Rhys Darby: The Legend Returns

Rhys Darby - The Legend Returns

Rhys Darby – The Legend Returns Rating

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The first time I knew about Kiwi comedian Rhys Darby was when I happened to stumble upon a tv show in which he travels to Japan, “Rhys Darby: Big in Japan”, and I instantly became a fan so I was super excited when I found out that he would be performing a show in Perth for the Perth Comedy Festival and his show did not disappoint.

Although Rhys delves into a range of topics, which he manages to squeeze into his hour-long show, it centred predominantly on technology and its impact on society.

His take on Artificial Intelligence (AI) within society was especially cleverly portrayed using an analogy of a horse and carriage. The horses are the AI, the tech billionaires Mark Zuckerburg, Elon Musk and Sam Altman are the horsemen with the whips directing the horses where to go, the general population are the passengers inside the carriages not knowing where the horses are taking them, and the Baby Boomer generation are being dragged behind the carriages in this crazy ride. The whole image was brought to life energetically with Rhys impersonating the horses, the tech billionaires, the general population and the Baby Boomers.

With Perth known as being behind the rest of the world in everything, he jokes that Perth wouldn’t be aware of this, as AI hasn’t yet hit Perth.

Throughout the show, Rhys tells separate stories like Rumba the robot vacuum that escapes from home or the flying machine he invents to take his kids to school. In the end, he manages to weave all the stories into one cleverly crafted final story.

Rhys is also a man of hidden talents, or perhaps a talent of his that isn’t so well known. I was impressed with his voice, sound effects, and his beatboxing and DJ skills. During the performance, he manages to put together a live track of him beatboxing.

Rhys was full of energy throughout his entire show. He is not one to stand still. He is animated in the stories that he tells, and his passion for comedy and storytelling shines through in his performances. There are some comedians who are more popular with male audience and others with female audience. Rhys appeals to a wide range of audience members regardless of age, gender or ethnicity.

Unlike other comedians, he also delivered quite a poignant message about not getting too consumed with technology, to appreciate each other’s company whilst we can, as life is short and not to be so afraid of what the future holds in these uncertain times.

The Perth Comedy Festival runs from 21 Apr to 18 May. To book tickets to a show, please visit https://www.perthcomedyfestival.com/.

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Brown Women Comedy Performance: A Light Look at Being a Brown Woman

Brown Women Comedy

Brown Women Comedy Rating

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Deciding to be a comedian professionally is probably one of the bravest steps someone can take.

Some people are naturally funny, others are talented writers who have the skill to take a situation and focus in, give it a tweak and make it sound hilarious. From the many comedy acts I have been to, almost all comedians poke fun at their occupation in their set, and point out how poor they will be all their life. Brown Women Comedy, featuring four bold Indian and South Asian Australian comedians, did indeed broach this.

The first comedian, Niv Prakasam, extended this line of thinking and talked about her job as being someone who was simply carrying forward a family tradition, that of Generational Debt! I have heard other comedians talk about how disappointed their parents are, that they’re not a lawyer or a doctor earning the big bucks, but Niv swung this joke around with her Generational Debt take, and it was refreshing.

Niv spoke with the easy-going flow of a seasoned performer and was a wonderful opening act. I really enjoyed her stories about coming from a conservative country and how different Australia is from her home. She took this topic and brought a whole lot of different and amusing tales, some involving arranged marriages, what it means to hug, or hold eye contact with someone (that’s it, you’re now betrothed) and the audience reacted very well. Niv was able to incorporate the audience into her act, making them feel comfortable whilst talking to them.

Ramya Ranapriya followed and continued to make the audience laugh. In her set, she told stories about situations in her country. She talked about family (of course, the in-laws got a mention, but not even Grandma was spared!) and her dynamic views of the ever-changing world of becoming a mum reached the audience’s heart. Her stories from when she had a newborn and was bombarded by requests from everyone to meet her little one was relatable to many people – such as the endless stream of visitors (the quick look of the men visitors versus the delight of women visitors inhaling the scent of her baby) and was very funny. As was her take on how visitors brought money as gifts when they came – but I won’t spoil Ramya’s jokes by relating them.

Founder of Brown Women Comedy, Daizy Maan, followed Ramya. Her impressions of her friend’s friend made people laugh, and she cleverly circled back to this particular joke to close her set. Daizy told tales about her family, sharing some funny experiences ranging from her mum’s roti to awkward moments, which had the audience cringing in sympathy. One of the funny moments for me was something her mum said to one of Daizy’s friends, about her thighs! It is still quite an Asian thing for the older generation to comment about one’s weight, and this made the audience laugh.

To close the performance, Guneet Kaur came on, and brought another dimension to the show. She delivered her comedy set with a deadpan coolness, and this worked to bring out the joke’s meanings even more. Her stories about dating and being a racial chameleon were hilarious, as were some stories about dating, bisexuality and how lies can go wrong when making up a false family!

