Laughing At Lawyers – Bondi Comedy From 20 June

Feature-My Fair Lawyer

Why are lawyers so pompous and easy to make fun of? Sydney solicitor and comedic playwright Tony Laumberg offers another hilarious poke at the legal profession when the BONDI THEATRE COMPANY presents MY FAIR LAWYER at the Bondi Pavilion, from Saturday June 20. Is that a legal suit approaching???

“Legal laughs without precedent… will tickle the most earnest funny bone” – The Brag

Following the critical and popular success of Laumberg’s Bondi Legal in 2019, the BTC is back with his seventh play – an even more cutting satire featuring a pompous lawyer, his smart but inebriated wife, his illegitimate daughter… and a wacky Indian shrink!

Henry and Margaret Crowley have endured a childless marriage in peaceful uber-white St Ives for over 25 years. Henry, an outspoken lawyer, is too busy leading his prominent Sydney law firm worry about romance. Hence Margaret turning to a stiff drink or two…

But when Cheryl, a young law graduate from Cessnock, arrives on their doorstep – claiming to be Henry’s illegitimate daughter and wanting a job at this law firm – their quiet conservative lives go into a tailspin. To make matters worse, Henry and Margaret are secretly seeing the same psychiatrist, noted Indian shrink, Rahmish J Punjab. And to say his methods are unusual would be an understatement!

Starring Martin Portus as Henry, Deirdre Campbell as Margaret, Jade Michailidis as Cheryl and Gantanter Singh Gill as Dr Punjab. Directed by Richard Cotter, produced by David Spicer.

Laumberg says he loves torturing his popular, returning character Henry Crowley. “His trials and tribulations are comedy gold! Plus, I want to explore the humour arising from the clash of ‘old-time Australian values’ and the modern-day ambition of entrepreneurial immigrants.”

With set design by Tom Tafy and lighting design by Cian Byrne – the season includes two great Q+A sessions: one featuring the cast, the other with the playwright (with a foot in both camps) on what it is about lawyers that inspires so much laughter!
Staged in repertory with Uked! The Play-Along Ukulele musical.

My Fair Lawyer, by Tony Laumberg:
Bondi Pavilion Theatre – Queen Elizabeth Drive, Bondi Beach 20-28 June
SAT June 20th 5pm | SUN June 21st 6pm
TUE June 23rd 7:30pm plus Playwright Q+A: “Making Fun of Lawyers!”
WED June 24th 7:30pm plus Cast Q+A | SAT June 27th 4:30pm | SUN June 28th 6:30pm
Bookings: www.bonditheatrecompany.com.au Playing time 75 mins (no interval)

 

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Comic Sunshine In A Can For Bondi June 4 And 5

Feature-The CAN Principle

The CAN Principle – The barely believable origin story of a fake guru!

“The CAN Principle is Jonny Pasvolsky’s first production as script writer and performer, and it shows a deft touch for pace and timing.” Diana Carroll – ARTS HUB Every ‘know-it-all’ has a few tall tales and Mervin Gimplik is about to impose his barely believable ones on you!

Direct from sell-out shows at Adelaide Fringe and the Melbourne International Comedy Festival, self-proclaimed guru, Merv is bringing his ‘game-changing’ life philosophy to Bondi with one VERY big promise: the sun! Yes, Mervin is promising the sun itself and he’s almost certain he can deliver it!

Inspired by a childhood memory of cracking open a souvenir can labelled “Genuine Australian Sunshine” and finding absolutely nothing inside, the show skewers the modern self-improvement economy. This delicious parody of today’s ‘gurus’ and snake-oil salesmen – written and performed by Jonny Pasvolsky – is a one-man comedy about what it takes to re-invent yourself in the face of failure and the self-proclaimed ‘experts’ lining up to take your money for nothing!

