Perth Comedy Festival: Tomas Clifford Got Stood Up

Tomas Clifford Got Stood Up

Tomas Clifford Got Stood Up Rating

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Heart, flair and talent to boot. That’s how to best summarise Tomas Clifford, who recently dazzled crowds at the understandable encore season of his cabaret Tomas Clifford Got Stood Up.

Having not been able to attend the initial run of the show during Perth Fringe, I was itching to see it, following nothing but praise from others who had snagged a ticket. Presented as part of the Perth Comedy Festival, and showing at the Rechabite – it was the perfect venue for this production, providing a sense of intimacy while also just enough grandeur to allow Clifford to milk his moment in the spotlight.

Though based on his own experience of a date gone wrong, whirlwind hour grapples with themes everyone can strongly resonate with – feeling alienated, the desire to be accepted and most importantly self love. Mostly sung through; the music and vocals – both written by Clifford – are outstanding, featuring an eclectic mix of genres that keeps audiences on their toes. His clever lyricism was both witty and thought-provoking, but it was ultimately his overall candidness that truly drove home the messaging. I really enjoyed the way the tunes were both performative yet conversational, helping to build rapport with the crowd.

Having previously seen Clifford on stage in acting roles, it was great to see his personality shine through here. The authenticity added a whole extra layer to the performance and it was very evident, as is told within the show, that he is so confident in who he is and was proud to celebrate that with the world.

Props must also go to the small but mighty band helping bring the story to life – drums, keys, bass and guitar, rounded out by the welcome brassy tones of a saxophone and trumpet – along with three backing vocals, all phenomenal in their own right. Clifford’s relationship with both his band and BVs was refreshing, ensuring they were just as much a part of the performance as he was – with the vocalists in particular helping to serve as other ‘characters’ in his life.

All in all, this was an excellently executed cabaret that audiences evidently had a lot of fun at – helped largely in part by that fact that Clifford was too. I cannot wait to see what he does next.

The Perth Comedy Festival runs from 21 Apr to 18 May. To book tickets to a show, please visit https://www.perthcomedyfestival.com/.

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Perth Comedy Festival: Andrew Barnett

Andrew Barnett - Simple

Andrew Barnett – Simple Rating

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Keeping it simple, stupid is never as simple as it sounds. Especially if you’re Andrew Barnett (aka Barney), where life is anything but simple as the father of two teenage boys who don’t yet appreciate that the ultimate sign of coolness is being able to drive yourself to the shops to buy stuff with your own money.

Ah, yes, the woes of being middle-aged while surrounded by teenagers and TikTok is the comedic stuff that dreams are made of, and Barney nails it with his wry outlook that anyone over 30 will relate to. Warning: If you have the audacity to show up below the age of 30, it’s probably best that you don’t sit in the two front rows.

His ease of delivery makes it feel like you’re just chatting at the pub, where he’s doing most of the talking. Barney’s effortless style is down to an extensive career since 2010 as a stand-up comedian, writer and media personality, including TV, radio and podcast appearances.

He currently co-hosts the Not Another F#ing Rugby League Podcast and is a familiar voice on SEN radio, aired in New South Wales and Queensland, when he’s not performing at high-profile sporting, comedy, music and fringe festivals around the country.

Reigning from Sydney to join the Perth Comedy Festival on 2nd and 3rd May, and performing upstairs of the Regal Theatre in the Regal Chorus Room is the perfect setting for Barney’s laid-back banter.

He returns to Sydney for the Sydney Comedy Festival on 8 & 9th May. Keep an eye out at various Perth venues, including The Rechabite and Comedy Lounge, for his quick-witted, relatable and endearing observational humour.

Performances: 2nd – 3rd May 2025, 7pm
Regal Theatre, Regal Chorus Room, 474 Hay Street, Subiaco
Tickets: $41.58

The Perth Comedy Festival runs from 21 Apr to 18 May. To book tickets to a show, please visit https://www.perthcomedyfestival.com/.

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Event Review: The Bubbles Festival – Melbourne 2025

The Bubbles Festival

The Bubbles Festival Rating

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Few things are more delightful than a glass of sparkling wine enjoyed riverside. The Bubbles Festival delivered exactly that and more at this year’s Melbourne session at the stunning River’s Edge in Docklands.

The atmosphere was elegant without being stiff, with floor-to-ceiling windows overlooking the Yarra and the golden glow of autumn light. This wasn’t a crowded scramble for samples but a perfectly paced event where guests could relax, discover, and indulge.

