Northanger Abbey – An Austen Classic, Reborn

Jane Austen's Northanger Abbey

Jane Austen’s Northanger Abbey Rating

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5

Sallyanne Scotton Moonga has delivered an innovative adaptation of Jane Austen’s Northanger Abbey to Warners Bay Theatre.

Sallyanne, the writer/director expertly produced an original play based on Northanger Abbey with a sagacious amalgamation of The Mysteries Of Udolpho. She has created an ingenious addition of the female protagonist from Mysteries Of Udolpho, Emily St Aubert–essentially an imaginary character seen and spoken to by the main Northanger Abbey character, Catherine Morland. Catherine Morland has become so completely consumed in her Mysteries Of Udolpho novels that she has conjured Emily St Aubert to help guide and encourage her in her day to day life and dramas.

The main character Catherine Morland was played by Isabella O’Brien who delivered a phenomenal performance. Isabella beautifully captured the essence of Jane Austen in her role and transported the audience into the British Regency era. Catherine has an easy listening clear tone that perfectly executed the challenging period dialogue.

Lilly Dougherty burst onto the stage as the energetic and zany Emily St Aubert. Her vivacious and dynamic presence infused the performance with wonderful comedy delivered through an incredible array of dramatic expressions.

Tracey Gordon cleverly doubled as both Mrs Allen and Mrs Morland. Tracy’s acting was flawless, providing utmost authenticity to both of her characters. Alongside Tracy was Peter Vernon who played her husband Mr Allen as well as General Tilney. A wonderful feat by Peter who accomplished a fabulous portrayal of two very contrasting characters: Mr Allen, a sincere and devoted husband, versus General Tilney, stiff, uncompassionate and domineering. With dominating stage presence and an immaculate British accent, Peter Vernon’s presence was a highlight throughout.

Catherine Morland’s dear friends Isabella Thorpe and Eleanor Tilney were both portrayed by Jamahla Barron. Jamahla displayed admirable skill in her smooth transitions between her roles and showed great dedication to her characters.

 

 

A charming performance by Joel Latham who delivered the roles of Henry Tilney and James Morland. Joel was ever fast in his commitment to his characters and gave a solid performance.

Will Cesista was charismatic and entertaining in his roles of John Thorpe and Captain Tilney. He showed great devotion and diversity throughout and in particular I enjoyed his comedic carriage scene with Catherine Morland.

The Costumes by Peta-Elliotte Green were perfectly appropriate to the era accompanied by the ladies’ gorgeous hair styles by Ralf Jorg. Ralf has once again dazzled the audience with his creative brilliance.

The play featured original music composed by Rob Scotton which provided a pleasing background accompaniment. The sound effects were also skillfully and appropriately utilised throughout the performance.

The use of Shadow Puppetry by Ricky Moonga and Sallyanne Scotton Moonga was an enjoyable addition and provided some light hearted comedy. It was unique, playful and pertinent to the show’s content and period.

The Lighting Design by Lyndon Buckley was fitting to the moments of mystery and eeriness and then bright and bold for the vivacious scenes. In particular the candles and lanterns strewn about the stage set a pleasant ambience.

Sallyanne Scotton Moonga’s creative retelling of Jane Austen’s Northanger Abbey is immensely entertaining and remains perfectly attuned to the style of Jane Austen. By masterfully breathing fresh new life into this lesser-known classic novel, Sallyanne and her incredibly talented cast have delivered a thoroughly enjoyable and memorable performance.

To book tickets to Jane Austen’s Northanger Abbey, please visit https://www.eventbrite.com.au/e/jane-austens-northanger-abbey-tickets-1584693724589.

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Calvin Berger: A Musical Comedy

Calvin Berger: A Musical Comedy

Calvin Berger: A Musical Comedy Rating

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4

I can’t believe that prior to last night I had never heard of CALVIN BERGER: A MUSICAL COMEDY, because boy have I been missing out on something really special!

