It’s Friday night at the pub. The stage is set as five lost souls, and a distracted waiter, embark on a quest. On the surface, they appear to have different agendas, but underneath the bravado, they all share a desperate need to feel a little less lonely in After Dinner.
Set in the late 1980s, where the fashion and daggy pub restaurant are practically characters in their own right, big points go to the production team for nailing the brief. Under the direction of Tim Riessen, the cast does a magnificent job delivering the dialogue and mannerisms that are intentionally stilted to demonstrate the awkwardness of their relationships and scenario.
Dympie (Kezia George of Summer of the Seventeenth Doll and Hansel & Gretel), Paula (Lisa Divall of Short ‘n Sweet) and Monika (Amanda Alderson of Squid Games and Frankenbolt’s First Christmas) work in the same office, and had they not worked together, it is unlikely they would have socialised outside of work. The handsome Gordon (Altus Vernooy, making his stage debut from behind the scenes) and Stephen (Ian Fraser of Cracked and Done to Death) meet up at the pub through a mutual friend who never shows up. The waiter played by Tarek Jabado (Frankenbolt’s First Christmas and Under the Table) is a man of few words, but his looming presence (and often absence) is a steady shadow among the chaos.
With the ladies at one table and the men at the other, it doesn’t take long for them to notice each other, much to the dismay of the controlling Dympie, who just wanted a quiet Friday night with Paula.
Except this is no typical Friday night as Paula invites the grieving Monika, whose revelations into her marriage reveal a tirade of confronting and intimate truths. The exploration of adult themes and graphic nature of After Dinner suggests you might want to pick your theatre date carefully as some audience members may find the content uncomfortable.
Just as you need to break an egg to make omelette, the messy characters dissolve and then evolve, albeit subtly, as life often does before epiphanies set in.
Performed at the Roxy Lane Theatre just behind the Volare bar on Whately Crescent, this retro theatre is the perfect backdrop to the 1980s. Written in 1984 by Kalgoorlie-born playwright Andrew Bovell, who wrote Strictly Ballroom and Lantana, the fact that it’s still being performed decades later demonstrates the timeless theme of loneliness and the human condition. Poignant, funny and relatable, if the audience’s response to opening night is anything to go by, After Dinner will continue to leave a lasting impression for many more decades to come.
Performance dates: 7, 8, 9*, 14, 15, 16*, 20, 21, 22 & 23* March
Recommended MA 15+
Times: Evenings at 7.30pm, *Matinees at 2pm
Tickets: $23 adult, $19 concession, groups of 10+ $18 each
To book tickets to After Dinner, please visit TAZ Tix.
