Unforgettable Passion: A Review of No Regrets: The Edith Piaf Story

No Regrets: The Edith Piaf StoryNo Regrets: The Edith Piaf Story

No Regrets: The Edith Piaf StoryNo Regrets: The Edith Piaf Story Rating

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The Home of the Arts is a remarkable venue, most famously regarded for its shows, exhibitions, and live events. With a variety of performance spaces, HOTA hosts a diverse collection of performances year-round, catering to all audiences, interests, and passions.

Located in the intimate setting of the basement, with an exclusive show on April the 4th only… talented Australian artist Nikki Nouveau presents ‘No Regrets: The Edith Piaf Story’. Nikki has many years of experience as an entertainer, which is evident in her most recent cabaret performance.

In No Regrets: The Edith Piaf Story, Nikki Nouveau offers a captivating and heartfelt journey of the legendary French singer, Edith Piaf. The audience is immersed in the essence of Piaf’s life and music within the first five minutes of the performance, through emotional delivery. Nikki transports the audience to the heart of Paris, with her deep connection to Piaf’s legacy.

The emotional resonance of Piaf’s story is enhanced by Nikki’s ability to speak both French and English seamlessly. Angelic vocals evoke the profound emotional connection between Nikki, Piaf, and the audience. The show begins slow, as Piaf’s life begins quite sad but ends with joy and passion – taking the audience on an emotional rollercoaster.

Nikki incorporated costume changes and accessories into her show, as a visual element of character development. The show began with Nikki wearing a black dress, to represent her femininity. In the second act Nikki wears a suit to portray the dominance and strength that Edith Piaf has adopted by this point in her life. A top hat was worn for a small sequence of songs as a character change – singing about Edith Piaf’s close friend Marlene Dietrich.

Each of these costumes were black, so they were timeless, sophisticated, and dark to represent the somewhat depressing story she was telling. The room was in relative darkness, and the stage was framed by red curtains and a stark white spotlight. Throughout the performance, Nikki performed flowy, elegant arm movements to match the music.

A standout was one of Piaf’s most notorious songs, La Vie en Rose, which coveys the bittersweet emotions that come with love. Nikki’s exceptional delivery aroused strong feelings of nostalgia and romance. Along with Nikki’s impressive vocals, there are moments where the music takes centre stage, with creative yet dramatic instrumental scores.

The changing dynamics in the music enhanced the atmosphere and highlighted the raw emotions tied to Piaf’s iconic and timeless songs. The music is an integral part of the storytelling, and Nikki moves to the side so the instruments are featured. John Reeves is an exceptional pianist and accordion player who deserves much recognition for his talent and musical ability.

Although the show started off deliberately slow to match Edith’s early years, it gathers pace, leading to the whole audience clapping along towards the end. Overall, this was a wonderful performance from Nikki and her musicians, full of passion, soul and music.

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Javeenbah Theatre Presents: The Man Who Doesn’t Like Musicals

The Man Who Doesnt Like Musicals

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The Woman who loves musicals found herself kicking off 2025 with Javeerbah’s production of “The Man Who Doesn’t Like Musicals.” I didn’t know what to expect with this one but I was not disappointed.

Directed by Fiona Mumford, with choreography by Charlotte Carozo and musical direction by Alex Angus “The Man Who Doesn’t Like Musicals” is set in Hatchetfield, where everything seemed normal until people began singing… Then, they began dancing… And now, a musical pandemic is sweeping the entire city. Whilst this doesn’t seem like a huge problem to me, Paul (A man who doesn’t like musicals) is determined to stop this musical apocalypse and fight for humanity’s future.

The cast and crew of Javeenbah never cease to impress me with the level of professionalism that they put into their productions. From the acting and choreography to the set design everything was of the highest quality for a community theatre production.

Whilst the title of the production might sound whimsical just be aware that this one does come with a content warning: This production contains strong language, depictions of guns & gunshot sound effects, mature themes, audience participation, and the use of slime. It is also set to music (if you hate musicals) so viewer discretion is advised.

Having said that though, if you are a fan of Schmigadoon or are just looking for an exciting night out then I would highly recommend heading down to Javeenbah, support local community theatre by checking out “The Man Who Doesn’t Like Musicals.”

Javeenbah Theatre is nestled on the corner of Steven and Ferry Street in Nerang, overlooking the Gold Coast skyline. There is ample parking onsite or on the street, and the theatre serves drinks and a small selection of snacks for patrons to enjoy before or during the show.

