3 Malaysian Allstars Bring their Culture and Laughs to the Sydney Comedy Festival

Malaysian Comedy Allstars

Malaysian Comedy Allstars Rating

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In the Sydney Comedy Festival’s showcase, Malaysian comedians Kavin Jay, Rizel Van Geyzel, and Papi Zak took to the stage at the Riverside Theatre. They delivered a set filled with relatable anecdotes to an audience, the majority it seemed from their mother country, of their cultural observations. Their performances provided not only a glimpse into Malaysian life but also a humorous take on the quirks of everyday experiences in family and social life.

Kavin Jay opened the night with a blend of storytelling and observational comedy. His routine featured hilarious tales about his family, particularly his “Drugstore Aunty,” who dispenses medication to relatives for every conceivable ailment, even ignoring the seven year use-by date! Kavin Jay related personal stories and showed some into cross-border humour, joking about his neighbouring country, Singapore. His quips about the low crime rates there led to some laughter, especially the absurd image of a car chase lasting only 15 minutes before the criminal had to turn back due to the country’s tiny size. Kavin Jay’s jokes ventured into talking about everyone’s favourite topic- food. I particularly liked his view of the good old Bunnings sausage sizzle, as a culinary adventure fraught with danger.

Papi Zak followed Kavin Jay. His routine was a vibrant mix of observational humour and playful banter. He had a good rapport with the audience, which was a natural follow on, having had experiences hosting TV shows like The Halal Foodie and Happy Endings. Papi Zak was not shy about celebrating his own generous size, calling himself “Malaysia’s biggest comedian, (in size!)” and sharing his experiences with food and getting away with breaking some rules, by speaking in his American accent. It was funny to hear Papi Zak tell his stories in his American accent and peppering in Malaysian traditional sayings of “ay -yah!” and “lah!”. It was clever of Papi Zak to integrate Sydney’s unpredictable weather into his comedy routine, given our changeable current day to day weather, and this bit of localised humour enamoured him to the crowd.

Rizel Van Geyzel rounded out the trio with his positive energy that kept the audience engaged. Rizel’s easygoing retelling of stories relaxed listeners. One stand out part of the set was when he unveiled the ‘world’s sexiest Asian accent (according to a survey)’ -the Filipino accent! The introduction to this topic was entertaining, particularly with his anecdote about mishearing something a Filipino waiter had asked him, which had the audience in stitches.

His humour poking fun at himself shone through when he joked about being half Chinese and his amazing ability to grow facial hair, which perhaps some Chinese men relate to – as they are generally not seen with full beards and moustaches!

Another amusing moment was when Rizel talked about the Malaysian cultural practice of taking off his shoes when he went inside his non-Asian friend’s house. This personal story, where this custom was met with confusion by his friends, was enjoyable.

The night took a fun twist when Rizel introduced a special guest, Thomas, whom he had met on a plane on the way to Australia. Giving Thomas the chance to perform stand-up added an unexpected yet enjoyable element to the show. Thomas’s joke was well-received, and watching a comedian support a fellow funny person by giving him the opportunity to perform on stage and share his joke, was truly heartwarming.

Together, Kavin Jay, Papi Zak and Rizel offered an evening that celebrated not only the richness of Malaysian culture, but also the universal language of laughter. Their ability to weave personal narratives with broader social commentary left the audience in a good mood. Their performances were a testament to the power of comedy in bridging cultural gaps and highlighting shared human experiences.

The Malaysian Comedy Allstars was hosted at the Lennox Theatre inside Riverside Theatres in Parramatta and is part of the Sydney Comedy Festival.

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Highway of Lost Hearts: Heart, Soul, and the Open Road.

Highway of Lost Hearts

Highway of Lost Hearts Rating

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‘Highway of Lost Hearts’. What a beautiful title for a beautiful play. A captivating blend of gritty road trip realism and magical storytelling that explores an individual’s search for a soul and need for redemption. Mary Anne Butler’s superbly adapted novel is a True Blue, One Woman, Aussie travelling tale, where red earth meets fire, flood and drought, and ancient mountains loom over spirit-stirring waters. Our paths are both uniquely our own and universally relatable. Wherever the open road takes you, your own thoughts, dreams, and demons will be right there in the passenger seat, refusing to be left behind.

