its vibrant energy and exceptional guitar play.

Another standout was Pupo’s performance of his pop hit “Gelato al cioccolato,” accompanied by the showing of his 1980 music video against the cinema screen backdrop. A song mentioning gelato is bound to be sweet, and it delighted the crowd. Pupo doesn’t appear to have slowed down over the past 40+ years and remains an excellent performer.

The Esteriore Brothers, resembling a quintessential boy band, were crowd-pleasers, especially among the ladies. Their mere presence seemed enough to warrant applause! True to Italian flair, the entire ensemble appeared impeccably dressed and presented themselves in style.

Ricordi Di Sanremo

Other fan favourites incorporated into the night’s entertainment and familiar to international audiences included That’s Amore, Quando Quando Quando, Mamma Maria, and Volare, among others.

The night was a delightful mix of great music, vintage tunes, family connections, nostalgia, and a vibrant ensemble that joyfully engaged with a receptive audience, making it a night to remember.

After first touring Australia in 2022, this festival is set to become an annual event. Ricordi Di Sanremo’s 2023 Australian tour will move on next to Adelaide, Sydney, and Melbourne, but all for one-night-only performances. So be sure to be prompt about securing your spot this year, but also keep your eyes out for them next year. Ciao!

This review also appears on It’s On The House, or click here to read more Dark Stories Theatre Reviews.

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A Step Back in Time – The Secrets of Carmichael Manor

The Secrets of Carmichael Manor

When Shakespeare wrote, “All the world’s a stage…” he could not have more accurately described a Dark Stories interactive theatre experience. The Secrets of Carmichael Manor does not occur on a singular stage, where the audience sits still, watching a play. As with their previous theatre performances, Dark Stories unfolds in the real world and, in this case, inside several rooms inside the historic Experiment Farm Cottage in Harris Farm, Sydney. The audience moves from room to room alongside the characters.

The Secrets of Carmichael Manor was written and directed by award-winning actress Kate Jirelle, who takes on one of the lead roles as the bride-to-be Elspeth Carmichael in the play. Kate brought depth to her headstrong character.

Gary Leonard Belshaw, who played the role of Elspeth’s domineering father, George Carmichael, was a standout in the show. In contrast to brutish George was his gentle wife, Mrs Ada Carmichael, played by Erica Nelson. In some scenes, these three characters argue over family issues and the audience is made uncomfortable, as though we were intruding on a family squabble. However, witnessing this in the same room was a testament to their believable acting.

Set in 1919 and led by Father Patrick, played by Ben Durham, the audience is initially briefed on the mystery to be investigated outside the bungalow, built in 1835 and thought to be one of Australia’s oldest standing properties. I loved having the opportunity to enter this cottage in the evening. It was the perfect setting for the time period.

Entering the cottage, the Australian colonial furniture and beautifully polished wood floors transported us back in time to just after World War 1. Combined with the scent of wood and the steady ticking of the grandfather clock, one of the rooms created a 4D experience for the performance. Though at first, we were observers, this transitioned into us being integrated into the story.

The cast is joined by the Carmichaels’ servant, Mr Peter Schmidt, played by Matthew McDonald-Kearns. The costumes and hairstyling added to the authenticity of the 1900’s, and Mr Schmidt’s costume was one that particularly stood out to me with the authentic colour shade of his shirt and braces.

Father Patrick is our host and guides the audience through the house, propelling the story forward in a Miss Marple type style. There appeared to be a definite nod to Agatha Christie in this script, and at one point, a character asks who that is. (She had not yet released her first novel, which was due to come out in 1920.)

Amongst the seriousness of unfolding events, Father Patrick brings a comedic levity to the experience.

One unique aspect of the Dark Stories theatre is that it is immersive and unlike any other play currently showing. The characters interact directly with the audience, and we become part of the performance by helping to solve a puzzle or participating directly by asking questions or commenting. All of the cast were able to incorporate audience participant comments and adapt their character to respond with interjections and responses.

I imagine that no two performances of The Secret of Carmichael Manor are the same! I can’t give away anything about the plot because of spoilers, but it was an entertaining experience. It was fun to be a part of the play. Step back in time to help solve this mystery and unravel The Secrets of Carmichael Manor.

The Secrets of Carmichael Manor is showing at Experiment Farm, 9 Ruse St Harris Park.

Performances: Fridays, Saturdays, and Sundays from Friday, 13 October 2023 – Sunday, 22 October 2023.

Show times: 5.30pm, 7pm and 8.30pm.

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Jack Warner – The Last Mogul

The Last Mogul

Depending on your location, the 2023 Jewish International Film Festival (JFF) is fast approaching, from 23rd October to 29th November. This year’s JFF will celebrate the 100th anniversary of Warner Bros by showcasing the documentary Jack L. Warner: The Last Mogul.