The theatre is on ground level, surrounded by grass and gravel, but there are no stairs to negotiate for theatre access if you use a mobility aid. The theatre is quite intimate, with excellent views of the stage from any seat in the house, comfortable chairs and ample legroom.

If you are looking for a fun evening on the Gold Coast, I highly recommend attending this show.

To book tickets to The Man Who Doesnt Like Musicals, please visit https://javeenbah.org.au/product/the-guy-who-didnt-like-musicals/

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A Very Naughty Christmas

A Very Naughty Christmas

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‘A Very Naughty Christmas’ is back for its eighth year with a delicious new array of jaw-dropping spectacles and skits. The musical features raunchy dance showcases, brilliant Christmas parodies, and hilariously vulgar gags in what is fast becoming Australia’s best Christmas show for adults.

The star-studded cast attacks the stage with vivid confidence. The company is small yet fierce, many of whom are triple-threat performers and graduates of Performing Arts institutes from all over Australia. The show offers almost too many memorable scenes to choose a favourite, and running at just under two hours long, the spectacle is a joy to witness from beginning to end.

The most iconic of parodies include “Walking ‘Round in Women’s Underwear” and “It’s Beginning to Look a Lot Like Christmas” (with an expose of X-rated toys…in every store). The calibre of vocal strength among principal singers rivals the talent of Australia’s most well-known musical theatre performers. Grace Laing and Jarrod Moore win over the audience’s affection, particularly for their indulgent vocal qualities, memorable storylines, and natural on-stage charisma.

 

Asmara Soekotjo stuns as the cast’s most striking mover, unsurprisingly adorned as this season’s Dance Captain. Soekotjo takes center stage in a parody of The Police’s “Roxanne”, turned “Rudolph Put On The Red Light” where she displays her aerial and lyrical might.

Led by the idyllic Mr Santa Claus, played by Tim Paige, the musical sees several hysterical audience interactions during the evening of fun. The cast revels in mischievous antics all night by poking fun at and embarrassing the viewers unlucky enough to be scouted into the limelight by performers. For those particularly unfortunate, a segment of the audience on-stage performance could be involved.

The talented live band adds to the glossy exterior of the production without any significant reliance on pre-recorded material. High-quality lighting, production, live sound, and cast confidence are a testament to the production’s long-standing history of success.

The extravaganza of risque bliss is nestled in St Kilda’s Alex Theatre and is a Christmas show not to be missed. A Very Naughty Christmas is making its way through nine total shows running in Melbourne until December 21.

To book tickets to A Very Naughty Christmas, please visit https://melbourne.averynaughtychristmas.com/

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Almost, Maine: Javeenbah Theatre

Almost, Maine

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I found myself back at the wonderful Javeenbah theatre, nestled away in Nerang, on Saturday night to absorb their production of John Cariani’s play “Almost, Maine.”

This magical play is set in Almost Maine, a place so far north that it’s almost not in the United States. It’s almost in Canada. And it’s not quite a town because its residents never got around to getting organized. Does it even exist?

I am slightly biased, as this is one of my favourite plays, and this production, directed by Kaela Gray and Jake Goodall, was a beautiful interpretation. The play follows strangers, friends, and lovers navigating the ups and downs of love and relationships under the glistening northern lights.

I am always blown away by the quality and professionalism of Javeenbah theatre, and Almost, Maine is no exception. The cast and production are of the highest quality, and they will not disappoint. This play will have you laugh and cry as you follow the goofy and lovable characters through 10 minutes of their lives on a cold, clear winter night. Knees are bruised. Hearts are broken. But the bruises heal, and the hearts almost mend in this delightful midwinter night’s dream.

Javeenbah Theatre is nestled on the corner of Steven and Ferry Street in Nerang, overlooking the Gold Coast skyline. There is ample parking onsite or on the street, and the theatre serves drinks and a small selection of snacks for patrons to enjoy before or during the show.

The theatre is on ground level, surrounded by grass and gravel, but there are no stairs to negotiate for theatre access if you use a mobility aid. The theatre is quite intimate, with excellent views of the stage from any seat in the house, comfortable chairs and ample legroom.

If you are looking for a fun evening on the Gold Coast, I highly recommend attending this show.

The season for Almost, Maine runs out on the 30th of November, the calendar’s official date of the last day of spring. Please do not miss this show.

To book tickets to Almost, Maine, please visit https://javeenbah.org.au/

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