The four womens’ comedy acts were all different, with each comedian bringing another side of being a woman into the show. It was an all-rounded show, incorporating sexism, feminism and racism into 2025 and the modern Aussie world. If you feel like a break from the real world, a comedy show should whisk you away. Brown Women Comedy does just this – these ladies will whisk and stir up your funny bone and imagination, at least for an hour!

Brown Women Comedy was hosted at the Lennox Theatre inside Riverside Theatres in Parramatta and is part of the Sydney Comedy Festival.

Performances: 23 – 25 April 2025
Riverside Theatres. Corner Market and 353 Church St, Parramatta
Tickets: $44
www.riversideparramatta.com.au

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Yeah Nah Pavlova: The Laughs Keep Coming

Yeah Na Pavlova

Yeah Nah Pavlova Rating

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As the audience arrive into the cosy yet intimate venue that is Club Voltaire in North Melbourne, we are handed an ANZAC biscuit and asked to pick a side. Who invented the pavlova is the ultimate question.

Comedy duo Loud Jess (Jess Loudon) and Sandra Pace are immediately likeable, and the show hasn’t even started.

For one hour, they cover everything from politics to men, moving to New Zealand, rugby and the friendship between the two nations.

The main theme tying this show together is the age-old question: Who invented the Pavlova?

With audience participation that makes the show engaging, the duo are quick with their retorts, snappy one-liners, and they bounce off each other with incredible energy.

The women have great banter with each other, reminiscent of a young Gina Riley and Jane Turner ( Kath and Kim), and they’re incredibly comfortable in front of an audience. There’s no forced interactions, these two are naturally funny.

The show is dotted with dark humour. The subject of politics is candidly explored, and they look back on the era of Covid lockdowns, amongst other things, while talking about their lives in New Zealand – affectionately known as ‘ Across the ditch’.

The two have great energy, which is important in any comedy duo, but having a strong theme helps to tie the show all together, so it’s not just two loud girls rambling. It’s thought out, well-written and leaves just enough breathing room for improv and unplanned moments.

As for whether pavlova was invented in New Zealand or Australia, not to give away the ending, but we do get an answer as promised.

The comedy festival is wrapping up for another season, and before it goes, make sure to get down and have a laugh with Sandra and Jess. Their show is an hour of light-hearted comedy that never takes itself too seriously and is a refreshing reminder on why Australians and Kiwis love to give each other a hard time.

Yeah Nah Pavlova will be showing until April 20 at Club Voltaire in North Melbourne.

To book tickets to Yeah Nah Pavlova, please visit https://www.comedyfestival.com.au/browse-shows/yeah-nah-pavlova/.

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Maren May reads between no lines

Maren May Reads Between No Lines

Maren May Reads Between No Lines Rating

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On a Monday night at Tasma Terrace, the after-work crowd could be seen getting ready for a night of comedy and laughs.

German comedian Maren May immediately captured the audience’s attention by introducing herself as the ‘unsure German’ – a character she has been told she plays very well (maybe….. because she isn’t playing a character at all, but just being herself). Reflecting on her most recent comedy shows, she was told by an audience member that he could offer her a free autism diagnosis as he was a psychiatrist.

Thus, set up the central premise of “reading between no lines”. May recounts pondering for days what is meant when a relative says to her “that’s a summery dress” at a wedding, before realising the relative meant that the dress wasn’t appropriate for a church. Later, she asks ChatGPT what this could possibly mean. The audience cracks up, agreeing with May – why can’t people just say what they actually mean?

May cleverly noted that although when navigating everyday life, she felt as though she was missing a script that everyone else had, she liked stand-up comedy as it meant she had a script to go off.

Throughout the show, May reflected on her family, love life, job, and interests with an endearing and joyful spin on even the most awkward stories. Her delightfully literal interpretations and neurodivergent lens were not only hilarious but refreshingly honest. Her stories touched on a cheating ex-boyfriend, an awkward date that felt like a scene straight out of Seinfeld, and weird habits her family has.

There was something uniquely charming about how May navigated her world— overthinking eye contact, and uploading her diary entries to Chat GPT (it’s less awkward than confiding in a therapist, who you may run into in person – whereas “ChatGPT doesn’t even own a bike!”). With just the right mix of awkwardness, wit, and heart, May’s set felt both deeply personal and universally relatable.

May delivered an audience-engaging set of observant and witty jokes, with clever call backs to earlier stories that tied in well together (such as mishearing the lyrics to the classic ABBA song Dancing Queen – “why are you kicking her?”). The show finished with a surprise guest appearance by someone we all know – ChatGPT.

Amidst the hustle and bustle of the Melbourne International Comedy Festival, Maren May delivered a delightful night of witty anecdotes and laugh-out-loud jokes. Make sure to check out this show and check out the many other comedians performing during the festival.

To book tickets to Maren May Reads Between No Lines, please visit https://www.comedyfestival.com.au/browse-shows/maren-may-reads-between-no-lines/.

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