A Serene Soundscape: Noonan & Schaupps Southern Skies Volume 2

Songs Of The Southern Skies

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On the traditional lands of the Dharug people, The Parramatta Riverside Theatre played host to a celestial journey through the works of Australia’s brightest female songwriters and singers. Katie Noonan and Karin Schaupp’s “Southern Skies Volume 2” reimagines the timelessness of Australian music including industry royalty such as Aunty Ruby Hunter, Kate Ceberano, Missy Higgins, and Sia.

Amidst the pulsing, frenetic energy of Parramatta’s Eats.Beats.Art Festival, Noonan and Schaupp’s performance provided a serene oasis, a pocket of tranquillity in a world that seems to never stop. The crowd, a mix of ages and backgrounds, was visibly captivated by their heartfelt interpretations and innovative arrangements. These carefully curated selections showcased the enduring appeal, depth and diversity of Aussie music, reaching as far back as the 70’s. It was an intimate experience showcasing the talent of two extraordinary artists.

Noonan’s ethereal vocals, paired with Schaupp’s masterful guitar work, breathed new life into iconic and some lesser known gems. Their performance was a stunning tribute to the extraordinary talent of Australian female singer-songwriters, culminating in a meditative and memorable evening.

With less-is-more magic, they paid homage to the original songwriters and singers. This stripped-back approach highlighted the strength of the songwriting itself, revealing unexpected soul in familiar tracks. Who would have thought that Olivia Newton-John’s “Xanadu” or Kylie Minogue carried such spiritual messages and connections?

Noonan’s voice is truly something special. Her incredible range effortlessly bridges the spectrum of human experience. She wields a unique ability to transform a song, cradling the soft moments while reverently holding space for the lyrics, before ascending to operatic heights. Every note is infused with a sage sense of love and authenticity as we witness the music flow through her. Her respect for her craft and why she does it is inspiring and evident in every note.

 

Noonan is also a natural storyteller. She is so warm, inviting and humorous, introducing each song and their creators with quips, memories or anecdotes – like she’s welcoming you into her living room.

Classical guitarist Karin Schaupp, an internationally sought-after recitalist and soloist, is the perfect musical foil for Noonan. Her technical brilliance and intuitive playing style provided subtle support, intricate harmonies, and emotional depth. A new found appreciation for this instrument and its artists was discovered.

While this performance was a minimalist masterpiece, featuring only Noonan’s vocals, Schaupp’s intricate guitar work, and some sparse percussion, the album itself features guest singers. Make sure you check out Kate Ceberano’s fabulous new version of “Brave” that reveals the raw power of her incredible ability and emotional expressiveness. ‘I Thought You Were God’ with the brilliant Clare Bowditch is a lesson in harmonising and the magic that happens when two great voices come together.

Noonan and Schaupp are a dual talent that sustain, fiercely advocate for, and shape the Aussie music industry scene. There’s a reason these ARIA-winning powerhouses are celebrated. Deceptively simple but deeply profound, “Southern Skies Volume 2” is music that calms the heart, ignites the imagination, and offers enlightenment.

A soundtrack for creative expression or quiet contemplation, Noonan and Schupps are a symbiotic testament to the universal beauty of words and music and the way they can move and inspire.

Don’t just listen to it, experience it.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Guards At The Taj: Beauty But at What Cost?

Guards At The Taj

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This is a tale of deep friendship, loyalty and duty – and beauty. In 1648, two Imperial Guards stand tall, dressed proudly in blue and silver uniforms with their backs to the ornate gate of Taj Mahal. It has been 16 years in construction, made by slaves and craftsmen. It is the morning before the first viewing of the Taj Mahal, which was rumoured to be the most beautiful building in the world. The Emperor Shah Jahan wishes for the Taj Mahal to remain the most beautiful of all and thereby issues a decree to ensure that this beauty is never replicated, forcing these guards to carry out an impossibly gruesome task.

Babur and Hunayun are bound by many rules – they aren’t allowed to turn around and look at the Taj Mahal, they must keep their sword raised and are forbidden to speak. To break these rules, as we discover from their conversation, could lead to harsh punishments, from being locked up for three days to death by elephant trampling.

