Sydney Film Festival Reveals Screenability And Family Films

Feature-Sydney Film Festival 2026

Sydney Film Festival today announces the 026 Screenability and Family programs, presenting eight new films as part of the 73rd Sydney Film Festival from 3–14 June.

“Screenability is about opening the screen up, not just to new stories, but to the people telling them,” said SFF Director Nashen Moodley. “And with our Family films, it’s pure cinema joy. Big ideas, big emotions, and the kind of stories that hook you early and stay with you. This is where the next generation of film lovers begins.”

SCREENABILITY
Sydney Film Festival proudly presents Screenability for its tenth consecutive year, showcasing a vibrant lineup of films created by filmmakers living with disability and expanding the space for stories that are too often left unseen.

This year’s program features Retreat, Ted Evans’ debut psychological thriller with an all-Deaf cast, following a young woman whose arrival at a secluded Deaf wellness retreat in the English countryside sets a community unravelling.

In Joybubbles, Rachael J. Morrison’s Sundance-selected debut documentary follows Josef Carl Engressia Jr., born blind and gifted with perfect pitch, from his challenging childhood to becoming a pioneering phone hacker and founding figure of an underground subculture. Produced by Sarah Winshall (I Saw the TV Glow, SFF 2024). Some sessions will also be available with open audio description, offering the film going experience for blind audiences.

You Look Fine, winner of the Unstoppable Feature Grand Jury Prize and Audience Award at Slamdance, follows comedian J. Snow as he documents his life with sickle cell disease with humour, candour and unflinching honesty.

Three short films screen alongside the features. When You Hear Hoofbeats, following a young woman whose struggle to have her medical symptoms taken seriously leads her to believe she has been possessed; Sarsaparilla, in which a sheriff and his outlaw nemesis find unexpected common ground over a shared love of line dancing; and Trapeze, a deeply personal exploration of autonomy, ancestral ties and Deaf identity expressed through movement and Auslan choreography by Jeremy Lowrenčev.

FAMILY FILMS
Bring the whole family to Sydney Film Festival, where this year’s Family program delivers big-screen storytelling for younger audiences and adults alike.

The 2026 lineup includes The Last Whale Singer, a Zurich Film Festival selection following Vincent, a young humpback whale who must find his voice to save the ocean, in a sweeping animated adventure of friendship and self-belief. The Desert Child follows a teenage girl whose grandfather’s story of a boy raised by ostriches in the Sahara turns out to be true, in a family adventure rooted in resilience and connection to the land.

Tickets to Screenability, Family Films, Opening Night film Silenced, Sartorial: Fashion on Film, as well as FlexiPasses and subscriptions to Sydney Film Festival 2026 are on sale now at sff.org.au. Call 1300 733 733 or visit sff.org.au for more information. The full Sydney Film Festival program is announced on Wednesday 6 May 2026, when tickets to all films will be on sale.

 

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South Australia Meets An Expressionist Masterpiece

Feature-MACHINAL

Red Phoenix Theatre presents the South Australian premiere of Sophie Treadwell’s MACHINAL at Goodwood Theatre & Studios, 21–30 May 2026.

Nearly a century after Sophie Treadwell wrote it, MACHINAL will be staged in Adelaide for the first time. Red Phoenix Theatre presents the South Australian premiere of this globally recognised Expressionist masterpiece at Goodwood Theatre & Studios from 21 to 30 May 2026.

Inspired by one of the most sensational true crime cases of the 1920s, Machinal follows one ordinary woman ground down to breaking point by the relentless machinery of work, marriage and expectation. Treadwell drew from the 1927 murder trial of Ruth Snyder but transformed tabloid sensation into something far more searching, a nine-episode portrait of a woman being squeezed into shapes she was never meant to hold. Nearly a hundred years have passed. What makes Machinal so unsettling is not how distant Treadwell’s world feels from our own, but how close.

Time Out New York called it “stingingly fresh and provocative”. West End Theatre described it as “cleverly inventive, chillingly modern”. Adelaide audiences will now have the chance to decide for themselves.

A VISION IN BLACK AND SHADOW

Director Michael Eustice brings an expressionist production design to the work that bends the physical world of the play around the inner experience of the Young Woman at its centre. The stage is constructed almost entirely from black drama blocks and stools, reconfigured between each of the nine episodes by the ensemble, in movements that are themselves choreographed with mechanical precision. The physical world of the production is bold, precise and thrilling to watch.

While deliberately sparse in its physical design, the production draws on the visual language of German Expressionist cinema, a soundscape layering 1920s jazz and blues with contemporary minimalism, and chiaroscuro lighting that makes shadows as important as light. This is theatre that enters through the eye and takes up residence somewhere deeper.

DIRECTOR QUOTE – I saw MACHINAL at the National Theatre in 1993 and it marked me in ways I am still discovering. There is something in Treadwell’s design – the fragmented language, the expressionist distortion of a world that is grinding one woman to nothing, that is both technically extraordinary and completely, uncomfortably human. Three decades on, bringing this South Australian premiere to Red Phoenix feels less like a directorial choice and more like an obligation. This is what theatre is for. To make the walls close in. To make the air thin. And then, briefly, to let the light in.

Michael Eustice, Director

THE CAST

Machinal features an outstanding ensemble: Trevor Anderson, Laura Antoniazzi, Nic Betts, James Grosser, Matt Houston, Lisa Lanzi, Sophie Livingston-Pearce, Sharon Malujlo, Steve Marvanek, Stuart Pearce, Kate van der Horst, and Leighton Vogt.

