World Premiere For New La Bohème, A Powerful Australian Story In Town For The First Time And A Charming New Family Favourite In Opera Australia’s Wide-ranging Melbourne Spring Season

Feature-Opera Australia’s Melbourne Spring season

The Wagner Gala: A triumphant return of world-class opera to renewed Ian Potter State Theatre

Opera Australia will make a spectacular return to the newly refurbished Ian Potter State Theatre with a selection of Wagner’s most extraordinary pieces, including operatic arias and orchestral masterpieces, performed by some of the leading Wagnerian specialists of our time. The world-class cast will be led by acclaimed German Maestro Michael Güttler and will star British dramatic soprano Catherine Foster, known for her portrayal of Brünnhilde at the Bayreuth Festival, Russian tenor Sergei Skorokhodov, known for his powerful performances as Lohengrin and Tannhäuser and one of the Australia’s most versatile and in-demand baritones, James Clayton, who returns to sing with Opera Australia for the first time in over a decade.

16 October | Ian Potter State Theatre, Arts Centre Melbourne, Tickets from $89

La Bohème: A brand new, shimmering production to premiere in Melbourne

A lavish, brand-new production of La Bohème, by visionary young director Constantine Costi, will have its world premiere in Melbourne this November. Set in a snow-kissed Paris, this must-see production will breathe vivid new life into the opera that has inspired countless bohemian love stories. Australian rising star conductor Finnegan Downie will lead a luminous cast of international and Australian talent, including a homecoming season for Melbourne-born Alexandra Flood who will sing Musetta, while Galina Cheplakova and Valeria Sepe will break hearts sharing the role of Mimì and tenors Kang Wang and Paride Cataldo both take on the soaring melodies of Rodolfo.

7 – 18 November | Regent Theatre Melbourne, Tickets from $79

Opera Up Late: Opera’s naughtiest late-night party is back with more music, more glitz and more outrageous fun

The campest night at the opera is back: opera’s greatest late night party, Opera Up Late, hosted by the outrageous Reuben Kaye, returns to Melbourne’s Regent Theatre. A riotous celebration of all things opera, plus a few musical theatre classics and pop numbers for good measure, it’s both the perfect opportunity for newbies to pop their operatic cherries and aficionados to enjoy some of the most iconic arias as they’ve never seen, or heard, before. Award-winning director Shaun Rennie brings together a cast of fabulous singers for a night of big laughs and even bigger voices. Australia’s most highly awarded soprano, Emma Matthews, will be joined by Ruth Strutt, Daniel Macy and Anthony Mackey, all making a welcome return to the glittered Opera Up Late stage.

15 November | Regent Theatre Melbourne | Tickets from $79

The Trumpet of the Swan: For the first time in Australia, Jason Robert Brown’s charming introduction to musical storytelling

Symphony and storytelling bring E.B. White’s classic children’s novel The Trumpet of the Swan to life, with lively narration performed by a group of actors alongside a cinematic, lyrical score played live by Orchestra Victoria. Adapted for the stage by Pulitzer Prize winning playwright Marsha Norman and Tony Award-winning composer Jason Robert Brown, this work, staged especially for families and children, is a charming testament to the power of music and a perfect introduction for young music lovers to live orchestral performance. A hit at its Kennedy Centre premiere, Opera Australia presents this delightful work on the Australian mainstage for the very first time.

20 – 22 November | Regent Theatre Melbourne, Tickets from $59

Watershed: The Death of Dr Duncan: A searing Australian opera tells of real-life tragedy and triumph

Ravishing operatic work Watershed: The Death of Dr Duncan will premiere in Melbourne at Arts Centre Melbourne’s Playhouse Theatre. Directed by Australian theatre and opera legend, Neil Armfield, this production is as deeply felt as it is thrillingly physical. Half a century since the infamous drowning of Dr George Ian Ogilvie Duncan, which ultimately led to the decriminalisation of homosexuality in South Australia, Watershed turns the illicit into the sacred, through powerful choral music, solo voices and dance. Through a searing, no-punches-pulled libretto by Helpmann Award-winning playwright Alana Valentine and author Christos Tsiolkas (The Slap) and a luscious, ultimately transcendent score by Brisbane composer Joe Twist, this 5-star, “if I could give it 6 stars, I would” (Limelight), critically acclaimed production captures a significant turning point in Australian history.