However, even the threat of such consequences does not stop the impulsive chatter of Babur, played by Akkshey Caplash with such childlike enthusiasm that I immediately warmed to him. The other guard Humayun, played by Idam Sondhi, is the opposite of Babur. He is earnest and takes his job seriously, and we soon discover that he is the son of a senior military man. Humayun craves the approval of his father, has loyalty to his emperor, and believes in working hard to achieve rewards. It is perhaps, this tunnel view which will cast a shadow over both their futures.

Akkshey and Idam portray a strong friendship between the two characters. There are many moments of levity as well as philosophical conversation that takes place, showing a depth to their relationship. Akkshey’s Babur is a dreamer, creating and sharing ideas for his original inventions. Throughout the play, Idam’s Humayun loosens up and also shares his own creative invention. The two men are caged by their lower station and the rules of the more privileged, and their dreams and inventions signify their longing for being free. There was a theme of birds scattered throughout the play, and I found the links of freedom to these birds woven into the story cleverly significant.

 

Writer Rajiv Joseph, who was the 2016 winner of the Obie award for Best New American Play and also won the Lucille Lortel award for Best Play, has written an engaging script. Although there was no interval, there were two distinct parts, the turning point being the grim act the guards were forced to do by decree of the Emperor Shah Jahan. James Browne, the set and costume designer, created a daunting dungeon complete with underground water drainage.

Much like Babur and Humayun’s vast imaginings, I thought that there was intentional purpose to allow the audience to build their own images in their heads of some key scenes, guided by the set and stage lighting by lighting designer Kate Baldwin and composer and sound designer Me-Lee Hay.

This shone through in two particular scenes for me, with the first light morning unveiling of the Taj Mahal – where we didn’t see an image or a physical set of the beautiful building, but rather experienced it through the clever use of light and the actor’s reactions. The other stand out lighting and sound scene had explosions of red splashed on stage, and a rhythmical harsh slice sound amongst a frantic soundscape which signified one of the key horrifying moments in the play. This scene was gripping, and there was no need to show the actual visuals of what was happening, as we could see it in our mind. I noticed one audience member had their hands up to their mouth, clearly involved in the play.

Guards at the Taj, skilfully directed by Bali Padda again, two years after his directorial debut of the same play, is on tour throughout Australia throughout September and October 2024. This review was from the performance at the Riverside Theatre in Parramatta on the 12th September 2024.

Guards at the Taj is a confronting and beautifully scripted and acted play which will make you want to delve a little deeper into finding out whether or not this was based on a true story. Go see it, wherever it is playing around Australia!

Running time: 90 minutes, no interval.
Tickets from $59
www.riversideparramatta.com.au/whats-on/guards-at-the-taj

Photography by Noni Carroll Photography

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Bonnie Lythgoe’s Snow White – A Magical Spectacle for All Ages

Bonnie Lythgoes Snow White

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Bonnie Lythgoe Productions celebrated its tenth anniversary with a brand-new production of Snow White. The latest pantomime opened over the weekend at Riverside Theatre, delivering enchanting charm, humour, and a dazzling spectacle that captured audiences both young and old.

Snow White follows the classic fairy tale of a kind-hearted princess whose beauty provokes the jealousy of the wicked queen. Determined to remain the “fairest of them all” and marry Prince Sebastian, the Queen orders Snow White’s demise. Little does the queen know her plan doesn’t quite go according to plan as she seeks refuge with new friends.

The performances were a key highlight of the production. Eliza Sunderland’s performance as Snow White, the titular character, exudes innocence that perfectly captures the essence of the beloved character. Her vocal performances, especially during the musical numbers, blended classic Disney charm with more contemporary energy.

Another stand-out performance was the devilishly over-the-top Wicked Queen, portrayed by Debora Krizak. The audience is encouraged to boo at her as she enters the scene to plot against Snow White. You can’t help but enjoy her wicked antics, thanks to her charisma and banter with those sharing a scene with her. Other notable mentions include Mark Jones as Muddles, a colourful character with witty one-liners injecting the show with humour, Tim Maddren as Prince Sebastian and Barry Pearl as Chambers.

