Orpheus – A One Of A Kind Captivating Performance

Orpheus

Orpheus Rating

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The ‘Orpheus’ show was mesmerising, and I was utterly captivated by Shakti’s creative brilliance. ‘Orpheus’ is part of the Newcastle Fringe Festival performances, and last night’s show was held at the REX Royal Exchange Newcastle Salon Theatre. I had not previously attended the quaint theatre before, but I will endeavour to return there again soon. The staff were welcoming and friendly and did their best to make everyone feel relaxed and ready to enjoy the performance.

‘Orpheus’ is a solo dance show performed by Shakti, a seasoned professional dancer who has graced stages all over the world, including New York, Moscow, Paris, London, Kyiv, India, Israel and Germany. Her self-choreographed performance is rooted in inspiration from the Greek mythical character Orpheus and his tragic story.

The Greek mythology tale of Orpheus can be traced back to the 5th Century BCE and has captivated and inspired people worldwide for thousands of years. To quickly refresh your memory of the tragic tale, the mythological character Orpheus, gifted with seemingly superhuman musical abilities, is madly in love with his newlywed wife, Eurydice. Shortly after their wedding, Eurydice tragically succumbs to a snake bite, leaving Orpheus in a state of horrific grief. He travels to the underworld to beg Hades and Persephone to allow him to take his beloved wife back to the surface world.

Orpheus’ enchanting musical abilities successfully persuade Hades and Persephone to allow him to return home with his beloved wife on one condition: he must not look back at Eurydice until they reach the surface. Unfortunately, Orpheus doesn’t heed the warning and turns back to check that his beloved is trailing behind. As he does so, Eurydice instantly vanishes, and Orpheus is once again overcome with grief. Orpheus later meets a brutal death, being torn to pieces by frenzied maenads who were scorned by Orpheus’s rejection of their advances.

Through her dancing, Shakti explores the philosophy of life, death and the underworld. At the end of her performance she briefly discussed the concept of the underworld and how we won’t know what happens next until we get there. Will it be life’s greatest adventure? She philosophized how cultures all around the world, throughout time, have been intrigued by death and the various versions of beliefs regarding the age-old question- what is the afterlife?

Shakti’s choreography appeared to be a blend of contemporary dance styles beautifully enriched with Asian influence. Incredible emotion oozed into Shakti’s captivating performance. Her portrayal of torturous grief and loss was powerfully performed through every essence of her being. The use of flickering lights and darkness contributed splendidly in complementing and reinforcing the deeply emotive scenes. Likewise, her utilisation of exquisite materials as coverings and props was both visually impressive and emotive.

Shakti displayed true artistry at its finest in her performance. Her show was unique and extremely creative. I have utmost appreciation and admiration for this inspiringly talented woman. If you missed her at this year’s Fringe Festival, she promised to return next year to captivate audiences once again with her one-of-a-kind dance performance.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Magpie – Fearless and Brave

Magpie

Magpie Rating

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2

I had the pleasure of reviewing EJ Mann’s comedy show MAGPIE at Bernie’s Bar Newcastle. In her own words, “It’s a musical comedy show about being brave and living like one of Australia’s most fearless birds- the Magpie.”

EJ Mann is a Brisbane based comedian on tour for the Fringe Festival. She has been gaining great momentum in the comedy circuit and receiving wonderful acclaim and reviews from her shows. In a relatively short period, of only a few years, she has certainly made her mark in the comedic world as a RAW State Finalist, Funny Coast Laughable Finalist, and Brat Pack People’s Choice Winner.

EJ Mann’s references to Uber drivers, Elon Musk, and keyboard warriors on neighbourhood Facebook pages made the show incredibly relatable and hilarious. There is a meld of Facebook posts and comments from her neighbourhood page, which EJ brilliantly and most creatively creates into a humorous song. I recommend she join my local page, as there is great content there if she is after new material for her next show. Facebook community pages definitely seem to bring the most brazen characters out of the woodwork.

It was most endearing to hear EJ intertwining various quotes and stories from her beloved late grandmother into her performance and songs. She made various mentions regarding her family and personal relationships which created an intimate, personal atmosphere and allowed the audience to feel acquainted, at ease and more receptive to her material.

EJ talked about her self discovery and sexuality in a heartfelt entertaining presentation. What I loved most was how she seamlessly incorporated her original comedic songs, accompanied by her guitar, throughout the show. A very stylish guitar, too, I should mention. EJ sings with an authentic Australian accent and a reminiscent sweetness of Missy Higgins. I could draw comparisons to the comedian Garfunkel (Kate Micucci), whose work I also absolutely adore.

There was a steadfast theme of the brave and fearless Magpie bird which is cleverly intertwined throughout her material. I particularly loved the reference to a ‘Parliament of Magpies’ and their superior efficiency. There were also references to shallow peacocks and rainbow lorikeets which reinforced her ideas beautifully.

EJ Mann is undeniably bold and brave as the Magpie and reveals an authentic, raw, self-exposing performance with skilful comedic light. A solid and professional performance by an up and coming star in her field. It is hard to believe she has only been at this game for just a few years. EJ certainly portrayed the grace and confidence of a seasoned professional. I was truly impressed by her creative witty performance and wish her all the best with her remaining Fringe Festival performances.

To book tickets to Magpie, please visit https://newcastlefringe.com.au/events/magpie/.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

No Love Songs: Poignant And Impactful

No Love Songs

No Love Songs Rating

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“No Love Songs” was my first visit to the newly opened Foundry Theatre located inside The Star Casino’s glamorous building. The quaint size and layout of the theatre creates an immersive and intimate experience for the audience and I look forward to spectating many more shows in this fabulous new venue. The acoustics and viewing would be fantastic from any seat in the theatre which makes it, in my opinion, a very inviting theatre. 

