The Elvis Big Band Tribute Show

The Elvis Big Band Tribute Show

The Elvis Big Band Tribute Show Rating

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The Elvis Big Band Tribute Show is touring Melbourne and regional Victoria, so for all of you Elvis-loving fans out there, head out and enjoy a night of music dedicated to The King.

Being an Elvis tribute show, you’ll get the songs you love, but don’t expect an Elvis impersonator; that’s not what this show is about. The 14-piece band back up ‘Elvis’ on stage, and the high callibre of talent across all musicians is evident. If you close your eyes, you could sometimes be mistaken for thinking the King is still alive (perhaps he is?!).

Whether you’re an Elvis ‘mega-fan,’ or just like his music, this show is an enjoyable evening out for all ages. How lovely to look around the audience and see all kinds of Elvis fans, not to mention a range of ages from children to our elders, all under one-roof, enjoying the music of The King. There were the clear ‘die-hard’ fans; decked out in Elvis costumes or custom-made Elvis tribute outfits (mostly sitting in the front rows and belting out every song with doe-eyed looks towards ‘The King’).

And then you can spot who I like to refer to as the ‘quiet appreciators’; singing along quietly to the songs with a tender smile and glint in their eye, or simply tapping their feet with their eyes fixated on the show, perhaps reminiscing about anther time or place where the music of Elvis left an impression on their life.

Not many people over the course of history affected so many with their music like The King. And with his history of so many hit songs, most of the better-known Elvis songs were covered throughout the evening. But as is often the case often with time restraints, some were omitted (I had been looking forward to ‘Love Me Tender,’ but it was not to be). With such great energy on stage from all the performers, it is hard not to start tapping your feet, clapping your hands to the beat, or belting out the lyrics yourself.

 

Technically, the show ran quite well but hit a couple of noticeable snags. There were some minor sound issues in the first couple of songs, meaning that the band overshadowed ‘Elvis’ purely in volume levels, drowning out The King and making it hard to clearly hear the lyrics. The lead guitarist seamlessly changed half of the broken guitar strings during the performance, with great professionalism and without affecting the show. Kudos to him!

I felt the need for a troupe of dancers was not necessary for this show, and to a degree, it reduced the high standard that the band and Elvis otherwise brought to the stage, with most dance numbers coming across as quite amateur. However, the costumes, energy, and enthusiasm abounded. When we saw everyone on stage having fun (which they were!), it brought a certain kind of joy and variety to the energy on stage, which I am all for.

A distraction to the audience in the form of an enthusiastic stage manager/roadie popping his head out of the wings throughout the entire night was just that: distracting (albeit very entertaining in its own way). A large portion of the audience could easily see him, as he didn’t shy away from looking out into the audience several times or just standing basically on stage with the band. But in its own quirky way, it also added to the charm and enjoyment of the show. And at the end of the day, it’s the music of Elvis that we all came along for, and we got a really solid show in that regard.

If you love Elvis, this show will give you fantastic vocal and instrumental performances across the board. And who doesn’t love a Big Band live music show?! Go and see The Elvis Big Band Tribute Show when it tours near you!

For tour information please check https://www.elvisbigband.com/

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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Show Review: Melbourne International Elvis Festival 2024

ELVIS PRESLEY The Legend Lives On: 55 to 77

ELVIS PRESLEY The Legend Lives On: 55 to 77 Rating

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The 2024 Melbourne International Elvis Festival staged at the National Theatre in St Kilda offers a 3-hour-long time capsule, transporting Elvis fans back to the pinnacle era of star-studded rock n’ roll. The show is performed by five Elvis tribute artists descending on Melbourne from around the globe, each offering a unique portrayal of the dazzling American icon.

Moses Snow opened the production with vibrant charisma and a youthful glow symbolic of the early success of Elvis. Snow staged choreography unparalleled to any other performer of the night and invigorated the theater with his electric spirit. Snow aptly included “Blue Suede Shoes” in his set, which ultimately became one of the most memorable numbers of the night, and prepared the audience for further exhilaration.

Ted Torres closed the first act with a medley of songs derived from the 1968 ‘Comeback Special’. Torres performed a vocally powerful act, though the high number of hits performed was somewhat disproportionate to his crowd interaction resulting in a slight lack of connection. The artist radiated Elvis best in his ballad covers of ‘Memories’ and ‘If I Can Dream’.

Opening the second act was star-studded, all-round performer Jay Dupuis. Dupuis is the winner of several Elvis tribute accolades and is recognized as Graceland’s Ultimate Elvis Tribute Artist World Champion. Such distinguished achievements were on full display throughout his set, with highlights including “I Want You, I Need You, I Love You” and “In The Ghetto”.

Dupuis is adorned with a natural ability to charm and tease the audience, with impeccable improvisational ability to allure crowd members and create a genuinely magnetic experience. Dupuis was the first act of the night to hand out scarves as Elvis did throughout the 1970s, making him an instant fan favorite.

