Secret Life of Humans

Secret Life of Humans

Secret Life of Humans Rating

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Secret Life of Humans is an award-winning play by David Byrne that explores six million years of human history through the lens of a personal family mystery. Directed by Audrey Poor, the Joondalup Encore Theatre Society launched their first show last night to an intimate but captivated audience at the St. Stephens Theatre.

The story follows Jamie Bronowski (played by Jash Kapoor), the grandson of the famous scientist and broadcaster Dr. Jacob Bronowski (Oliver Rogers) known for the Ascent of Man). In the present day, Jamie goes on a Tinder date with Ava (Melissa Humphries), a research scientist who is secretly an expert on his grandfathers work.

Ava introduces the show by speaking directly to the audience, where we sit as students in a lecture room. The plot unfolds as Ava takes us back two weeks-on a Tinder date. She fakes an interest in Jamie, in order to retrieve his grandfather (Dr. Bronowski’s) secret files, hidden in his old family house which Jamie is conveniently staying at. Locked since 1949, they now discover documents revealing Bronowski’s hidden role in World War 2. The shocking revelation exposes Bronowski, as a significant influence in the deaths of hundreds of thousands of innocent civilians due to his work calculating the mathematics behind ‘saturation bombing’ to maximise civilian casualties, the opposite of his public image as a humanistic, progressive scientist.

 

 

Oliver was brilliant in capturing the essence Jacob in his younger years, a mid-century mathematician, supported by his colleague, George (Zai Cook) and wife, Rita (Leila Le Map). The trio danced around a subtle side story that moved attention away from the impact of the conflict and more towards possible secrets of his personal life. Due to the turning point of the story it begged to question, which revelation was more threatening for his grandson, Jamie? It poses questions on the morality and ethics of the human condition.

The staging beautifully captures The Secret Life of Humans as a collision between intellect, memory, and lived experience, all cleverly put together by before-mentioned, Audrey Poor.

The set is split into three distinct worlds, all existing at once. Upstage, the raised platform functions as a professor’s study or scientific archive, with a formal desk, globe, bookshelves, and a blackboard-like wall covered in equations and symbols. It suggests the space of the deepest thinking intellectuals, on the cusp of answering life’s great questions, leading the modern day human into the new world.

It contrasts with downstage, representing today, and more familiar territory, a smaller kitchen-style table used for reading, working, drinking coffee. The scattered storage boxes bridging the two levels feel symbolic of memories, generations and stories yet to unpack.

Together, along with the performers standing in different times, create a visual metaphor for the many layers of human existence—the personal, the intellectual, and the social. The wide open central floor becomes a space where these worlds can intersect and eventually does. It’s a thoughtful, atmospheric design that feels perfectly aligned with a show about what it means to be human.

To book tickets to Secret Life of Humans, please visit https://www.taztix.com.au/event/jets/.

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One-Acts By Locals: Presented by JETS

One-Acts By Locals

One-Acts By Locals Rating

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In recent years the Joondalup Encore Theatre (JETS) have relocated their performances from their home at Padbury Hall to the St Stephens High School Theatre in Duncraig. It’s an impressive space with comfortable seats and all the mod-cons you see in high school theatres these days; not like in my day where we would resort to hiring a stage for the drama room that seemed like something from Ikea, arriving in about 20 pieces, with the kids expected to construct it.

The premise of JETS’ April season is three one-act plays written by locals. I love that Community Theatre provides a platform for local talent, with years of experience or not, giving them a chance to share the stories that may have spent years in a notebook as an idea, or even a fully fleshed out script.

The first half of the evening featured two plays by Johnny Grim, ‘A Little Love and Understanding’ and ‘Jilted Lovers Helpline’. As we entered the theatre, the stage was already set with three men happily chatting at a table, drinks in hand; as the lights dimmed, the conversation grew louder, making a natural start to ‘A Little Love and Understanding’. Mike’s wife is ready to leave him, and he is completely clueless as to why, so he seeks guidance from his two friends (who aren’t exactly living love’s young dream themselves) and his two grown up daughters. Cue conversations about the changes in relationships from the early days of flowers, date nights and romantic gestures to the mundane tasks of everyday life and responsibilities of family that tend to get in the way as the years go by.

‘A Little Love and Understanding’ features a talented cast who drew the audience into the situation, much of the conversation being relatable to the audience in one way or another. The set was simple but effective, good use of props and movement around the space, while subtle perfectly suited the situation.

Gone are the days of the slow open and close of curtains between every scene, audiences nowadays will quite happily sit and watch the quick shuffle of sets between scenes, it feels preferable to be waiting awkwardly for what can feel like an eternity for the curtains to open once again. JETS made clever use of the space with most of what was needed for the first two plays on stage from the start, featuring as background pieces, and then switched out to front and centre when required.

In ‘Jilted Lovers Helpline’ we are introduced to receptionists Mary and Jasmine who are on the frontline of calls from women scorned and men on the verge of a mental breakdown all due to a little thing called love. The two actresses kept us engaged in both their conversations with the aforementioned jilted lovers on the phone, and their own workplace interactions including a conversation around whether you would actually split lotto winnings having bought a ticket for a friend that won (something I’m sure we’ve all considered). Again, the simple set – a couple of desks, computers and accessories worked well for the script which included a few real laugh out loud moments.

Following a short interval we returned for ‘Playing for Sheep Stations’ written by Audrey Poor, where we were taken into a nursing home where the Bingo stakes are high and we see that high school style drama and office politics don’t end, even once you’re elderly. The largest cast of the night featured in a story that both made you laugh and tugged at your heartstrings around the harsh reality of aging. The largest cast of the night bounced off each other well in this enjoyable piece.

With four shows only across one weekend it takes an ambitious group, so well done to JETS. Although I’m sure the cast and crew’s exhaustion will be outweighed by the buzz of performing.

To book tickets to One-Acts By Locals, please visit https://www.taztix.com.au/jets/.

Performance Dates:
April 12 @ 7.30pm
April 12 & 13 @ 2.00pm
Tickets:
$25 Adult, $20 Concession
Groups of 5+ @ $18 each

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