The “No Love Songs” musical is based on the book written by Laura Wilde and Johnny McKnight which was inspired by real-life experiences of Kyle Falconer and his partner Laura Wilde. The featured songs are written by the musician Kyle Falconer.

The musical stars the incredible Keegan Joyce and Lucy Maunder and is co-directed by Andrew Panton and Tashi Gore. Music direction is expertly provided by Mark Chamberlain.

“No Love Songs” is a harmonious Yin and Yang balance of grief and joy, sublimely written to strike the audience with the juxtaposition of tears and laughter. The script is superbly written with natural flowing dialogue and a generous sprinkle of witty comedic gags, all of which were delivered impeccably by the stars Lucy Maunder and Keegan Joyce. 

The script delves deeply into themes of depression, loneliness and relationships. It highlights the importance of bringing light to the hardships of parenting and in particular post natal depression. Shedding light on these ‘once unspoken’ topics, yet still not spoken enough about, is vital for urging more conversations, actions and reassurance. 

The writer has truly achieved a very natural realistic depiction of struggling young parents in their personal relationship together and with their child. I’m certain most can relate to the struggles couples face: keeping in combined rhythm, picking up the missed beats for each other and being cautious not to drop the drumsticks altogether into a fathomless pit of no return. 

It was a stellar performance by Lucy Maunder and Keegan Joyce, two immensely talented industry professionals. The acting diversity of both is applaudable and easy to understand their great successes to date and undoubtedly in the future. They delivered unfaltering honest character portrayals coupled with brilliant vocals and musicianship. Neither could be faulted in their brilliant hard hitting performance. Their casting was a commendable choice and they admirably portrayed a convincing real-life couple. 

Staging, costumes and props were minimal which felt authentic to the script. Unnecessary props and elaborate staging would have likely depreciated the poignant impactful themes. The music may not leave you singing as you leave the theatre or asking Google to play the soundtrack but I don’t feel like that was the intention. The obvious intentions of the “No Love Songs” musical is to be conversation striking, thought provoking and impactful and these intentions are mastered to perfection. 

No Love Songs is on tour around the country. For date/time sessions for your local area and to book tickets to No Love Songs, please visit https://www.nolovesongs.com.au/.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Every Note Speaks What Words Can’t

No Love Songs

No Love Songs Rating

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What is it about a love song? It awakens something in us we can’t put into words. Love is the ultimate subject—it defines us, moves us, and makes us count. It comes in many forms, each as complex and transformative as the next.

Through bold storytelling and evocative melodies, No Love Songs swiftly shifts from the thrill of a new love to the profound, painful reality of losing yourself within it. Overflowing with enormous compassion and warmth, it delves into the raw intricacies of identity, relationships, and loss.

Inspired by the real-life experiences of co-writers Laura Wilde and her partner Kyle Falconer, the show draws from Falconer’s second solo album, No Love Songs for Laura (2021). Co-written by Johnny McKnight, delves into the relationship dynamics between Lana, a new mother, and Jessie, a songwriter at a crossroads. Beyond exploring career ambitions and new parenthood, it fearlessly addresses the often-unspoken challenges of postnatal depression. While this may seem like a confronting topic (and it is) the show’s heartfelt authenticity and humour make it both engaging and ultimately hopeful.

The success of this show hinges on the power and skill of its two actors, who bring a deeply personal journey to life through a duologue of contrasting perspectives that navigates the complexities of parenthood. Through soliloquies and inner monologues, the audience gains insight into their internal struggles, highlighting the deep yet often amusing gap between what they feel and what they express.

An undeniable spark lit up the stage whenever Keegan Joyce and Lucy Maunder performed together. Opposites truly attract—Joyce’s self-effacing, endearing charisma perfectly complemented Maunder’s bold, brassy power. Both hit every note effortlessly, their palpable chemistry making each moment feel relatable and electric, leaving me to wonder if they were a couple in real life.

The Foundry is the perfect new space for this inaugural musical – intimate enough to capture moments of stillness, yet expansive enough for the vocals to soar. The minimal yet impactful musical accompaniment—guitar, keyboard, and percussion—acts as the third character, subtly deepening the emotional layers of the story without overshadowing the intimate moments. The songs were catchy, not Top 40 hits, but expertly crafted to integrate and enhance the narrative. At times, the atmosphere strayed into rock opera territory, amplifying the intensity but there were also poignant, quieter moments that could have been pared down just a bit to sustain the overall momentum of the performance.

What stood out most was that Lana and Jessie felt like real people, pouring out their hearts, songs, and stories while stumbling through a world full of challenges beyond anyone’s full understanding or control. Their dynamic felt less like a performance and more like a confession.

As the audience shuffled out, an elderly gentleman turned to me—a complete stranger—his voice heavy with emotion, and said, “I now understand what my mother went through.” I paused, absorbing the weight of his words, and replied, “Me too.” At that moment, it became clear why Wilde and Falconer wrote this show.

Postpartum depression remained a taboo topic until the late 20th century, with stigma lingering despite growing awareness in the 2000s. This story has rarely been told publicly – let alone shared on stage- but it resonates powerfully across generations. By sharing these deeply personal experiences, we help others, and ourselves, to connect, heal, and feel less alone. When there is no villain, no antagonist, no clear balance – sometimes, that makes both life and theatre equally difficult and beautiful.

This is not your usual escapist musical filled with hearts and roses. It’s an aching, engrossing love letter to the messy, wonderful, awful chaos of being human. Great stories unravel hearts and open minds. Raw, cathartic, and unflinchingly authentic, No Love Songs delivers just that.

No Love Songs is on tour around the country. For date/time sessions for your local area and to book tickets to No Love Songs, please visit https://www.nolovesongs.com.au/.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.