Coliseum Theatre To Present The World Premiere Of Cirque Empire

Feature-Cirque Empire

The Coliseum Theatre today announced the world premiere season of Cirque Empire, an epic new spectacle from the creators of the global smash hits Cirque Alice, Now You See Me Live and Circus 1903 which will transform Sydney’s Coliseum Theatre into a 1920’s party from 7 January 2027.

Produced by Simon Painter and Tim Lawson, Cirque Empire boasts extraordinary acts from some of the greatest performers around the globe promising the most outrageous entertainment in a decade of decadence.

The year is 1922. A visionary young impresario recently inherited his late father’s fortune and invested every penny in creating the ultimate New York City destination for roaring twenties revelry. He has imported the most breathtaking, outrageous, and exotic talent from across the globe to perform nightly in his opulent theatrical extravaganza, assembling an eclectic cast of characters from high-flying aerialists and avant-garde acrobats to hysterical comedians and dazzling dancers.

Executive Producer, Tim Lawson, said he was thrilled to be returning to the Coliseum with a world premiere production. “We had such fun and great success with Cirque Alice at the Coliseum last year, it was our first choice to open Cirque Empire. The show will, as always, boast spectacular entertainment that will dazzle audiences of all ages – whether you’re on a date night or you want to bring the whole family along”

With the cast to be announced in the coming months, Creative Producer Simon Painter said audiences could expect a lineup of some of the most extraordinary performers on Earth who must be seen to be believed, from jaw-dropping international circus acts to side-splitting comedians, alongside an elite troupe of Australia’s most sensational dancers.

“The cast that has been selected for this show is amongst the very best acrobatic, dance and comedic talent that has ever been presented in any circus show, and we cannot wait to share these truly unbelievable acts with Sydney audiences,” said Painter.

Richard Errington, CEO of West HQ, said, “Securing Cirque Empire for the Coliseum Theatre is a significant win for Western Sydney and reflects our commitment to bringing exceptional live entertainment to the region. Cirque Empire offers audiences a spectacular and distinctive live experience. It’s another example of the calibre and diversity of entertainment being delivered right here in Western Sydney.

Errington added “This is about more than one show – it’s about building the identity of the Coliseum Theatre as a destination for live entertainment. Cirque Empire adds to that momentum and reinforces the Coliseum’s role in putting Western Sydney firmly on the cultural map.”

Prepare for a night of roaring glamour and outrageous spectacle.

The season is presented by the Coliseum Theatre in association with Tim Lawson and Simon Painter.

Join the waitlist at coliseumtheatre.com.au now

CIRQUE EMPIRE
Venue: Coliseum Theatre
Season: 7 – 16 January
Performance Times: Wed & Thurs 7pm, Fri & Sat 7.30pm, Sun 6pm, Matinees Wed & Sun 1pm, Sat 2.30pm
Prices: From $69 (Transaction fees apply)

Bookings: coliseumtheatre.com.au or ticketek.com.au
Phone: 02 9625 5500 10am to 5pm
In Person: West HQ Box Office, 33 Railway Street, Rooty Hill,

BOOKINGS
Priority Presales: From Tuesday 22 September, 10am
Tickets start at $69 plus booking fees.
General Public On Sale: Tuesday 29 September, 10am
Tickets start at $69 plus booking fees.

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12th Annual Smart Fone Flick Fest Finalists Named For Opera House Screenings

Feature-SmartFone Flick Fest (SF3)

Following its ‘Mini’ and Feature Film screening presented with Eventspec at the White Bay Power Station in Rozelle on Saturday night 31 October, the fest moves to iconic Bennelong Point – with the SF3 Kids finals and Awards Ceremony in the Sydney Opera House Playhouse from 10.15am. Then – the thrilling climax – the annual SF3 Gala Finals in the same venue from 4.30pm. And Melbourne gets its own taste with the MINA and SF3 Film Festival at ACMI in Fed Square on 20 November from 6pm.

A record 400 entries including 19 feature films and 16 AI films entered from 70+ countries including some new ones such as Sudan, Georgia, Malaysia, Thailand, Czechia, Luxembourg, Peru, Pakistan, Romania, China. Plus all ‘the usual suspects’ of Australia, America, the UK, South Africa Western Europe. The best of them will face off in front of a slew of industry A-listers, festival ambassadors and celebrity and industry judges for a share of more than $50,000 in prizes.

James Demitri of Hurlstone Park in Sydney returns to back up his Best Feature Film award last year, with a new full-length movie: Three Chapters – a queer, horror and drama anthology with a twist – is the perfect Halloween treat (or trick!).

