Shadows Of The Past

Shadows of the Past

Shadows Of The Past Rating

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4

Since 1991, Endeavour Theatre Company has been delighting audiences with its community productions. Their latest offering, Shadows Of The Past, a murder mystery written and directed by talented member Clyde Goodenough, exemplifies the best of a small but committed theatre group.

On arrival at the venue, a full house was present, and audience members found a “Guess Who Did It” sheet of paper on their seats to be submitted at intermission. This interactive element added an engaging twist, making the audience feel like active participants in solving the mystery.

The play centres on Mrs Willoughby, an imperious matriarch, who invites her nephew Jonathon, his American fiancée, her solicitor Mason James, a nun with a past with Jonathon, and an eccentric psychic for a weekend of ‘revelations’ and the reading of her will. Adding humour is Musgrove, the old bumbling butler. Amidst a storm, secrets unravel, leading to murder. But who did it? Adding to the Clyde Goodenough Cluedo-like characters are the police sergeant and Inspector, which add to the intrigue in the second act.

The play is set in the Willoughy Hall manor, and the room is replete with ornate couches, fancy paintings on the walls, a roaring fireplace, making it clear we are in a wealthy manorhouse. In addition, there were clever scene changes as we found ourselves in other rooms within the manor. Clever use of lighting to isolate private conversations not overheard by other Willoughby Hall guests enhanced the mysterious ambience. After each scene, the curtains briefly closed with suitably mysterious music playing, giving the audience time to think about what they had seen and ponder what was coming.

Like the best murder mysteries, it is also important to bring the element of fun, and the script delivers enjoyable moments for all cast members. Opening nights are always challenging and exciting, and an opening night for a brand new play, never performed before in front of an audience, is an even higher level of difficulty. Suffice it to say the performances from the ensemble cast got stronger and stronger as the play progressed, which bodes well for a successful production run.

The ensemble cast also navigated the delicate balance of playing exaggerated stereotypes that a murder mystery show requires without falling into caricature. Their understanding of their characters grew stronger as the play progressed, promising even better performances in future shows.

Congratulations to Endeavour Theatre Company and all the cast and crew for putting on an excellent show. This is a fun production with a well-thought-out story and script. While the first act effectively introduced the characters and set the stage, it would have been great to witness a bit more foreshadowing—like subtle hints or a character’s brief slip—that could enhance the suspense and make later revelations even more impactful for the final act.

My personal endeavour to correctly guess the murderer was a dismal disaster! Can you guess the murderer correctly on your visit?

Don’t miss this opportunity to support local community theatre and enjoy a well-crafted, entertaining murder mystery. ‘Shadows Of The Past‘ runs for only two weekends, so be sure to catch it while you can with session times as follows:-
– 19th May 2:30pm
– 25th May 7:30pm
– 26th May 2:30pm

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Murder Village: An Improvised Whodunnit

Murder Village: An Improvised Whodunnit

Enter a world of mystery and intrigue where the classic tales of Agatha Christie come to life in unexpected ways. This thrilling new show is back by popular demand and promises to keep you on the edge of your seat with all new improvised tales of murder and mayhem in response to audience cues.

Each performance is a unique puzzle crafted live before your eyes. It’s up to you to piece together the clues and guess the murderer before the amateur sleuth does. With an ever-changing storyline and an unpredictable cast of characters, this show will keep you guessing until the end.

So, do you want to visit the quaint little post-war English town called Murder Village? It’s open to you and 75 other tourists for an hour every night except Mondays for the next four weeks until April 21 for the duration of the Melbourne International Comedy Festival. Will someone die? Will they have been… um… murdered? With a candlestick or a rope? Will they have been at the centre of an intriguing conflict involving several suspects who all have a motive? Will the detective be assisted by an amateur sleuth who solves the mystery despite the red herring?

I would say probably not a candlestick or a rope (sorry, Cluedo fans) because you and the 75 other tourists will actually get to suggest the weapon in question, and I’m sure you are all much more imaginative than that. Take your phone because if you scan the QR code provided, you can also virtually vote on who the victim and the murderer will be (you have a choice of four) and can suggest the nature of the village event (is it always a fundraiser?) preceding the murder, as well as the clue that the case rests upon.