The fantastic musical is a modernised adaptation of CYRANO DE BERGERAC, a classic play written by Edmond Rostand, and is being proudly showcased at the Civic Playhouse, presented by UpStage and Hyde Entertainment and directed by Amber Curby and Seb Smee.

The story centres around four teenagers struggling through the tumultuous years of High School. They are each grappling with their own insecurities, bringing light to the truth that even those we perceive as being; the prettiest, the smartest, the coolest, all still doubt their self worth at times.

It’s a heartfelt message to all teens to be mindful of others’ feelings and to note that you never really know what inner demons your peers may be battling. Although there are some underlying subtle messages, the musical is incredibly lighthearted and hilarious, reminiscent of a 90s romcom.

All four leads were an absolute standout! Both the acting and vocals of each were nothing short of brilliant. The Vocal Director – Gabrielle Connett has delivered commendable vocal instruction to the talented young cast, who all portrayed great skill in their solos and ensemble harmonies.

Seb Smee, an up and coming superstar of Newcastle and certainly beyond, is the assistant director and producer and also plays the lead character Calvin Berger. His comedic delivery, tiny nuances and vocals are flawless. Seb, you are a young genius and I will be thrilled to attend your future productions. 

The ever-witty and delightfully nerdy best friend of Calvin, Bret, was performed superbly by Zoe Chan. Zoe’s characterisation and comedic dramatic skills were indeed A+ and I really enjoyed her convincing character delivery.

Finlay Page delivered a superb portrayal of the gorgeous and highly sought after Rosanna. Finlay gave great depth to her complex character and also delivered wonderful vocal performances throughout the show. Jude Schiller absolutely nailed the ‘handsome jock’ character, Matt. He displayed superb natural acting and an impressive vocal timbre, range and skill. A highly commendable and impressive performance all round.

The set design was very creative and I was impressed with how effective it was in creating depth and dimension to the small space they had to work with. A special shout out to the fantastic work from the sound and lighting technicians, I appreciated the pleasant sound balance and the ‘wetness’ in the microphone settings.

The Calvin Berger musical has ‘scores’ of laugh out loud hilarious moments (yes, pun intended), and I think the entire audience, myself included, were shocked by the talent and professionalism of these young performers. Calvin Berger is an immensely enjoyable and relatable production particularly appealing to ages 13+ and I urge you to support these incredibly talented young artists and help keep local theatre thriving.

To book tickets to Calvin Berger: A Musical Comedy, please visit http://civictheatrenewcastle.com.au/what-s-on/all-shows/calvin-berger.

Photographer: Jo Roberts

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The Goat, Or Who Is Sylvia: Chookas Entertainment

The Goat, Or Who Is Sylvia

The Goat, Or Who Is Sylvia Rating

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1

Presented by Chookas Entertainment & Insight Acting is undoubtedly a ‘one of a kind’ dark comedy performance. The production was expertly directed by Tim Kemp and produced by Jodie Miller. “The Goat, or Who is Sylvia?” was written by Edward Albee and was the Winner of the 2002 Tony Award for Best Play.

The performance was held at the Civic Playhouse which naturally lends itself to an intimate environment for audience participation and tonight’s performance definitely had the audience engaged, receptive and most definitely gobsmacked.

The cast of four actors displayed utmost skill and seasoned professionalism. They all shone in their own right portraying great conviction and dedication to their characters.

Tony Jozef played the lead role of Martin who has unquestionably become deranged in his newfound sexual desires. Martin is at the peak of an existential crisis as he endeavours to explain his unimaginable love affair between himself and his lover Sylvia – a goat! His unfathomable lust for Sylvia is definitely very unsettling. Tony’s ability to create empathy for his character’s grave misgivings is indeed commendable.

Joel Stibbard gave a solid performance as Ross, the long time best friend of Martin. He portrayed great comradery between himself and Martin and delivered the perfect amount of flair for a TV presenter.

