Thrive Productions Presents “Blackrock”

Blackrock

Blackrock Rating

Click if you liked this article

“Blackrock,” is a 1996 Australian play written by Nick Enright, and being presented this season by Thrive Productions at BackDock Arts, Fortitude Valley.

The synopsis opens up to several teenagers and their families living in the beachside town, Blackrock. A group of friends reunite after one of them, Ricko, returns from a trip. They plan to attend the birthday beach bash of their friend, Toby, doubling it as a “welcome home,” party. After a night of drinking, drugs and reckless fun, 15yr old Tracy Warner is found on the beach. Rumours swirl and questions of trust and loyalty begin to stir throughout Blackrock. The lives of Jared, Ricko and his friends are never the same.

Lighting and sound was kept simple and was handled well throughout. Different punk rock/ soft rock would play during transitions between scenes as well as when cast members were reminded of the death of their friend or the feelings attached to their loss. The lighting was a white wash and remained consistent throughout the entire play.

 

 

The cast’s use of their space was interesting, as there was no easy way to leave stage other than the door in upper stage left. The set design consisted of several black stage blocks and stools on either side for all actors to sit on while a scene played out centre stage. The cast wore actors blacks, collecting props from upper centre stage when needed, emphasising the skills of the actors over embellishments. The cast entered and exited in single file, refraining from facial expressions until they were in character. They took to creating various formations or standing in place when transitioning through each scene change. This may have been handled differently to look a bit smoother between scenes, but made sense given the floor space.

The casting was done well and was a pleasure to watch, despite the seriousness of the play’s themes. All actors performed enthusiastically in their roles and gave great representation of small town, Australian life.

Notable mentions include the roles of Jared, Ricko, Jared’s mother and Tiffany. The emotional depths the characters explored were key to capturing the fullness of their essence, which they executed almost seamlessly. It is a wonderful skill as an actor to be able to portray their characters displays of inner turmoil, how their emotions guide or affect them and whatever convictions their characters hold onto that offer them strength.

Over time, layers were peeled back to explore the headspace of characters like Jared and Ricko; once thought to be birds of a feather, but then challenged beyond what either of them ever expected. Their performances were impressive and highly engaging, making me eager and looking forward to seeing them in future productions.

I recommend this Australian Drama to audiences 15yrs onwards, as scenes contain references to sexual assault, suicide and violence that could be triggering or upsetting for some.

To book tickets to Blackrock , please visit https://buytickets.at/backdockarts/1478600.

Spread the word on your favourite platform!

Blackrock

Blackrock

Blackrock Rating

Click if you liked this article

1

You’ve seen headlines ripped straight from the world of this Nick Enright’s Blackrock. Stories of masculinity in violent crisis. Stories of economic divides pushing apart people who should stand together to support each other. Stories of female rape victims and witnesses being silenced by the communities that claim to protect them. An almost thirty-year-old play that explores issues as malleable and complex as gender, class and sexual violence should not be as relevant today as it was at the time, but it is. The fact that Lunatix Theatre’s production (directed by Grace Mclaughlin and Maddie Richards) resonated as strongly as it did is a credit not just to the writing but to the cast, director and designers involved.

Blackrock takes place in a small beach town of the same name, home to many working-class teenagers and their families. One night, a drunken birthday party ends in the gruesome death of a young girl, as she is found with her head smashed in by a rock after having been raped by three boys. Most of the story examines the fallout of this tragedy, with a young man named Jared (Flecther Von Arx) finding himself torn between loyalty to his ‘mates’; supporting his outraged girlfriend, Rachel (Sabrina Rault), whose brother is implicated in the crime; and coming to terms with his own place in the town.

While Jared is the main character, this play relies heavily on its ensemble cast, and the rapport, skill and energy across the board create scenes that feel greater than the sum of their actors. The dialogue itself feels age-appropriate without being cringey, and the actors bring it to life perfectly. Von Arx’s Jared is vulnerable and sympathetic for all his flaws, Rault’s performance as Rachel creates a strong likeable moral anchor, and Jared’s best friend, Ricko (played by Bailey Griffiths), has some of the most harrowing moments in the show, demonstrating the mundane horror of a mind that warps the rape and murder of a teenage girl into something that “just happened”.

 

 

This isn’t to downplay the rest of the ensemble, who all give amazing performances, especially in their physicality. The banter between the boys feels palpably uneasy even before tragedy strikes, due to the constant but subtle strutting, chest puffing and matey arm touches – casual ‘violence’ that foreshadows the real physical threat almost every male character in the play poses at some point. The actors also aren’t afraid to talk over each other, commit to physically uncomfortable scenes when necessary, and be extremely vulnerable overall. There is a great sense of trust and maturity, which is essential for navigating material this heavy.

The world of Blackrock is fleshed out further through design, with surfboards and wood panelling rightly marking the beach as the centre of the action, and consistent costume changes giving a strong sense of time passing, which is essential to strike home the long-term damage done to this community. There are some beautiful moments where lighting is used to create a sense of place, such as a blue spotlight giving the impression of the edge of a dock by the ocean. The only snag was the reliance on blackouts for major scene transitions, which sometimes killed the energetic pacing set by the cast.

This may be a difficult show for some to engage with. Most of the characters say or do heinous things, and yet we are invited to at least understand even the most warped perspectives. The mechanisms of denial, blame and desensitisation that kick in when people can’t face the truth are put on naked, ugly display. Still, whether you think you can step into Blackrock or not, keep an eye out for Lunatix’s future work. They created an experience that was deeply uncomfortable, deeply sad, and in desperate need of being seen.

To book tickets to Blackrock, please visit https://lunatixtheatre.wixsite.com/lunatixtheatre.

Photographer: Maddie Richards

Spread the word on your favourite platform!