The Hanging: Maitland Repertory Theatre

The Hanging

The Hanging Rating

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2

The Australian backdrop, twisted characters, and a gothic tone. The Hanging, written by Angela Betzien and directed by Aimée Cavanagh is one that all thriller-lovers would hate to miss.

Discover the secrets that surround teenage Iris, her boarding school English teacher, and the detective in charge of finding Iris’ two missing friends. Watch as the characters evolve before your eyes, listen to the dynamic changes in cadence, and experience the horror of the devolving mystery.

With unique stage design, simple lighting cues, and basic sound changes, the actors use little aside from their voices and realistic characterisation to immerse you in their world, leaving you no choice but to focus on the very parts of the play that you may not wish to see.

If forced, I would be hard pressed to choose a star of the show, with all actors giving their very best to the roles given to them, and working together to surprise the audience as they examine the human condition and all that is ugly to witness, yet captivating to see.

With an homage to the classic Australian text ‘Picnic at Hanging Rock’, The Hanging is a play that, while short, is one I can see becoming one for the ages, and the cast and crew at Maitland Repertory Theatre Company did a spectacular job bringing it to life.

Warnings: contains references to drug use, child abuse, suicide, pregnancy, termination, descriptions of gore, and coarse language.

Performance times:

Evenings at 8:00pm:
May: Wednesday 7, Friday 9, Saturday 10, Friday 16, Saturday 17, Friday 23

Matinees at 2:00pm:
May: Sunday 18, Saturday 24, Sunday 25

To book tickets to The Hanging, please visit https://www.mrt.org.au/2025-plays/the-hanging/.

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First Things First

First Things First

First Things First Rating

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2

First Things First…. I loved the play. Maitland Repertory Theatre has brought to the stage an enthralling comedic performance with a group of very talented actors.

The stage was set as a comfortable living room, practical and well dispersed for audience interaction. The audience is immersed into the crazy antics of the night’s unfolding drama, which all takes place in the living room of Pete and Sarah’s home.

The idiom “Oh, What a tangled web we weave, when first we practice to deceive“ rings loud, clear and undeniably true as the predominant theme in “First Things First.” We witness the very anxious, escalating to frantic main character, Pete, played by Matt Scoles, squirming his way through lie after lie in a very sticky delicate dilemma. How does one handle their supposedly dead wife spontaneously returning when you have recently remarried a new wife, who knows nothing of the previous marriage?

Well…our main character Pete handles it deplorably! Matt Scoles gave a fabulous expressive character portrayal with top notch comedic timing. He had the audience in his hands the entire night willing him to confess and put an end to the spiraling chaos. Louise Cowan gave a splendid portrayal of Sarah, Pete’s ‘new wife,’ She was ‘on key’ for the role of a timid, attention-seeking, needy wife.

 

The gorgeous long lost wife of Pete, Jessica, who is responsible for creating all the mayhem and chaos was performed tremendously by Jessica Gray. Jessica brings her own unfolding drama, mystery and surprises to the stage.

Devoted and loyal to Pete’s side and to his ludicrous spinning web of lies, is his best friend George played by Tez Tywal. This is the second time I’ve had the pleasure of watching Tez Tywal perform and I love the natural humorous energy and vibrance he brings to the stage.

A solid and perfectly composed professional performance by Jane Johns who played Margot, the doting and ever inquisitive mother of Sarah. Her skepticism towards her son in law is unwavering and rightly so.

And then there was Alan… who entered in the 2nd half at a time when we thought things couldn’t possibly get any more complicated. But they certainly did! A very enjoyable performance by Matt Robinson who plays the hilarious role of Jessica’s secret French lover. Matt skillfully had the audience in hysterics.

First Things First was a highly engaging and very enjoyable performance from a group of impressive skilled actors. Thoroughly recommended for couples and friends who are after a night full of laughter and great entertainment.

First Things First is running at the Maitland Repertory Theatre from November 20 to December 8, 2024.

To book tickets to First Things First, please visit https://www.mrt.org.au/2024-plays/first-things-first/

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Saucy Jack and The Space Vixens

Saucy Jack and The Space Vixens

Saucy Jack and The Space Vixens Rating

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7

SAUCY, SEXY AND SPACY

“Saucy Jack and The Space Vixens” production by Sun Street Studios was instantly engaging from the point of arrival. Mitch Maypole, played by Stuart Ussher, was casually chilling out the front of the Repertory Theatre greeting and directing people to the theatre’s entrance.

