Peter And The Starcatcher

Peter And The Starcatcher

Peter And The Starcatcher Rating

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Ever wonder how Peter Pan came to be in Neverland? Or how he got his name? Or the exact means by which Captain Hook ‘acquired’ (or perhaps I should more accurately say, ‘required’) his hook? Well, wonder no more, as ‘Peter and the Starcatcher’ gives us the prequel to Peter Pan that we never knew we needed to cover all of these questions and more.

Winner of 5 Tony awards, and written by Rick Elise, Peter and the Starcatcher is a feast for all the senses, and a production the whole family can enjoy.

Although the play is a prequel to Peter Pan, you really don’t even have to know anything about Peter Pan (but I think everyone knows the story, whether they want to admit it or not!) to enjoy this production as a stand-alone story. But of course, knowing the story and characters of Peter Pan will make the show much more enjoyable; you’ll simply get so much more out of the very clever writing and humour.

The story begins out at sea, and you’ll be forgiven for taking a bit of time to get up to speed with the characters and story, as you are thrown right into the depths of this fast-paced production from the start. But once you orient yourself with the different characters and how they relate to the well-loved classic, Peter Pan, you can sit back and enjoy the ride.

 

And what a ride it is! The show is a feast for the senses with beautifully crafted sets, costumes, music, and stunning puppets. There is dancing, singing, live musicians on stage, and oh, the humour and comedy!

The show is marketed for all ages, including kids 8 years and older. But I would question how much the younger kids would actually understand. It is a fast-paced show, especially in the dialogue, which is extremely well written. Almost every line seems to have some sort of joke, pun, or reference linked to it, and with the fast pace of it all, I am sure I missed some of them. So although the kids may not understand it all, there is still so much they can enjoy visually and musically from this production.

Having live music played on stage was lovely, and weaving the musicians in and out of the scenes on the rolling pianos and stages was a nice touch.

The puppets were a beautiful addition to the play, really adding a lovely magical feel. And the actors did a great job in the puppetry on stage, brining to life a variety of animals.

The different sets, lighting, and costumes were a visual smorgasbord and feast for the eyes. Talk about some impressive costumes (keep an eye out for the mermaids!).

The cast were a joy to watch together, with some very strong performances shining though.

 

Olivia Deeble commanded the stage and really showcased her amazing talents in acting, singing, and dancing. She really is brilliant as the leading young lady, Molly: the character who we learn turns out to be the mother of Wendy in the Peter Pan we are familiar with.

Colin Lane was another standout performance and brilliantly cast as the hilarious ‘Black Stache’, the pirate captain who we know as Captain Hook. Lane stole the show with his witty humour; at times clearly off-book with some jokes, but never allowing it to be out of line with the show or his character.

If you are looking for a show that brings you a lot of joy, magic, and laughter, Peter and the Starcatcher is just what you need. A great production to bring the whole family along to enjoy.

Peter And The Starcatcher is playing now until the 1st December.

To purchase tickets please visit https://peterandthestarcatcher.com.au/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Delicious Aerialicious

Delicious by Aerialiscious Entertainment

Delicious by Aerialiscious Entertainment Rating

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3

Delicious is a scrumptious hybrid show mixing your favourite Burlesque and Circus acts, all themed around food and drink. The show as a whole imbues the audience with ecstatic energy, and satiates our hunger for entertainment.

It seamlessly blends comedy, acrobatics and eroticism in an extravaganza for any appetite. Our fantastic hosts, Chocolate Boxx and Clara Cupcakes bounce off each other brilliantly with quick witted remarks to introduce us to the world of ‘Delicious’ and its’ acts.

Initially we are met with Aline Chapet who performs a quirky routine with ‘Champagne’ bubbles. Her act brings the awe of a magician and the skill of a bartender to the stage, creating bubble art and playing with trapping and releasing smoke. Her act creates suspense and wonder as we wait for bubbles to pop, or not, as she skillfully crafts them. We were then rewarded with other unique acts such as Indie Berlin who performed a hilariously creative ‘Bread-lesque’ routine.

This combined the glitz and glam of burlesque with the comedic premise of feeding pigeons lots of bread; which was executed with elements of mime as well as expert choreography. Another creative act was Cello Bordello and her ‘hot-dog’ routine. This showcased a spunky burlesque number and a twist on sword swallowing except with a balloon. We were also delighted by some women’s Jelly Wrestling (Grace Law and Rachael Gibson); where you were still in the splash zone multiple rows back, causing eruptive laughter from the audience.

Our final unique act was Johnny Gash presenting a sweet ‘Candyman’ styled Drag King performance. Johnny Gash gave us the only vocal performance of the night, which was absolutely phenomenal and all but identical to Christina Augileira herself.

The circus acts included were incredible, with Andrea James Lui skillfully showcasing her amazing floorwork and Aerial Pole skills. With a quirky mad-hatter style, but incredible strength and fluidity she dazzled from the air. Elena Khaw graced us with an incredible show of contortion and flexibility, all whilst glazing herself in honey, keeping to the sweet theming.

