The Hen House – A Storytelling Comedic Rock Concert

When there is an interesting story to be told, why deliver it only in words when you can rock sing it out? The Hen House, directed by Sydney Theatre Award- winner Anthea Williams and presented by PYT Fairfield and Wild Company, had their world premiere performance on Thursday, 7 September 2023, at the Riverside Theatre. This is a story of friendship between migrant women working in a chicken processing factory. It is not presented as a traditional stage play or a theatre musical but more as a storytelling comedic rock concert – and it works!

Four musicians kept the audience company as we were seated, and the upcoming play’s era is clearly communicated through their music. 1970s music has a distinct funky sound and was created by a lead guitar (Gwyneth Jansen), an electric base (Sarah Homeh), a keyboard (Sil Jin) and drums (Hayley Chan) that made my feet tap! Along with the smoky atmosphere and the audience preshow chatter, you could think you’re in a club!

However, when we are introduced to the characters Mila and Pavica, recent migrants from a village in Croatia, all thoughts of a nightclub are gone, and we are immediately placed in the moments travelling alongside these women for the rest of the play. The story they tell paints a picture of two very different women facing the same terrible conditions at the chicken processing factory and how they deal with issues in their own way. They simply draw strength from different places.

Mila (co-creator Mara Knezevic) is a feisty firecracker of a woman who hates her job. In stark contrast, her friend Pavica (co-creator Josipa Draisma) adores her job at the factory as a forewoman, proud to be a working Mum, and both are endearing in their own way.

Being a two-woman play (with some interaction with the musicians onstage behind them), the actresses portray their characters with comedic flair, changing their body language and accents to share other character’s dialogues. Their mannerism, facial expression and Aussie accent captured their sexist and arrogant manager well, whom they refer to as “Mr Getty Boss Man” – the quick change into this character had the audience in laughter, as did the portrayal of fellow factory worker Joy, who used to work in a jam factory and liked to let people know.

The Hen House was performed on a small stage, with no costume changes and very few props, but the audience were able to use their imaginations as Mila and Pavica told their story through powerful songs and physical comedy.

Sime Knezevic co-wrote The Hen House alongside his sisters Josipa Draisma and Mara Knezevic, and was almost three years in the making. The songs were composed by musical director Zeljko Papic and were full of life and fun.

The Hen House is a powerful story, a retelling of the way how women were unfairly treated in the workplace and a time capsule showing Australia’s social and economic history during the 1970’s. It is an ode to migrant women and their working contribution to Australia, giving them a sense of self-respect and pride. It runs for 90 minutes with no interval.

World Premiere – Riverside Theatre 7-9 September 2023

Camden Civic Centre 13-14 September 2023

Orange Civic Centre – 16 September 2023

The Art House Wyong – 20 September 2023

The Concourse Pavilion Chatswood – 22 September 2023

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Roll up! Roll up! The Marvellous Elephant Man

Roll up! Roll up! For this is no ordinary show– The Marvellous Elephant Man The Musical is a colourful feast of sound and flair under the Sydney Spiegeltent at the EQ Moore Park that will keep you entranced.

The talented trio of writers and composers of this musical took additional roles onstage to showcase their versatility. Musical Director Sarah Nandagopan performed on the piano, Marc Lucchesi and Jayan Nandagopan acted and brought their instruments into the story via their characters.

The Marvellous Elephant Man brings us the story of John Merrick, a man who, in real life in the late 1800s, was the main attraction being paraded at the then-popular ‘freakshows’ in London. The musical breathes life into John’s story, and actor Ben Clark’s portrayal captures our hearts from the moment we see and hear him sing, most notably with the song “I Am Not An Animal”. In stark contrast to John’s kind heart and good nature is the dastardly wicked villain Dr Frederick Treves, played by award-winning actor Kanen Breen. In one scene with these two characters, Dr. Treves’ dialogue was so masterfully well-written and delivered with such malice it was heartbreaking!

Lighting designer Matthew Marshall did an outstanding job adding to the emotive drama in this scene. I noticed how his subtle choice of colour, blue – really highlighted how John was feeling. In another scene, the storytelling involved the most creative use of lighting and illusion I have ever seen on stage! You’ll know this scene when you watch the show; it’s the one with the strobe lighting!

The musical is layered with so many different elements – it’s difficult to pigeonhole The Marvellous Elephant Man into just one genre. There’s plenty of drama, mystery, and a possible love story between John and Nurse Hope, played by Annelise Hall, who created a character so sweet and believable you’ll fall in love with her too! Her singing was mesmerising.

