Karate Man – A Brilliantly Clever Interactive Live Action Comedy

Karate Man

Karate Man Rating

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5

If you have ever played a video game, you’d feel the excitement of pressing a combination of different buttons on the controller and moving your character around the screen – to fight villains, explore different rooms and make decisions. The game always has a goal, often several, with riddles and various quests to complete before the goals are met, before you finally win the game. Perhaps it has taken hours to play. Imagine this. You know what I mean. Now think about the characters jumping out of the screen and are standing right now in front of you, swaying from one foot to the other, patiently waiting for you to give them a command on your controller. Your game has come to life – and you get to make decisions about what happens next. This is what happens in this comedic show Karate Man.

Co-creators and directors Bruno Dubosarsky and Daniel Scarratt have produced a truely unique and hilarious interactive play…and play we did! All audience members participated and became immersed into the story, by taking turns with the controller and pushing buttons, directing Karate Man to do what they wanted in response to the story’s many challenges.

The buttons were typical gaming commands such as kick, throw, punch, jump, grab as well as move left / right/ down and up, all of which Karate Man had to do immediately on command as soon as the it was read out by the game’s narrator. The sound effects added to the authenticity of a video game, complete with repeating sounds when the characters were waiting to be directed what to do.

 

This video game character was portrayed perfectly by Bruno Dubosarsky and done with such robotic fluidity that it was believable, his movements imitating the basic gaming commands of the 1980’s video games. As you can imagine, the fight between Karate Man, moving in a step by step controlled fashion (eg “right, right, jump, right, kick. Left, left, down, punch”) and his arch enemy Ross Roundkick, played with cheeky wickedness by Daniel Scarratt in the year 198X was hilarious and one of the highlights of the show for me. I was laughing so much as poor Karate Man was directed to move in ridiculous excess due to the audience still getting used to using the controls at the beginning of the show – it would have been exhausting for Bruno. At one stage, Karate Man was directed by the controller “left, left, left, left, left” right off the stage – the audience was crippled with laughter! I had never been to a Choose Your Own Adventure show like this before, and I loved it.

The story of Karate Man takes us into the lives of Karate Man and his wife Kara. Her name being half of his name seemed to be on purpose, and added to the cheesy charm of the show. Kara was played by Stephanie Ryan and her mannerisms of a video game character were spot on. Karate Man had to complete some challenges in this game and the audience was given three choices which led to different scenes and more goals to achieve. As the audience were making the decisions about where Karate Man was going to go next in our rendition of the play, I could see how the show would completely change on different nights. It would be interesting to return to experience another scenario and set of goals.

 

The supporting cast, Tim Dunk as the Time Fish, Juliet Rae Timmerman as Alex Coober and Maddie Atkins lent keen exaggeration into their video game characters and were very entertaining. All of the actors at different times were so funny, and I believe that some lines may have been impromptu.

The script was clever and contained some references to pop culture embedded. Prop designer Stephanie Ryan kept the stage simple. A few painted large posters were used, as well as a few other props, and was all this show needed as it was more reliant on the physical comedy and the script.

Shown as part of the Sydney Fringe Festival 2024, Karate Man was spectacularly funny and one of the most original interactive shows to hit the stage! Instead of playing video games at home, head out to the PACT Centre for Emerging Artists in Erskineville to have your own personalised adventure with Karate Man.

Show run: 17-21 September 2024
Tickets: $30 – $38
www.sydneyfringe.com/events/karate-man-a-live-action-video-game

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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It’s simply MARVELous: A Risque Parody

Marvel

MARVEL: A Risque Parody Rating

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6

The big energy opening number to MARVELous: A Risque Parody gave the audience a taste of what was to come. There were showgirls dressed in sexy red, white and blue outfits, high kicking, singing and dancing around a muscular square jawed Captain America, played by Luka Lea-Vestic holding up his big round shield.

It was reminiscent to a scene from Captain America named “The Star Spangled Man with a Plan” except director, creator and composer Samwise Holmes cleverly wrote a parody called “The Man with America’s Ass” with lyrics such as “Who’s got a glorious gluteus maximus? The vote for the world’s greatest bum is unanimous. A posterior that’s all class. The man with America’s Ass”!

From here I guessed that this was going to be a mix between a satirical musical, a flamboyant gathering of colourful costumes and cheeky burlesque dancing. What I didn’t foresee was another layer – one which involved not only raunchy strip dancing, but dancing in many different styles, including a ballet act, dancing using a whirlpole and a modern puppet master dance led by Scarlet Witch, played by Brea Holland. Added into the mix was a good dose of aerial and stage acrobatics, with risqué humour woven in. Listening to the audience’s reaction to the performances around the theatre, it was clear that MARVELous was hitting all the right notes!

Each performance involved a seperate Marvel character act, unique to them and was unrelated to others. There was not a storyline from start to finish, rather a series of acts where the Marvel characters embodied their character traits and special powers. They performed a particular dance, sometimes singing along to parodies of a well known scene from a movie. When they were not performing as their main Marvel character, the cast of 12 supported each other by playing other roles onstage.

One stand out performance was by Megan Wonfor, who played Black Widow. Her fight scene with two ninjas dressed head to toe in black was phenomenal. The three of them did a “dance fight” full of acrobatic tumbles and sharp acrobatic leaps, all in time to music. It was visually one of the most beautiful fight scenes I’ve ever seen!

Another performance I really enjoyed was from Fat Thor, played by Thomas Remaili, who used the pole in his routine and made climbing up it and hanging off at zig zag angles look easy, despite wearing croc slip on shoes and having his legs and arms covered, which left me wondering how he was able to grip the pole. His huge prosthetic belly didn’t hinder Fat Thor as he performed his routine, and his humour had the audience laughing and cheering him on.

Deadpool, played by Justin Wise, was the show’s sassy narrator. When he was onstage, his role as the storyteller appeared to be more of a stand up comedian and involved him bantering with the audience to bring the show to a more personal level.

The choreography of all the dance acts was so varied, and executed with precision by the actors. If all the dance routines were too similar, it would have been a lacklustre show. Choreographer Luka Lea-Vestic ensured that audiences would be treated to a mix of styles that captured our attention.

James Wallis’ lighting, in combination with the creative three-story cityscapes scaffolding set design by Dan Potra, was effective throughout the show to both elevate the vibrancy of the mood and to build the suspense in darkened scenes. In one performance Iron Woman, played by Lulani Rawson, led a multi woman lineup of Marvel characters in a dance, with each performer using her lights on her hands to create exciting paths of lights into the audience as the male performers lit them up from behind. This was a mesmerising scene.

Action Reaction Entertainment have brought a dynamic show to the Chatswood Concourse theatre for fans of the Marvel Cinematic Universe. There were cheers and laughter as they understood and appreciated the jokes and references throughout the performance. Even if you weren’t familiar with all the characters, there were acts which brought in parodies of some very well known musicals as well. Despite some opening night hiccups with the sound, the soundtrack paired with the casts’ high energy performances ensured the audience had plenty of laughs and a MARVELous night out.

MARVELous: A Risque Parody is playing at the Chatswood Concourse.
Be aware that it is an 18 + event.

Show Run: Friday 26 July – 10 August 2024
Tickets: from $59 – $125

www.marveloustheshow.com.au

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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