A Twist of Fate Season 5: When Silent Film Characters Step Through the Screen

Feature-A Twist of Fate Season 5

A silent film that breaks through the screen and spills into the theatre is just one of the surprises waiting in Scary Goats Theatre’s latest anthology season. Chloe Towan, who serves as the narrator, director, and writer for A Twist of Fate Season 5, shares insights into this production, which promises shocking twists wrapped in quirky humour.

About The Show – A Twist of Fate Season 5

What is this show about?

A Twist of Fate is an anthology series inspired by The Twilight Zone and Black Mirror. The show features four short plays, each with a devastating twist or reveal.

Season 5 features the following plays:

Not So Black and White by Chloe Towan
Come with us back to the Silent Era as we present a silent comic melodrama, where not everything is as it seems…

We Live to Serve by Charlie Simmons
In a world ravaged by global warming, an outmoded butler vies for the last ticket on a transport to a better place.

Muffin Day by Richard Mealey
In a modern office, Ronnie is forced to re-live the worst day of her life. But, is there way she can find forgiveness?

Two Characters in Search of a Memory by Chloe Towan
When two people wake up in a dark void with no memory of who they are or what happened to them, they must work together to uncover the truth.

How would you describe this show to someone who has never seen anything like it before?

The show is like The Twilight Zone meets Black Mirror, but with a lot of campy humour!

What is the moment in the show you most look forward to performing?

I play the Narrator and do little introductions to each play which are always a lot of fun. I’ve also directed one of the plays and written two of them.

This season we’re really experimenting with genre and form and have some really exciting concepts we can’t wait to get in front of an audience. There are some really shocking twists this season, and I can’t wait to see the audience reacting to them!

How did this show come together? What was the creative starting point?

I originally came up with the idea of A Twist of Fate in 2024 at Halloween, when I thought an anthology show would be a great way to get some cool and experimental theatre on the stage. We launched A Twist of Fate in January 2025, and have now performed four main seasons and two specials.

Chloe Towan

What is the element of the show that is hardest to explain but unmissable in person?

This season features a silent film story. It starts off as a silent film we’ll project onto the screen, but when it reaches the halfway point the characters discover a portal that leads into the theatre. It’s like nothing we’ve ever done before and we think people will be really surprised by what we’ve created.

Who is this show for? Who is going to have the time of their life?

SGT pride on ourselves on making ‘theatre for misfits, by misfits’. Anyone who likes their theatre a little on the dark, kooky or unhinged side will have an absolute blast at the show.

What is going to genuinely shock or delight people?

Each of the four plays has its own twist (or, in some cases, twists). The fun in A Twist of Fate is always in trying to guess the twist as you watch the show, and I think audiences will have a ball trying to work out what’s going on in these three plays.

How long have you been developing this material, and what has changed along the way?

We operate on a two-month turnaround. Our writers meet up to create their plays, we go through a workshopping process, and then we rehearse the plays with our talented ensemble of actors.

What do you want the audience to feel in the final moment?

The plays we have this season, despite their unusual premises, each tell stories of hope, forgiveness and perseverance, and we hope our audiences can leave the theatre feeling inspired in these dark times.

What is the best reaction you have ever had from an audience to a moment in this show?

In our last season, we had the audience cheer when a particularly nasty character was defeated. We’re particularly hoping to get some very loud audience interaction in our silent film play.

Is there a story behind one of the key routines or segments?

My silent film play I’ve written is a deep love letter to silent cinema and features many visual call-outs to some of my favourite silent films.

Is there anything else you would like to share?

We hope audiences come to and enjoy A Twist of Fate!

Thanks to Chloe for pulling back the curtain on what sounds like the most genre-bending season of A Twist of Fate yet; that silent film portal concept alone sounds unmissable. If you like your theatre dark, kooky and delightfully unhinged, grab your tickets through Eventfinda and see if you can guess the twists before they hit.

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Shoptalk: The Retail Musical Delivering Working Class Catharsis

Feature-Shoptalk: A New Musical

An original musical born from the trenches of retail work, Shoptalk follows a group of 20-somethings navigating the particular horrors of their service-industry lives. The writer and creator behind this Thesperanto musical production shares how the autobiographical story balances comedic dialogue with surprisingly earnest musical numbers that get to the emotional core of service-industry survival.

Shoptalk: A New Musical

What is this musical about?