Founder Natalie Pickett opened the event with warmth and wit, reminding us that sparkling wine is beautiful and should be enjoyed with all the senses. Her tasting tips were charming and personal: listen to the bubbles, take in the aroma, and always pair with food. The canapés were curated accordingly, with a seafood station offering plump prawns, fresh oysters, mussels, and calamari and a generous cheese station of soft and hard cheeses. Additional bites roved the room, matching the mood and the wine effortlessly.

On the tasting front, the festival truly delivered on its promise of diversity. There was something for every palate, with around 18 different wines available — including French Champagnes, Italian sparklings, and standout Australian drops from the Yarra Valley, Great Western and Mornington Peninsula. A personal highlight was the Flinders Bloom Elderflower Spritz, inspired by the classic Hugo. Light, floral, and utterly refreshing, it combined méthode traditionnelle sparkling wine with lemon myrtle and elderflower for what can only be described as springtime in a glass.

VIP guests were treated to a tasting of Champagne Philippe Fourrier Millésime 2017 Blanc de Noirs, a refined pinot noir as elegant as the event itself. With a private tasting, RIEDEL glasses to take home, and a charitable contribution to Sacred Heart Mission.

Beyond the wine, guests could browse and purchase Susan Kerian’s gorgeous Parisian-style illustrations, a lovely visual complement to the day.

If you’re a sparkling lover, this event isn’t just worth attending — it’s essential. Whether you’re discovering a new favourite Prosecco or sipping vintage Champagne, The Bubbles Festival is a celebration in the truest sense.

Visit The Bubbles Festival website to book tickets and discover more about each city’s event; dates for 2025 are:
Melbourne – 3 May 2025
Brisbane – 9 & 10 May 2025
Sydney – 16 & 17 May 2025
Adelaide – 31 May 2025
Perth – 21 June 2025

To book tickets to The Bubbles Festival, please visit https://thebubblesreview.com/the-bubbles-festival/.

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Chalkface: Melville Theatre

Chalkface

Chalkface Rating

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Chalkface is a glimpse into the lives of six staff members from the fictional West Vale Public Primary School.

The two protagonists in the play, Pat Novitsky and Anna Park are polar opposites. Pat is a weary, cynical 56-year-old teacher and Anna is a 22-year-old perky graduate teacher, full of enthusiasm.

Pat has been teaching at West Vale for many years and has given up trying to make a difference in teaching and in the lives of the students. Her weariness is evident from the moment she steps into the staff room on the first day of Term One, dragging her feet with shoulders hunched. Years of bureaucratic red-tape, the constant lack of funding and having to deal with difficult parents appears to have taken a toll on her and that bright light within her she once had is now dim.

Anna on the other hand has full of ideas on how to improve the school for the teachers and for the students. On her very first day she is already suggesting new teaching methods that land her on the wrong side of Pat. The two clash throughout the play but as they get to know each other on a more personal level they develop a common ground.

The other characters are Denise Hart, the somewhat ditzy pre-primary teacher; Cheryl Filch, the former bank worker now school office manager who guards the office supplies with an iron fist; Steve Budge, who is convinced a parent of one of his students is stalking him; and lycra Principal Douglas Housten.

Rather than acts in the play they have terms which I thought was quite a clever way of delivering the performance. With each term more layers of the characters unravel.

Set in the staff room of West Vale, the set designer has done a brilliant job in presenting a run-down and outdated staff room with cracks in the walls and basic office furniture. This was a dead give-away that West Vale is a public school and the lack of school funding is a major theme throughout the play.

Natalie Burbage is phenomenal as the grouchy Pat Novitsky and Sophie Harvey-Lissienko is equally as good as the bright Anna Park. The other cast members Louise Fishwick, Cameron Leese, Maree Stedul and Christopher Hill all deliver strong performances and the camaraderie amongst the cast shines through in their performances.

There is a strong message conveyed in the play which many of us are perhaps already aware of and that is teaching is a hard profession. Teachers are underappreciated and underpaid. But as the director Vanessa Jensen mentions in her Director’s Notes, playwright Angela Betzien describes Chalkface as a “love letter to teachers” with relatable teacher issues presented in a humorous manner.

To book tickets to Chalkface, please visit https://melvilletheatrecompany.au/current-production.

Photographer: Curtain Call Creatives

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