Murky Historical Moments – Sydney Harbour’s True Crime Cruise

Sydney Harbour's True Crime Cruise

There is nothing quite like seeing the beauty of the Sydney Harbour Bridge and The Opera House from the ocean. I boarded our vessel for our 2 hour Sydney Harbour’s True Crime Cruise at Campbell’s Cove, not knowing what stories awaited us.

What secrets did our beautiful city ‘harbour’? (My attempt at contributing to the quips that our hosts were so good at doing throughout the cruise!)

After a few housekeeping and safety announcements by Captain Sterling, our friendly hosts, Emily and Caitlin, welcomed us. The catamaran was clean and comfortable for our group of people. There were refreshments for the guests and a toilet on board.

Under a sunny Spring sky, we sailed past the Sydney Opera House. We listened to the first true story involving a criminal event that set into motion changes to withhold future lottery winners’ identities and create anti-kidnapping laws. You could guess what that crime was about!

Dark Stories hosts Emily and Caitlin shared the microphone to regale us with true crime stories along the neighbouring suburbs that line the lush Sydney ocean shores. Stories that involved luxurious waterfront houses, greed, corruption, gangland operations and unsolved murders.

Kudos to Caitlin and Emily, who captured the audience’s interest with their animated storytelling style. They provided dates, and we were handed a booklet with photos to see who and what they were talking about.

Told with humour at just the right points when relating the stories, they turned some quite gruesome tales into ones we could stomach without using the seasickness bag!

Fortunately for us, on the Dark Stories’ maiden voyage for their first True Crime Cruise for the season, there was no need to use the seasickness bag for any other reason. This was due to the steady work of Captain Sterling. Thank you to Sarah, who looked after the guests with tea, coffee, and cookies.

We were able to head to the front of the catamaran to sit and soak up the sunshine and enjoy the views. I appreciated the moments when we stopped at a certain point, and our hosts gave us time to take photos and simply be one with the sea.

What made this cruise different from any other I’d been on was the cleverly paced and interesting stories Emily and Caitlin told, ones which I’d never heard before. I am a Sydneysider and recommend Sydney Habour’s True Crime Cruise to both locals and tourists to our beautiful city. It was a relaxing and unique experience.

Sydney Harbour’s True Crime Cruise – every Saturday from 14 October 2023 to 27 January 2024
Departs: Campbell Cove, The Rocks, Sydney
Time: 9am
Tickets: Adults $79 Child $59

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Adventure Before Dementia – Four Flat Whites in Italy

Four Flat Whites in Italy

With a name like Four Flat Whites in Italy, I knew this play would have an international flavour. Directed by Tui Clark and written by Award-Winning playwright Roger Hall, this show places us as onlookers whilst the narrator, Adrian, portrayed by David Stewart-Hunter, talks to us directly. This works to immediately involve us in Adrian’s world.

Four Flat Whites in Italy is a comedy about a retired couple, librarians Adrian and Alison, played by Penny Church. When their planned trip of a lifetime to Italy faces a hiccup, they seesaw between the decision to cancel the trip or go. During a game of Bridge, when they have their new neighbours over, it’s decided that the four of them will travel together.

Harry, portrayed by Christopher Pali and Judy, played by Karen Pattinson, are as far away in personality from Adrian and Alison as can be. The quibbles begin almost immediately when they arrive in Venice. Some irritations were relatable, and I found myself siding with one character one moment and someone else when another quibble arose. This was thanks to Roger Hall’s clever script and the delivery of all four talented lead actors. Sometimes, all it took was a particular look to elicit laughs from the audience.

Four Flat Whites in Italy

At the beginning of the play, Penny Church’s Alison was so uptight; her body language displayed someone who likes to be in charge. She was organised and had a strong dependency, gripping her Lonely Planet Italy guidebook. As the play progresses, we discover a tragedy that has shaped her and Adrian’s somewhat strained relationship, and she loosens her grip on the guidebook. I wondered whether this was intentional and represented Alison letting go of the past and the need to know what is ahead in life.

