The Secret Garden

The Secret Garden

The Secret Garden Rating

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A totally delightful evening was what my friend and I had going to see THE SECRET GARDEN at the cute Beaumaris Theatre. As soon as you step inside this special community venue you know you’re in for a good night. This was where I did my very first review too!

A popular novel by Frances Hodgson Burnett, published as a book in 1911, the set in front of us includes a hidden garden, which will change from barren to beautiful, and be accompanied by very clever use of a spotlight as a tiny robin bird. Add the authentic period costuming for seven characters and an even more authentic early wheelchair for one of them, the use of everything is impressive overall from the solemn lighting dimmed in the introduction to a bright and happy end.

The friend I had with me tonight is very much a supporter of theatre and sees many professional and amateur productions, but she had not been to Beaumaris Theatre before; she was equally impressed and her quote for the evening was:
ā€œMary was an absolute standout, captivating stage presenceā€

I agree, young Winne Wilson-Phillips (who has just turned 11) playing ā€˜Mary’, was faultless in this lead role, with a massive amount of dialogue and in a mastered Yorkshire accent. Winnie’s character was all things; sullen, sad, mad, rude, friendly, mean, caring and entertaining! A great deal of emotions for a young actress who got involved in drama by chance only three years ago when her sister won a term class at BDC Drama that Winnie took over and has been hooked on ever since – easy to see why.

Playing ā€˜Colin’ is talented young actor Ben Solomon. A year 7 student, Ben also had many different emotions to display and he managed to convey both serious and comic lines within very short changing emotional intervals seamlessly. We all had a good laugh when he chastised Mrs Medlock, argued with Mary, ordered elderly gardener Ben around, and learned to move again with Dickon’s exercise help.

ā€˜Dickon’ played by year 8 student Max Turner had an obvious strong confidence throughout. Complete with an animal (not real) on his arm or shoulder, his role was full of positivity for helping others. As I read in the program that Max has already worked professionally with Jessica Mauboy in the Australian film ā€˜Windcatcher’, and also enjoys screenwriting and making his own movies, I am sure there will be no limits for his bright future in the Arts.

 

Both Shelley Dunlop as ā€˜Martha’ (housemaid) and Caroline Kinnear as ā€˜Mrs Medlock’ (housekeeper) right from the very start were fun to watch. Splendid surprise, worry and shock were all part of their course in these characters looking after the children. I was pleased to see that Mrs Medlock was good-at-heart in the end, as Martha had told Mary in the beginning. Caroline did such a good job of keeping her stern until then and I had forgotten many details since I saw The Secret Garden as a child at the movies and read in the book when I was in school way back when…. let’s not go there, but I knew I loved the story.

I did remember in the end that there was a reunion for father and son. Simon Coles as ā€˜Mr Craven’ is so well suited to this role and I especially enjoyed the scene watching him return to discover the garden and Colin in good health. Every parent in the audience felt his words.

Dan Bellis as ā€˜Ben Weatherstaff’ was very funny, whether he was leaning over the garden wall or discussing matters of ā€˜rheumatics’ with the children, he got continuous laughter bursts from the audience even in unexpected moments purely from his crusty mannerism or awkward posture adjustment.

This show is all about the joy of a garden; the magic that life can bring – all happening in a magic little place in Beaumaris.

Go see and love it!

Congratulations to Director Kristina Doucouliagos, Assistant Director Alarna Summers, Stage Manager Sarah Gow, Set Designer Fred Pezzimenti, Scenic Artist Sally Fleming, Lighting Designer Joshua Gardner, Lighting Operator Sam Johnson, Spotlight Operator Hal Foxworthy, Composer Harrison Ewart-Dart and costumes by Jenni Osburn.

Thank you to Debbie Keyt, president of Beaumaris Theatre Committee, for your invitation.

More information: https://www.beaumaristheatre.com.au/

Tickets: https://www.trybooking.com/au/event/1564158 playing until 22nd August

Instagram: @beaumaristheatre

The theatre is easy to find at 82 Wells Rd Beaumaris. Parking in the street. Canteen serves free tea and coffee with biscuits at interval and you can buy the usual popular choc-tops and other yummy stuff.

Side note recommendation: we had dinner prior at nearby ā€˜Creative Thai & Bar’

To book tickets to The Secret Garden, please visit https://www.beaumaristheatre.com.au/the-secret-garden.

Photographer: Pietro Giordano

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‘Aladdin’ by The Victorian State Ballet

Aladdin

Aladdin Rating

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What a privilege to be invited to review the ballet of ALADDIN by Victorian State Ballet company performing at The Palais in St. Kilda, a grande dame of theatres.