21 – 28 November | Playhouse, Arts Centre Melbourne, Tickets from $59

Booking Information
Group and concession prices available for most performances.
Opera Australia Box Office | (03) 9685 3700 | opera.org.au
Explore the season online https://opera.org.au/whats-on/melbourne

 

Spread the word on your favourite platform!

World-renowned Magician Dynamo Announces Surprise Australian Visit To Expose The Nation’s Biggest Illusion

Feature-Dynamo vs. Houdini

Today, iconic international magician Dynamo has announced a surprise visit to Australia where he is set to shock the nation by exposing an illusion believed by Australian households nationwide.

Returning to Australia for the first time in more than a decade, Dynamo will trade sold-out arenas for an unexpected Sydney neighbourhood, delivering an exclusive performance with B&D Garage Doors on Wednesday, 26 August.

Alongside his signature mind-blowing magic, fans will witness Dynamo expose an everyday illusion believed by Australian households nationwide—one that has remained hidden in plain sight until now.

“I can’t wait to head back to Australia this month, but this time with an illusion that isn’t happening on stage,” said Dynamo.

“It’s something many Australian households encounter every day without even realising it. Once it’s revealed, it will challenge what Australians currently believe to be true.”

While the exact Sydney location remains under wraps and details of the illusion are being closely guarded, Australians will have the opportunity to witness the performance firsthand, with a limited number of tickets available to win.

For the chance to witness Dynamo’s only Australian performance, visit www.bnd.com.au.

Dynamo’s appearance comes hot on the heels of filming his upcoming series, Dynamo vs. Houdini, which marks the 100-year anniversary of Harry Houdini’s passing and explores what the legendary escape artist might attempt if he were alive today.

 

Spread the word on your favourite platform!

Co-producers Of ‘Heathers The Musical’ To Bring The Magic Of Banjo Patterson To The Stage In A New Australian Musical

Feature-Clancy of the Outback

Stoddart Entertainment Group is proud to announce the commissioning of a new Australian musical, Clancy of the Outback, for development. Renowned for staging productions such as The Play That Goes Wrong, Evil Dead The Musical, and Heathers The Musical, the company will present this uniquely Australian story exploring identity, family, community, and acceptance through a uniquely Australian lens. The production is scheduled for its premiere in 2027.

The production is based on Phil Kettle and Bob Andersen’s beloved children’s book series, Clancy of the Outback, which drew its inspiration from Clancy of the Overflow, one of Banjo Paterson’s most famous poems, which is told from the perspective of an urban dweller who encounters the legendary drover and shearer, Clancy, and comes to long for the idealized pleasures of his outback lifestyle.

This original, one-act theatrical adventure will bring one of Australia’s most iconic children’s outback heroes to the stage, creating a fresh homegrown production that promises to captivate both young audiences and families.

Stoddart Entertainment Group CEO/Producer Daniel Stoddart said, “Australian stories deserve to be told on our stages, especially for young audiences. Clancy is adventurous, funny and deeply heartfelt, but what excites me most is that it doesn’t talk down to children. It treats them as intelligent, thoughtful audiences and invites families to experience all the hallmarks of a full-scale musical together.”

“At a time of significant change for Australia’s theatre industry, we’re incredibly proud to be investing in new Australian musical theatre. Original work is the lifeblood of our industry, and Australian stories deserve to be created by Australian artists and shared with audiences across the country. Clancy of the Outback is more than a new production – it’s an investment in Australian creativity, in emerging talent, and in the future of home-grown musical theatre.”

The production will feature book and lyrics crafted by an all Australian team led by Green Room Award-nominated writer Dylan Marshall, with an original score by Earl Marrows, a celebrated Australian composer and alumnus of New York University’s esteemed TISCH School of the Arts.