David Stewart-Hunter is outstanding as Adrian, mixing roles between narrator and acting in the story. He was a very likable character and felt as though he could have been anyone’s kind grandfather. Harry and Judy worked well as a team, with Christopher Pali and Karen Pattinson ensuring an onstage chemistry. Imran Khaliqi and Kimberlea Smith had strong supporting roles, playing several characters in the play.

The set background was well done, with worn exposed bricks and large columns placing us in Italy. The props were versatile, with two particular props used cleverly when turned in various ways.

This was a very character-driven play with minimal need for extra props in scenes, such as cups to hold or bowls of food brought when the characters were eating. The attention was more on the storyline and the interaction between the four characters.

Act 2 of the play becomes more harmonious as understanding, acceptance, forgiveness and letting go of the past develop. We see all characters soften.

There are some takeaway life messages in Four Flat Whites in Italy. As well as the above, I believe it is listening, really listening to the ones you love, and taking advice from those you may not know well. Everyone can show wisdom and kindness when it is needed. And, of course, one more message – visit Italy and have the trip of a lifetime!

Four Flat Whites in Italy is showing at The Genesian Theatre, 420 Kent St, Sydney.

Season: 14th Oct – 4th Nov 2023
Friday and Saturday nights at 7.30pm
Sunday matinée at 4.30pm
Tickets: Adults $35 / Concession $30 / Groups 10 + $30

Running Time: 2hrs 35mins including 20min interval

This review also appears on It’s On The House, or our checkout more reviews at Dark Stories Theatre Reviews.

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A Step Back in Time – The Secrets of Carmichael Manor

The Secrets of Carmichael Manor

When Shakespeare wrote, “All the world’s a stage…” he could not have more accurately described a Dark Stories interactive theatre experience. The Secrets of Carmichael Manor does not occur on a singular stage, where the audience sits still, watching a play. As with their previous theatre performances, Dark Stories unfolds in the real world and, in this case, inside several rooms inside the historic Experiment Farm Cottage in Harris Farm, Sydney. The audience moves from room to room alongside the characters.

The Secrets of Carmichael Manor was written and directed by award-winning actress Kate Jirelle, who takes on one of the lead roles as the bride-to-be Elspeth Carmichael in the play. Kate brought depth to her headstrong character.

Gary Leonard Belshaw, who played the role of Elspeth’s domineering father, George Carmichael, was a standout in the show. In contrast to brutish George was his gentle wife, Mrs Ada Carmichael, played by Erica Nelson. In some scenes, these three characters argue over family issues and the audience is made uncomfortable, as though we were intruding on a family squabble. However, witnessing this in the same room was a testament to their believable acting.

Set in 1919 and led by Father Patrick, played by Ben Durham, the audience is initially briefed on the mystery to be investigated outside the bungalow, built in 1835 and thought to be one of Australia’s oldest standing properties. I loved having the opportunity to enter this cottage in the evening. It was the perfect setting for the time period.

Entering the cottage, the Australian colonial furniture and beautifully polished wood floors transported us back in time to just after World War 1. Combined with the scent of wood and the steady ticking of the grandfather clock, one of the rooms created a 4D experience for the performance. Though at first, we were observers, this transitioned into us being integrated into the story.

The cast is joined by the Carmichaels’ servant, Mr Peter Schmidt, played by Matthew McDonald-Kearns. The costumes and hairstyling added to the authenticity of the 1900’s, and Mr Schmidt’s costume was one that particularly stood out to me with the authentic colour shade of his shirt and braces.

Father Patrick is our host and guides the audience through the house, propelling the story forward in a Miss Marple type style. There appeared to be a definite nod to Agatha Christie in this script, and at one point, a character asks who that is. (She had not yet released her first novel, which was due to come out in 1920.)

Amongst the seriousness of unfolding events, Father Patrick brings a comedic levity to the experience.