Everyone likes to dress up for the ballet! It’s so beautiful to even enter the foyer and watch lots of excitement meeting friends, buying programs before eagerly being shown to seats. A couple of young girls in front of me had their best ā€˜ballet’ buns in and ballet ā€˜pink’ clothes on, one with a picture of Princess Jasmin on the front. Their mum obviously equally looking forward to the show, smiling at her children’s joy. I remember those days!

Classical ballet is a very special form of dance. Whether or not these young girls are inspired to become advanced ballet students or simply continue to enjoy the art of ballet in an audience, they’ll never forget coming along to a full length ballet for the first time. (I asked their Mum and her reply was when she had heard it was ā€˜Aladdin’ she had to take them even though it was a late night because they love the Disney story so much!). After the show they were both skipping, twirling and arabesqueing up the aisle. I wonder if they went to sleep dreaming of either becoming a princess or a ballerina?

Alanna Puddy as Princess Jasmin shines as a principal. Not only is her exceptional technical training at The Queensland Ballet PPY and Australian Conservatoire of Ballet evident, she has the ability to tell this well-known storyline clearly and convincingly. There is often a lot colorfully going on around her and she is completely focused in bringing Jasmin to life within each scene exactly like those girls in the audience expect. They giggled at the cute moment of Jasmin playing cards with Aladdin.

 

 

I never look at who is in the show prior to reviewing, so I am thrilled to see a past school buddy of my daughter’s playing the title role ā€˜Aladdin’, Michael Scott-Kahans. Michael studied here in Melbourne at VCASS in the full-time dance stream, then went on to train at Tanz Akademie Zurich and European School of Ballet. At 18 he was accepted into a contract with Alberta Ballet in Canada. As Aladdin, from stealing apples to a memorable solo, Michael is superb and his extensive training is highly noticeable. Impressive clean grand jetĆ©s and an acrobatic aerial from this guy too!

Tristan Gross as Jafar is excellent. Jafar is an interesting character isn’t he…. scary and calculating. Though in a ballet of course Tristan, as the expert artist he is (formerly of The West Australian Ballet and Royal New Zealand Ballet), has to relay these mindful exasperations of Jafar very differently from those who get to play the role in a musical or movie; only non-verbal expressions – he does very well indeed.

Dancing since he was 5 after commencing at Melbourne Dance Theatre, Daniel Sierra as The Genie is absolutely living the dream and what a lovable role to fill. I have watched Daniel before as a much younger dancer (VSB shows regularly tour to the suburbs and regional areas in Australia). He continues to build a strong presence on stage I recognize and no doubt has an equally strong future ahead of him. It was fun to watch him as Genie.

Belle Thorneycroft (Sapphire) has exceptional poise and elegance.

New Zealander, Courtney Taylor (Ruby) shows passion and an eye for detail right to her fingertips.

Maggie de Koning (Diamond) simply oozes love for this genre she performs outstandingly.

Grace Kefford (Emerald) is graceful and gorgeous.

Felix Milewski (Magic Carpet) loves to perform since his journey began as a child dancer with the Australian Ballet. Though you cannot ā€˜see’ him as the Magic Carpet, the ā€˜dancing’ carpet is a feature especially entertaining!

Charlotte Jones (Aladdin’s mother), a very lovely dancer, having been accepted into the prestigious English National Ballet School in London, stood out to me as one upcoming young lady to watch.

There are members in the corps of Victorian State Ballet who are amazing; extensions that defy the definition of flexible and their interactions with each other are suitably staged with spot on timing to create the whole picturesque scenes in very pretty costumes. I particularly liked the castle scene. A+

I overheard many positive comments after the applause finally subsided and I’ll note one in particular:

ā€œwas interesting how they changed the lighting to show off the costumesā€

I agree, the lighting was used in co-ordination with the costume colours and settings super well!

Every dancer tonight created an impactful connection with their audience to tell the narrative about a poor boy who falls in love with a girl, finds a genie in a bottle, fights off a villain and eventually gets to marry her as a princess (ā€œwedding scene had ā€˜cool’ drum musicā€ my own daughter reported on way home).

It was magical to see Aladdin as a ballet. Thank-you all!

The Victorian State Ballet is a professional ballet company all ages can go along to enjoy and appreciate the art of ballet at an affordable ticket price, but still with quality and care of remarkable artistic talent.

Congratulations Martin Sierra (Artistic Director) and Michelle Cassar de Sierra (Choreographer & Co-director) and your entire team behind-the-scenes and on/side-stage.

To find out more see www.victorianstateballet.org.au

Instagram: @victorianstateballet

To book tickets to Aladdin, please visit https://www.victorianstateballet.org.au/tickets

Photographer: Sasha Kane

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