So, let me tell you a bit about my excursion to the village on opening night. As I climbed the many stairs and entered deeper and higher into the iconic venue, which is the Butterfly Club, for the first time, I found myself waiting alongside the other tourists in a dimly lit narrow lounge filled with knick-knacks, portraits, small flickering TV, mirror – the quirky otherness was the perfect transition from reality to the escapism that is Murder Village. The narrow theatre worked perfectly, with tiers that ensured there were no bad views.

Tonight’s host was Miss Artemis Martin (Louise Fitzhardinge), our shrewd whodunnit novelist (Agatha?) and our MC/narrator/unimaginative police officer was Detective Inspector Owen Gullet (David Massingham). We were introduced to Lady Clarissa Spalding (Candice D’Arcy), an excessively wealthy widow and best friend of Marion Kind (Amanda Buckley), a boisterous wartime entertainer.

Eddy (not Teddy) Brewster (Rik Brown), an Earl of Wooster, has bought the rights to Marion’s songs so that only he will profit whenever she performs, leaving her destitute. His respectable butler, Eames Chair (Rhys Auteri), has tarred feathered himself and picked up broken glass with his bare hands to serve his master. Eddy dies on a serving platter with a sharp edge that accidentally, on purpose, severs his carotid in a hilarious death scene. True to the genre, all three suspects are hiding something, but Artemis’s intellect uncovers Lady Clarissa as the murderer, and we are privy to her confession enacted as a flashback.

The population of Murder Village was 84, but now that Eddy is dead and Lady Clarissa is put away, there are now 82 possible people left to entertain you when you visit. So, the plot will be completely different based on your input. If you are like me, you will be so carried away by the fun energy of the performances you’ll have to remind yourself that the actors didn’t know the details of the plot beforehand – it all just unfolds before them, as it does for us. Musician Terrence Mudwater Junior (Jaron Why) improvised the background music on the keyboard (piano/strings sound). This underscored the action so well without drawing undue attention to itself that I had to remind myself someone was playing.

So, enjoy your excursion to Murder Village! I know I did.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Clue On Stage

Clue On Stage

At the Phoenix Ensemble Theatre located in the Beenleigh Showgrounds, Footlight Theatrical has performed a hilarious rendition of Clue On Stage this weekend. The theatre itself is cozy and compact, the audio is flawless, and there’s plenty of parking. For a murder mystery fan, this was a perfect whodunnit.

Six Washington-located personalities have been invited to dinner with the mysterious Mr Boddy. Instead of their host, they’re introduced to the butler, the snarky and evasive Mr Wadsworth.

Clue On Stage

All the guests have been given pseudonyms to hide their real identities, and the dinner takes a torrid turn as their newly arrived host winds up dead. Boddy has hidden evidence linking all the guests to their indiscretions, so they must find his killer and his stash of secrets before the police arrive.

Clue On Stage had people in stitches on Friday night, from the incredible acting to the set design. The set had comedic Easter eggs throughout, from the “Eat, Prey, Love” sign in the kitchen to the murder weapon-stained glass door. I wonder how Mr Boddy explained those to the decorator. 

Liam McDonell was definitely the star, running the show as Mr Wadsworth. McDonell showed his range as he ran through a summary of the show’s first half, himself playing every character. Genevieve Tree gave a hilarious performance as Mrs Peacock, a senator’s wife with her share of vices, from having a bump to booze to bribery. The audience watches her spiral out with stress while unravelling her mysterious link to the chef (Maegan Micola von Furstenrecht).

Alas, Clue On Stage was playing for only one weekend so for those who enjoy a night out at the theatre, stay tuned for any upcoming Footlights Theatrical Inc productions in the future. This was an entertaining show and a lovely night out in Beenleigh, thanks to Footlight Theatrical, and I cannot wait to see what shows they put on next.

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