All the Music, Less of the Mystery: MJ The Musical Hits Crown Theatre

MJ: The Michael Jackson Musical

MJ: The Michael Jackson Musical Rating

★★★★★

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Michael Jackson is everywhere right now, in movies, musicals and on TikTok, and it’s hard to believe seventeen years have passed since his death. MJ The Musical arrives at Crown Theatre as exactly what it sets out to be: a joyful, spectacular celebration of one of pop’s most extraordinary careers. The various controversies of Jackson’s life are acknowledged briefly and then set aside. This show’s purpose is the music, and on that front it delivers in abundance.

The story plants itself firmly in the middle of the Jackson legend: the high-stakes preparation for the 1992 Dangerous World Tour. The production amps up the drama, depicting Michael risking everything including Neverland itself to mount the show he envisioned, and it works as a theatrical device even if history tells a slightly different story.

The narrative moves through flashbacks, tracing the through-line between the uncompromising father who drove the Jackson Five and the equally uncompromising adult Michael who would mortgage his world for his art. The structural device works well, giving the show genuine emotional grounding without slowing the momentum. The controversial Don King reunion tour gets a brief mention, a nod to the murkier corners of the Jackson story, but the production is ultimately more interested in celebration than examination. What you get instead is the music, and plenty of it.

 

 

Billie Jean and Smooth Criminal land with exactly the weight you’d expect, the Jackson Five numbers give the flashback sequences genuine warmth and a touch of bittersweet nostalgia, and Thriller earns its place among the highlights without swallowing the show whole. There is more besides, spanning a career’s worth of era-defining moments that had the Crown Theatre crowd singing along from the opening number. The setlist alone is worth the ticket price.

The lighting throughout is spectacular, dynamic and precise, building toward a closing sequence that delivers a proper visual spectacle fully worthy of the Dangerous era itself. Ilario Grant carries the lead with quiet authority, bringing a softness to Michael that never tips into imitation. Derrick Davis does strong double duty as both the domineering Joseph Jackson in the flashback sequences and the production manager in the present-day rehearsal scenes, a structural parallel that gives the show much of its emotional spine and one of its most interesting ideas. The ensemble brings full commitment to every number, and it shows.

The Crown Theatre crowd needed little encouragement. There was hollering at key moments, warm applause that lingered after each number, and a room full of people visibly reconnecting with music that shaped them. The audience skewed toward those who lived through the Jackson era firsthand, and the nostalgia was palpable and entirely earned. By the final bow, a standing ovation rose naturally, and then the cast returned for one more number, just when you thought it was done.

For the dedicated MJ fan, this is an essential night out. For everyone else, it is an enormously entertaining show that plays the favourites, fills the room with sound and light, and sends you out smiling. Don’t go looking for deep philosophy. Just go.

To book tickets to MJ: The Michael Jackson Musical, please visit https://mjthemusical.com.au/tickets/perth/.

Photographer: Daniel Boud

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About The Production – Three Sisters

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We recently sat down with the talented cast and crew behind the upcoming production of Three Sisters. This adaptation of Anton Chekhov’s masterpiece captures all the comedic, tragic, and bittersweet moments of life. Meet the ensemble who are pouring their hearts into making this timeless tale resonate as deeply today as it did over a century ago.

About Three Sisters

What is this Production about?

After the death of their parents, something essential is lost in the lives of the Prozorov sisters – direction, purpose, and hope. In a small provincial Russian town, their days pass quietly, filled with memory, longing, and unspoken desire; Irina longs to work and lead a life of independence. The fiery Masha is married to the sweet but unpassionate Kulygin, and privately burns for excitement. And Olga, the eldest, intelligent and loyal, has found herself living a life of subservience; she gives, and gives, and gives. All three look to Moscow as a symbol of the happiness they believe awaits them somewhere along the horizon – their lost paradise. 

