Orpheus – A One Of A Kind Captivating Performance

Orpheus

Orpheus Rating

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The ‘Orpheus’ show was mesmerising, and I was utterly captivated by Shakti’s creative brilliance. ‘Orpheus’ is part of the Newcastle Fringe Festival performances, and last night’s show was held at the REX Royal Exchange Newcastle Salon Theatre. I had not previously attended the quaint theatre before, but I will endeavour to return there again soon. The staff were welcoming and friendly and did their best to make everyone feel relaxed and ready to enjoy the performance.

‘Orpheus’ is a solo dance show performed by Shakti, a seasoned professional dancer who has graced stages all over the world, including New York, Moscow, Paris, London, Kyiv, India, Israel and Germany. Her self-choreographed performance is rooted in inspiration from the Greek mythical character Orpheus and his tragic story.

The Greek mythology tale of Orpheus can be traced back to the 5th Century BCE and has captivated and inspired people worldwide for thousands of years. To quickly refresh your memory of the tragic tale, the mythological character Orpheus, gifted with seemingly superhuman musical abilities, is madly in love with his newlywed wife, Eurydice. Shortly after their wedding, Eurydice tragically succumbs to a snake bite, leaving Orpheus in a state of horrific grief. He travels to the underworld to beg Hades and Persephone to allow him to take his beloved wife back to the surface world.

Orpheus’ enchanting musical abilities successfully persuade Hades and Persephone to allow him to return home with his beloved wife on one condition: he must not look back at Eurydice until they reach the surface. Unfortunately, Orpheus doesn’t heed the warning and turns back to check that his beloved is trailing behind. As he does so, Eurydice instantly vanishes, and Orpheus is once again overcome with grief. Orpheus later meets a brutal death, being torn to pieces by frenzied maenads who were scorned by Orpheus’s rejection of their advances.

Through her dancing, Shakti explores the philosophy of life, death and the underworld. At the end of her performance she briefly discussed the concept of the underworld and how we won’t know what happens next until we get there. Will it be life’s greatest adventure? She philosophized how cultures all around the world, throughout time, have been intrigued by death and the various versions of beliefs regarding the age-old question- what is the afterlife?

Shakti’s choreography appeared to be a blend of contemporary dance styles beautifully enriched with Asian influence. Incredible emotion oozed into Shakti’s captivating performance. Her portrayal of torturous grief and loss was powerfully performed through every essence of her being. The use of flickering lights and darkness contributed splendidly in complementing and reinforcing the deeply emotive scenes. Likewise, her utilisation of exquisite materials as coverings and props was both visually impressive and emotive.

Shakti displayed true artistry at its finest in her performance. Her show was unique and extremely creative. I have utmost appreciation and admiration for this inspiringly talented woman. If you missed her at this year’s Fringe Festival, she promised to return next year to captivate audiences once again with her one-of-a-kind dance performance.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Magpie – Fearless and Brave

Magpie

Magpie Rating

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2

I had the pleasure of reviewing EJ Mann’s comedy show MAGPIE at Bernie’s Bar Newcastle. In her own words, “It’s a musical comedy show about being brave and living like one of Australia’s most fearless birds- the Magpie.”

EJ Mann is a Brisbane based comedian on tour for the Fringe Festival. She has been gaining great momentum in the comedy circuit and receiving wonderful acclaim and reviews from her shows. In a relatively short period, of only a few years, she has certainly made her mark in the comedic world as a RAW State Finalist, Funny Coast Laughable Finalist, and Brat Pack People’s Choice Winner.

EJ Mann’s references to Uber drivers, Elon Musk, and keyboard warriors on neighbourhood Facebook pages made the show incredibly relatable and hilarious. There is a meld of Facebook posts and comments from her neighbourhood page, which EJ brilliantly and most creatively creates into a humorous song. I recommend she join my local page, as there is great content there if she is after new material for her next show. Facebook community pages definitely seem to bring the most brazen characters out of the woodwork.

It was most endearing to hear EJ intertwining various quotes and stories from her beloved late grandmother into her performance and songs. She made various mentions regarding her family and personal relationships which created an intimate, personal atmosphere and allowed the audience to feel acquainted, at ease and more receptive to her material.

EJ talked about her self discovery and sexuality in a heartfelt entertaining presentation. What I loved most was how she seamlessly incorporated her original comedic songs, accompanied by her guitar, throughout the show. A very stylish guitar, too, I should mention. EJ sings with an authentic Australian accent and a reminiscent sweetness of Missy Higgins. I could draw comparisons to the comedian Garfunkel (Kate Micucci), whose work I also absolutely adore.

There was a steadfast theme of the brave and fearless Magpie bird which is cleverly intertwined throughout her material. I particularly loved the reference to a ‘Parliament of Magpies’ and their superior efficiency. There were also references to shallow peacocks and rainbow lorikeets which reinforced her ideas beautifully.

EJ Mann is undeniably bold and brave as the Magpie and reveals an authentic, raw, self-exposing performance with skilful comedic light. A solid and professional performance by an up and coming star in her field. It is hard to believe she has only been at this game for just a few years. EJ certainly portrayed the grace and confidence of a seasoned professional. I was truly impressed by her creative witty performance and wish her all the best with her remaining Fringe Festival performances.

