The 39 Steps – Tugun Theatre

The 39 Steps - Tugun Theatre

The 39 Steps – Tugun Theatre Rating

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The 39 Steps is a comedic and farcical adventure that follows an ordinary man thrown into the throes of a spy action thriller.

The unique thing about The 39 Steps is that it is played by a cast of four plus stage crew who make occasional appearances. Two cast members take on approximately 250 roles between them, as mentioned in the play foreword. This makes it one hell of a ride for cast, crew, and audience alike, and that was before ingenious director Rianna Hartney-Smith added her hilarious touch to it.

Tugun Theatre sees an even more outlandish production of the 39 steps brought to life, giving the audience a guaranteed night of laughs. They use the guise of things going wrong [on purpose] to elevate the humour, with prompts often repeated so set pieces can be rushed out, broken props that play into the comedy and fantastically funny costuming. One amazing example of these additions was when two cast members kept rushing a lamp post on stage every time the other two characters looked out the window. This bit was repeated, leaving the actors increasingly flustered with hats falling off, arms flying everywhere, and the audience laughing.

Some other great choices for staging were using a plunger and a music stand to create a ‘car’. The ridiculousness of the props enhanced the jokes but still made them practical for the actors to use. All of these additions give the overall feeling of a play in a state of mania, in the best possible way.

 

Special commendations need to be made to Jack Lovett and Neil Watson, who take on the daunting task of having multiple characters. Jack Lovett gives the most energetic and exuberant performance, absolutely nailing the physicality of each of his roles. He should be applauded for his effort and commitment, most notably his cameo as an old man who fell many, many times from his seat and eventually off the stage. Jack absolutely sold this, and I believe he accidentally [or maybe on purpose] copped his own cane to the head multiple times in committing to this gag.

Neil Watson provides an equally entertaining performance, cross dressing multiple times but most notably giving a long and sultry kiss to finish out the play that really showed his dedication to the comedy of his many roles. Jon Turley does a fantastic job as Richard Hannay, playing a consistent and likable do-gooder who is really adept at escaping out windows.

Samantha McClurg also competently traverses the stage and gives us the right amount of hysteria in her roles as Anabella and Pamela. Finally, the dedicated stage crew went the extra mile, donning costume pieces and performing dance numbers during set changes to keep the pacing and laughs flowing.

This production was an absolute delight, and the whole cast and crew were clearly putting their passion into this performance. From using the entire venue and stage, to the elaborate lighting choreography you can feel the respect and hard work put into this play .Tugun Theatre and all involved should be congratulated on a riveting and hilarious production.

Tugun Theatres The 39 Steps runs from November 14th – November 30. To book tickets, please visit https://www.tuguntheatre.org/the-39-steps

Evening Shows:
November 14th – 30th
Thursday, Friday, and Saturday – 7:30PM

Matinee Shows:
November 16th & 23rd
Saturday – 2:00PM

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Film Review: Weekend In Taipei

Weekend in Taipei

Weekend in Taipei Rating

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From the visionary creator of The Fifth Element, Luc Besson comes the exhilarating action film Weekend in Taipei.

You don’t have to wait for long before the first action scene begins, 5 minutes in fact, where a brand new Ferrari takes you on a high-speed joyride through Taiwan’s capital, Taipei. 

The film centers around a DEA agent, portrayed by Luke Evans, who is on a relentless mission to dismantle a formidable drug lord’s operation. Unbeknownst to him, this notorious criminal is married to his former love interest, adding an emotional layer to the narrative.

The plot takes viewers on a journey from the United States to Taiwan, where the reunion between the long-lost lovers sparks unresolved feelings and secrets. This rekindling of romance unveils a love triangle that complicates the agent’s mission, leading to a gripping confrontation between good and evil.

 

The combination of Luke Evans, known for his roles in Hollywood Blockbusters such as Clash of the Titans, a very likeable leading lady, played by Gwei Lun-mei, hailing from Taiwan, and ‘bad guy’, Sung Kang, who starred in the Fast & Furious franchise, makes for a strong cast. 

Where the film lacks a strong story, it definitely overachieves in superbly choreographed fight scenes, with lots of humour thrown in. With the addition of a killer soundtrack, some gorgeous cinematography, and good duration, this film is perfect for an entertaining cinematic experience without the need for deep contemplation.

Weekend In Taipei will open in Australian cinemas in the coming weeks. Check your local cinemas for session details.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Lord Of The Flies: Presented by the Gold Coast Little Theatre

Lord of The Flies

Lord Of The Flies Rating

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Due to budget cuts or in an effort to shield the students from the harrows of castaway life, my school decided to remove Lord of the Flies from the English curriculum. So, Gold Coast Little Theatre’s production last night was the first time I’ve ever experienced the madness of William Golding’s literary classic.

If you, like me, aren’t aware of the full story of Lord Of The Flies, let me give you the cliff notes version, literally:
In Lord of the Flies, British schoolboys are stranded on a tropical island. In an attempt to recreate the culture they left behind, they elect Ralph (Amelia White) to lead, with the intellectual Piggy (Mia Waldron) as a counsellor.