Seventeen year old Billy is played by Clio Vellis who gave a wonderful rendition of a hormonal, confused teenager. Billy is struggling to comprehend newly learnt tragic information regarding his father which leaves him utterly perturbed.

Angela Robertson delivered first class acting in her role as Stevie, the loyal and dutiful wife of Martin. Angela showed unwavering commitment to her role and achieved great audience connection and sympathy to her character.

The lighting by Riordan Munnoch was simple, effective and poignant. The blackouts at the end of each scene were powerful and equally notable was the utilisation of subtle coloured lighting techniques to enhance and mirror the dramatic moments being portrayed on stage.

“The Goat, or Who is Sylvia?” is recommended for mature audiences and for theatre goers who have an appreciation for morbid humour.

It is a deeply disturbing, highly unconventional and controversial play. It explores taboo topics and themes of bestiality and incest that will definitely leave the audiences shocked, perhaps disgusted and definitely talking about it for some time.

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The Drowsy Chaperone: Presented by UON Musos

The Drowsy Chaperone

The Drowsy Chaperone Rating

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4

The Drowsy Chaperone presented by UON MUSOS at the Civic Theatre Playhouse Newcastle “does what it’s supposed to do and takes you to another world.” The entertaining musical satire was Directed by Louise Barcan and the Production Manager/Music Director was Dean Selem.

The Drowsy Chaperone is set in 1928 and is a parody of 1920s musical theatre. It has a completely nonsensical plot filled with oodles of drama and slapstick comedy. The opening night audience lapped up every comedic line and gave accolades of warm appreciation.

The Choreography by Lilly Grant was perfectly on theme, with great inclusion of famous 1920s dance moves, including the energetic Charleston and plenty of jazzy hands.

To my great delight there was 1920s inspired tap dancing choreography for the musical number “Cold Feets”, which starred Joshua Davies who played ‘the groom to hopefully be,’ Robert Martin. He delighted the audience with his enthusiastic and vivacious tap dancing, as well as his highly entertaining blindfolded roller-blading.

The lighting throughout the performance was timed meticulously and showed great creativity by Michael Conry. It was melodramatic in itself mirroring elements in the musical. The lighting provided cohesion to the plot utilising simple effective techniques for full and elaborate lighting on the ‘imagined musical parts’ and then centring spotlights on Eamon Mahon who performed marvellously as ‘The Man In The Chair.’

Eamon’s acting was absolutely astounding and unwavering throughout, he performed with the greatest of sincerity and pure honesty to his character. His steadfast natural presence and dry comedic responses elevated and unified the entire show.

Vocal director (Rachael Sebastian) produced wonderful harmonies with the ensemble and gave great direction to the lead vocalists as well. A particularly commendable job on the final number “I Do I Do In The Sky,” with a special mention to Trinity Young for her strong melodic vocals.

The leading lady character Janet Van De Graff was delightfully portrayed by Shanaya Budden who rocked the stage with her sultry tunes and dance performances throughout the entire show. I especially loved her vocal performance in “Bride’s Lament.”

 

Olivia Leathley danced and sang with great finesse as the “Laissez faire” Drowsy Chaperone character. She gave a very enjoyable and admirable performance and portrayed great comedic acting skills. Olivia’s romantic scenes with Aldolpho were definitely some of the highlights of the production. Raphael Teixeira displayed an absolutely hilarious rendition of his zany, romantic character Aldolpho. Raphael showed wonderful comedic acting skills and vocal delivery in his solo number “I Am Aldolpho.”

The quote from the musical “I just want to be entertained, and that’s the point, isn’t it?” is perfectly fitting for The Drowsy Chaperone musical. The abundance of adult humour and witty one-liners, combined with all the flair of the 1920s, ensure an enjoyable evening for all theatre goers.

To book tickets to The Drowsy Chaperone , please visit https://tickets.civictheatrenewcastle.com.au/WEBPAGES/EntaWebShow/ShowPerformance.aspx.

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