About The Show – The Edit by Gabrielle Scawthorn at Belvoir 25a

The Edit

Buckle up for a wild ride into the zany underbelly of reality TV with Gabrielle Scawthorn’s latest show, The Edit at Belvoir 25a. We chatted with Gabrielle about this unique production that dives deep into the chaotic world of reality TV, where contestants and producers pull all sorts of crazy stunts to keep us glued to our screens. This show promises a rollercoaster of laughs, thrills, and yes, even some binge-eating chicken wings!

About The Edit by Gabrielle Scawthorn at Belvoir 25a

What is this Production about?

The production is about the wild world of reality Television. The truly absurd and terrifying contestants and producers and all the mental things they do to try to make us binge watch.

What character are you playing, and what can you share with us about them?

I play a character called Jess. She’s working on a reality TV show called “Match or Snatch”. Just like the Bachelor or Love Island, this show uses a team of experts to pair up contestants with their perfect match, but the catch is, contestants have to figure out who their perfect match in the Mansion is. The incredible Iolanthe plays Nia, a beautiful young contestant on the show.

Why did you want to be involved in this production?

Well, firstly, I fell in love with the script. I laughed and cried reading it and had so many questions. And then the team who are making this show are amazing, it’s a group of people who I’ve had theatre crushes on for years, so I’m thrilled to finally be working with them. 


What sort of person is going to love this show?

If you love reality television, you will love this show.
If you hate reality television, you will love this show.
If you love celebrities or love to hate them, you’ll love this show.
If you like funny, fast, thrilling theatre, you will love this show. 
If you love to see two women binge eat chicken wings, you will love this show.


What will the audience be thinking about in the car as they drive home after this show?

Gabrielle Scawthorn’s script brings in her own experience with being on reality TV at seventeen (crazy) AND she’s also done so much research as part of her lauded podcast “Back from Reality” where she interviewed former reality television contestants about their experiences on reality TV and being in the limelight and also what it’s like to come out of these shows and back to your life. So she’s crafted something with all the insider gossip! All the shit you never hear about, behind the NDAs, behind the cameras. The underbelly of reality TV.


Who has the best costume?

Definitely, Iolanthe’s character “Nia”, she’s so stylish and her fits are sexy and ****y. Jess is basic in comparison.

Is there anything else you’d like to add?

This is the last 25a show at Downstairs Belvoir for some time! After years of housing some of the best independent theatre shows, 25A is making space for Griffin Theatre in 2026. It’s an end of an era! Dom Mercer has programmed the best new theatre makers in this country, and the shows are totally unlike anything you see anywhere else, and they ALWAYS SELL OUT! So don’t sleep on tickets. $25 is THE cheapest theatre ticket in Sydney. CRIMINAL… or is it?

Where can patrons purchase tickets to this production?

To book tickets to The Edit by Gabrielle Scawthorn at Belvoir 25a, please visit https://belvoir.com.au/productions/the-edit/.

Thank you so much for your time and insights! Wishing you all the best for “The Edit” by Gabrielle Scawthorn at Belvoir 25a. We can’t wait to see the magic you bring to the stage! Cheers!

Other production interviews can be viewed in our About The Production Series.

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Absolute Trash

Absolute Trash

Absolute Trash Rating

★★★★★

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3

Bawdy, bendy and bootylicious.

Glitter Martini have brought Absolute Trash down from the Gold Coast for a short run at the Sydney Fringe, following sparkly five-star reviews at the Adelaide Fringe.

We live in a world surrounded by trash. Bin juice, trash pandas, floating garbage islands, and the toxic waste dump that passes for social media. When was the last time you said that your life is a dumpster fire? (Confession: last Wednesday for me.)

Absolute Trash gleefully up-cycles our garbage mountain planet with eye-popping circus, wacky comedy and bawdy cabaret.

It’s nice the get the word bawdy out of the house. It’s usually stuck at home doing debauched crochet while the sexier words like saucy and spicy get invited out to play.