SHOPTALK is an original musical following a group of 20-somethings working in retail as they navigate burnout, workplace crushes, and eccentric clientele, all the while trying to deliver service with a smile.

What does this production bring to this musical that audiences may not have seen before?

This is an entirely original and autobiographical story that delivers a relatable and poignant sense of working-class catharsis not often available in a lot of works. You’ll laugh, you’ll cringe, and you’ll empathise!

Which number in the show is the one you cannot wait for audiences to experience?

There’s something for everyone in the score, but there is a “We Are the World”-inspired anthem sung by the more ungrateful characters that will likely be a real crowd-pleaser!

What has been the most challenging scene or sequence to stage?

The more people in the song, the more elaborate the harmonies are, and the same for the busier choreography! There’s one monstrous group number towards the end that’s had an especially long teething process, but it’s going to be fantastic once it’s nailed down.

How does the music serve the story in this production?

It’s interesting because while the dialogue and scenes are more comedic, the songs are a little more earnest and get to the emotional core of each situation, usually by demonstrating what a character has to lose at that time. It’s a wonderful balance, and don’t get me wrong, the songs will still have you laughing!

What character in the show do you think will surprise people the most?

Whichever one they connect with the most, I’m sure!

What is the emotional heart of this musical, and how have you approached it?

The emotional heart is the naive new girl who still believes that the world is good and that becoming jaded isn’t necessarily a good thing to do.

Who has the best costume, and is that fair?

Anyone not in one of the unflattering polos.

What will people be humming on the way to the car park?

No spoilers!

Who in the cast is most like their character, and who is least?

The casting process was magical because everyone brought an inherent quality already featured in their character. There’s really great synergy with every member of the company and their role.

What sort of person is going to absolutely love this show?

To recycle a similar dedication from the show, it certainly won’t be “anybody who’s had to take their business elsewhere”. Karens, stay home!

A huge thank you for sharing the journey behind this refreshingly relatable new work; here is hoping that monstrous group number comes together as brilliantly as planned. For anyone who has ever had to deliver service with a smile while dying inside, tickets are available through Lake Macquarie Performing Arts.

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About The Production – Three Sisters

Feature-Three Sisters

We recently sat down with the talented cast and crew behind the upcoming production of Three Sisters. This adaptation of Anton Chekhov’s masterpiece captures all the comedic, tragic, and bittersweet moments of life. Meet the ensemble who are pouring their hearts into making this timeless tale resonate as deeply today as it did over a century ago.

About Three Sisters

What is this Production about?

After the death of their parents, something essential is lost in the lives of the Prozorov sisters – direction, purpose, and hope. In a small provincial Russian town, their days pass quietly, filled with memory, longing, and unspoken desire; Irina longs to work and lead a life of independence. The fiery Masha is married to the sweet but unpassionate Kulygin, and privately burns for excitement. And Olga, the eldest, intelligent and loyal, has found herself living a life of subservience; she gives, and gives, and gives. All three look to Moscow as a symbol of the happiness they believe awaits them somewhere along the horizon – their lost paradise. 

In Three Sisters, life unfolds between what is and what might have been. In this fragile space, faith, hope, and love rise like quiet prayers. The balance between laughter and tears is delicate; people talk with the deepest regrets while pouring tea, and dream of better futures while tripping over their own feet. 

Written with humour, nostalgia, and deep compassion, Chekhov’s masterpiece tells a story of the passage of time and the persistence of hope. These characters are not distant figures from another time – they are us today, with all our joy, fear, desperation, desire, loneliness, and silence.

What’s challenging about bringing this script to life?

It’s quite the undertaking for our little company! We are working with the largest cast we’ve had thus far (11 people), using improvisation and Stanislavsky exercises to introduce freedom of movement and spontaneity while also being conscious of the size of the Old Fitz. Our director has carefully cast each of the characters, so we are in that stage of the rehearsal process where we are bringing detail and specificity to our performances whilst also remaining open to one another and trusting such a large ensemble to deliver a stellar piece of work. After all, this is a play that has no leading characters – we are each just a small piece in the grand picture of this play.

Toby

What sort of person is going to love this show?

