Esther Hicks: So….What’s it like in the Vortex?

Esther Hicks is Vibrationally Speaking

Esther Hicks is Vibrationally Speaking Rating

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Last night I joined Esther and Jerry along with their ethereal counterpart ‘Abraham’ for “Esther Hicks is Vibrationally speaking” at the intimate PIP theatre space in Brisbane. The show is an engaging and quirky parody of the real-life teachings of American inspirational speakers Esther and Jerry Hicks.

From the very outset – and before we even take our seats, we’re allocated participant lanyards and instantly plunged into a simulated workshop that promises closer alignment to the vibrations inside the vortex and the laws of attraction!

The audience buzzed with playful anticipation of what was ahead of us. In just under an hour, award-winning director Elizabeth Millington cleverly guides us through the simulated interactive self-help workshop. Woven into this timeline is Jerry and Esther’s behind-the-scenes journey to inspirational speaking, which also hints at their increasingly tense relationship.

Claire Pearson (actor, writer, producer, comedian) and Kyle Walmsley (actor, comedian and RAW National finalist, 2012) hilariously bring Esther and Jerry Hicks to life with heart and conviction. Claire’s adept ability to morph into the entity ‘Abraham’ with such physical intensity made it impossible not to laugh! The show’s interactive nature encouraged the audience to ‘co-create’, ‘manifest’, and, in a mantra-like style, engage in a call-and-response communication, highlighting the powerful conformity of group behaviour.

Opposite Claire, Kyle delivers a strong portrayal of Jerry Hicks, the Ex-Amway businessman focused on sales, who grounds Claire’s whimsical Esther in the earthly plane.

The chemistry between Claire and Kyle is so palpable and convincing in their delivery that at one stage during the ‘workshop’ I found myself, along with other audience members reaching under our seats to find that elusive latest release book, which they hinted was there. They drew the audience into their world effortlessly, creating a shared experience that felt communal but also individual.

The minimalist set used subtle lighting to divide the stage, ensuring Esther and Jerry could be the central focus. They seamlessly moved from the cooler ‘on-stage’ left side to the warmer, soft purple glow of their home on the right side. The use of projected wall images effectively supports real-life excerpts of writings, teachings, and even a real video clip of Esther Hicks speaking.

The apt use of sound effects and music reminded me of the vibrations of a theremin instrument with an overlay of heartbeat sounds, adjusting the mood and pace of the show. The music signalling the show’s end was much more joyous and almost childlike.

Whether you’re a fan of self-help teachings or a curious sceptic, this show will resonate and make you laugh. Whilst there have been other iterations of inspirational teachings and books over the years, “Esther Hicks is Vibrationally Speaking” makes a brave move in highlighting the absurd attempts people make to find their true happiness.

If Abraham could speak to us now, he might say: “Are you ready to launch your rockets of desire and find your bliss?” With a blend of humour, tension, and unforgettable ‘mantra’ moments, “Esther Hicks is Vibrationally speaking” will leave a lasting impression and will likely resonate with audiences long after.

“Esther Hicks is Vibrationally Speaking” was performed as part of Pip Theatre’s annual Toucan Club festival, running until 21st December. For more details, visit www.piptheatre.org/toucanclub/.

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Every Tale has a Beginning

Pip Theatre’s latest production, produced by Moonspark Productions, of David Eldridge’s play, Beginning, is a poignant musing about two lonely people in our present day, seeking some sort of connection in inner-city London.

A real-time examination of two damaged people reaching out at the end of a party, with the woman taking the initiative. This two-hander movingly reminds us that, even in the age of social media and internet dating, creating a connection with another person remains as problematic as ever.

Laura is a 38-year-old managing director whose new north London home is where the housewarming party happened. Danny is a 42-year-old middle-management man who, having come along at the invitation of a friend, is the last man standing. They are similar in age, but in many ways, they are universes unto themselves. She is passionate, capable and, organised. He lives with his mum.

Taking place in real time over 100 minutes, the play shows them desperate for love and affection. It would be a big spoiler to reveal why they are so needy. Eldridge captures the way people’s desires rarely synchronise. Laura seems more assured, yet we sense a vacancy in her life.