If you want to, you can take it easy, sit back and watch, but part of the joy of a Glitter Martini show is their love of playing with their audience. You are invited to share your trashiest stories by text at the start of the show.

Director and performer, Darcie Rae, loves creating a real feeling of connection between the audience and performers. She has fashioned a joyous audience-driven, interactive experience that uses comedy to disarm you as it seductively draws you into the show.

 

 

Natrasha Binit, the Duchess of Debauchery, the Queen of Trash, is your incomparable compère for the night. They’re taller than Sesame Street’s Oscar the Grouch but they share his love of trash and trashy things, with a green plastic wig and a Chanel little black bin bag dress.

Trent Charles, as Natrasha, is the beautiful mutant lovechild of Cara Delevingne and a Monster High doll. You know, in a good way.

Tangly contortionist Bendy Elle spends the show upside down, in the air, inside out and tied up in knots. While smiling impishly.

It’s not every night that nimble and sculpted aerial artists like Miss Amy May and Darcie Rae take to hoops and trapeze, sharing a stage with puppet bin chickens.

I will go to my grave remembering the look of sheer disbelief on an audience member’s guide dog’s face as it stared up at two puppet bin chickens dancing, with squeaky rubber chickens, to Burt Bacharach, ably puppeteered by Charlie Love in platform PVC boots.

That is a sentence I never thought I’d write. And the rubber chicken can-can is a weird, wild and wonderful thing that you need to experience in the flesh.

Absolute Trash ticks all your sustainable boxes in a consensual way you weren’t expecting.

Glitter Martini’s Absolute Trash is part of the Sydney Fringe, playing at Fool’s Paradise, The Bunker, Entertainment Quarter until 21 September

To book tickets to Absolute Trash, please visit https://sydneyfringe.com/events/absolute-trash/.

Photographer: Josephine Carter, Taylor Scott

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Twisted Tales

Twisted Tales

Twisted Tales Rating

★★★★★

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Does Jessie, the cowgirl from Toy Story 3, prefer a buzz or a woody? Could Elphaba and Galinda actually be lesbian lovers, and who says that Ursula is a villain, especially when she holds a legally binding contract! She’s just misunderstood. These questions and more are explored in Twisted Tales, the extremely NOT child-friendly cabaret show at the Sydney Fringe Festival, fresh from their success in Adelaide.

Guided by the hilarious and charming Magic Mirror, Twisted Tales uses well-known children’s characters as the basis for a cabaret of acrobatics, music, and burlesque. The premise on the tin is to explore the twisted truths and hidden realities of classic fairy tales, but that’s not really accurate. Modern Disney movies and children’s stories (most of them not actually fairy tales) merely serve as a thematic launching pad for the bright costumes and various acts in a fast-paced mixture of rebellious mischief and wicked mayhem. My favourite was the Cinderella story. I won’t spoil it, but the twist here was both hilarious and genius. The show’s tongue is firmly in cheek, the cast seemingly having as much fun performing as the audience is watching. There is plenty of course language, adult humour, and exposed flesh, so again, the show is 18+ and not suitable for children.

 

 

The space was cavernous but somehow still intimate, the whole audience sitting close to the action and feeling involved and connected. A leaking roof and a large storm outside merely proved a small distraction from the glitter, flesh, and laughter. Some of the acts felt repetitive, such as the multiple burlesque numbers merely changing performer and costume but effectively doing the same thing all over again, but they were still fun and cheeky (literally) so it didn’t really matter. Everyone was having a great time, constantly laughing, clapping, whistling, and hollering in support. And isn’t that the point?

Also, a shout-out to the stage crew. Off to the side I could spot a few people clad in black trying to go un-noticed, working all night hoisting the performers up and down on various acrobatic apparatus, pulling hard on ropes with choreographed precision. It didn’t look easy.

Twisted Tales is part of the Sydney Fringe Festival and playing at The Bunker, Fool’s Paradise, Moore Park Entertainment Quarter until the 21st of September.

