Karma Kafe: A Big Hearted Show

Karma Kafe

Karma Kafe Rating

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3

Karma Cafe is a new indie musical set in Newcastle, but it could be any town in Australia that faces the barrage of constant change and development. Written and directed by local playwright Carl Caulfield, with music by Gareth Hudson, this is a big-hearted production with a simple message about the power of community.

Cafe owner Rewa has created a sanctuary in the heart of Newcastle, where her family of staff serve the regulars, the not-so-regulars and the downright irregulars. It’s a place that welcomes Joe, the mute bongo drummer, gives glasses of water to tired passers-by and has a bearded barista and opera-singing Scottish chef.

But there’s trouble brewing in the form of a skeezy developer with big plans for Darby Street with his mantra of the New New Newy. With the help of The Fixer, he’s going to demolish the old buildings and build a new multiplex.

What these ‘visionaries’ fail to realise is that the Karma Kafe is not just a place to get coffee and smashed avo on toast; it’s a meeting place for people trying to find connection in a complicated world.

There’s the writer who’s working on his first novel and also trying to work up the courage to ask out the waitress, Millie. Then there’s a young man trying to cope with his anxiety, who never wants to leave the security of the cafe. There’s the aggressive dog owner who sticks her nose in where it’s not wanted (but perhaps where it’s needed). And the old dancer who can only get about now with the assistance of his walking frame.

Karma Kafe

 As the developers close in with their nefarious plans, the community must come together to save their haven.

This is very much a Newcastle show, and the Novocastrians in the audience were delighted with the local touches – the writer’s crime novel features a murder in Carrington, and there are frequent allusions to money being moved around in brown paper bags (an embarrassingly true part of Newcastle’s recent political past). But with a little adaptation, this could easily be translated to Wollongong, Toowoomba or any mid-sized city in Australia. Themes of corruption are, unfortunately, all too common. Fortunately, so is community, love and the power of a local gathering place.

A highlight of Karma Kafe is the terrific set, which establishes the location in a simple and universal way. Anyone in the world would recognise the homely, comfortable cafe. The musical numbers gave each performer the opportunity to shine. Having a live band on set is a fantastic treat in a venue of this size and the musicians and singers worked well together. There were quite a few laugh-out-loud moments and a strong sense that we, the audience, were on the side of Karma Kafe and its ragtag collection of staff and locals.

Overall, some of the story threads didn’t resolve, but with a cast of more than 15 characters, that’s perhaps to be expected. If you don’t interrogate the storyline too closely, this is a fun evening of karma, community and coffee that will surely be a crowd-pleaser.

For more information and to book tickets, please visit https://www.carlcaulfieldstraydogs.com/

Remaining Sessions:-
Tuesday 08 October 2024 @ 7:30 pm
Wednesday 09 October 2024 @ 7:30 pm
Thursday 10 October 2024 @ 7:30 pm
Friday 11 October 2024 @ 7:30 pm
Saturday 12 October 2024@ 2:00 pm and 7:30 pm

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Into The Woods: Presented by UON Musos

Into The Woods

Into The Woods Rating

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UoN’s Musos took on the production of Sondheim and Lapine’s “Into the Woods”, a well-known challenge within the industry. Refusing to bow to opening night nerves, the cast was admirable, and put on a cracker took on the pressure of opening night nerves, and put on a cracker of performance for their first night show!

Singing, dancing, and acting their way through the performance, the cast transported us into their world of magic and fairytales, with each and every performer putting their all into the show.

The show featured jaw-dropping performances from some show-stopping singers, with their voices and belief in their characters bringing me to tears at all the best moments. Opening night comes with the inevitable occasional issue with timing and cues, but we watched the characters believably progress and grow into themselves. The characters, like the magical beanstalk itself, grew in confidence and timing as the performance went on, and the show will no doubt climb higher in quality and grow stronger with every show.

Aside from the acting, the set design and stage use were phenomenal. The cast had very limited space to perform such an intense play with complex staging, and they managed it extraordinarily well. The props deserved recognition of their own and were incredibly well-suited to the vibe and experience of the show.

Into The Woods

 

Opening night technical issues aside (those flimsy radio mics strike again!!), massive kudos to the tech crew, especially the conductor—he was on his feet but never missed a beat.

I would have loved to see a few more original takes on the characters and scenes, but overall, I recommend this as an enjoyable play, a good evening’s entertainment, and an enjoyable rendition of the popular 1986 play.

With only two sessions left, please show your support for upcoming local talent and book your tickets quickly here at https://www.newcastle.edu.au/events/community-and-alumni/the-conservatorium/into-the-woods-presented-by-uon-musos

Showtimes:

Friday, 13th of September: 6:30-9:30pm
Saturday, 14th of September: 1-4pm, 6:30-9:30pm

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Bonnie & Clyde: The Musical

Bonnie & Clyde: The Musical

Bonnie & Clyde: The Musical Rating

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2

The tale of Bonnie & Clyde is a well-known one, but this musical put on by Stand and Deliver Inc. will make you hear it like never before, set to a rambunctious rockabilly and glamorous gospel soundtrack!

The cast of actors performed wonderfully, drawing the audience into their world using their passion and strength of character, each performer nailing their complex character and filling every moment with idiosyncrasies to look out for. The staging meant even the minor characters could steal the spotlight for themselves in each moment (I’m looking at you three ladies in the hair salon!), giving us a well-rounded view of 1930s America and all the intricacies.