The production was held in the back section of the 160-year-old historical building. Ambient mellow lighting and casually dispersed armchairs immediately felt comfortable, relaxed and inviting.

The setting was cleverly laid out and utilised wonderfully by the performers to create an immersive atmosphere of actually being present in Saucy Jack’s Club. It included an effective wall projected neon sign reading “Saucy Jack’s”, a quaint stage for Saucy Jack’s Club performers and a ‘staged’ bar with seated and ready Dr Von Whackoff (David Smith). A dancing pole with a mini stage round was also engagingly fitted amongst the audience chairs.

“Saucy Jack And The Space Vixens” musical was completely unknown to me before this viewing and so I entered open hearted and open minded. The show was fruitful in witty word plays and comedic lines and fabulously delivered infectious laughter, which indeed had the audience, including myself, rolling in hysterics several times. The pinnacle moment was when Dr Von Whackoff revealed what he’d been hiding inconspicuously under his trench coat.

 

Chesty Prospects, played by Angie Hutchinson-Ussher, tragically falls victim to the killer at loose at the end of the first act. To the audience’s delight she remains ‘dead’ on the stage throughout the intermission allowing audience members great amusement to lay beside her and take selfies. Her commitment to her ‘death’ was highly commendable.

The Space Vixens sparkled and shimmered into the second act to investigate the ongoing murders occurring at Saucy Jack’s. Their metallic silver costumes along with their vibrant hair and makeup artistry brought all the fabulous, sexy, razzle dazzle their characters deserved.

Saucy Jack and The Space Vixens is a mature audience show in the adult sense only – not maturity. If you’re in need of a crazy, whacky intergalactic night full of laughs then grab your partner or a group of friends and I guarantee you’ll have a great time.

Top notch restaurants are also conveniently located nearby to make your night out complete.

For tickets, book @ https://www.mrt.org.au/2024-plays/saucy-jack-and-the-space-vixens/

The show is running until the 21st of September, and tickets are a steal at;
$35 adult
$30 concession
Group of 10- $30 each
Also, the drinks at the Repertory Theatre are really well-priced if you fancy one, two, or a few. Enjoy!

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Romanoff and Juliet Presented by Reamus Theatre

Romanoff and Juliet

Romanoff and Juliet Rating

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You’ve heard the story before, two star-crossed lovers forced to choose between love and family, only to meet a tragic end… Well, Romanoff and Juliet is not that story!

Romanoff & Juliet takes the premise from the original Shakespearean play and makes it its own concept. It is set in a mythical micronation somewhere in the northern hemisphere, with quirky characters and conversations that leave you halfway between chuckling and questioning the meaning of our world.

As always, my absolute favourite part of this production was the actors and actresses who pulled it into reality. With an obvious passion for the show and its characters, the cast gave their all to the performance and successfully brought us, as the audience, into their realm.

The only thing this wonderful cast really needed was more confidence and pride for their show, with minor teething issues like forgotten lines, shaky accents, and occasional projection and blocking issues to clue us into how nervous they were for their opening performance.

Alongside the cast, the stage crew did an outstanding job, with an impressive set design that perfectly captured the two sides of the story without becoming cluttered or overwhelming. The actors’ stage presence combined with the care shown for the performance from all sides made me love this show, even if I could not understand what was going on during every scene.

Romanoff and Juliet is a unique, short-run production by MRT’s Reamus Theatre concept, separate from their 2024 Season program. Reamus Theatre brings together community members aged 18 to 30, helping them cultivate various theatre skills. These passionate and talented young performers consistently deliver exceptional entertainment to the public.

Reamus meets weekly to enhance their theatre abilities through workshops, rehearsals, and shared enjoyment. Since 2002, they’ve regularly staged annual Shakespeare productions, as well as short play nights and one-day play events. You can discover more about Reamus Theatre’s initiatives at Maitland Repertory Theatre here: https://www.mrt.org.au/reamus-theatre/.

For Tickets to Romanoff and Juliet:-
https://www.mrt.org.au/2024-plays/romanoff-and-juliet/

Performance Dates/Times:
Evenings at 8:00 pm:
August: Wednesday 21, Friday 23, Saturday 24, Friday 30, Saturday 31

Matinees at 2:00 pm:
August: Sunday 25
September: Sunday 1
Doors open 30 minutes before performances

Running time
Approximately 2 hours, including a 20-minute interval.

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