Gala Finals highlights this year include: Storyboard: the Musical from first-time filmmaker Jordan Gibbs from the USA – a stunning musical hybrid live action and animation made with his animator sister; No Bears Allowed is made by Sydney dad/daughter duo, Jimmy and Stevie Gannon, but the film was written and directed by Stevie, who is only 7 years old, making her our youngest ever Gala Director.

The Hole, by NIDA grad team of Sean Luther Hall and Josh Stewart, starring Albert Mwangi (Bump, Tom Swift, Primitive War) and Jack Ellis (A Place to Call Home, Mr InBetween, Home & Away and Sweet River).

There are two films by filmmakers with a disability – What Life Can Be and You Won’t Be Left Behind.

The Weight of Mercy is a western sci fi, starring 2025 winner Tatjana Marjanovich.

In the SF3 Kids section, there’s Code Blue from the youngest kids at Centre Stage Academy in Blacktown and special effects work from teenage Aston Di Donato of Port Kembla in Hero-Man.

There’s also an incredible film about water and memory plus a deeply moving movie about the cost of living crisis and one man’s decision for the sake of his daughter.

The Mini Screening is diverse: from crochet murders to super-heroes, from a father-daughter disagreement to a ‘good time’ ruined by AI.

As in previous years, all Gala films must be 20 mins or less; SF3 Kids films are for filmmakers 18 and under and must be 10 minutes or less; SF3 Mini films must be 3 minutes or less and the word to be inspired by is “GO”; SF3 AI is for films written by a human and made using generative AI.

Major sponsors include Blackmagic (Gold Sponsor), Melodie and Try & Byte (Silver Sponsors), Chicken & Chips Casting, Røde Microphones and Rubber Monkey (Bronze).

Australian international filmmaker Phillip Noyce heads the Ambassadors list and the judging panel that includes Louis Nowra, Serhat Caradee, Ros Gentle, Joe Ochman, Yolandi Franken and Megan Rikos.

SF3 Festival Director and co-founder Angela Blake says she’s been privileged to experience the richness and diversity in stories from all corners of the globe, and highlighted the incredible array of stories from local Australian filmmakers.

SF3 Ambassador, Australian international actor Kerry Armstrong says SF3 is one of Australia’s most important annual cultural events and celebrates the accessibility of smartphone filmmaking.

Tickets for all session are available at www.sf3.com.au with full program, awards categories and prizes also detailed.

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Monty Python’s Spamalot Opens This Week!

Feature-Monty Python’s SPAMALOT

This week Melbourne’s Athenaeum Theatre is set to welcome the three time Broadway Tony award winning musical Monty Python’s SPAMALOT with preview performance beginning on Wednesday September 16 ahead of the red carpet opening night on Saturday, September 19. The Tony Award-winning Best Musical has recently extended its Melbourne run through October 11, following extraordinary ticket sales and demand. Heading to the stage for the Melbourne season is an exceptionally talented and diverse cast, headlined by Australian screen and television favorite Stephen Curry, stepping into the royal role of King Arthur in his musical theatre debut.

Joining Stephen as the captivating Lady of the Lake for Melbourne is vocal powerhouse Jaz Flowers, marking her triumphant and long-awaited return to the stage after ten years.

Perth standout Jamie Rolton reprises Patsy alongside Stephen Curry’s King Arthur. They are joined by rising comedian Nick White (Man of Many Characters), NIDA graduate Gareth Isaac (Sir Robin), WAAPA graduate Jesse Vasiliadas (Sir Lancelot), and Perth alumni Noah Skape (Sir Galahad) and Ethan Jones (Sir Bedevere). The ensemble includes Grace Williams, Emily Huynh, Danielle Gibson, Jacinda Tsakalos, Will Basson, Jack Coyne, Dominique Hamilton, Regan Walker and Ethan Churchill.

Directed and produced by Drew Anthony, this spectacular new staging of the beloved classic brings all the film’s iconic humor to life. The production features an innovative high-definition digital set that seamlessly presents recognisable scenes from the original movie. With book and lyrics by Eric Idle and a celebrated score composed by John Du Prez and Idle, this riotous retelling follows King Arthur and his loyal Knights. Affectionately parodying standard musical theatre tropes, the clever production delivers a dynamic combination of soaring Broadway-style vocals, tap-dancing knights, and flying cows.

Monty Python’s SPAMALOT has remained a cornerstone of modern musical theatre ever since its 2005 Broadway premiere, where it earned 14 Tony Award nominations and won three, including Best Musical. Celebrated for its sharp absurdity and anarchic comedic tone, the show boasts a legendary score filled with memorable classics like “Find Your Grail,” “The Song That Goes Like This,” and “Always Look on the Bright Side of Life”.

