Steel Magnolias by Encore Theatre Company

Steel Magnolias

Steel Magnolias Rating

★★★★★

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In 1985, in a fictional town called Chinquapin Parish, in Northwestern Louisiana, lies an at-home beauty salon owned by Truvy Jones, a happy-go-lucky local hairdresser. She’s young-at-heart, loves the local gossip, and makes women feel loved and cared for in her company.

But this tiny mecca is far more than the sum of its parts. For in this beauty nook, Truvy weaves together a circle of strong, sassy Southern women to gather, connect and socialise.

Women called Steel Magnolias.

In honour of Dolly Parton, who starred as Truvy in the film version of Steel Magnolias in 1989, Encore Theatre Company is proud to present its latest instalment, in an equally nookish theatrette at the Clayton Community Centre.

Where, inside, we are invited into a world of southern hospitality, starting with a gorgeous set design by Susan and Peter Rundle.

The show opens our senses into a bright and colourful space full of nostalgic hair and beauty posters, with a yellow, mint green, pink and turquoise colour scheme, much like a candy shop. Bold on the outside, and sweet and sugary on the inside.

In the first scene, Truvy is teaching Annelle Dupuy, a new employee and hairdressing student, the ins-and-outs of her hair and beauty biz. It is Saturday. A busy day to come. Annelle is nervous. We also learn she is a newcomer to town and seems quite sketchy about revealing facts about her personal life.

 

Then in walks Clairee Belcher, known as the town’s wealthy socialite. Then Shelby Eatenton, a young 20-something nurse who is getting married, and her sensitive mum M’Lynn, who’s a tad overprotective of her. Then, to round off the women, a human windstorm comes through the sliding door. It’s Ouiser Boudreaux, the old town crow, carrying on and complaining about well, just about everything in her life.

But one thing they can all rely on? Is each other, in good times and in bad.

Speaking of which; we learn that all is not as rosy as it seems. Shelby has Type 1 diabetes, and wants nothing more than to be a mum, but is told that her body is weak and cannot withstand a pregnancy. To prove this point, we are witness to her going into hypoglycaemic shock at the salon, as Truvy is styling her hair. She recovers, but this sparks a warning about her future health. A compelling thread of fear her mother M’Lynn carries throughout the duration of this production.

This show is about the strong friendships these women have with each other, through thick and thin. Through the light and the dark. As such; the six ladies in this cast are all brilliant in their own ways and portray their roles well, thanks to the wonderful direction by Susan Rundle.

Kirsty Hall brings Truvy’s joviality to life, and knows how to delicately balance humour with a great dose of realism. She seemed so natural in this role, and carried this show beautifully from start to finish with great aplomb.

Molly Spencer, as delightful, young Annelle, is instinctually clever in how she embodies this role. In every scene, she commits to every hilarious character moment, yet adapts her role with a great deal of sensitivity. Knowing exactly when to pace, pause, and finally, when to raise the stakes for greater laughs.

Lisa Upson, a late addition to the cast, shines as Clairee. Bringing the exact mix of steely strength, warm sarcasm, and an unwavering will that is required in this role. She is not only believable; but fiercely forthright, and brimming with class.

Glenda May is an absolute delight playing Ouiser, bringing the energy of a shrewish older lady to the fore; yet making her an absolute gem, encased in comedy gold.

Justine Garnes perfectly personifies her role as Shelby, exuding the essence needed to portray a steely Southern Belle. Charming and soft; yet unwaveringly strong. She is a joy to watch.

And finally, Gabby Llewelyn as M’Lynn is the absolute heart of this show, taking us through a roller coaster ride filled with the spectrum of motherly love. She takes ownership of her own emotional wheel – to drive home the experience of a Southern mother in crisis, with soft wings and nerves of steel.

In all, this production of Steel Magnolias was simply beautiful and heartfelt. The cast was superb and I would highly recommend it for a great night out.

To book tickets to Steel Magnolias, please visit https://encoretheatre.com.au/.

Photographer: Dave Swann

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Sleeping Beauty

Sleeping Beauty Pantomime

Sleeping Beauty Pantomime Rating

★★★★★

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Encore Theatre’s Sleeping Beauty is a joyful, high-energy pantomime that delights its youngest audience members while celebrating the enduring power of community theatre. With 28 years of producing local productions, Encore Theatre clearly understands how to create theatre that is welcoming, playful and full of heart.

From the moment the curtain rose, the children in the audience were completely engaged. This production leans enthusiastically into the traditions of pantomime, inviting participation at every turn. Young theatregoers eagerly danced along with the characters onstage, shouted warnings, and reveled in the call-and-response moments that make pantomime such a thrill. The atmosphere in the theatre was lively and loud in the best possible way.

The villainous Arachne proved to be a highlight, drawing enthusiastic boos from the crowd whenever she appeared. In contrast, the heroic fairy godmothers, Princess Kate and Prince William were met with cheers, clapping and unwavering support from the audience. These clear character archetypes made it easy for children to follow the story and confidently join in, reinforcing the fun, interactive nature of the show.