Writer/Lyricist Dylan Marshall said, “Clancy is a story about finding where you belong. While it’s wrapped in adventure and humour, at its heart it’s about connection – to people, to place and to community. Those themes feel incredibly relevant today.”

Composer Earl Marrows added, “The score draws inspiration from the Australian landscape itself. We wanted the music to feel big-hearted, emotional and distinctly Australian while still delivering the excitement, humour and spectacle audiences expect from musical theatre.”

Bursting with humour, heart and thirteen original songs, Clancy of the Outback will follow a city kid who finds himself thrust into the heart of regional Australia. At The Overflow Station, Clancy learns to fit in with the lively dust-covered community, raises a baby kangaroo, discovers the beauty and hardship of life in the outback, and faces an environmental emergency that challenges his courage, resilience and sense of belonging.

The production forms part of Stoddart Entertainment Group’s ongoing commitment to championing Australian stories and investing in the future of new Australian musical theatre.

Further details, including premiere dates, creative team and casting, will be announced in the coming months.

 

Spread the word on your favourite platform!

Marian St Theatre Campaign Update! Fundraising Goes Viral, Forcing Council’s Hand…

Feature-Marian St Theatre

An extraordinary community fundraising campaign has forced Ku-ring-gai Council back to the table in a last-ditch bid to save Marian St Theatre.

After more than 250 residents attended Rally in Red on Sunday, 215 supporters have contributed more than $76,000 towards the $100,000 needed to preserve the approved architectural plans for Marian St Theatre before they expire on 19 August.

In response to the campaign, Ku-ring-gai Council has called an Extraordinary General Meeting (EGM) for next Monday to consider rescinding its previous decision to abandon the project and instead undertake the urgent works needed to preserve the approved plans.

Marian St Theatre Action Chair Jessica Blaxland Ashby said the response had been extraordinary. “On Sunday we rallied because we were angry. In just three days, the community has raised more than $76,000 and forced Council back to the table.”

“If we can raise the remaining funds, Councillors have the opportunity to reverse their previous decision and preserve the only approved pathway to reopening Marian St Theatre.”

Rally in Red graphic.png

The emergency campaign was launched after Council voted on 16 June to allow the approved architectural plans to expire. If the plans are lost, campaigners say more than 20 years of consultation, design work and planning, together with $1.7 million of public investment, will be wasted, and reopening Marian St Theatre would be delayed by another decade – or lost altogether. Due to the EGM announcement, the fundraiser has been extended from Thursday to Sunday.

The approved redevelopment, designed by leading theatre architects Tonkin Zulaikha Greer, would transform Marian St Theatre into a contemporary arts centre with spaces for theatre, music, dance, exhibitions and community events.

All donations will be tax-deductible and will be refunded if Council ultimately decides not to preserve the approved plans.

Blaxland Ashby said the campaign had demonstrated the depth of community support. “The community has been extraordinary. Hundreds rallied. Thousands have signed the petition.”

“But we’re not there yet. We still need the remaining funds before the end of Sunday.”

The campaign has attracted widespread community support following Sunday’s Rally in Red, which brought together performers, families, community leaders and artists in a sea of red outside Gordon Library.

Davidson MP Matt Cross reiterated his support for preserving Marian St Theatre both at the rally and in a speech today in state parliament, and encouraged signatures to the petition to the NSW Parliament. Federal Member for Bradfield Nicolette Boele described Marian St Theatre as “a clear case where, rather than building new infrastructure from scratch, we can step in now to preserve and revitalise the spaces that already exist.”

Blaxland Ashby thanked all the generous donors. “If Council won’t save Marian St Theatre, we, the community, will.”

GoFundMe: https://www.gofundme.com/f/urgent-save-marian-st-theatre-we-have-until-thursday
Petition: https://www.parliament.nsw.gov.au/parliamentary-business/petitions/sign-epetition?epetitionId=773&ref=10902
Website: https://marianstaction.com.au/

 

Spread the word on your favourite platform!

Subscribe to What's The Show

Reviews, show news and what is on, straight to your inbox.