In Three Sisters, life unfolds between what is and what might have been. In this fragile space, faith, hope, and love rise like quiet prayers. The balance between laughter and tears is delicate; people talk with the deepest regrets while pouring tea, and dream of better futures while tripping over their own feet. 

Written with humour, nostalgia, and deep compassion, Chekhov’s masterpiece tells a story of the passage of time and the persistence of hope. These characters are not distant figures from another time – they are us today, with all our joy, fear, desperation, desire, loneliness, and silence.

What’s challenging about bringing this script to life?

It’s quite the undertaking for our little company! We are working with the largest cast we’ve had thus far (11 people), using improvisation and Stanislavsky exercises to introduce freedom of movement and spontaneity while also being conscious of the size of the Old Fitz. Our director has carefully cast each of the characters, so we are in that stage of the rehearsal process where we are bringing detail and specificity to our performances whilst also remaining open to one another and trusting such a large ensemble to deliver a stellar piece of work. After all, this is a play that has no leading characters – we are each just a small piece in the grand picture of this play.

Toby

What sort of person is going to love this show?

Those who love Chekhov, and hopefully those who don’t! Every writer has a style and ethos. We hope to create a whole new following of his plays and stage it in a way we believe hasn’t quite been done yet. His unique humour and persistence in the face of adversity is a story that rings true even now – especially now. It’s easy to fall into the trap of making his plays dramatic and serious, but when has life been only that? Our aim is to show it all – from the tragic, to the comedic, to the in-between sweetness where our lives often sit. As one of our characters says: ‘Je suis content. Je suis content.”

What will the audience be thinking about in the car as they drive home after this show?

Hopefully, they’ll be thinking of themselves and who they’re going home to. ‘Three Sisters’ is as relatable now as it was then, 125 years ago. We want the people in the audience to see in each of our characters someone they’ve loved, someone they’ve lost – someone familiar, someone that’s just like them. How much has our need for family and kinship really changed since this play was first staged in 1901?

Another important facet of this family is that they are dreamers. “We will go to Moscow”, “Brother will become a professor”, “I shall work”, “I will be happy”. But, as the story progresses, how many of these beliefs manifest? This is as much of a cautionary tale as it is a family drama. At the risk of sounding cliché, people should leave the theatre thinking “This is my dream. And I MUST achieve it”. Don’t wait like they did. Don’t let life happen to you. What do you want out of your story? At the very least, it should revitalise you, make you want to be a good person.

No pressure.

Call someone out by name: who must come see this production?

Joel Edgerton!!!

As a collective of young, aspiring actors and creatives, his story keeps inspiring us to put out work we want to see on the big and small stages across Sydney and beyond (and the big screen too, one day). The greatest gift we have as a small company is working with each other, surrounding ourselves with like-minded and brave artists. People who have something to say. Likewise, his and his friends’ drive to produce work they believe in and to share stories that perhaps aren’t told very often echoes in our philosophy as well.

And his work! Most notably, his recent feature ‘Train Dreams’ is one we were all moved by. It’s something that immediately draws you in, creating an atmosphere that earns its sprawling moments of silence and tension. It’s about a simple man in a simpler time, with simple ambitions of starting a family and working.

Sound familiar?

Where can patrons purchase tickets to this production?

To book tickets to Three Sisters, please visit https://www.lastwaltzproductions.com/three-sisters.

Thank you so much for sharing your insights today. Break a leg; we are looking forward to Three Sisters filling the Old Fitz with laughter, tears, and plenty to reflect on in the quiet moments of life.

Other production interviews can be viewed in our About The Production Series.

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Meet The Comedian – Maitreyi Karanth

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Get ready to laugh your socks off as we introduce comedian Maitreyi Karanth as she prepares for her show Maitriarchy in this years 40th Melbourne International Comedy Festival. Let’s dive into her world of humour, passion, and inspiring moments.

About Maitreyi Karanth

What do you enjoy most about acting?