One unique aspect of the Dark Stories theatre is that it is immersive and unlike any other play currently showing. The characters interact directly with the audience, and we become part of the performance by helping to solve a puzzle or participating directly by asking questions or commenting. All of the cast were able to incorporate audience participant comments and adapt their character to respond with interjections and responses.

I imagine that no two performances of The Secret of Carmichael Manor are the same! I can’t give away anything about the plot because of spoilers, but it was an entertaining experience. It was fun to be a part of the play. Step back in time to help solve this mystery and unravel The Secrets of Carmichael Manor.

The Secrets of Carmichael Manor is showing at Experiment Farm, 9 Ruse St Harris Park.

Performances: Fridays, Saturdays, and Sundays from Friday, 13 October 2023 – Sunday, 22 October 2023.

Show times: 5.30pm, 7pm and 8.30pm.

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I’ll Be Frank – Memories of Opa

I'll Be Frank

The JFF is upon us for 2023, and depending on where you are located in Australia, it will run sometime in the date range of 23 Oct to 29 Nov, so be sure to check dates for your local area. With many varieties of film genres available, let’s delve into Aaron Lucus’ short documentary film I’ll Be Frank which is a respectful nod to his grandfather, Frank.

The film opens with the information that former German citizens between 1933 and 1945 and their descendants who were deprived of their citizenship shall have their citizenship restored upon application. Thus begins an exploration into Aaron’s own family roots beginning in Berlin, Germany, where Frank was born.

Aaron brings out a large red book titled Some Memories of My Life by Frank Lucus, with the inscription, ‘lots of love from Opa and Oma’.

Frank wrote it with the meaning of leaving his family with some facts and memories of his life, and Aaron’s aim is to travel the path of his Opa. “I wanted to know how it felt to be in Berlin,” he says. Aaron opens his Opa’s book, and as he reads, the film seamlessly transitions into Frank’s voice, narrated by John Gadem.

The scenes in Berlin where his Opa lived were full of sunshine and portrayed how Aaron said he felt, a sense of beauty. In one shot, golden brown Autumn leaves fluttered to the ground. Stephen Korytko’s cinematography captured my attention throughout the short documentary film.

I’ll Be Frank is a unique documentary where the flashback memories of Frank and his family are represented by black and white animation, in stark contrast to the colour of the present.

This was an effective filmmaking strategy particularly in displaying some difficult and emotional scenes in the documentary. I’ll be Frank flits between Aaron telling the story and Frank in animation.

Aaron visits many places to learn more about his Opa’s life, such as the New Synagogue Berlin and the hospital where he once worked before the Nazis stripped him of the title of ‘doctor’ and called him a ‘Jewish handler of the sick’. He visited Soest in Germany and Sobibor in Lubelskie, Poland, a Nazi extermination camp where Aaron and the viewer learn about the atrocities committed there.

I’ll Be Frank is directed and edited by Aaron Lucus and won first prize at the Flickers Rhode Island International Film Festival for the Hearts, Minds, Souls. The original score is by Tarek Soltani, whose music created an emotive feel throughout the documentary.

I’ll Be Frank was successful in capturing my interest and would be suitable for teenage viewers and anyone wanting to hear a personal story of someone who has lived through and survived WW2. The story has heart, and Aaron has captured this in a respectful way.

Look for a film session in your town.

2023 JFF Festival Dates:

MELBOURNE
Classic Cinemas: 23 October – 29 November
Lido Cinemas: 24 October – 28 November

SYDNEY
Ritz Cinemas: 24 October – 28 November
Roseville Cinemas: 2 November – 19 November

HOBART
State Cinema: 2 November – 12 November

PERTH
Luna Palace Cinemas: 16 November – 6 December

BRISBANE
New Farm Cinemas: 16 November – 26 November

CANBERRA
Dendy Cinemas: 15 November – 22 November

GOLD COAST
Dendy Cinemas Southport: 16 November – 22 November

This review also appears on It’s On The House.

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