The Bridges of Madison County

The Bridges of Madison County

The Bridges of Madison County Rating

★★★★★

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Many in the audience will be familiar with the highly successful film, based on the book, starring Meryl Streep and Clint Eastwood, but here we are now sitting in Melbourne’s Beaumaris Theatre for the musical version of The Bridges of Madison County.

As a fan of the movie, with a full house on opening night and being in this great little theatre again (where I did my very first review for ‘Whats The Show’), I can’t wait!

As the lights dimmed above our seats, I found the opening of the show very touching with the photographic screen rolling of times gone by and excellent live music accompaniment. This is the type of theatre where you don’t need to dress up or be knowledgeable on the Arts, we can all just sit back and relax to enjoy what is ahead. My husband really enjoyed the show and was so pleased he could wear his jeans and windcheater. Well, we are off to an Iowa farm…..

Set in 1965, the story is an intense, 4 day impromptu love affair between Francesca Johnson (Candice Sweetman), a beautiful Italian woman who married an American soldier to flee war-ravaged Italy, and National Geographic photographer, Robert Kincaid (Michael Gray), after he pulls into Fran’s driveway whilst her family are away at the State Fair.

Candice is just wonderful playing the main role of ‘Fran’, ‘Frannie’, “Francesca’ and ‘Mum’ depending on who is talking to her, and when she is singing her stage presence comes alive completely! Her eyes actually sparkle (good lighting effects or beautiful eyes – or both) and her smile lights up the stage, but when she is sad or reflective, her character’s emotions are felt with a tug of empathetic heart strings. I was transfixed in watching her in every scene, experiencing real love and real loss.

Michael as ‘Robert’ is perfection. He is of course the main male role but he’s also ‘the other guy’ because Fran is married to Bud (Adam Rafferty), and you can’t help but wonder throughout the show, should she or shouldn’t she? Who could resist Robert, he’s not only handsome and caring, he lives in the moment, tries not to think about things too much and travels the world – his life is far removed from Fran’s. What could they possibly have in common?

Whilst there is plenty of ‘oooo’ from the audience at the loving moments portrayed by the main characters, perhaps the ‘sexiest’ was performed with extra enthusiasm by Marge (Liz Catford), Fran’s envious neighbour. She is so funny and you’re definitely going to laugh! Especially when her hubby Charlie (John Tacey) steps in. At many times they prove themselves to be the most supportive neighbours.

Fran and Bud’s teen children Carolyn (Sienna Iscaro making her debut at Beaumaris) and Michael (Jordan Poyser) are absolutely fantastic talents x 2. If you have teenagers you will relate to them even more and they’ll give you hope too that teenagers aren’t always teenagers LOL, they do grow up! My favourite conversations were Michael’s with his Dad about driving the car (a conversation very like those that my husband sitting next to me and I have had with our 18 year old) and Carolyn’s nervousness being calmed by her Mum – Mum is always the one to call in a crisis, like when you are about to try and win ‘Steer of the Year’ with a cow you raised HAHA.

This musical is full of rich emotion about the choices we make and how they shape our lives. Internally yearning, as the day that Robert must leave approaches, Fran faces confusion and dilemma. Can she, in reality, abandon her children and loyal husband? Could there be a chance that such a spontaneous relationship with Robert would survive over time? Would it be worth the risk?

This show tells the past, the present and the future – you won’t be left wondering anything, it is a story you also are unlikely to forget. This performance will certainly stay with me far longer than the movie did as it is more in depth in explaining the emotions and timelines of everyone within.

I’ll give a quick shout out to the excellent ensemble too, as the ensemble in my mind always makes the whole show what it is – those little bits and pieces from them either in the background or foreground round out scenes to make them more memorable. My favourite was the waitress who obviously had her own opinion of how Robert and Fran should or should not be!

You must see this show if you are a fan of the story or anything remotely like it. It is truly captivating and the music and singing is beautiful with amazing voices, heartfelt lyrics and some very comical moments too. You will laugh and you will cry and you will relate to something or someone in almost every scene.

The show is running 9 – 24 August 2024 at Beaumaris Theatre, 82 Wells Road, easy to park in the surrounding streets. It’s a lovely little local theatre with mostly tiered seating (flat floor for rows AA-CC) and good access for wheelchairs too. Programs are provided along with a more than adequate canteen pre-arrival drinks and interval snacks.

Support local theatre and ENJOY!

