Balloon Dog

Balloon Dog

Balloon Dog Rating

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Indian Ink Theatre Company’s performance of ‘Balloon Dog’ has made its way across the ditch to Wollongong, with a limited run at the Illawarra Performing Arts Centre.

This show is jam packed with design choices that come together to create a playful expression of the cyclic nature of life and culture. I enjoyed the incorporation of live music, and having the musician on stage and utilised for comedic timing, 4th wall breaks and the occasional ‘The Office’-style glances at the audience.

The theatrical style felt like watching the creation of some kind of surreal or absurdist painting with the intermittent dance breaks and the mix of boxy and airy music. It felt the way I would imagine Picasso felt when he took a step back to decide if whatever painting he was working on at the time was finished. The set design added to that feeling. The overall boxy design with different levels of the stage, and the almost Minecraft-style painting of the house and backyard complemented the artistic nature of Ravi and his pursuit of a creative flow.

That’s not to say the material or the acting was absurd, in fact, the foundation of the play, ‘Would you open your door to a stranger?’, is incredibly relevant. Our desire to protect our families and loved ones from perceived threats and the seemingly never-ending horrors and dangers of the world, we miss out on opportunities to learn and expand our horizons by letting in new people. Not only new people, but different people.

 

 

I’m a big fan of modern takes on historical texts, and I agree with the creative team with their assessment of Western cultural limitations when it comes to literature. So much of what we consume is the same, and we miss out on a lot because of language and cultural barriers. I invite prospective audience members to go in with an open mind and zero expectations, and I guarantee you’ll be pleasantly surprised with how much you absorb and are absorbed into the show.

While I think this show brings audiences a healthy dose of whimsy, it’s important to not let the joy and playfulness completely overshadow the evocative script and delivery of each character. The complementing and contrasting objectives of each character form this dialogue about the lengths parents will go to in order to protect their children, even when the threat is nothing more than bias and fear of the unknown. I loved the use of shadow puppetry between Kabir and Minnie, the innocence clashed with the darkness of the stage and despite Minnie being an accumulation of each actor, and their ability to use the empty space around them, rather than being portrayed by an individual, her “presence” was such a driving force for the story’s emotion. Watching an invisible child grow up sounds a little silly, but it was done so well and set up such a casually devastating finale. I commend the creative team and the performers for all their work.

Expand your horizons and see something a little different this week. Head over to the Merrigong Theatre Company website to grab a ticket to ‘Balloon Dog’ and enjoy the performance from one of New Zealand’s most successful theatre companies, right here in Wollongong. Don’t miss out: https://merrigong.com.au/shows/balloon-dog/

To book tickets to Balloon Dog, please visit https://merrigong.com.au/shows/balloon-dog/.

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Yandha Djanbay (Go Slowly)

Yandha Djanbay (Go Slowly)

Yandha Djanbay (Go Slowly) Rating

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‘Yandha Djanbay (Go Slowly)’ returned to the Illawarra Performing Arts Centre after its 2025 MerrigongX season run. The audience was packed in with family, friends and theatregoers in a beautiful display of community. It was hard to turn any corner without someone stopping to say hello to another patron, but that’s Wollongong for you!

‘Yandha Djanbay’ is a beautifully lyrical one-woman show by Gunai woman Kirli Saunders that uses poems from her published collections in tandem with song and monologues. It was such a treat to hear a beautiful blend of each of these performance-styles with parts of the show spoken in her family’s native tongues. Saunders has a soothing and rich voice that came out of nowhere. Her regular speaking voice is calming, however when she began to sing, I thought at first it was a backing track it was so smooth. Like the ocean she spoke of so fondly, it felt like stepping into the calmest of waves and floating in the sun as she sang.

Her set was minimal. At first, it was an eclectic pile of “stuff” that was hard to make out. As the performance went on and each story unfolded, a prop was selected from the pile and left scattered around the stage. I like the symbolism of leaving parts of yourself behind rather than taking something to remind you of where you’ve been. The realisation that each item was also so deeply connected to the stories made for a beautiful moment, particularly when it came full circle and the big picture came into focus.

 

 

I adored the use of the screen and quotes from both her set and from Australian politicians and other influential characters. The humour of well-known jokes and asides to break up the abhorrent nature of each publicly said statement, broke up the performance into sections and allowed for the audience to take small moments of reprieve from the heaviness of each story. The use of visuals such as the ocean and cultural practices based on Dharawal and Wodi Wodi lands helped bring everything together and worked so well with her stories that it felt like breathing for the first time. I commend the production team for all their work.

Yandha Djanbay is a beautiful production that deserves to be seen, with deeply personal experiences and life lessons we all could learn from. The message to ‘Go Slowly’ is so versatile, especially in a world where everything seems to be happening at a million miles an hour. Each person has the space to take something unique away from the performance and its variety of themes, and that’s such a wonderful skill for a solo performer, especially when the source material is so personal.

Grab a ticket from the Merrigong Theatre Company website https://merrigong.com.au/shows/yandha-djanbay/ and make sure to check the performance warnings. The show closes Saturday 20th of June, so get in quick to secure your spot!

To book tickets to Yandha Djanbay (Go Slowly), please visit https://merrigong.com.au/shows/yandha-djanbay/.

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The Comedy of Errors

Comedy of Errors

Comedy of Errors Rating

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Merrrigong Theatre Company’s Theatre Under the Stars presenting Sport for Jove’s ‘The Comedy of Errors’ opening night was a smash hit.