Following its Melbourne season, the production will move to Sydney for performances at the Sydney Event Centre (The Star Sydney) from October 15–18, before heading to Western Sydney’s Coliseum Theatre from October 22–25, 2026. The staging features choreography by Jamie & Suzi Rolton alongside vocal direction by Rainer Pollard.

Melbourne tickets are available now through www.ticketmaster.com.au. For the Sydney Event Centre (The Star Sydney), booking is accessible via Ticketmaster, and tickets for the Sydney Coliseum Theatre can be purchased through www.ticketek.com.au

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Marian Street Community Arts Centre Petition Presented To Parliament Today.

Feature-Marian Street Arts Centre

With the next state election approaching, the community is urging the NSW Government to help deliver a $30 million cultural and performing arts centre after 13 years of waiting.

The NSW Government is being asked to partner with Ku-ring-gai Council and the community to rebuild the old Marian Street Theatre and deliver a permanent cultural and performing arts centre for Sydney’s North Shore.

The project offers the Minns Government a visible, community-backed opportunity to deliver lasting infrastructure before the election — supporting children, young people, performers, creatives, schools and audiences.

Closed since 2013, Marian Street Theatre has nurtured generations of performers and audiences. Its community has continued campaigning despite the loss of its building.

Last month, the community raised $100,000 within a week, securing the Development Application indefinitely and keeping the project alive while funding is assembled.

Ku-ring-gai Council is expected to contribute half the project cost, once government and philanthropic partners contribute the balance.

Council’s financial planning identifies a proposed $30 million multi-use arts venue incorporating performance and rehearsal spaces.

The proposal is evolving into a community cultural and performing arts centre — not simply a hall.

It could provide performance and rehearsal spaces, creative development, classes and workshops for children and young people, school partnerships, accessible cultural participation, and a home for community and professional productions.

Jessica Blaxland Ashby, founding member of the Marian St Action Board, delivered a community petition to the NSW Parliament with 5827 signatures, 50% more than a similar petition in 2018.

The campaign thanks local State MP Matt Cross for supporting the vision and the community petition.

But after 13 years of waiting, the community says the time for government action has arrived.

“In 2026 people need more than housing and transport. They need places to participate, create, connect and belong,” said Jessica Blaxland Ashby.

“With an election approaching, every party will want to demonstrate what it can deliver. This project has strong community backing, a clear plan and a council commitment to fund half the cost once government and philanthropic partners contribute the balance.

“The community has already put its own money behind this project. Council needs to contribute half the cost. We are asking the Minns Government to partner with us and help turn this long-standing vision into a real, visible achievement.”

The campaign says Marian Street Arts Centre would give the government an opportunity to deliver practical cultural infrastructure and create a legacy for future generations.

“Bradfield helped build the rail network that still defines Sydney, and his contribution has never been forgotten,” said Tony Bates, Acting Chair of the MarianSt Action Board.

“We need leaders prepared to invest in the infrastructure that shapes the future of our city.

“Marian Street Arts Centre could be that kind of achievement: not simply a building, but a place where thousands of children and young people discover confidence, creativity and belonging.

“After an exceptionally long interval of 13 years, the community is ready to help deliver it. We are asking the Minns Government to commit to Marian Street Arts Centre as a tangible investment in the North Shore before the next election.”

Will the Minns Government partner with the community and Council to build the next generation’s theatre?

Petition Details
House: Legislative Assembly
Petitioner: Ms Jessica Blaxland Ashby
Member: Matt Cross
Number of signatories: 5827
Closing date: Tue 08 September 2026
Status: Tabled 15 September 2028

Petition text
To the Speaker and Members of the Legislative Assembly,
Marian St Theatre has been closed for 13 years.
Meanwhile, the owner, Ku-ring-gai Council, has continued to invest heavily in sporting infrastructure, supporting 44 sports fields, 67 tennis courts, two golf courses, and more. But for the arts? Only one small visual art centre.
This imbalance matters.
The arts are not a niche interest. More Australians attend live performances than all of our major sporting codes combined. In Ku-ring-gai, more than 60,000 residents actively participate in the arts, and the area’s population is expected to grow by 27% over the next 15 years.
NSW’s Creative Communities Policy identifies a critical need for more arts spaces like Marian St Theatre. Overwhelming evidence shows the arts strengthen community identity, support education and contribute to a thriving economy.
The approved design to reopen Marian St as a vibrant Arts Centre includes four purpose-built performance spaces for music, dance, theatre, exhibitions and community events. Yet the project remains on hold, ranked as the Council’s lowest funding priority, behind another sports facility, costing over $30 million.
We ask the Legislative Assembly to call on the Government to work with Ku-ring-gai Council to commit to a clear plan to open Marian St Arts Centre within three years as essential cultural infrastructure.

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