Tickets via: www.trybooking.com/CSETI

MUSIC AND LYRICS BY JASON ROBERT BROWN | BOOK BY MARSHA NORMAN

BASED ON THE NOVEL BY ROBERT JAMES WALLER

DIRECTED BY COLIN ARMSTRONG | MUSICAL DIRECTION BY SUE FLETCHER

CAST:
Francesca – Candice Sweetman
Bud – Adam Rafferty
Robert – Michael Gray
Michael – Jordan Poyser
Carolyn – Sienna Iscaro
Marge – Liz Catford
Charlie – John Tacey
Marian & Young Francesca – Jessica Almery
State Fair singer & Chiara – Amelia Little
Ensemble – Daniel Ischia & Christine Wood

Photography credit: Pietro Giordano

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Six The Musical

Six The Musical

Six The Musical Rating

★★★★★

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Step into the royal extravaganza as SIX the Musical arrives in Melbourne, igniting electrifying emotions with its daring and empowering reimagining of history.

In the world of SIX the Musical, each of King Henry VIII’s six wives breaks free from the overshadowing presence of their infamous husband. Crafted by Toby Marlow and Lucy Moss, this contemporary, all-female, pop-infused production presents each queen as a bold and influential pop star. Instead of following a conventional musical storyline, each queen narrates her version of events, reclaiming her narrative through modern pop songs in a concert-style format.

Every time SIX the Musical graces Melbourne with its presence, I make sure to be part of the audience. Each show surpasses the last. It’s as though the queens inject a fresh burst of energy into every performance, making each one feel like the best yet.

The passion and excitement they bring to the stage continuously raise the bar higher and higher. This show is rich with clever dark humor that stems from the trauma and struggles of the six wives married to Henry VIII. The audience can’t help but get swept up in the whirlwind of this musical from the word go. Packed with non-stop action in just 80 minutes without a break, patrons are instantly drawn in, captivated, and then swiftly released back into reality.

In this production, you’re in for a royal treat with the incredible lineup of queens on stage, each vying for the title of the most hard-done-by. Kimberley Hodgson plays Catherine of Aragon, exuding power and resilience, and commanding the stage with regal strength. Deirdre Khoo breathes life into the tragic yet spirited Anne Boleyn, infusing the character with a sassy and unapologetic energy. Loren Hunter’s portrayal of Jane Seymour radiates tenderness and compassion, bringing a dash of heartfelt warmth.

Zelia Rose Kitoko shines as Anne of Cleves, delivering a powerful, bold performance that keeps you glued to your seat. Her stunning “red” costume reveal is a showstopper, adding an extra level of captivation to her already mesmerizing presence on stage. Chelsea Dawson’s rendition of Katherine Howard brings a fierce and competitive edge to the performance as she strives to outshine her fellow queens, boldly declaring her supremacy whilst singing, “I think we can all agree, I’m the best among these three.” Lastly, Giorgia Kennedy, portraying Catherine Parr, the queen who outlives Henry VIII, unites the queens with a blend of maturity and care, bringing a harmonious conclusion to this captivating tale of the six queens.

Six The Musical

While the queens take center stage, the true magic lies in the intricate details of the show. Emma Bailey’s tech-pop Tudor court design seamlessly blends the opulence of 16th-century England with a contemporary twist. This modern interpretation of historical aesthetics creates a visually stunning and engaging backdrop for the queens to shine.

The exquisite costumes, crafted by Gabriella Slade, are masterpieces, tailored to match the unique essence of every character and their historical background. They draw inspiration from images of the 16th century and infuse a modern twist, creating a blend of historical accuracy and contemporary appeal.

Choreography plays an essential part in this musical. Drawing inspiration from the unique stories of the queens, the pulsating music, and the powerful lyrics, Carrie-Anne Ingroulle captures the essence of each queen, skillfully blending various genres like hip-hop, rock, house, dance, and technical jazz to create a captivating dance spectacle that complements the energy and passion of the queens on stage.

The talented swings include Gabriella Boumford, Thalia Smith, Dance Captain/Swing Chiara Assetta, and Resident Choreographer/Assistant to the Director/Alternate Swing Cristina D’Agostino. The lighting (Tim Deiling) and sound (Paul Gatehouse) are perfectly executed. The orchestrator is Tom Curran, and the Musical Supervisor is Joe Beighton. The show is supported by the SIX on-stage band, including Music Director/Keys Claire Healy, Assistant Music Director/Keys Heidi Maguire, Kathryn Stammers on drums, Danielle Colligan on guitar, and Ann Metry on bass. This new and exciting company comes together under the helm of Australian Associate Director Sharon Millerchip.

Originally produced by Kenny Wax, Wendy & Andy Barnes, and George Stiles. Produced in Australia by Louise Withers, Michael Coppel, and Linda Bewick.

Long live the queens of SIX and the electrifying magic they bring to the stage! This is a fun show, and I will endeavor to see it again next time SIX the Musical is on tour.