Outdoor theatre is always a good idea, and this performance showed exactly why. The staging, the technical elements, the beautiful lighting and abundance of excitement from the crowd (despite the high temperatures) created the most perfect atmosphere for an unconventional night at the theatre. Paper fans were provided by the staff to keep everyone cool and in high spirits until the sun set, which was a lovely and considerate touch. I’d recommend some sunscreen if you burn easily, as the seating area is uncovered, but the sunset is the perfect background as the plot begins to pick up and the lighting comes alive.

There was a lot to love about this show. As one of Shakespeare’s earliest and most fast-paced plays, ‘The Comedy of Errors’ is often not what first comes to mind when Shakespeare is brought up. This modern interpretation is the perfect blend of traditional and current humour and faux pas. It’s very easy to do Shakespeare badly, and incorporate too much or too little modernity, but Sport for Jove’s found that perfect balance that left the audience captivated and enjoying every minute.

The stunning voice of Naomi Belet has to be talked about. Her performance, whilst not a lead character, was an absolute standout. Her presence was abundant and whether she was in the background or centre stage, she was something to watch. She deserves all the applause, accolades and opportunities in her career.

 

 

The cast as a whole, were energetic and switched on, which makes any performance, but especially a comedy, just so much fun. Whether it was physical comedy or Shakesperean humour, or modern humour, it was just genuinely funny and not forced. It’s so easy to push the audience away with a comedy, and exasperate them with miscommunications and over-done jokes, but this was just perfect. You didn’t want to look away in case you missed anything as there were subtleties from supporting characters as well as the main action. They pushed through minor technical issues that made little impact as they could be heard from the back without their microphones on the odd occasion.

For those who describe themselves as “not Shakespeare” people, but enjoy a fun night out and a laugh, I would highly recommend this play. This is such peak Shakespeare in the way that you don’t need to understand every word to be able to follow along and enjoy the performance. It is such an accessible presentation that I urge everyone to buy a ticket and come alone. It is the least intimidating Shakespearean adaptation I’ve seen (and I have seen a lot of Shakespeare in my time) and it just opens up this little slice of history for anyone and everyone.

In all honesty, I think this may be one of, if not, the best, performance I have had the pleasure to review. I cannot recommend this enough to everyone. It would be a shame to miss this, so make sure you grab a ticket, bring a picnic, check the weather and plan accordingly, and have an amazing night out! ‘The Comedy of Errors’ runs until the 22nd of February at the University of Wollongong’s Koolobong Oval.

To book tickets to Comedy of Errors, please visit https://www.sportforjove.com.au/the-comedy-of-errors-2025.

Photographer: Grant Leslie

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Garabari

Garabari

Garabari Rating

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‘Garabari’ opened at the Wollongong Town Hall for a limited run, with just two shows in Wollongong this weekend, and two shows at the Dapto Ribbonwood Centre on Saturday February 14th.

The performance was unlike anything I’ve seen. From the moment you walk up the street to the Town Hall, you are part of the experience. On the footpath out the front, a smoking ceremony was being held prior to the commencement of the show. Passersby without tickets were stopped to watch and enjoy the culture that was on display. It felt equally intimate and yet also incredibly inclusive to any and all people who were around.

Before entering the performance space, the choreographer and Wiradjuri artist Joel Bray shared the story of the creation of the Murrumbidgee river and how ‘Garabari’ was a reflection of that dreaming story. He also told us that this was going to be an interactive experience where the audience was to be encouraged to move around and see different aspects of the performance, and to not be afraid to get up and dance alongside the artists.

Walking into the space, it felt almost entirely brand new, despite having been in that same hall a hundred times before. The technical elements and the use of sound and lighting, with shadows and screens was exceptional. It felt like walking into an art gallery whilst also getting a taste of our very own Night at the Museum where the history comes to life and tells us their stories.

The dancing was captivating. Technique and culture came together to bring people into the story itself. (I would recommend wearing comfortable shoes, or ones you can kick off to allow yourself to move and breathe in the art.) The dancers were simply outstanding. You could tell they were enjoying themselves. Interacting with the audience, with each other, and with the space. It was so obvious that this was a labour of love, and those are always the most enriching to watch. To all the dancers, and creatives who are involved in this, thank you, and congratulations. You should all be incredibly proud of the work you have done and what you have created for so many to be able to experience and be a part of.

 

 

To put it simply, this was a lot of fun. It’s not all the time you get to dance around the space with perfect strangers who were enjoying themselves in exactly the same way. It was inviting and brought together a wide variety of people from all walks of life, Indigenous, non-indigenous, it didn’t matter. In that space, it was just a group of people who loved art and dance, telling and listening to stories.

Normally, I’d use ‘show’ and ‘performance’ interchangeably, but with this experience, it felt less like a performance and more like a group of people showing us the ins and outs of their culture and stories, which is just phenomenal and incredibly gracious.

If you haven’t already gotten tickets to the remaining performances, I would highly recommend this experience. If traditional theatre is not really your thing, go and experience ‘Garabari’. Walk in with an open mind and be receptive to anything and you will not be disappointed.

Get yourself tickets at the Merrigong Theatre Company website and put on your dancing shoes for a beautiful celebration of culture and connection.

To book tickets to Garabari, please visit https://merrigong.com.au/shows/garabari/.

Photographer: Stephen Wilson Barker and Jeff Busby

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