Danny clearly likes her but is nervous, resisting her advances through evasion tactics, including cleaning up the detritus of the party. Eldridge shows that contrary to all the myths of our technological age and the allure of advertising, solitude is still pervasive.

The Australian premiere of the play is currently running in Brisbane at PIP Theatre, 20 Park Road, Milton. Crystal Arons and Jesse Blachut do an admirable job of bringing to life the angst of the two slightly sloshed Londoners.

The hunger animating Laura is evident, and Danny’s rugged wariness suggests a man who conceals a buried hurt. Director Heidi Gledhill has them hitting the right rhythm as both actors peel away protective layers, leaving you caring deeply about them, adding an eerie quality to present-day dating.

This is the production’s final week with only the following sessions of Beginning to choose from:-

  • Thu 27 July 7.30 pm
  • Fri 28 July 7.30 pm
  • Sat 29 July, Matinee 2 pm
  • Sun 29 July 7.30 pm
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Never Before Has Divorce Been So Fun – Grand Horizons

Can you imagine a comedy play about divorce? And could you imagine that a theatre company could pull such a feat off? Happily, the answer is yes. Located at the lovely rooftop Pip Theatre in Milton, the comedy Grand Horizons is leaving guests in stitches. The Tony-nominated play written by Bess Wohl has been hugely successful, being awarded the best play on Broadway three years ago.  

The journey begins at the dinner table when Nancy French (Deirdre Grace) decides to end her fifty-year-long marriage to Bill (Steven Tandy). Bill appears apathetic to her divorce proposal, but their adult children, Ben (Brad McMurray) and Brian (Cameron Hurry) are far from pleased. Ben’s pregnant wife, Jess (Gabby Carbon), tries to moderate, appreciating the feelings of everyone involved whilst also fearing that this will set a precedent for her own family.

The scene is set with 50s swing music and an apartment reminiscent of a 90s family sitcom and follows the French family’s journey – learning that love isn’t as simple as it seems and that parents are far more complex individuals than their children choose to believe. The theatre was roaring with laughter on numerous occasions throughout the show, particularly at Bill’s stand-up jokes and the interaction between Nancy and Carla (Lisa Hickey).

It was an incredible performance by all, but the stand-out has to be Cameron Hurry (Brian), showing all of the melodrama and range you would expect from his character’s passion as a school drama teacher. In saying that, Brad McMurray (Ben) had an incredibly moving monologue in the second half that made the audience chuckle while tugging at their heartstrings. All the moments between Ben and Lisa were perfect as soon-to-be parents navigating a family break-up.

The play skillfully demonstrates that the relationship dynamics of a family tend to repeat themselves in the next generation. Having grown up in a stable but cold environment, Brian struggles to find love. He often questions if love exists, a sentiment all of the French family, barring Jess, share at some point in the show. His casual affairs tend to transform more into therapy sessions than romance, as seen with Tommy (Reagan Warner), needing more emotional intimacy than his closed-off family can provide him with.

Ben finds his role in the family as financial support, a position previously held by his father. Jess tries to avoid falling into the “mother” and “wife” roles and losing her personhood, which she sees in Nancy. The authentic portrayal of all of the characters allows the audience to feel like the proverbial fly on the wall taking in all the juicy interactions of an actual family usually only seen from behind closed doors.

Director Bronwyn Nayler keeps the show on point, not missing a beat. Deirdre Grace (Nancy) plays the dual roles of producing and starring; Genevieve Ganner and Sarah Robertson beautifully design the home and wardrobe, making it feel cozy and familiar. 

Steven Tandy (Bill) said it best himself by calling Grand Horizons “a hysterically funny play” and “a real winner!” There was never a dull moment in the show, and I wholeheartedly agree, never before has divorce been so fun.

Grand Horizons – Pip Theatre

  • Saturday 20 May 2023 – 2:00 PM & 7:00 PM
  • Wednesday 24 May – 6:30 PM
  • Thursday 25 May – 2:00 PM & 7:30 PM
  • Friday 26 May – 7:30 PM
  • Saturday Friday 05-May-2023 – 2:00 PM & 7:30 PM
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