PERFORMANCE DETAILS

Title: MACHINAL
Company: Red Phoenix Theatre
Venue: Goodwood Theatre & Studios, Goodwood
Format: Two hours including one interval
Dates & Times: May 21, 22, 23, 27, 28, 29 & 30 @ 7.30pm and Sunday May 24 @ 2.00pm
Tickets: $29 full, $23 concession, $26 group booking (6+)
Tickets at the door subject to availability
Bookings: www.trybooking.com/DCUKY

 

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The Bubbles Festival 2026 – Nationwide

Feature-The Bubbles Festival 2026 - Nationwide

The Bubbles Festival – a celebration of all things sparkling – is back in 2026! The Festival is organised by The Bubbles Review, a multi-award-winning blog and website devoted to the enjoyment of drinking champagne and sparkling wine.

Launched in October 2016 by Melbourne based entrepreneur and international best-selling author Natalie Pickett, The Bubbles Review shares information on the people, history, tasting, techniques of making champagne and sparkling wine and creates courses, events and tours so that our followers can join us and indulge. Our immensely popular blogs on Aussie sparklings really struck a chord, and it brought about the concept of launching The Bubbles Festival featuring a range of sparkling wines all in one boutique event.

The inaugural Bubbles Festival was held in Melbourne in April 2017, and after responding to demand to take the event to other states, since 2021 the festival has been cemented in the events calendar as a national series catering to sold out audiences across the country. We are excited to be sharing the bubbly love once again – The Bubbles Festival will be held in Melbourne, Brisbane, Sydney and Adelaide in 2026.

Patrons purchase a ticket for a two-hour session which includes a chance to meet and engage with producers and distributors of sparkling wine and champagne, and enjoy bubbly tastings, paired with canapés, all at one stylish event. (A VIP upgrade can also be purchased giving extra bonuses and access to a special tasting. $5 from every VIP ticket is donated to our chosen charity in each city.)

Natalie Pickett, the Founder of The Bubbles Review provides an introduction on tasting appreciation. A RIEDEL Champagne tasting glass is given to each attendee, and a curated list of 10 or more tastings of sparkling wine are provided along with canapés and tasting notes.

Tickets are $139 + Booking Fee via Eventbrite

Details for all events are:
Melbourne at Rivers Edge Events Melbourne – 2 May 2026
Brisbane at the Great Hall, Hills of Rivermakers – 8 & 9 May 2026
Sydney at the Royal Automobile Club of Australia – 22 & 23 May 2026
Adelaide at Ayers House – 6 June 2026

For more information, visit: https://thebubblesreview.com/the-bubbles-festival/

Natalie says “I think that champagne and sparkling wine are one of the joys of life and something to be shared. We love bringing all of these superb sparkling wines together with our followers at The Bubbles Festival”. There is no other wine event in Australia that showcases a range of sparkling in this way.

 

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2026 Performing Arts Wa Awards Announce Winners Celebrating Excellence In Live Performance From 2025

Feature-2026 Performing Arts WA Awards

The 2026 Performing Arts WA Awards Ceremony, held on Monday 20 April in the Heath Ledger Theatre, celebrated achievement in Western Australian professional live performance in 2025, covering both mainstage and independent performances. Opera Dead Man Walking by Freeze Frame Opera was the biggest winner for the night, taking home five awards, including Outstanding Direction, Outstanding Lighting Design and Best Production.

Black Swan State Theatre Company of WA’s co-production with Belvoir St Theatre August: Osage County by Tracy Letts and independent theatre show Shadow of Doubt by The Blue Room Theatre & Fine Comb Theatre were also popular productions, picking up four awards each.

After Freeze Frame Opera, Black Swan State Theatre Company of WA was the next most awarded company, taking home a total of five awards. The Blue Room Theatre maintained their reputation as a hub for excellent theatre, with 10 awards for shows at the venue. The Lifetime Achievement Award went to veteran stage manager Jenny Poh, for her tireless work within the industry.

The inaugural Ripple Effect Award winner was James Berlyn. James’ tireless and quiet contribution has had a ripple effect to make change and to impact others. In his acceptance speech, James announced the prize money would fund a new artist residency opportunity at his West Berlyn Studios.

The Ripple Effect Award is a new award, to honour the legacy of the late Georgia Malone. A true champion of the arts, her incredible career has left a lasting legacy for the world. With continued funding and support from DCITS and Arts & Culture Trust, the awards continue to be held at Heath Ledger Theatre at State Theatre Centre. The awards themselves featured live performances from MATRIARX and Pam Boland, and were hosted with comedic wit by performers Luke Joseph Ryan & Wyatt Nixon-Lloyd. With a 20+ year history of recognising professional theatre, the Awards include dance, musicals, opera and cabaret across WA. The Awards celebrate the professional live performing arts in Western Australia. They are hosted each year by Artist Relief Fund WA, a charity which supports arts workers experiencing hardship.

Musical Urinetown by Western Sky Projects received the most nominations, up for fourteen separate awards. After Western Sky Projects, Freeze Frame Opera was the most nominated company with 9 nominations. Other big nominees include Co3 Contemporary Dance & The Australian Chamber Orchestra’s dance work IN THE SHADOW OF TIME with eight nominations; The Blue Room Theatre & Tone Lists’s O,D,E also snared eight nominations.

The event was supported by funders and sponsors: DCITS and Arts & Culture Trust WA, Steamworks Arts, CircuitWest, Architecture of Movement, George Kingsley, Media Entertainment & Arts Alliance, Moore Creative Artists, Perth Institute of Contemporary Art, Pigface Books; plus hospitality partners Otherside Brewing and West Cape Howe Wines. More information: www.performingartswaawards.com

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