All the Music, Less of the Mystery: MJ The Musical Hits Crown Theatre

MJ: The Michael Jackson Musical

MJ: The Michael Jackson Musical Rating

★★★★★

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Michael Jackson is everywhere right now, in movies, musicals and on TikTok, and it’s hard to believe seventeen years have passed since his death. MJ The Musical arrives at Crown Theatre as exactly what it sets out to be: a joyful, spectacular celebration of one of pop’s most extraordinary careers. The various controversies of Jackson’s life are acknowledged briefly and then set aside. This show’s purpose is the music, and on that front it delivers in abundance.

The story plants itself firmly in the middle of the Jackson legend: the high-stakes preparation for the 1992 Dangerous World Tour. The production amps up the drama, depicting Michael risking everything including Neverland itself to mount the show he envisioned, and it works as a theatrical device even if history tells a slightly different story.

The narrative moves through flashbacks, tracing the through-line between the uncompromising father who drove the Jackson Five and the equally uncompromising adult Michael who would mortgage his world for his art. The structural device works well, giving the show genuine emotional grounding without slowing the momentum. The controversial Don King reunion tour gets a brief mention, a nod to the murkier corners of the Jackson story, but the production is ultimately more interested in celebration than examination. What you get instead is the music, and plenty of it.

 

 

Billie Jean and Smooth Criminal land with exactly the weight you’d expect, the Jackson Five numbers give the flashback sequences genuine warmth and a touch of bittersweet nostalgia, and Thriller earns its place among the highlights without swallowing the show whole. There is more besides, spanning a career’s worth of era-defining moments that had the Crown Theatre crowd singing along from the opening number. The setlist alone is worth the ticket price.

The lighting throughout is spectacular, dynamic and precise, building toward a closing sequence that delivers a proper visual spectacle fully worthy of the Dangerous era itself. Ilario Grant carries the lead with quiet authority, bringing a softness to Michael that never tips into imitation. Derrick Davis does strong double duty as both the domineering Joseph Jackson in the flashback sequences and the production manager in the present-day rehearsal scenes, a structural parallel that gives the show much of its emotional spine and one of its most interesting ideas. The ensemble brings full commitment to every number, and it shows.

The Crown Theatre crowd needed little encouragement. There was hollering at key moments, warm applause that lingered after each number, and a room full of people visibly reconnecting with music that shaped them. The audience skewed toward those who lived through the Jackson era firsthand, and the nostalgia was palpable and entirely earned. By the final bow, a standing ovation rose naturally, and then the cast returned for one more number, just when you thought it was done.

For the dedicated MJ fan, this is an essential night out. For everyone else, it is an enormously entertaining show that plays the favourites, fills the room with sound and light, and sends you out smiling. Don’t go looking for deep philosophy. Just go.

To book tickets to MJ: The Michael Jackson Musical, please visit https://mjthemusical.com.au/tickets/perth/.

Photographer: Daniel Boud

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Cats

Cats The Musical

Cats The Musical Rating

★★★★★

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The opening night of Andrew Lloyd Webber’s Cats at the Crown Theatre, Perth, delivered a polished, high-energy revival that showcased the production’s enduring strengths of choreography and crystalline vocals.

The long-running musical has been entertaining audiences since 1981 but for prospective patrons unfamiliar with Cats, don’t attend the show expecting a plot or even any dialogue. You will have a much better appreciation for it if you go for the exquisite dancing, singing and overall visual extravaganza. Cats is more a sequence of character portraits of the feline characters stitched together by a very thin storyline about a Jellicle Ball for all the Jellicle cats.

The show made more sense when I discovered that it was based on a series of poems from TS Eliot’s “Old Possum’s Book of Practical Cats” dating back to the 1930s. It is these poems that inspired the legendary Mr Webber to convert them into a musical.

I cannot fault any of the dancing or singing. The cast performed with remarkable precision and athleticism, sustaining demanding choreography. The unison work in the larger ensemble numbers was exceptionally tight. It is evident that the dancers are professional ballet and classical jazz dancers. The production’s success lies in the cumulative power of its choreography and vocal pieces rather than narrative complexity.