Mot is a remarkable woman whose once-unbreakable spirit is now weathered and worn. Detached from her sense of purpose, identity, and relationships, she is lost in a sea of meaninglessness, longing for peace while hungering for connection. At this crossroads in life, she’s grappling with the questions all women of a certain age face when they finally shed society’s expectations. But the spark that once drove her has flickered out.

This is a uniquely female pilgrimage and point of view. Mot is not afraid to entrust us with insights into the delicate balance between desire and defence. She is resilient in the face of uncertainty as she propels down a long and lonely 1000km stretch of relentless highway.

Director Adam Deusien optimises a pared-down and intuitive approach to these epic themes. He uses a luminous lighting design (Becky Russell), and simplistic, streamlined set (Annemaree Dalziel) which utilises forced perspective with long drops of sheer drapes. This evokes a never-ending thoroughfare where horizons expand, hopes arise, and possibilities are boundless.

Smith tackles the role of Mot, a formidable challenge of what is effectively a 70-minute monologue and (fittingly) solo performance. It’s a feat of focused endurance. Accompanied by her faithful imaginary canine companion, she matter-of-factly envisions a kaleidoscope of encounters with new people and old memories, blurring the lines between reality and reflection. With just a few basic props, a ‘she’ll be right’ laconic tone and her physicality, Smith slowly weaves a winding narrative tapestry. It’s a deeply intimate story experience shared through mind, body and immense heart.

Sophie Jones and Abby Smith imbue the beats of Mot’s story with an original and hauntingly beautiful vocal and instrumental soundscape of guitar, keyboard, harmonica and percussion. They could have sung acapella because both were strong singers who created a rich and full sound. At times the mike amplification level was a little overpowering. When it was more subdued, their lovely harmonies resonated with a melancholic depth and sacredness that echoed the emotional terrain of Mot’s odyssey of grief and growth.

Only 10 years old and on the HSC drama list, ‘Highway of Lost Hearts’ is already a distinctly Australian classic for a reason. It’s a reminder that the roads we travel are not just physical, but also emotional and spiritual. Anyone who roams solo will innately understand Mot, the fragility of her heart and the transformative power of travel. After all, the true purpose of a road trip is to connect with something greater. The rest may ponder the challenge of self-discovery and how we are all called to take this journey.

Like Mot, Arts on Tour and ‘Highway of Lost Hearts’ has ventured far and wide, concluding its performances in the Land of the Dharug People at the Riverside Theatre. The next time it revives and swings by this part of town, make sure you join the road to inner wisdom and delight in discovering more about yourself along the way. The trip will not always be what you expect, but you’ll leave more enlightened.

For future Arts On Tour performances, see: https://artsontour.com.au/what-we-do-and-why/

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Photography by Hannah Groggan

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Wild Dogs Under My Skirt

Wild Dogs Under My Skirt

Tusiata Avia’s Wild Dogs Under My Skirt has made its way across the ditch from New Zealand to the Illawarra. Adapted from Avia’s poetry collection of the same name, it invites the audience to take a peek into the life of Samoan women.

The five characters, played by the outstanding ensemble of Anapela Polata’ivao, Ilaisaane Green, Stacey Leilua, Joanna Mika-Toloa and Petmal Petelo, were raw and beautiful, exuding class and intensity.

As a poet myself, I was floored by the storytelling and the mix between the character’s native tongues and English. Seeing poetry come to life in such a creative and immersive way is incredibly special. These women have allowed the audience a glimpse into their culture, sharing their beautiful voices in both spoken word and song. Their harmonies were heavenly and incredibly moving, much like an Opera Aria that an audience understands purely by the crescendo of the orchestra and the emotion on the performer’s face. It was unnecessary to be fluent in their dialects, as their portrayal of emotions and accompanying moves were vivid and told a story in themselves.

Leki Jackson-Burke should be acknowledged and commended for his beautiful contribution to the performance. Watching someone make an impact with very few scene opportunities is always a treat. He may not have been a character or part of the story, but his musical contributions added an insurmountable degree of feeling. The drum beats and use of beautiful instruments maintained or raised the intensity of a scene, drawing the audience in and forcing them to listen.

Whilst Wild Dogs Under My Skirt can be classified as a comedy, much darker themes lie between the poetry. Split-second changes between young girls giggling and laughing about the story of the Virgin Mary to discussing horrific acts of sexual violence were staggering. The flow of the stories and the chosen sequence proved very powerful and took the audience on an emotional journey. The portrayal of the rollercoaster, which is life for Samoan and Pasifika women, was both lovely and uncomfortable. Years of dark colonial history, the sexualisation of Pasifika women, and the dastardly patriarchy in all its glory are all laid out on the stage.