Those who love Chekhov, and hopefully those who don’t! Every writer has a style and ethos. We hope to create a whole new following of his plays and stage it in a way we believe hasn’t quite been done yet. His unique humour and persistence in the face of adversity is a story that rings true even now – especially now. It’s easy to fall into the trap of making his plays dramatic and serious, but when has life been only that? Our aim is to show it all – from the tragic, to the comedic, to the in-between sweetness where our lives often sit. As one of our characters says: ‘Je suis content. Je suis content.”

What will the audience be thinking about in the car as they drive home after this show?

Hopefully, they’ll be thinking of themselves and who they’re going home to. ‘Three Sisters’ is as relatable now as it was then, 125 years ago. We want the people in the audience to see in each of our characters someone they’ve loved, someone they’ve lost – someone familiar, someone that’s just like them. How much has our need for family and kinship really changed since this play was first staged in 1901?

Another important facet of this family is that they are dreamers. “We will go to Moscow”, “Brother will become a professor”, “I shall work”, “I will be happy”. But, as the story progresses, how many of these beliefs manifest? This is as much of a cautionary tale as it is a family drama. At the risk of sounding cliché, people should leave the theatre thinking “This is my dream. And I MUST achieve it”. Don’t wait like they did. Don’t let life happen to you. What do you want out of your story? At the very least, it should revitalise you, make you want to be a good person.

No pressure.

Call someone out by name: who must come see this production?

Joel Edgerton!!!

As a collective of young, aspiring actors and creatives, his story keeps inspiring us to put out work we want to see on the big and small stages across Sydney and beyond (and the big screen too, one day). The greatest gift we have as a small company is working with each other, surrounding ourselves with like-minded and brave artists. People who have something to say. Likewise, his and his friends’ drive to produce work they believe in and to share stories that perhaps aren’t told very often echoes in our philosophy as well.

And his work! Most notably, his recent feature ‘Train Dreams’ is one we were all moved by. It’s something that immediately draws you in, creating an atmosphere that earns its sprawling moments of silence and tension. It’s about a simple man in a simpler time, with simple ambitions of starting a family and working.

Sound familiar?

Where can patrons purchase tickets to this production?

To book tickets to Three Sisters, please visit https://www.lastwaltzproductions.com/three-sisters.

Thank you so much for sharing your insights today. Break a leg; we are looking forward to Three Sisters filling the Old Fitz with laughter, tears, and plenty to reflect on in the quiet moments of life.

Other production interviews can be viewed in our About The Production Series.

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About The Show – Bloody Good Time

Feature-Bloody Good Time

Get ready for a ride of hilarity with Cat and Caz as they bring their brand of physical sketch show comedy “Bloody Good Time”, to the stage. Incorporating a whirlwind of characters, the show includes a delightful dose of the bizarre and absurd. Buckle up for laughs, shocks, and a fresh perspective on baked beans!

About Bloody Good Time

What is this Production about?

A bonkers, goofy physical sketch show with too many props, too many costumes, too many fake accents and too many dance numbers.

What character are you playing, and what can you share with us about them?

Cat and Caz are playing over 20 characters in this show, from the duo; a Femme Fatale Canine tooth and Toothbrush Detective Brosse Dente the detective, socially inept wannabe actor Sally Carrot, existential babies and their mothers, hapless renters and shifty landlords, and some larrikin tradies Larry and Louie.

What sort of person is going to love this show?

Someone who loves the bizarre, the absurd, and the over the top. Those who laugh at a parody, and love a cheeky dance number, or 5! The songs and pop culture references will definitely resonate with millennial women.

What will the audience be thinking about in the car as they drive home after this show?

They’ll probably wonder what the hell we were on when we came up with the show! Hopefully, they will be a bit shocked and can’t think about the show without being weirded out and laughing. It will make them think of baked beans very differently.

What’s going to surprise people about this show?

Just how many bad accents and dance numbers can we fit into one 50-minute show!

Who has the best costume?

Cat, as Cavatina Canine. She is a femme fatale with a white-blonde bob, a sparkly beret, a black-and-white outfit, and, most importantly, she is a tooth.

Where can patrons purchase tickets to this production?

To book tickets to Bloody Good Time, please visit https://www.comedyfestival.com.au/browse-shows/bloody-good-time/.

Thanks so much for chatting with us! We can’t wait to see Bloody Good Time light up the stage. Best of luck with the show, and here’s to loads of laughs and unforgettable moments. Break a leg!

Other production interviews can be viewed in our About The Production Series.

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