Bringing the cats to life are the dazzling costumes and richly detailed makeup which I was fortunate enough to see up close. Throughout the show, the performers would integrate themselves within the audience, purring, stretching and leaping up and down the aisles of the theatre.

 

 

The production’s scenic design embraces the junkyard setting, transforming the stage into an immersive, feline-sized world. An old oven, a rumpled shirt, car tires, these are rendered at magnified proportions so that the performers read unmistakably as cats in an oversized human environment.

The integration of car engine and police sirens sound effects and a sweeping “torch” effect as the cat ensemble scatter in hidden spots, transforms the junkyard into a living, reactive environment without relying on dialogue.

Gabriyel Thomas delivered a standout solo performance as the weary Grizabella The Glamour Cat, belting out the iconic Memory song.

Tim Haskayne was outstanding in his jazz ballet routine as the Magical Mr Mistoffelees who delivered a mesmerizing performance with impeccable control and grace.

I found it especially amusing and admire the dedication of one of the performers who remained on stage in character for the duration of the interval.

This staging of Andrew Lloyd Webber’s Cats operates with a first-class polish that flows with effortless precision. It is more a mixture of a ballet performance and a musical rather than a conventional musical and in its entirety a form of art to enjoy.

To book tickets to Cats The Musical, please visit https://catsthemusical.com.au/tickets/perth/.

Photographer: Daniel Boud

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Beauty and the Beast

Beauty and the Beast The Musical

Beauty and the Beast The Musical Rating

★★★★★

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Disney’s Beauty and the Beast musical enchants audiences with its lavish production, values and timeless storytelling at Crown Perth. The latest staging, featuring Perth’s own Shubshri Kandiah in the leading role of Belle, is a triumphant celebration of theatrical artistry and nostalgia.

The musical remains true to the 1991 Academy Award winning animated film, everything from the dialogue to the costumes the show is a Broadway version of the film.

Captivating the audience in the opening scene is the unmistakable voice of the legendary late Angela Lansbury, as the narrator for the prologue. This homage to the original film sets a tone of reverence and continuity, immediately immersing the audience in the magical world of the story.

With the set design almost as a character of its own, it moves so seamlessly between all the scenes, from the French provincial town the audience are suddenly transported to the depths of the woods then to the baroque-style palace of the Beast.

The best out of all the scenes, including set design would have to be the extravagant musical number “Be Our Guest”. Leading the luminous performance is Rohabn Browne as Lumiere. The scene is a live-action kaleidoscope of the musical ensemble encompassing tap-dancing, can-can dancing, acrobats and singing topping it off with a final bang of confetti into the audience. It is truly an impressive performance which brings together all the talents needed to deliver such a spectacular show, including set design, lighting, costume, choreography, dancing and singing.

 

 

I was curious as to how the transformation from the Beast to a man would take effect. The impressive visual and sound lightening effects assisted tremendously with the transformation for a dramatic climax.

Every cast member delivers such a high level of professionalism that can only be expected from a Disney show.
Kandiah’s vocal prowess sets the show as a first-class performer, capturing both the character’s intelligence and warmth, offering a faithful interpretation of the beloved heroine.

Equally exceptional is Brendan Xavier as the brooding and tortured Beast. The chemistry between the two main characters is palpable especially in the library scene when their emotional walls are coming down.

A defining element of the show is its sumptuous live orchestration, conducted by the accomplished Luke Hunter. The orchestra’s performance is integral to the production’s success, providing both emotional depth and dynamic energy throughout the show. The finale was met with a standing ovation, and rightly so.

The attention to detail in every aspect of the production underscores Disney’s commitment to quality. Beauty and the Beast is a dazzling immersive musical experience that lingers long after the final curtain.

To book tickets to Beauty and the Beast The Musical, please visit https://www.crownperth.com.au/entertainment/crown-theatre/shows/beauty-and-the-beast.

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