Ambrose and Latonya brought some classic circus action with trapeze and Hula Hoop acts. Their Flow Art was smooth and polished, taking much coordination and strength. Finally, Tami Dawson presented hair suspension to close us out, which takes incredible, hair-raising skill.

With such a smorgasbord of talent, the audience was engaged and cheering from the start and this did not lull for the entire performance. The lighting and use of haze made all the performers look spectacular whether they be on the ground or in the air. The song choices were recognisable and energizing, bringing much enjoyment.

This show exudes confidence and really comes together beautifully, a perfect collection of talent, theming and taste. The cast and crew should be applauded for a delightful addition to the Melt Festival line-up.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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MARVELous The Show

MARVELous

MARVELous Rating

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0

If you’re a Marvel fan, you’ll want to get to the National Theatre in St Kilda this week. MARVELous has hit Melbourne for one week only.

But you don’t just have to be a Marvel fan to enjoy the evening of dancing, singing, acrobatics, stunts, and a variety of hilarious parodies that draw reference to a range of pop culture songs and movies outside of the Marvel franchise.

The audience were a-buzz on opening night, and lapped up the high energy, risqué performances (there is nudity, so keep the kids at home!).

Deadpool and his interaction with the audience kept everyone engaged throughout the show. And each of the individual parody skits were captivating and entertaining to watch.

The show definitely entertained the audience; a wonderful way to escape the real world for a couple of hours and have a good laugh and enjoy the spectacle on stage. There is a great mix of both Marvel-specifc and -non-specific pop culture references along the way to cater for a wide range of tastes.

There is some serious talent in the cast, with amazing dancing, vocals, and acrobatics on show.

 

The show was let down at times with some very slow, silent set changes, which disrupted the flow of the show and could have easily been filled with something as simple as some music, or even just some more character interaction time with the audience, which was in itself a great feature of the show in general.

Several technical issues with sound, lighting, and wardrobe unfortunately drew the attention away from the performances at times too, and it seemed that seating location played a big part in the sound issues too, with those seated towards the back of the audience having the most issues with hearing the cast members at all in the first half. Along with the technical issues, a bit more tightening up of the show in terms of transitions between sets and even the movements of cast within scenes would push the show into presenting as a much more professional category of shows that it deserves to be seen as.

MARVELous the show, really is quite a unique, entertaining, high-energy, and very clever concept. Hopefully, the technical glitches were just some opening-night cobwebs (ah the joys of live theatre!) in what was otherwise an incredibly fun, and extremely funny and enjoyable night out.

Make sure to keep the kids at home for this one, as it’s adults only (well, 15 plus) with lots of partial nudity and plenty of risqué moments.

Get in quick to see MARVELous at the National Theatre in St Kilda 6th – 10th November 2024. Book your tickets now before this marvellous show ends @ https://marveloustheshow.com.au/

Photographer: Ben DIngley

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Maybe He’s Born With It Maybe It’s ADHD

Maybe He's Born With It Maybe It's ADHD

Maybe He’s Born With It Maybe It’s ADHD Rating

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Do you need an emotional rollercoaster of a show that will make you laugh and cry and then, upon further thought, inevitably question all of your actions as possibly neurodivergent?

Yeah, neither did I, and yet I find myself wanting to go back for more!

Upon entering the theatre (and having no previous knowledge of Colin Ebsworth, my assumptions were a comedy show with probable laughs and maybe some relatable content. Little did I know that I would be crying both from laughter and sadness by the end.

Ebsworth is (in short) an insanely talented comedian and wordsmith who managed to convey so many different emotions of relatability, anguish, confusion, satire, wittiness and much more as we are walked through his experience as a neurodivergent child. As someone who has Autism (of which there is a lot of cross-over with ADHD), I found it refreshing to find someone who had some of the same issues as me growing up and was able to articulate it accurately.

All whilst sitting on a stool on a stage in a spotlight with a remote and a few lagers.

 

I also genuinely enjoyed the creative use of both vocal effects and music to enhance the story. And so did the audience! I took my best friend (who is ADHD incarnate) with me and her reactions were vivid and similar to mine. As were the rest of the attendees. We all gasped together, laughed together and felt deeply together. It is no mean feat to be able to create an atmosphere where everyone is invested both individually and as a collective audience.

This show is so important not just for those that are neurodivergent, but also for those that have neurodivergent individuals in their life. It’s content of this show will only continue to become more and more valuable as time goes on.

So, even though this show for Melbourne Fringe is sold out, I would unquestionably recommend that you keep an eye out for Colin Ebsworth and any of his future shows. I cannot wait to see what he comes up with next and will be attending prepared to feel the full range of emotions next time!

For further information about Colin Ebsworth, please follow: https://linktr.ee/colinebsworth

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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