 

 

While the production doesn’t aim for complexity, it doesn’t need to. Its strength lies in its sense of fun and inclusivity. The performers clearly relished engaging with the audience, and their energy helped sustain the excitement throughout the show. Laughter, movement and participation were constant, ensuring even the youngest audience members remained entertained.
Sleeping Beauty is, above all, a good time. The children enjoyed themselves immensely, which is ultimately the measure of success for a pantomime of this kind.

Encore Theatre’s production is a fantastic introduction to live theatre for little ones, offering a positive, memorable first experience that encourages curiosity, confidence and a love of performance. For families seeking an entertaining and accessible theatre outing, this Sleeping Beauty delivers exactly what it promises.

To book tickets to Sleeping Beauty Pantomime, please visit https://encoretheatre.com.au/season-1/.

Photographer: Dave Swann

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Agatha Crispie

Agatha Crispie

Agatha Crispie Rating

★★★★★

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A hilarious spoof of Agatha Christie’s classic whodunits, written by Cenarth Fox and directed by David Dodd.

In the south-west of England soon after World War 1, the unknown writer, Agatha Crispie, pens mystery stories. In vain she longs for their publication. Agatha’s family despise her writing and ridicule her plots. Agatha gets a lucky break. A body is found in the library. The police arrive as does a grey-haired, cardigan-wearing spinster with a knack for solving crimes. Suddenly the pressure is too much. Agatha disappears. Then a dapper foreigner appears. He too has a knack for solving mysteries. Then a Scotland Yard detective makes a surprise entrance. There is a dead body, a suspect or three, amateur sleuths, red herrings and dithering cops. It’s just like the life and characters of another scribbler, the slightly better-known Agatha Christie. There are surprises, mystery, drama, humour and that infernal, eternal mousetrap!

Ticket Link: https://www.trybooking.com/events/landing/1369425

Once, I had read the promo I could not possibly miss this one. I grew up with my Mum reading an Agatha Christie mystery every chance she got and our holiday house literally had an entire bookshelf dedicated to the famous writer – who is noted on the program tonight as only outsold by Shakespeare and the Bible! Whether or not that is true to date, I’m thinking to myself no wonder my Mum loved her mysteries. I have read over the years those same books and have eagerly seen all the related movies and series’, so I’m fairly familiar going into this play with knowledge of the murderous titles and there are many cleverly interwoven references to the books in this play, including that body in the library.

 

 

‘Agatha’ played by Catherine Christensen is wonderful. Yearning to become a published writer in this story, she must convince her husband ‘Archibald’ played strongly and funnily by Neil Barnett, to let her continue to work on her writing or she must find a way to be rid of him and his family so that she can write her mysteries in peace and without the constant put down of Neil’s mother, ‘Lavinia’ played sternly well by Kerry Hollier.

Equal in putting down Agatha is the daughter of Archibald and step-daughter of Agatha, ‘Elvira’ played by Bel Shields – she is so entertaining! Absolutely loved watching her either as the main stage character when she had the floor or on the side; her mannerisms, voice, and everything else about her was a spot on stuck up Daddy’s girl wanting only the best for herself in society. Will she get it? Her ‘divorce’ scene was impeccably delivered.

I highly praise Rob Coulson as ‘Dithering’. It was easy to see he’s been doing this acting thing for quite a while as soon as he entered the room and delved fully into his character; he was very enjoyable to watch and reminded me of my Pop.

The set is fantastic. You feel like you stepped into the pages where Hercule Poirot or Miss Marple might lay down their reasoning on the suspect murderer, but here we will see the excellent dramatization skills of Gilbert Gauci playing ‘Hercule Grey-Cells’ and Mandy Vicsai as ‘Mary Mead’. I found it hard to believe that Mandy is a newbie to the world of acting, she was perfect in her role, as was Gilbert with his magnifying glass out sleuthing to themed music whilst everyone else was out of the murder scene room.

Outstanding casting on all characters, but my favourite was undeniably ‘Pimms’ played by Annie Laurenson. Annie’s comical timing is excellent and she seemed to feed even more into her character off the audience reactions; her performance throughout the show just got better and better right to the end punchline (which is a hoot!).

If you love Agatha Christie, you MUST SEE this show.

Congratulations to the cast and the hard working production team because yes, it is definitely as you promote: a fast-paced mystery-comedy filled with witty dialogue and outrageous characters, a clever parody of Agatha Christie’s famous detectives— perfect for fans of classic whodunits, and certainly an experience of intrigue, humour, and theatrical fun!

Venue: Clayton Community Centre Theatrette 9-15 Cooke Street, Clayton Vic. This is a very comfortable small theatre so don’t worry where you sit, you can see great from all the seats and it has wheelchair access. There is heaps of parking and the welcoming Encore volunteers served us free tea, coffee, biscuits and a glass of sherry at interval.

Playing: 18 – 27 July 2025 with some sold out shows already!

You can find out more about the lovely ENCORE THEATRE group via:

Facebook: https://www.facebook.com/encoretheatrecompanyclayton
Instagram: https://www.instagram.com/encoretheatre_inc/
Website: https://encoretheatre.com.au/

To book tickets to Agatha Crispie, please visit https://encoretheatre.com.au/season-1/.

Photographer: Dave Swann

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