But Jack (Bree Paige) wants to be leader, and one by one, he lures the boys from civility and reason to the savage survivalism of primeval hunters. The disturbing tale portrays the children’s journey into turmoil and indicates that humanity’s inherent nature is barbarous.

To say that this production kept me on the edge of my seat is an understatement. The all-female cast of 13, led by Amelia White as Ralph and Bree Paige as Jack, under the direction of Joshua McCann-Thomson, worked tirelessly to bring this disturbing story and all of its themes to life in the most exciting way. Even though the actors might be young, this story and its dark motif are probably suitable for teenagers and above.

 

Gold Coast Little Theatre is nestled in Southport, a stone’s throw from Australia Fair, surrounded by pubs and restaurants if you want to make a night of it. It has ample off-street parking if you want to drive, but it’s just a hop, skip, and a jump from Southport South Station if you want to leave the car at home.

Seating for people with disabilities is available for all shows on request to the Box Office (until booked out). These seats can be booked by phoning the Box Office and are not available online. So, if you’re looking for an exciting night out, give Gold Coast Little Theatre’s Lord Of The Flies a go. The show runs from August 21st until September 21st.

Book your tickets for any one of the six remaining shows @ https://gclt.com.au/lord-of-the-flies/

Remaining Sessions
Friday 13 September, 7.30 pm
Saturday 14 September, 7.30 pm
Sunday 15 September, 2 pm

Thursday 19 September, 7.30 pm
Friday 20 September, 7.30 pm
Saturday 21 September, 7.30 pm (Closing Night)

Photographer: TTL Photography

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Javeenbah Theatre Presents: Kimberly Akimbo

Kimberly Akimbo

Kimberly Akimbo Rating

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To be honest, I am struggling to write this review. Not because it wasn’t an amazing show but because I wasn’t adequately prepared for the emotional rollercoaster that was David Lindsay-Abaire’s Kimberly Akimbo. Even though my therapist would highly approve of me writing to process my trauma, I am pretty sure that she meant it in a private journal and not in a public theatre review.

The year is 1999. Kimberly could be a typical 16-year-old if her life weren’t anything but typical. A rare medical condition means her body’s aged four times faster than it should. Grey hair, failing eyesight and forgoing body glitter for anti-wrinkle cream don’t quite make you Miss Popularity. But Kimberly’s about to make a friend. And just maybe, her life is going to change. If only her pregnant Mum could tone down the hypochondria. Hopefully, her Dad will start keeping his word. And with any luck, her aunt’s new scheme won’t blow up in their faces.

But don’t let the theatre’s fluffy synopsis fool you. This play is as heartbreaking as it is funny. But suppose you are looking for a redemptive “feel good” story about family members adapting and learning to live with someone with a chronic or terminal illness or disability, then you will probably leave impacted with plenty to think about on the trip home.

The story is less about the people in Kimberly’s life supporting her through her challenges and more about Kimberly having to tackle those obstacles entirely on her own. As someone with a chronic illness myself, some of the themes hit a little close to home for me. The show also tackles the challenging themes of addiction, family dysfunction, and mental illness, so it is better suited to audiences 16+.

Having said that, though, the entire cast brilliantly acted out the story. Kimberly is played by Naomi Thompson, who does an excellent job of playing a teenager juggling life and the symptoms of an illness in the most insane circumstances. Her parents, Patty and Buddy, are played by Cassie Baan and Rory Schiele and are joined by Patty’s eccentric sister, Debora, played by Maegan Weir. The cast is rounded out by Jeff, played by Sam Modra, a fellow student from Kimberly’s school who takes an interest in her for a school project. All of the actors put in such heartfelt performances under the fantastic direction of Kaela Gray that left me crying tears of laughter and sadness.

 

The whole production was extremely professional, and you could tell that everyone poured their heart and soul into bringing this story to life. Everything from the costumes to lighting, sound, and set design was thoughtfully planned and executed, making it easy to get swept up in the story. I encourage you to give Javeenbah a go and support your local community theatre artists.

Javeenbah Theatre is nestled on the corner of Steven and Ferry Street in Nerang, overlooking the Gold Coast skyline. There is ample parking onsite or on the street, and the theatre serves drinks and a small selection of snacks for patrons to enjoy before or during the show.

The theatre is on ground level, surrounded by grass and gravel, but there are no stairs to negotiate for theatre access if you use a mobility aid. The theatre is quite intimate, with excellent views of the stage from any seat in the house, comfortable chairs and ample legroom.

If you are looking for a fun evening on the Gold Coast, I highly recommend attending this show.

Kimberly Akimbo is playing at Jeveenbah Theatre, Nerang, from August 31st to September 14th, and I am excited that there will be an AUSLAN-signed performance on September 7th and a “relaxed, toned-down” matinee performance on September 14th.

For tickets, book at https://javeenbah.org.au/.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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