A Fun Melodramatic Musical, Reminiscent of Rocky Horror

The Guy Who Didn't Like Musicals

The Guy Who Didn’t Like Musicals Rating

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Written and originally performed by the production company ‘Starkid’, UoN Musos recreation did justice to the quirky and whacky storyline that puts the drama in melodrama, hitting the comedic beats despite, or because of, the chaos unfolding everywhere else.

When the cast and crew all enjoy the show as much as this one did, despite weeks of rehearsals and run-throughs, you know you are in for a treat. While putting on a fantastic show of lights, the techies were laughing along at the jokes, bopping to the sound track, and showing their passion in every movement they made, in tandem with the cast.

 

 

There were some minor tech issues that are common with the opening show – volume issues with lines being drowned out and microphones having a delay in being turned on – but in no way do I fault the crew as the Warners Bay Theatre is well-known to me as one with difficult tech to run.

As well, the cast were a phenomenon to witness, with all members bar two successfully performing multiple quick changes into a variety of characters, giving their all to each of the characters and their idiosyncrisies they played. Paired with a fabulous choreo, a show-stopping soundtrack, and singing voices as strong as the set design, this community show is one our local community can be proud of.

Performances until 23rd of November.

Warnings: Contains heavy use of strobe lights and fog machines, heavy swearing and sexual references. Contains death and gun sound effects.

To book tickets to The Guy Who Didn’t Like Musicals, please visit https://www.trybooking.com/events/landing/1462312.

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Northanger Abbey – An Austen Classic, Reborn

Jane Austen's Northanger Abbey

Jane Austen’s Northanger Abbey Rating

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4

Sallyanne Scotton Moonga has delivered an innovative adaptation of Jane Austen’s Northanger Abbey to Warners Bay Theatre.

Sallyanne, the writer/director expertly produced an original play based on Northanger Abbey with a sagacious amalgamation of The Mysteries Of Udolpho. She has created an ingenious addition of the female protagonist from Mysteries Of Udolpho, Emily St Aubert–essentially an imaginary character seen and spoken to by the main Northanger Abbey character, Catherine Morland. Catherine Morland has become so completely consumed in her Mysteries Of Udolpho novels that she has conjured Emily St Aubert to help guide and encourage her in her day to day life and dramas.

The main character Catherine Morland was played by Isabella O’Brien who delivered a phenomenal performance. Isabella beautifully captured the essence of Jane Austen in her role and transported the audience into the British Regency era. Catherine has an easy listening clear tone that perfectly executed the challenging period dialogue.

Lilly Dougherty burst onto the stage as the energetic and zany Emily St Aubert. Her vivacious and dynamic presence infused the performance with wonderful comedy delivered through an incredible array of dramatic expressions.

Tracey Gordon cleverly doubled as both Mrs Allen and Mrs Morland. Tracy’s acting was flawless, providing utmost authenticity to both of her characters. Alongside Tracy was Peter Vernon who played her husband Mr Allen as well as General Tilney. A wonderful feat by Peter who accomplished a fabulous portrayal of two very contrasting characters: Mr Allen, a sincere and devoted husband, versus General Tilney, stiff, uncompassionate and domineering. With dominating stage presence and an immaculate British accent, Peter Vernon’s presence was a highlight throughout.

Catherine Morland’s dear friends Isabella Thorpe and Eleanor Tilney were both portrayed by Jamahla Barron. Jamahla displayed admirable skill in her smooth transitions between her roles and showed great dedication to her characters.

 

 

A charming performance by Joel Latham who delivered the roles of Henry Tilney and James Morland. Joel was ever fast in his commitment to his characters and gave a solid performance.

Will Cesista was charismatic and entertaining in his roles of John Thorpe and Captain Tilney. He showed great devotion and diversity throughout and in particular I enjoyed his comedic carriage scene with Catherine Morland.

The Costumes by Peta-Elliotte Green were perfectly appropriate to the era accompanied by the ladies’ gorgeous hair styles by Ralf Jorg. Ralf has once again dazzled the audience with his creative brilliance.

The play featured original music composed by Rob Scotton which provided a pleasing background accompaniment. The sound effects were also skillfully and appropriately utilised throughout the performance.

The use of Shadow Puppetry by Ricky Moonga and Sallyanne Scotton Moonga was an enjoyable addition and provided some light hearted comedy. It was unique, playful and pertinent to the show’s content and period.

The Lighting Design by Lyndon Buckley was fitting to the moments of mystery and eeriness and then bright and bold for the vivacious scenes. In particular the candles and lanterns strewn about the stage set a pleasant ambience.