The cast’s singing was just as strong, the solos making you lean forward, desperate to hear more, only for the choirs to throw you back in your seat with the power of their harmonies.

For the costuming and set design, I must give the stage crew major props. Every piece of the set was chosen with purpose and passion, and the whole stage was used to the absolute fullest potential possible. While this did mean you may miss minor details if you happened to have a tall person sitting in front of you, the overall experience and stage presence this brought more than makes up for it, and the fast pacing means the characters will be back in view for you in mere minutes.

For each scene transition, the stage crew knew exactly what to do and where to be at any given moment, a well-oiled machine that made every transition seamless.

 

Of course, there were some minor issues—singing being drowned out by the music, microphones cutting out on actors, and some lines being delivered to the back of the stage rather than us as the audience—but these are often to be expected for an opening performance.

Each issue was combatted instantly, and the performance grew smoother as the night went on. Nothing dulled the audience’s mood, with people bopping along and hollering out throughout the whole show, creating a positive environment for the audience and actors alike.

This meant that despite costume surprises, the actors remained in character throughout, swiftly using the issue as a character choice in-scene.

Bonnie and Clyde’s run is going to be short. Sadly, this show runs only for three nights this week, and you’ve already missed opening night. Be sure not to miss it and support a new and up-and-coming local theatre company: Stand and Deliver Inc.

Book your tickets quickly @ https://www.trybooking.com/events/landing/1217425

Showtimes:

Friday, 6th of September: 7:30-10 pm
Saturday, 7th of September: 7:30-10 pm

Location: Warners Bay Theatre

Music by Frank Wildhorn (Dracula: The Musical, Jekyll & Hyde), lyrics by Don Black (Dracula: The Musical, Billy), and book by Ivan Menchell (Death Note: The Musical).

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Annie: Presented by Chookas Entertainment

Annie

Annie Rating

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13

“You’re Never Fully Dressed Without A Smile” and attending the Chookas Entertainment production of Annie definitely added infinite smiles to myself and every other person who attended last night’s performance. The Civic Theatre Playhouse venue allowed a personable, intimate performance and encouraged oodles of interaction and accolades from the audience.

For those unaware the story is set in New York City during the 1930s Great Depression. The musical production is based on Harold Gray’s daily comic strip “Little Orphan Annie” which debuted in 1924 in the New York Daily News. The engulfing theme is ‘hope’ in a trialing time of widespread poverty and hope for little abandoned Annie in her overly optimistic search for her parents. There is an overriding feeling that hope promises tomorrow “The sun will come out.”

Annie was played by Sage Brooks and she lit up the stage and the hearts of the audience. Her character delivery of Annie was sublime. Sage delivered Annie’s unwavering hope and optimism divinely. I was amazed at her unfaltering dedication to her character depth and the sheer amount of talent this young star beholds. She is a perfect candidate for Hollywood’s next movie remake of Annie.

Nicolette Black delivered a fabulous portrayal of the drunken, conniving Miss Hannigan with outstanding acting and vocal skills. Her impeccable comedic timing and subtle expressions were also thoroughly impressive.

DJ Konz was perfectly cast as Oliver Warbucks, providing a splendid portrayal of the self-discovering billionaire. DJ Konz showed a natural warmth in his stage presence and showcased his musical lustrous vocal abilities.

 

James Walker who brilliantly played Franklin Roosevelt has one of those warm, rich, melodic tones reminiscent of Christmas. My heart felt joyous every time he opened his mouth to sing.

I feel compelled to make a special mention of the character Molly performed by a seemingly very young Olivia King. What a superstar in the making! A triple threat singer, dancer and actor that stole the stage whenever she graced it.

All of the children in the ensemble gave a fabulous performance and their New York accents were ‘on point.’ Newcastle definitely has plenty of up and coming incredible talent.

The adult ensemble also delivered an energetic and vibrant performance. I particularly enjoyed the inclusion of tap dancing. The ensemble harmonies were ethereal especially in the finale number of “Tomorrow.”

The Music Director, Mathew Gallimore should be highly commended for his vocal and musical instruction. I thoroughly appreciated the unwavering, authentic character depictions throughout the vocal performances.

Music, sound and lighting were without fault and perfectly cued throughout. There was an excellent balance to the vocals and backing which I was overjoyed to hear.

Set designs and costuming were equally impressive, in particular the orphan costumes, down to their footwear, were perfectly authentic to the period. I found the set design of the beds to street doors conversion highly effective.

Congratulations to the director Danny Folpp, Maddie Watts (Choreographer and assistant Director) and Jody Miller (Producer) you should be beaming with pride at your brilliant achievement in bringing this fabulous production of “Annie” to Newcastle. ‘Chookas’ to the remaining of your performances.

Chookas’ “Annie” production will continue to run in the Civic Playhouse until the 14th of September, with multiple shows and times to suit. It is very reasonably priced at only $59 for adults and $39 for children. I urge you to get your tickets now if there are any remaining. Chookas’ production of “Annie” will guarantee you a night filled with joyous, heartfelt moments and plentiful laughs.

For tickets, please visit https://www.chookasentertainment.com/annie

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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