I feel completely me when I perform. I feel alive. I love looking into people’s eyes from up on stage and feeling the connection. Someone said after one of my performances, “I felt we had a lot of eye contact, a connection”. I love that.

Do you want to work in film, live theatre or both?

My dream is to be a talk show host. I think it comes very naturally to me. I started my time in the entertainment business with acting. Being an actress was what I set out to do before I discovered live stand-up comedy. Camera or stage, acting is a passion.

What has been your favourite role so far in your career?

The charity show was pure joy – 100 Filipinas laughing, cheering, and just letting their hair down. The energy in that room was wild and so full of love.

And then there was January 4th, 2026 – the biggest night of my career. The theatre show was historic: the first solo theatre show by a female comedian in Hong Kong! Only four comedians, irrespective of gender, have ever performed a solo theatre show here – and we sold out! The vibe was electric, the crowd was incredible, and my heart was full. That theatre was always my dream venue. I’d opened for a famous comedian there once and quietly thought, “One day this will be mine.”

Maitreyi Karanth

What strategies do you use to overcome stage fright or nerves before a performance?

I listen intently to the host. A good host really puts me in the right mood. I feel very energised. I think nerves are good, just should not let them control you, that’s all.

How would you react if you received a negative review of a performance?

Naturally, I would be disappointed, but then I would see how much I agree with the review. Most of the time, we know how a show goes. Deep down, we know. It’s only a matter of accepting it. I am not a rebel without a cause. I have actually looked into my performance deeply whenever I have had any kind of review. What’s the point of a review if it’s not a chance to see what you don’t see

Have you ever had to improvise during a performance? If so, can you share an example?

Yes, of course. Sometimes you realise your audience type in the middle of the performance, and you have to pivot. Which is why it’s important to write a lot, to have something for everyone!

Is there anything else you’d like to add?

I love producing and emceeing as well. I think both come naturally to me. I have decided to take it up a notch and produce more International acts in the coming year. I also produce and perform in a lot of charity fundraisers. I love how I can use my talent for the greater good. In fact, in the beginning, my charity was funded solely by my performances!

Where can patrons purchase tickets to this production?

To book tickets to Maitriarchy, please visit https://www.comedyfestival.com.au/browse-shows/maitriarchy/.

Thank you so much for sharing your delightful stories and insights with us. We can’t wait to see how you light up the stage in “Meet The Comedian – Maitriarchy”. Best of luck, and may your performance be filled with laughter and joy!

Other interviews can be viewed in our Meet The Performer Series.

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Meet The Comedian – Shamaine Othman

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Ladies and gents, today, we’re sitting down with Shamaine Othman, the comedian behind the upcoming show, Who’s That Girl?

About Shamaine Othman

Why do you want to be an actor?

Be part of a show or an idea that has the opportunity to move people.

What do you enjoy most about acting?

I really enjoy the immediate energy exchange between performer and audience

What has been your favourite role so far in your career?

My favourite show was performing at the Kings & Queens Comedy Asia show to a full house at the Esplanade Theatre in Singapore.

Shamaine Othman

What strategies do you use to overcome stage fright or nerves before a performance?

I always run my set at home before heading to a show. Also, a nice spine roll helps with nerves.

How would you react if you received a negative review of a performance?

Accept and move on…. And it only matters when it comes from someone who paid for a ticket.

Have you ever had to improvise during a performance? If so, can you share an example?

Yes…. I once did an improv show, and the power went out in the theatre, but we carried on; it became an audio/radio improv show.

Is there anything else you’d like to add?

I love doing stand-up as it combines two of my favourite disciplines: writing and performing.

Where can patrons purchase tickets to this production?

To book tickets to Who’s That Girl?, please visit https://www.comedyfestival.com.au/browse-shows/who-s-that-girl/.

Thank you so much for your time today. Break a leg for your upcoming show, “Who’s That Girl?, power cuts or not!

Other interviews can be viewed in our Meet The Performer Series.

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