Another major element of this musical was the side-splitting comedy woven into each scene. Writer and composer Marc Lucchesi’s theatrical debut is a standout show stealer. By playing three vastly different strong characters, complete with accents, he had the audience roaring with laughter with each song! The supporting cast were simply brilliant with their dancing, comedic timing and flamboyant costumes.

Some musicals stick to one time era. The songs in this musical were so cleverly composed that the soundtrack took the audience on a rollercoaster ride of songs, sampling being reminiscent of a 1920s bar to being at a vaudeville show to classic rock to being in Italy, and everything in between!

The trombone ‘elephant man’ motif, played by composer Jayan Nandagopan, created its own little story as it began the show with a sad elephant defeated stomp when we were first introduced to John Merrick. As the ‘elephant man’ began to gain confidence, so too did the trombone, becoming brighter in sound and tempo – such a wonderful way to communicate the character’s growth.

The Producer and Co-Directors Chris Mitchell and Guy Masterson have put together an outstanding cast and created a visual masterpiece with a huge voice. With each performance I am sure it is going places, up and away. When this musical is shown on Broadway, in the West End, and closer to home in our larger theatres, I will be so glad I got to be a part of its humble beginnings, on a small round stage in a bigtop tent at the Entertainment Quarter.

The Marvellous Elephant Man the Musical’s performance time is 2 hours and 20 minutes, including the interval time and proudly opened The Sydney Fringe Festival on September 1 2023.

Tickets are now on sale and showing at the Speigeltent Festival Garden – Sydney Spiegeltent The Entertainment Quarter from September 1 – October 1 2023

Evening performances 7.30pm Tuesday – Saturday; 7pm Sunday

Matinee performances 2pm Saturday; 1pm Sunday

Tickets: https://sydneyfringe.com/events/the-marvellous-elephant-man-the-musical/

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Time Warp your way to the Rocky Horror Show

This iconic cult classic musical is a whirlwind of wild energy from the “Science Fiction” opening strains to the show-stopping finale of “Time Warp”. It promotes self-expression and encourages people to show up, drop their inhibitions, let loose, and have fun. The show opened in Melbourne’s Atheneum Theatre on Wednesday 24th of May to a jump-out-of-your-seat audience, in anticipation of a great night at the theatre.

Originally, like the Little Shop of Horrors, this horror-comedy musical was released to negative reviews. It required an unconventional audience and midnight movie screenings to be appreciated for its campy humour, outrageous characters, and catchy music. It was also ahead of its time with themes of sexual liberation and gender fluidity and … well … times have finally caught up!

The story, in a nutshell, is about Brad (Ethan Jones) and Janet (Deirdre Khoo) who just got engaged when their car broke down during a storm, and they looked for shelter at a nearby peculiar castle. These two conservative and innocent characters became the unintended guests to the owner of the castle, the mad scientist, Dr. Frank N. Furter (Jason Donovan), which was where most of the fun took place! It was a particularly important night because Frank was in the midst of creating the perfect muscle man for himself, named Rocky (Loredo Malcolm). 

And so, when Brad and Janet were invited in, they met the castle’s bizarre inhabitants and whilst they were shocked and wanted to escape, they were trapped and later, drawn into the surreal world of unconventional seduction and highly sexually charged behaviour. What happened on stage blurred the boundaries between reality and fantasy and in no time, the couple transformed from conservative, vulnerable, and innocent to curious, confident, and sexually adventurous.

The cast selection for this show was perfect, and the characters gave the audience just the right feeling. For example, Donovan captured Frank’s flamboyant and powerful persona on stage. He created a polarising Frank, attracting those around him with his charm and repulsing them with manipulative, abusive behaviour. Stellar Perry was a fabulous Magenta (Dr Frank N Furter’s maid), she was mysterious, seductive, and loyal but also Perry conjured qualities of darkness, strength, and sarcasm. Riff Raff (Henry Rollo), Frank’s right-hand man, predictably appeared unpredictable on stage, with a wild mop of hair, a pale white face, and a mysterious quirkiness around his character.

Malcolm had the perfect “look“ for the model muscleman with athletic and acrobatic movements as he effortlessly spun, jumped and flipped on stage, showing off his physique. Myf Warhurst was the delightful Narrator. She was just plain charming! Her engagement with the audience was natural and spontaneous. Columbia (Darcey Eagle) was bright and sparkly on stage, fitting her free-spirited character and unconventional self-expression. Ellis Dolan doubled as Eddie and Dr Scott, transforming from a fierce tough guy to a conservative, serious, and no-nonsense doctor. Jones and Khoo created a fabulous transformation from innocence to debauchery, shedding their inhibitions along the way.