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Hands On A Hardbody

Hands on a Hardbody

Hands On A Hardbody Rating

★★★★★

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5

It’s always a pleasure when theatre companies step away from big-name shows to bring local audiences more unique (and often fantastic) shows. Limelight Theatre is the latest in this endeavour – giving Hands On A Hardbody an exceptional Australian debut with excellent production values.

Based on the 1997 documentary of the same name, Hands On A Hardbody is the unexpectedly heartwarming story of competitors vying to win a pick-up truck by being the last person to keep their hands on the vehicle.

Spanning over nearly four days, we meet a pool of characters and learn why they’ve come to take part in the competition and how the win would change their lives. The hardbody in question is a thoughtfully designed piece that anchors the show, offering actors versatility in their abilities to interact with it and each other.

Designed by Mal Anderson, the rest of the set is equally impressive. It helps to bring the ageing car dealership to life, with a lack of side stage curtains creating an outdoor feel to the auditorium. Effective lighting and sound design add to the ambience while assisting in showing the passing of time.

A strong ensemble cast—Breeahn Carter is simply captivating as Heather Stovall, with great spunk and confidence, while Lukas Perez brings an infectious energy to Norma Valverde. Phil Bedworth gives great depth to previous champion Benny Perkins, and Rodrigo Goncalves de Azevado is compelling as Jesus Pena.

Helen Carey and Brad Beckett are utterly endearing, as are Janis and Don Curtis, and are well-balanced in the tense relationship of J.D. Drew and his wife Virginia (Chris McCafferty and Gillian Binks).

Amber Wilson leads the competition as Cindy Barnes, who is the perfect balance of sweet and stern against Ben Mullings’ slimy Mike Ferris. Jacob Anderson is a ball of energy as radio host Frank Nugent. The cast is rounded out by a small ensemble and brief appearances from the competition’s early bow-outs, including a crowd-pleasing Christian Dichiera.

Vocally, audiences are treated to a suite of talent, with slick ensemble singing and harmony work under Sean Davis’s leadership. However, occasional imbalances in sound mixing left soloists momentarily overpowered by the chorus.

Individual stand-outs include Brittany Isaia and Joshua Hollander’s ‘I’m Gone’ – showing off the pair’s palpable chemistry and lovely vocal tone. Riley Merigan also displays his powerful vocal chops in ‘Stronger.’

With performers limited in their movements to stay in the competition, Jane Anderson’s choreography is to be commended – thinking outside the box to create engaging numbers with ‘Joy of the Lord’ a particular high point.

Co-directors David Nelson and Jane Anderson have put together a fun-filled, cohesive production deserving of full-house crowds. It’s a definite recommendation to anyone into a ‘human drama kind of thing.’

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The Marvelous Wonderettes – Soundtracks and Schadenfreude

The Marvelous Wonderettes

The Marvelous Wonderettes Rating

★★★★★

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5

The Marvelous Wonderettes by the Maitland Musical Society captures all the kitsch and fabulous fluffiness of 50s frocks, with costuming, props, and dialogue dragged directly from the past.

The show draws the audience in as we watch the “award-winning” (hey, third place is still a win) prom singers devolve before our eyes. Their high school angst-filled youth is captured beautifully in each individual character—and individual they were—each being unique and well set apart from the others.

The actresses really did the girls’ characters justice, never breaking character despite the numerous bouts of audience participation in the show. Due to their commitment, you will undoubtedly be able to recognise characters from your own high school days, regardless of whether that’s a good thing or not


The music features toe-tapping tunes with popular hits from ‘way back when’ and some lesser-known ones for those who want to experience some new songs from the era. The cast had a good blend of voices with each other and the music, though they were occasionally overpowered by the live band, who sat onstage with the cast and also got into the show, dancing along with their own tunes. Their presence really adds to the live prom feel.

There were a couple of minor tech issues, including mics turning off and lights being slightly off cue, but for their opening performance, some teething issues are to be expected, which will no doubt be streamlined as the season progresses.

There are some strobe lighting effects used multiple times throughout the show, so be prepared lest you be caught off guard. Kudos to the wardrobe team, who created colourful costumes perfect for the era and the characters; the wigs themselves were almost scene-stealers!

Finally, the venue and staff were just amazing, offering homemade snacks as sweet as the Marvelous Wonderettes would like you to think they are. Overall, it was a marvellous experience, and I applaud the Maitland Musical Society for putting on such an amazing, entertaining show.

The show runs for only one more week with sessions as follows:-

  • Sun 2nd June 2pm
  • Fri 7th June 7pm
  • Sat 8th June 7pm
  • Sun 9th June 2pm

Please don’t miss out, and when you get there, don’t forget to take a selfie at ‘The Prom’!

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