To book tickets to Twisted Tales, please visit https://sydneyfringe.com/events/twisted-tales/.

Photographer: Georgia Moloney

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Bright Star – A Bluegrass Musical

Bright Star - A Bluegrass Musical

Bright Star – A Bluegrass Musical Rating

★★★★★

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7

The spectacular Bright Star musical presented by Sport For Jove Theatre Company, in association with Hayes Theatre Co, is a spellbinding must-see. Co-Directed by Miranda Middleton and Damien Ryan, Musical Direction by Alec Steedman and produced by Christopher Tomkinson and Isabella Milkovitsch, this creative team – along with their cast – have created an absolute masterpiece.

The magnificent cast left me in awe of their radiating talent. In the theatre world we talk about “triple-threat” performers who can sing, dance, and act. Well, this sensational cast raised the bar adding instrumental skills into the mix-quadruple threats!

This highly acclaimed production transports audiences to the 1920s and ‘40s in the American South. Steve Martin and Edie Brickell were inspired to write Bright Star after discovering an old newspaper article about the “Iron Mountain Baby” – an incredible true story of a baby’s miraculous survival after being thrown from a moving train inside a suitcase. Rescued and adopted by an elderly couple, this miraculous story sparked a reimagining that became this heartwarming, bittersweet tale.

Now to the music: the score is brilliant-one you’ll want to add to your playlist. The powerful bluegrass songs resonate with heartfelt emotion, striking the audience with every note. Congratulations to the Musical Director, Alec Steedman on an outstanding job of directing this talented cast to deliver an exhilarating performance. The impeccable harmonies and the all-round musicianship of the singers and instrumentalists were absolutely inspirational.

 

 

Hannah McInerney is sensational in the lead role of Alice Murphy. She took my breath away from the opening number with her angelic vocals, rich with Southern warmth. Her playful, engaging acting was both charming and humorous yet deeply moving in the poignant moments. At times, I was wiping away tears; at others, laughing in hysterics. Hannah kept me captivated throughout her intoxicating performance.

Kaya Byrne gave an electric performance as the charismatic Jimmy Ray. Kaya sings, plays guitar and harmonica with utmost professionalism, and conveys his character’s heartbreak and anguish with depth and honesty. Kaya’s emotive performance was deeply impactful, leaving my heart in my throat.

Cameron Bajraktarevic-Hayward is utterly delightful as Billy Cane. Expertly playing the cello during the show, he delivered the role with skill, energy and heart. His agile dance moves and magnetic stage presence enhanced an already brilliant performance.

Deirdre Khoo shines as Lucy, flawlessly showcasing her talents on accordion, vocals, dance and acting. Her show-stopping moves illuminated Shannon Burns’ masterful choreography. Deidre, alongside Jack Green who played the comedic Daryl, brought plenty of laugh-out-loud moments which kept the audience well entertained. Jack Green also played the sincere Daddy Cane, a contrasting character full of emotional depth and sincerity.

Genevieve Goldman, as the comedic relief character Margo,brought dynamic energy to the story. With fabulous comedic timing, striking vocals and impressive acting, Genevieve provided an engaging performance.

As the villainous Mayor, Seán van Doornum was remarkable. Portraying a detestable character convincingly can be difficult, but his superb performance captured the proud, unfeeling, and truly evil nature of the role.

Katrina Retallick and Rupert Reid as Mama and Daddy Murphy were a powerhouse duo. Katrina’s stunning vocals, especially her harmonies with Hannah, were unforgettable. Her raw intensity in the harrowing scenes amplified the emotional impact. Rupert’s portrayal of an uncompromising father, weighed down by regret, was equally striking—his natural, convincing delivery perfectly suited the show’s era.

Bright Star will make you laugh, cry and fall in love with its story and musical score. This impactful production, with its incredible stellar cast, is not to be missed. I am certain you will fall in love with it, just as I have.

To book tickets to Bright Star – A Bluegrass Musical, please visit https://www.sportforjove.com.au/bright-star-2025.

Photographer: Robert Catto

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