Whilst the set design was appropriate, representing light and innocence with a cartoon-like car and church at the start of the performance to the dark lair of the castle, sometimes the stage felt too small and cramped. Perhaps the set design and lighting could be enhanced to create the illusion of space. However, the phantoms formed an important visual spectacle, creating movement on stage, adding a sense of chaos and devotion to their master. Likewise, the live band added an extra element of engagement, they gave a dynamic performance for the catchy melodies, an essential part of the Rocky Horror Show’s appeal.

This production of the Rocky Horror Show, under the direction of Christopher Luscombe, is worth seeing if you want to be part of a unique, immersive theatrical experience. This shows run in Melbourne through to the middle of August before touring through Perth, the Gold Coast and Canberra for the rest of 2023.

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A Heartwarming Journey of Resilience and Hope

Driftwood The Musical takes us on an emotive and profound journey of 6 characters, immersed in the shadows of the Holocaust. Inspired by Eva de Jong-Duldig’s memoir “Driftwood – Escape and Survival through Art,” this theatre production by Tania de Jong AM weaves a captivating narrative centred around the extraordinary life of her grandmother, Slawa Horowitz-Duldig. It is a story of unwavering resilience, love, and determination, as displaced families float away like driftwood, from one country to another, fighting against the relentless challenges to stay together.

Slawa, (Tania de Jong AM) a talented artist lives with her husband, a sculptor Karl (Anton Berezin) and daughter Eva, (Bridget Costello). The story unfolds as Eva opens a gift from her father, a box of cherished memories – containing documents, letters and photographs, on her 18th birthday. Eva serves as a narrator sparking a quest for answers about her family’s history. The timelines seamlessly intertwine, transporting us between 1950s Australia and 1930s Austria, where Eva’s parents, navigate a life filled with art, love, and the shadows of impending darkness.

In 1938, Eva’s parents, the gifted artists, Karl and Slawa, basked in the joys of their creative pursuits in the vibrant city of Vienna. Their lives are enriched by the close bonds they share with Slawa’s sister, an actress, Rella, (Michaela Burger) and Karl’s brother, Ignaz. (Nelson Gardner). Amidst the blossoming of their talents, Slawa’s invention of the folding umbrella becomes a cause for celebration and excitement.

However, as the dark clouds of Nazi oppression loom over Europe, Karl seeks solace in Switzerland through his passion for tennis, hoping to escape. The family’s fate takes an unexpected turn as they are forced to flee to the distant shores of Singapore and eventually a camp in Victoria, separated from the world they once knew. The performances in Driftwood are nothing short of exceptional. The talented cast brings these complex and relatable characters to life with depth and authenticity. Bridget Costello’s portrayal of Eva is endearing, capturing the character’s growth and transformation with grace and emotional nuance. Anton Berezin delivers a captivating performance as Karl Duldig, conveying both the vulnerability and the unwavering determination of his character.

Tania de Jong AM’s portrayal of her grandmother – Slawa Horowitz-Duldig is deeply moving, showcasing her remarkable vocal talent and heartfelt connection to the character. Michaela Burger shines as Rella, displaying a profound emotional depth and radiating warmth that lights up the stage. Nelson Gardner’s versatility in multiple roles is awe-inspiring, thus showcasing his immense talent and ability to seamlessly transform into different characters. The entire ensemble shines with their passionate performances, creating a harmonious and emotionally charged experience.

Under the masterful direction of Gary Abrahams, Driftwood unfolds with seamless precision, striking a delicate balance of joy and heartache. The enchanting music, composed by Anthony Barnhill, provides a rich and emotional backdrop to the story. The set design by Jacob Battista is evocative and versatile, transporting us to different times and places with ease. The use of projections on a large screen, shaped like a torn paper, adds a visual dimension, immersing the audience in the historical context of the story.

Driftwood the Musical is more than just a show; it is a powerful and poignant journey that lingers long after the final applause. It reminds us of the invincible human spirit, the importance of preserving our stories, and the resilience that can be found in the darkest of times. This production is a testament to the transformative power of theatre and the enduring impact of a well-crafted and deeply emotive story.

Whether you’re a fan of musical theatre or simply seeking an unforgettable and thought-provoking experience, Driftwood is a must-see production that will leave you moved, inspired and filled with renewed hope, as you hold a melody in your heart.

Driftwood The Musical is playing in Prahran at the Chapel Off Chapel till 20th May, followed by seasons in Sydney.

For more information visit https://driftwoodthemusical.com.au/

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