Playthings: by Sun and Wine Arts Company

Playthings

Playthings Rating

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2

“Ah, high school—the land of hovering hormones, questionable life choices, and the endless pursuit of social status”.

Brisbane-based Sun and Wine Arts Company recently showcased “Playthings” by Perth-based writer and director Scott McArdle. Raw and unapologetic, Playthings is the story of young teens Lucy and Arnold as they navigate the turbulent reckoning of adolescence. Director and producer Hamish Chappell ensures the heavy subject matter is handled with sensitivity and authenticity.

Rose Swanepoel as Lucy and Dylan Komoff as Arnold play starkly different personalities, yet their vulnerabilities forge an unlikely friendship as they navigate high school and home life.

Rose’s Lucy was endearingly abrasive—her irreverent outbursts morphing seamlessly into moments of unexpected comic relief. She swaggered around the stage with such boldness, you could almost feel her inner turmoil stifling her.

In contrast, Dylan fully inhabits Arnold’s awkward, nerdy persona. His hunched posture, fidgety mannerisms and shuffling stance captured the essence of a teen desperate to have his moment to break loose and hold his ground.

The undeniable connection between the two was very evident to the audience as their shared vulnerabilities brought them together in moments of brutal honesty.

Supporting actors Laura Renee, as teacher Miss Richards and Ben Kasper as Stepfather Rhys, gave context to the story, anchoring it in the structure of school and home life. Yet they each carried their own struggles and past experiences, which added depth to the narrative and complemented the main cast beautifully.

Laura brought a grounded energy to her role as Miss Richards, grappling with her past while showing compassion and kindness towards Arnold, guiding him through an emotional experience. Ben’s Rhys was exceptional as the stepdad eager to connect and trying his utmost to alleviate his strained relationship with Lucy.

Visually, the production used simple sets and subtle lighting switches. This kept the focus on Lucy and Arnold’s stories while also adding a sense of intimacy to the play.

A standout moment for me and a line that loops back to a theme expressed earlier in the play: “Life sucks, Arnold, and people are f#@ked, but you don’t suck!” Resonating with the audience, this statement served to pare back the connection and unspoken understanding between Lucy and Arnold.

Playthings unapologetically peels back the layers of adolescence, the chaos, struggles and the unlikely friendships that make it all bearable.

To learn more about Sun And Wine Arts please visit https://sunwinearts.wixsite.com/sun-and-wine-arts-co

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

Esther Hicks: So….What’s it like in the Vortex?

Esther Hicks is Vibrationally Speaking

Esther Hicks is Vibrationally Speaking Rating

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4

Last night I joined Esther and Jerry along with their ethereal counterpart ‘Abraham’ for “Esther Hicks is Vibrationally speaking” at the intimate PIP theatre space in Brisbane. The show is an engaging and quirky parody of the real-life teachings of American inspirational speakers Esther and Jerry Hicks.

From the very outset – and before we even take our seats, we’re allocated participant lanyards and instantly plunged into a simulated workshop that promises closer alignment to the vibrations inside the vortex and the laws of attraction!

The audience buzzed with playful anticipation of what was ahead of us. In just under an hour, award-winning director Elizabeth Millington cleverly guides us through the simulated interactive self-help workshop. Woven into this timeline is Jerry and Esther’s behind-the-scenes journey to inspirational speaking, which also hints at their increasingly tense relationship.

Claire Pearson (actor, writer, producer, comedian) and Kyle Walmsley (actor, comedian and RAW National finalist, 2012) hilariously bring Esther and Jerry Hicks to life with heart and conviction. Claire’s adept ability to morph into the entity ‘Abraham’ with such physical intensity made it impossible not to laugh! The show’s interactive nature encouraged the audience to ‘co-create’, ‘manifest’, and, in a mantra-like style, engage in a call-and-response communication, highlighting the powerful conformity of group behaviour.

Opposite Claire, Kyle delivers a strong portrayal of Jerry Hicks, the Ex-Amway businessman focused on sales, who grounds Claire’s whimsical Esther in the earthly plane.

The chemistry between Claire and Kyle is so palpable and convincing in their delivery that at one stage during the ‘workshop’ I found myself, along with other audience members reaching under our seats to find that elusive latest release book, which they hinted was there. They drew the audience into their world effortlessly, creating a shared experience that felt communal but also individual.

The minimalist set used subtle lighting to divide the stage, ensuring Esther and Jerry could be the central focus. They seamlessly moved from the cooler ‘on-stage’ left side to the warmer, soft purple glow of their home on the right side. The use of projected wall images effectively supports real-life excerpts of writings, teachings, and even a real video clip of Esther Hicks speaking.

The apt use of sound effects and music reminded me of the vibrations of a theremin instrument with an overlay of heartbeat sounds, adjusting the mood and pace of the show. The music signalling the show’s end was much more joyous and almost childlike.

Whether you’re a fan of self-help teachings or a curious sceptic, this show will resonate and make you laugh. Whilst there have been other iterations of inspirational teachings and books over the years, “Esther Hicks is Vibrationally Speaking” makes a brave move in highlighting the absurd attempts people make to find their true happiness.

If Abraham could speak to us now, he might say: “Are you ready to launch your rockets of desire and find your bliss?” With a blend of humour, tension, and unforgettable ‘mantra’ moments, “Esther Hicks is Vibrationally speaking” will leave a lasting impression and will likely resonate with audiences long after.

“Esther Hicks is Vibrationally Speaking” was performed as part of Pip Theatre’s annual Toucan Club festival, running until 21st December. For more details, visit www.piptheatre.org/toucanclub/.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.