This show was absolutely remarkable, and it’s not difficult to see why it has won its awards. It is such a privilege to have a production that has been performed in New York and provides a window into different countries and cultures right here in our backyard.

Wild Dogs Under My Skirt is performing at the Illawarra Performing Arts Centre, Wollongong, from 10-13 April and Riverside Theatres, Parramatta, from 18-20 April.

Make sure to grab a ticket for yourself; you don’t want to miss this!!

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Meet The Actor – The Secrets of Carmichael Manor

The Secrets of Carmichael Manor

The Secrets of Carmichael Manor is coming to Sydney on the 13th of October, and here we take the time to chat with the Actor, Director and Author of the show Kate Jirelle in our Meet The Actor Series.

Let’s turn our spotlights onto Kate and delve deeper into her and The Secrets of Carmichael Manor production.

Meet the Actor

About Kate

What do you enjoy most about acting?

What I most enjoy about acting is the ability it gives you to explore yourself and the world around you. Whenever I take on a new character, I learn so much about myself and what I’m capable of, but it also makes me consider other perspectives and other walks of life that I’ve never considered before.

Do you believe talent or training is more important to an actor?

I firmly believe it takes both, but I don’t think you need to get an acting degree necessarily. I never had the opportunity to attend a traditional drama school, but I have gained so much by training at places like Sydney Acting Studio, which offers regular and ongoing training with incredible teachers who always support, encourage, and challenge me to do my best. Whether you go to a traditional drama school or not, it’s essential to continuously work on your craft as an actor with people who inspire you and constantly push you to do your best work.

Which acting technique do you think is the best for you?

The foundation of my training has been the Meisner Technique, which is definitely the technique I would say is my foundation. However, as an actor, I’m constantly learning and always looking for new tools to add to the toolbox.

What do you believe is the most challenging aspect of being an actor?

To be an actor, you need to have a thick skin. When you become an actor, you hear “No” a lot more times than “Yes”, and it can be easy to let that get to you. However, I find that if you surround yourself with the right people who understand you, inspire you and can lift you up in the low times, it makes the more challenging times easier to navigate.

What is your favourite film or theatre production?

This changes for me almost daily, but I’m always a sucker for stories that can have me laughing one minute and crying the next. In terms of movies, Jo Jo Rabbit is definitely up there in the favourites list. In the category of plays, The Things I Know To Be True by Andrew Bovell is also a firm favourite. Regarding TV, I’ve recently hopped onto the Ted Lasso bandwagon and am very much enjoying the ride. 

About The Secrets of Carmichael Manor

How did the writing of this show come about?

Having acted in several Dark Stories productions before, I couldn’t help but jump at the chance when I was asked to write one. All Dark Stories shows have a great tone that often mixes history, mystery and humour, which is an absolute ball to write. I also couldn’t resist the opportunity to write for such a great venue as Experiment Farm Cottage. You can’t help but be inspired when it comes to such a beautiful historical building.

What sort of person is going to love this show?

I like to describe this show as Doctor Who meets Knives Out. So, if you like either one of those, I think you’ll love The Secrets of Carmichael Manor.

Who should not come see this show?

People who aren’t prepared to be dragged into the action. No, really – this show is very interactive, and the audience very much becomes part of the show. But, if being involved in the story is your cup of tea, you will enjoy this show.

Who in the show is most like their character?

I must say it’s Ben Durham playing the role of Father Patrick. The instant he walked into the audition, we knew we’d found our Father Pat – and that was even before he started delivering the scene.

Who’s the least?

Definitely, Gary Leonard Belshaw, who plays the role of George Carmichael. I’ve known Gary for a while now, and he is genuinely one of the most kind-hearted and generous performers I’ve met. In comparison, George is a very boorish and ill-tempered character, and it always amazes me how well Gary manages to slip into that energy when it is the very opposite of who he is. Talk about great acting!

Kate Jirelle can be seen in The Secrets of Carmichael Manor, which only runs for two weekends, from the 13th to the 15th of October and the 20th to 22nd of October, in the historic space of Experiment Farm Cottage, in Parramatta.