To book tickets to Magpie, please visit https://newcastlefringe.com.au/events/magpie/.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Ruby Moon

Ruby Moon

Ruby Moon Rating

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3

Ruby Moon is a contemporary Australian play that explores the grim mythology of the missing child in Australian folklore. The play explores the shift towards fear and uneasiness in suburbia, where community and connection were once championed. Ruby Moon is a six-year-old who has gone missing, and her parents are trying to simultaneously navigate their heartache and how they can exist in a world without her while still looking for clues as to where she went. It’s a desperate combination of grief and hope.

I was a little worried about how dark the themes in Ruby Moon would be when I invited my mum to come with me, on Valentine’s Day. Often, plays with a serious theme tend to hit viewers over the head with their message. This play, however, was surprising in all the right ways and, thankfully, did not do this. Ruby Moon is, instead, an intelligent invitation to ponder over the issues of child abduction, grief, community, security, and domestic violence without leaving feeling bludgeoned.

 

Upon walking into the Newcastle Young People’s Theatre, I was struck by the beauty of the set design and how it truly conveyed that we were in Australian suburbia. Little did I know how cleverly it would be utilised as well. The director, Samuel Jenkins, was also responsible for set and costume design and he truly out did himself. The clever use of props and a clothesline made for a wonderful ability to transport the audience into a new space with a spin of the hills hoist.

Greg Shearer and Mary Shearer built the set. Alex Lane coordinated the costumes and received help from Cynthia Boyd and Wendy Leis to construct them. The lighting was excellent, with wonderful use of back lighting on the stage and shadows. The sound was well used to create eerie scenes where you weren’t quite sure what was real.

Both cast members, Aoife Gregory and Samantha Lambert, were outstanding. From when the audience was entering and the house lights still up, they were in character and building the story. For me, one of the marks of a great actor is the ability to create genuine emotion in response to the character they are portraying, and I truly had a visceral reaction of dislike to Ray. Aoife was so expressive and, at times, absurd. She absolutely threw herself into each of the four characters she played with brilliant use of her body.

At times you could hardly believe it was the same person! Samantha Lambert truly shone in the role of Sylvie and was equally convincing in the other characters she played as well. I completely forgot that it was just Samantha playing all these wildly different and colourful characters. It was as if I was transported into Sylvie’s mind and all the scenarios the loss of a child conjures up.

 

I was at the edge of my seat, searching alongside the main characters for the next clue in the mystery. I appreciated that the play had both intense moments and moments of light-heartedness and absurdity. Overall, it was very enjoyable to watch these true artists at work, and I highly recommend seeing Ruby Moon for a thought-provoking theatre experience. It’s definitely a great jumping-off point for conversations about the sometimes subtle nature of domestic violence, safety in the community, and grief.

For more information about Ruby Moon and Young People’s Theatre Newcastle, please visit https://ypt.org.au/.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

First Things First

First Things First

First Things First Rating

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2

First Things First…. I loved the play. Maitland Repertory Theatre has brought to the stage an enthralling comedic performance with a group of very talented actors.

The stage was set as a comfortable living room, practical and well dispersed for audience interaction. The audience is immersed into the crazy antics of the night’s unfolding drama, which all takes place in the living room of Pete and Sarah’s home.

The idiom “Oh, What a tangled web we weave, when first we practice to deceive“ rings loud, clear and undeniably true as the predominant theme in “First Things First.” We witness the very anxious, escalating to frantic main character, Pete, played by Matt Scoles, squirming his way through lie after lie in a very sticky delicate dilemma. How does one handle their supposedly dead wife spontaneously returning when you have recently remarried a new wife, who knows nothing of the previous marriage?

Well…our main character Pete handles it deplorably! Matt Scoles gave a fabulous expressive character portrayal with top notch comedic timing. He had the audience in his hands the entire night willing him to confess and put an end to the spiraling chaos. Louise Cowan gave a splendid portrayal of Sarah, Pete’s ‘new wife,’ She was ‘on key’ for the role of a timid, attention-seeking, needy wife.

 

The gorgeous long lost wife of Pete, Jessica, who is responsible for creating all the mayhem and chaos was performed tremendously by Jessica Gray. Jessica brings her own unfolding drama, mystery and surprises to the stage.

Devoted and loyal to Pete’s side and to his ludicrous spinning web of lies, is his best friend George played by Tez Tywal. This is the second time I’ve had the pleasure of watching Tez Tywal perform and I love the natural humorous energy and vibrance he brings to the stage.

A solid and perfectly composed professional performance by Jane Johns who played Margot, the doting and ever inquisitive mother of Sarah. Her skepticism towards her son in law is unwavering and rightly so.

And then there was Alan… who entered in the 2nd half at a time when we thought things couldn’t possibly get any more complicated. But they certainly did! A very enjoyable performance by Matt Robinson who plays the hilarious role of Jessica’s secret French lover. Matt skillfully had the audience in hysterics.

First Things First was a highly engaging and very enjoyable performance from a group of impressive skilled actors. Thoroughly recommended for couples and friends who are after a night full of laughter and great entertainment.

First Things First is running at the Maitland Repertory Theatre from November 20 to December 8, 2024.

To book tickets to First Things First, please visit https://www.mrt.org.au/2024-plays/first-things-first/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.