“Jonny Pasvolsky is a clever parody writer and a comedian with excellent timing and superb pacing; he is also a brilliant character actor as he brings Mervin’s absurd story to life.” Clara Reviews ⭐️⭐️⭐️⭐️.5

Beneath the satire is a personal thread, drawing on Pasvolsky’s experience migrating from South Africa to Australia and the awkward business of navigating some stark, cultural differences. If you have ever been promised a total reinvention in six easy steps, this one is for you. Merv’s infectious blind optimism and ‘can-do’ attitude (pun intended), will win you over. It’s the quintessential example of believing your own bulldust. And you will too!

“You deserve NOTHING…but… SUNSHINE! And I’m going to show you where it is!” Mervin Gimplik

Best known to Australian audiences for his roles on McLeod’s Daughters, Underbelly, The Moodys, Mr and Mrs Murder to name a few, and internationally for roles in Mortdecai and Westworld, Jonny brings serious screen credentials and NYC stand-up chops to the stage in this smart, biting satire.

The CAN Principle – The barely believable origin story of a fake guru!

Written and performed by Jonny Pasvolsky
Directed by Jo Turner | Produced by Kate Ryerson
Bondi Pavilion Friday June 5 & Saturday June 6 – 7.30pm
Tickets: $25 / Concession, Mob Tix, Under 30’s: $20
All bookings and info: thecanprinciple.com.au

 

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The Kingdom of Eucalypts: The Enigma of Miles Franklin

The Kingdom of Eucalypts: The Enigma of Miles Franklin

The Kingdom of Eucalypts: The Enigma of Miles Franklin Rating

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Thursday night’s rainy Halloween seemed a fitting time to see a play about the ageing, once-successful Australian writer and activist Miles Franklin, who is haunted by her past.

Moira Blumenthal directs The Kingdom of Eucalypts: The Enigma of Miles Franklin, a play by Australian-Hungarian playwright and psychologist Alice Spigelman, currently being performed at the Bondi Pavilion Theatre in Sydney. Spigelman has written an intriguing examination of a period of Miles Franklin’s life perhaps not all that well known.

While researching at the State Library of New South Wales for another project, Spigelman discovered that Franklin had curiously written some of her diaries in code. Spigelman wondered why a woman in her fifties needed to resort to such a habit, leading the playwright to find out why. The play goes some way in providing answers.

After decades spent overseas, a middle-aged Miles has returned to live in very straitened circumstances with her elderly mother, Susannah, in suburban Sydney. They are struggling so much that in one scene, Miles shamefully reveals they’re living off mouldy bread. The once-lauded writer, who had early success in her twenties with the novel My Brilliant Career, now finds herself ignored by the literary establishment.

Despite her years away from Australia, she sees that not much has changed in sexist attitudes towards female writers. In another scene, Miles rails against the fact that she still needs to adopt a male name in order to be published. Her choice of the nom de plume ‘Captain Bligh’ elicited chuckles from the audience.

 

It is through her friendship with Australian editor and publisher Percy ‘Inky’ Stephensen that Miles hopes to resurrect her flailing writing career. Miles, however, finds herself increasingly drawn into Inky’s political organising.

Spigelman has taken a clever approach to representing the bifurcated self that we see in the character of Miles. Two actors, Beth Daly and Sarah Greenwood, play the old and young Miles, respectively. This device allows us to see the impact of time on the writer’s psyche. Daly does an admirable job in portraying the now frustrated Miles, who at once seems world-weary but also still harbours hopes for a different future.

Greenwood plays the young Miles with a youthful energy, heightening our pity for her older self. Lloyd Allison-Young is excellent as the bombastic and eventually bitter Inky Stephensen, and James Coetzee very competently plays Edwin, Miles’ suitor in her youth. A highlight is Alice Livingstone’s portrayal of Susannah Franklin. Livingstone beautifully captures the elderly woman’s fussiness and also her deep love for her daughter.

The Kingdom of Eucalypts season runs from 30 Oct to 17 Nov. To book your tickets please go to https://www.moirablumenthalproductions.com.au/thekingdomofeucalypts

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