The Last Mogul tells the story of the reigning figure, Jack L. Warner. Emerging from modest beginnings, he and his brothers embarked on a journey that led to the creation of Warner Bros Studios. Remarkably, for over half a century, Jack Warner held the crown of this cinematic empire, leaving a mark on the history of motion pictures. This documentary provides a fascinating glimpse into the life and legacy of Jack Warner.

The Last Mogul

Directed by the grandson of Jack L. Warner, Gregory Orr, The Last Mogul is a documentary with a mix of archival interviews, footage, and photos. Throughout the documentary, we learn more about how the movie business and Warner Bros became what they are today. It was fascinating to see where film began, and it’s a journey through the generations as social attitudes changed and the technology advanced.

Although this documentary was like many that had come before it, it is still a fascinating look into the man who made the likes of Humphrey Bogart a star. Our interest throughout the film was maintained as we heard the life story of Jack L. Warner unfold. His life story came from those who knew him best. These interviewees made for a story that was impactful and credible.

Experience ‘Jack Warner: The Last Mogul’ for a glimpse into the legacy of film and the man who helped to shape its success and has become a historically significant figure. Watch the documentary at this year’s Jewish International Film Festival on the 19 June. That’s all folks!

Look for a film session in your town.

2023 JFF Festival Dates:

MELBOURNE
Classic Cinemas: 23 October – 29 November
Lido Cinemas: 24 October – 28 November

SYDNEY
Ritz Cinemas: 24 October – 28 November
Roseville Cinemas: 2 November – 19 November

HOBART
State Cinema: 2 November – 12 November

PERTH
Luna Palace Cinemas: 16 November – 6 December

BRISBANE
New Farm Cinemas: 16 November – 26 November

CANBERRA
Dendy Cinemas: 15 November – 22 November

GOLD COAST
Dendy Cinemas Southport: 16 November – 22 November

This review also appears on It’s On The House or return to the Dark Stories Theatre homepage for more reviews.

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I’ll Be Frank – Memories of Opa

I'll Be Frank

The JFF is upon us for 2023, and depending on where you are located in Australia, it will run sometime in the date range of 23 Oct to 29 Nov, so be sure to check dates for your local area. With many varieties of film genres available, let’s delve into Aaron Lucus’ short documentary film I’ll Be Frank which is a respectful nod to his grandfather, Frank.

The film opens with the information that former German citizens between 1933 and 1945 and their descendants who were deprived of their citizenship shall have their citizenship restored upon application. Thus begins an exploration into Aaron’s own family roots beginning in Berlin, Germany, where Frank was born.

Aaron brings out a large red book titled Some Memories of My Life by Frank Lucus, with the inscription, ‘lots of love from Opa and Oma’.

Frank wrote it with the meaning of leaving his family with some facts and memories of his life, and Aaron’s aim is to travel the path of his Opa. “I wanted to know how it felt to be in Berlin,” he says. Aaron opens his Opa’s book, and as he reads, the film seamlessly transitions into Frank’s voice, narrated by John Gadem.

The scenes in Berlin where his Opa lived were full of sunshine and portrayed how Aaron said he felt, a sense of beauty. In one shot, golden brown Autumn leaves fluttered to the ground. Stephen Korytko’s cinematography captured my attention throughout the short documentary film.

I’ll Be Frank is a unique documentary where the flashback memories of Frank and his family are represented by black and white animation, in stark contrast to the colour of the present.

This was an effective filmmaking strategy particularly in displaying some difficult and emotional scenes in the documentary. I’ll be Frank flits between Aaron telling the story and Frank in animation.

Aaron visits many places to learn more about his Opa’s life, such as the New Synagogue Berlin and the hospital where he once worked before the Nazis stripped him of the title of ‘doctor’ and called him a ‘Jewish handler of the sick’. He visited Soest in Germany and Sobibor in Lubelskie, Poland, a Nazi extermination camp where Aaron and the viewer learn about the atrocities committed there.

I’ll Be Frank is directed and edited by Aaron Lucus and won first prize at the Flickers Rhode Island International Film Festival for the Hearts, Minds, Souls. The original score is by Tarek Soltani, whose music created an emotive feel throughout the documentary.

I’ll Be Frank was successful in capturing my interest and would be suitable for teenage viewers and anyone wanting to hear a personal story of someone who has lived through and survived WW2. The story has heart, and Aaron has captured this in a respectful way.

Look for a film session in your town.

2023 JFF Festival Dates:

MELBOURNE
Classic Cinemas: 23 October – 29 November
Lido Cinemas: 24 October – 28 November

SYDNEY
Ritz Cinemas: 24 October – 28 November
Roseville Cinemas: 2 November – 19 November

HOBART
State Cinema: 2 November – 12 November

PERTH
Luna Palace Cinemas: 16 November – 6 December

BRISBANE
New Farm Cinemas: 16 November – 26 November

CANBERRA
Dendy Cinemas: 15 November – 22 November

GOLD COAST
Dendy Cinemas Southport: 16 November – 22 November

This review also appears on It’s On The House.

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