Bruno Nesci performed an enjoyable set with clear confidence and conviction as Canada’s first performer to make it to the Top 5 in the Ultimate Elvis Contest. Nesci conveyed genuine interest in his Melbourne audience and mastered the art of creating interpersonal connections through dialogue. “You Gave Me A Mountain” was particularly memorable for his strong vocal abilities and commitment to the iconic aura of Elvis.

David Lee closed the production with everlasting energy, impressing audiences with his ability to sustain momentum toward the end of the third hour. Lee candidly introduced his wife to the audience before memorably performing “Can’t Help Falling In Love”.

Overall, the show had moments of awe, excitement, and charm, but ultimately ran past its prime, and could have benefited from each artist performing a slightly shorter set. A curtain call of all performers would have worked well to increase the feel of a well-rounded Elvis tribute rather than encourage a comparative analysis of each performer. The show was also let down in part by inconsistencies in sound and lighting. A strange faltering light frequently distracted the show and microphone audio issues caused hassle for the performers, provoking ongoing rambling from the audience.

Besides some shortcomings, what was most special about the show was witnessing such commitment to the aura of Elvis, which embodied connection, charm, and seduction of the female gaze. The show overall had moments of genuine joy and lust which so wonderfully opened the world of Elvis to younger audiences, and celebrated the remembrance of fond memories for long-time fans.

This review also appears on It’s On The House. Check out more reviews at Whats The Show to see what else is on in your town.

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The King’s Singers

The Kings Singers

The King’s Singers (KS) is a classical music supergroup with two Grammys and one Emmy that performs over 100 concerts per season all over the world. If you haven’t heard of them, then open your ears!

This group have been around since 1968 and is steeped in the English choral tradition of King’s College Cambridge, but brings those high precision vocal and ensemble skills to an eclectic range of styles from avant-garde to Renaissance to contemporary pop.

The line-up has changed over the years, but the quality and versatility of the group have not. Jonathon Howard (bass) has been a member for 13 years, and Christopher Bruerton (baritone) for 11 years. Chris is from NZ, and don’t we Aussies love to embrace Kiwis who make the international stage! Patrick Dunachie and Edward Button sing countertenor (the male equivalent of the soprano range), Julian Gregory, tenor, and Nick Ashby, baritone.

The current lineup has been stable for four years, and what a busy four years it has been! They have released 11 albums since 2019 and also launched their Global Foundation, which seeks to reach out to community singers and choirs through free workshops and online sing-along videos. The foundation also nurtures new composers through competitions, workshops, and commissions and brings in mentors such as Joe Hisaishi and Ola Gjeilo.

Their website says, “Underpinning all this work is the fundamental belief that the act of singing together is beneficial, both individually and also for the societies in which we live. In today’s ever-more fractured world, we feel it’s more important than ever.”

The King's Singers

The album that showcases songs that bind people together in grief, in celebration, or when fighting for a cause is “Finding Harmony”(2020) and their Melbourne Recital Centre concert (19 March, 2024) opened with four songs from this album, including This Little Light of Mine and If I Can Help Somebody from the Civil Rights Movement in the USA.

Three albums were released in 2023 (I told you they were busy!), and we were treated to highlights from each. ”Tom + Will – Weelkes & Byrd: 400 Years” featured Renaissance psalms and madrigals, “Wonderland” featured avant-garde musical storytelling with Georgy Ligeti’s Nonsense Madrigals based on Lewis Carroll’s Alice in Wonderland stories, and “When You Wish Upon a Star” is a Disney album but with arrangements commissioned from the likes of John Rutter, Toby Young and Alexander L’Estrange.

However, it was the Australian ties that brought the experience close to our hearts. During the tour that placed the King’s Singers on the international stage in 1972, they visited 30 different Australian cities and sang a song they had commissioned from Australian composer Malcolm Williamson. This song “The Musicians of Bremen” was recorded for Wonderland (2023) and really shined in performance with each singer taking on a character in the story (donkey, dog, cat, rooster, and two would-be thieves).

Derek Bogle’s song ‘’And the Band Played Waltzing Matilda” always brings me to tears but the dissonance between the bare-faced lyrics (about the ANZAC veteran returning from war without legs and asking the question why) and the light musical setting was even more poignant due to beauty of the arrangement and the softly caressing warm velvety tones that is the King’s Singer’s signature sound.

If a choir nerd friend brought you, there was more than enough familiar music to keep you happy: from Mexican mariachi band to Supercalifragilisticexpialidocious, Paul Simon, Billy Joel, Beatles and even Horses by Aussie Daryl Braithwaite, now a pop music favourite. They were pleased to tell us that the Melbourne Recital Centre is one of their favourite venues in the whole world and gave us two encores – a hilarious Flight of the Bumblebee (complete with an imagined bee making a nuisance of itself) and then I Still Call Australia Home. What’s not to like!

Finally, to choir nerds—did you know that Timothy Wayne-Wright, ex-KS, now lives in NZ and visits Australia regularly? He will be leading professional development workshops for singers and conductors at UKARIA A Capella Academy, Adelaide, in June 2024, with VOCES8 as Ensemble in Residence. Get on it if you can!

This review also appears on It’s On The House, and check out more reviews at Dark Stories Theatre to see what else is on in your town.

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