 

From the moment you sit down, it’s clear that Snow White is a visual feast. The set design transports the audience into a magical fairy tale world. Lighting and effects bring to life the forest, village and menacing Queen’s lair, making the stage feel like it’s straight out of a storybook. The costumes, specifically Snow White’s signature gown and the Wicked Queen’s ensemble, contribute to the fantastical atmosphere. The inclusion of modern pop songs, which are performed with enthusiasm and flair, adds a contemporary touch to keep the production fresh and relevant.

Lythgoe has masterfully incorporated audience participation by creating an engaging and interactive experience. Children were invited to cheer along for our favourite characters (and boo for the evil ones), sing along to the catchy tunes, and join in on the “behind you!” moments, ensuring that the younger audience members stay involved.

Overall, Bonnie Lythgoe’s Snow White is a vibrant, energetic, enjoyable production that ticks all the boxes. It’s a fun, feel-good show filled with magic, laughter and mischief. The show is a perfect outing for families and will leave you smiling long after it ends.

With only a short time before closing night is upon you, be sure to get your tickets that are available for a range of sessions between 13th-21st September @ https://riversideparramatta.com.au/whats-on/snow-white/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Bum-Believable Fun and Chuckles Galore

The Bugalugs Bum Thief

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‘The Bugalugs Bum Thief’. Go on – you can’t resist. Say it out loud. Relish the alliteration and feel the silliness spread across your face. Bum bum bum! Let’s be real folks – the word ‘bum’ is a universal delight! Kids and adults alike can’t help but crack a smile when they hear it. And we get truckloads of bums in this humdinger of a show that’s totally cheeky, totally funny, and totally bonkers!

Adapted for the stage from beloved Aussie writer Tim Winton’s picture book, it’s a wonderful comedic goldmine of humour and wordplay. Not to mention a lesson in surrendering to the ridiculous. With its lighthearted and playful wit, this show is bottomless fun (pardon the bum pun) reminding us not to take ourselves too seriously.

In the crazy crayfishing town of Bugalugs, Skeeta Anderson wakes up to a terrible crisis – his bum’s gone missing! And he’s not the only one – the whole town’s bums have been pilfered! And now they can’t sit down! (cue some fabulous physical comedy) Skeeta embarks on a hilarious hunt to track down the sneakiest thief in town and get his bum back.

The talented trio of Ziggy Resnick, Madeline Li, and Toby Blome truly brought the house (and their pants) down in their ability to tap into the childlike spirit of kids on a mission, perfectly capturing an appetite for the unknown and the mischief that defines childhood.

Ziggy Resnick as Skeeta, embodied the innocence and curiosity of a kid in a ridiculous predicament, defying the limits, bringing a refreshingly genuine spirit to the character that was both heartwarming and hilarious.

Madeline Li and Toby Blome, as Skeeta’s trusty sidekicks, channelled their inner Scooby Doo gang members, displaying some remarkable versatility. They breathed life into a vibrant cast of eccentric Bugalugs townsfolk, including a hapless cop, Skeeta’s bum bereft parents and the intimidating Mrs Misery – complete with fluro-pink dressing gown, shower cap and a terrifying hairbrush – just to name a few.

The Bugalugs Bum Thief

Stef Furnari, talented percussionist and ‘one-woman band,’ added an extra layer of excitement and energy with her dynamic and lively drumming. These infectious rhythms accompanied several humorous Bugalugs songs and conundrums to great effect.

Audience participation? Of course! Bugalugs school teacher, Mr. Wally took the lead. We played several games of “Heads, Shoulders, Knees” and learned that Mr. Wally’s rule – “keep the ending close to the beginning” – is a sanity-saver during kids News Time. Lauren and James, our brave volunteers, shone bright.

Lauren almost overcame stage fright to share her favourite food, while James regaled us with a harrowing tale of his car hitting a rock and exploding luggage (talk about a show stopping steal!) Then Mr Wally’s bright red boxer shorts made a memorable appearance and everything was back on track.

Kids go wild for bum jokes because they’re the perfect blend of teetering on rude without being crude so this revival is a perfect bum-tastic treat for the funny bone. A marvellous celebration of catchy tunes and all things delightfully playful, superb entertainment for little ones aged 4-12. Now, for the big question…… just who was the brazen bum thief? Nah – that would be telling!

For the answer and all things to do with Bugalugs Bum fun, see: https://riversideparramatta.com.au/whats-on/the-bugalugs-bum-thief/ for further information.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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