Sallyanne Scotton Moonga’s creative retelling of Jane Austen’s Northanger Abbey is immensely entertaining and remains perfectly attuned to the style of Jane Austen. By masterfully breathing fresh new life into this lesser-known classic novel, Sallyanne and her incredibly talented cast have delivered a thoroughly enjoyable and memorable performance.

To book tickets to Jane Austen’s Northanger Abbey, please visit https://www.eventbrite.com.au/e/jane-austens-northanger-abbey-tickets-1584693724589.

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Into The Woods: Presented by UON Musos

Into The Woods

Into The Woods Rating

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UoN’s Musos took on the production of Sondheim and Lapine’s “Into the Woods”, a well-known challenge within the industry. Refusing to bow to opening night nerves, the cast was admirable, and put on a cracker took on the pressure of opening night nerves, and put on a cracker of performance for their first night show!

Singing, dancing, and acting their way through the performance, the cast transported us into their world of magic and fairytales, with each and every performer putting their all into the show.

The show featured jaw-dropping performances from some show-stopping singers, with their voices and belief in their characters bringing me to tears at all the best moments. Opening night comes with the inevitable occasional issue with timing and cues, but we watched the characters believably progress and grow into themselves. The characters, like the magical beanstalk itself, grew in confidence and timing as the performance went on, and the show will no doubt climb higher in quality and grow stronger with every show.

Aside from the acting, the set design and stage use were phenomenal. The cast had very limited space to perform such an intense play with complex staging, and they managed it extraordinarily well. The props deserved recognition of their own and were incredibly well-suited to the vibe and experience of the show.

Into The Woods

 

Opening night technical issues aside (those flimsy radio mics strike again!!), massive kudos to the tech crew, especially the conductor—he was on his feet but never missed a beat.

I would have loved to see a few more original takes on the characters and scenes, but overall, I recommend this as an enjoyable play, a good evening’s entertainment, and an enjoyable rendition of the popular 1986 play.

With only two sessions left, please show your support for upcoming local talent and book your tickets quickly here at https://www.newcastle.edu.au/events/community-and-alumni/the-conservatorium/into-the-woods-presented-by-uon-musos

Showtimes:

Friday, 13th of September: 6:30-9:30pm
Saturday, 14th of September: 1-4pm, 6:30-9:30pm

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Bonnie & Clyde: The Musical

Bonnie & Clyde: The Musical

Bonnie & Clyde: The Musical Rating

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2

The tale of Bonnie & Clyde is a well-known one, but this musical put on by Stand and Deliver Inc. will make you hear it like never before, set to a rambunctious rockabilly and glamorous gospel soundtrack!

The cast of actors performed wonderfully, drawing the audience into their world using their passion and strength of character, each performer nailing their complex character and filling every moment with idiosyncrasies to look out for. The staging meant even the minor characters could steal the spotlight for themselves in each moment (I’m looking at you three ladies in the hair salon!), giving us a well-rounded view of 1930s America and all the intricacies.

The cast’s singing was just as strong, the solos making you lean forward, desperate to hear more, only for the choirs to throw you back in your seat with the power of their harmonies.

For the costuming and set design, I must give the stage crew major props. Every piece of the set was chosen with purpose and passion, and the whole stage was used to the absolute fullest potential possible. While this did mean you may miss minor details if you happened to have a tall person sitting in front of you, the overall experience and stage presence this brought more than makes up for it, and the fast pacing means the characters will be back in view for you in mere minutes.

For each scene transition, the stage crew knew exactly what to do and where to be at any given moment, a well-oiled machine that made every transition seamless.

 

Of course, there were some minor issues—singing being drowned out by the music, microphones cutting out on actors, and some lines being delivered to the back of the stage rather than us as the audience—but these are often to be expected for an opening performance.

Each issue was combatted instantly, and the performance grew smoother as the night went on. Nothing dulled the audience’s mood, with people bopping along and hollering out throughout the whole show, creating a positive environment for the audience and actors alike.

This meant that despite costume surprises, the actors remained in character throughout, swiftly using the issue as a character choice in-scene.

Bonnie and Clyde’s run is going to be short. Sadly, this show runs only for three nights this week, and you’ve already missed opening night. Be sure not to miss it and support a new and up-and-coming local theatre company: Stand and Deliver Inc.

Book your tickets quickly @ https://www.trybooking.com/events/landing/1217425

Showtimes:

Friday, 6th of September: 7:30-10 pm
Saturday, 7th of September: 7:30-10 pm

Location: Warners Bay Theatre

Music by Frank Wildhorn (Dracula: The Musical, Jekyll & Hyde), lyrics by Don Black (Dracula: The Musical, Billy), and book by Ivan Menchell (Death Note: The Musical).

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